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Cordiing SERVING TODAY's MUSIC/RECORDING-CONSCIOUS SOCIETY #06691E) $1.50 cORDIING SERVING TODAY'S MUSIC/RECORDING-CONSCIOUS SOCIETY VOL, 3 NO. 8 MAY 1978 COMMODORESA Session with the IIIIIIIIIIIIIIIIII I III lUel ( AN N'A1)IíIUHN 1S J-11vq chi ^08iW0d 0 0000 d 4tiotZva429ifi4iA www.americanradiohistory.com SEE WHAT'S NEW, THEN SEE WHAT'S BETTER 1.-d_ SIX STRI G SALES You've seen wha's new . the same MXR quality at an what's louder, sicker, tig- even lower price. ger, shinier ... bct have you So, go out and see what's seen what's better? The MXR new. Then see what's slightly Phase 90 makesasmall claim new ... and better ... from on new with its new lower ph, , ,,, llAJ MXR. price and new graphics, jut For more information see even better is :hat we've your MXR dealer. MXR In- added a touch or regenera- novations, Inc., 247 N. Good- tion for more intensity wth- man Street, Rochester, New out sacrificing that class c Ph a`c 9C sund. What York 14507, (716: 4L2 -5320. Distributed in Canada this amounts to is that the phase- that s t the indus- by Y: kville Souic Ltd., 80 Midwest Road, Scar - try standard is now ever more versa-11H - in its per- borough, Ontario formance while maintaining tl- MXF .tandard of quality and re iab lity. The Phase 9C is cne member of our f.= ily of phase shifters, which includes t-ie Phase 1CO, our top -of- the -line phase shi ter, and our Phase 45 hich offers CIRCLE 91 ON READER SERVICE CARD www.americanradiohistory.com the pr and that includes the Recording Studio I he American market after tw3 years of trendsetting success in Europe, RSD is competition, as well as tvvo very important, unique extras. Incorporated it .usly variable mid and bass cxntrols allowing a parametric equalization effect collars higher. Plus ... the RSV is equipped with a multicore connector coup itweight cable (supplied witF stack- able winding spindle) to its 12 channel s . The RSD mixer is availab e only through the highly selected dealers you see GOSPEL SOUND & MUSIC CO. Pft WEST L.A. MUSIC 585 Lighthouse Ave. 345 Santa Monica Blvd. Monterey, CA 93940 )s Angeles, CA 90025 (408) 373 -5272 (213) 477 -1945 LEO'S MUSIC I CKERS PARADISE 5447 Telegraph Ave. 145 S. LBJ Dr. Oakland, CA 94609 n Marcos, TX 78666 (415) 653 -1000 (512) 392 -9467 APEX MUSIC -IAN ICH MUSIC 702 Broadway WI 235 N. Azusa San Diego, CA 92101 Covina, CA 91791 (714) 232 -4351 cec% '`ti` f 213) 339 -9419 R.S.V.P. Use the convenient form and post- paid envelope attached. www.americanradiohistory.com All Equalizers are not Created Equal The Moog`' Ten Band Graphic Equalizer and Three Band Parametric Equalizer are the first of a series of new signal processors designed specifically for the needs of today's creative electronic performers. We have combined state -of- the -art performance with smooth -working musically logical controls and potent input /output resources into a rugged, attractive ra ck- mountable case. The Moog Parametric Equalizer gives ycu full control of the frequency, width and height of three wide range resorances. The Moog Graphic Equalizer spans the entre audio range in ten precisely -spaced octave bands. The right hand controls are these Signal Processors carry the Moog heritage! unique to signal process- For more information on the Equalizers write to ing equipment: a DRIVE Moog Signal Processors at the Lincolnwood address. control for getting the cor- rect internal operating evel for maximum signal to noise. An insertion GAIN control for balancing loudness levels, plus overload and bypass indicators. The Moog Signal Processors are the musician's equalizers. Use them as multiresonant filters to ex- pand your instruments tone color resources. As spectrum shapers to achieve balance in your en- SIGNAL PROCESSORS semble. And as space expanders to spread out For more information, write: your sound. Norlin Music, Inc., Advertising Dept. MF -1 Play the musically engineered controls. Listen to 7373 N. Cicero Avenue, Lincolnwood, Illinois 60646 the clear, clean fat sound that comes out. After all, In Canada: 51 Nantu:ket Blvd., Scarborough, Ontario (INOrlin),M CIRCLE 85 ON READER SERVICE CARD www.americanradiohistory.com the pros stick together... and that includes the Recording Studio Design 12 x 2 foldback mixing console. Fresh on the American market after two years of trendsetting success in Europe, RSD has specifications which easily meet and surpass its competition, as well as two very important, unique extras. Incorporated into the panel is 3 band equalization with continuously variable mid and bass controls allowing a parametric equallization effect not found on other mixers priced hundreds of dollars higher. Plus ... the RSD is equipped with a multicore connector coupling allowing the hookup of its optional 150' lightweight cable (supplied with stack - able winding spindle) tto its 12 channel stage box ... a truly practical, very low cost. extra. The RSD mixer is available only through the highly selected dealers you see listed below. GOSPEL SOUND & MUSIC CO. HUD SOUND WEST L.A. MUSIC 585 Lighthouse Ave. 1607 A Juliesse Ave. 11345 Santa Monica Blvd. Monterrey, CA 93940 Sacramento, CA 95815 Los Angeles, CA 90025 (408) 373 -5272 (916) 929 -0898 (213) 477 -1945 LEO'S MUSIC FANCY MUSIC LTD. PICKERS PARADISE 5447 Telegraph Ave. 744 State St. 145 S. LBJ Dr., Oakland, CA 94609 Santa Barbara, CA 93901 San Marcos, TX 78666 (415) 653 -1000 (805) 963 -3503 (512) 392 -9467 APEX MUSIC HANICH MUSIC 702 Broadway 235 N. Azusa San Diego, CA 92101 W. Covina, CA 91791 (714) 232 -4351 (213) 339 -9419 or for more information write to: RECORDING STUDIO DESIGN PO Box 221 Rowlett, TX 75088 CIRCLE 78 ON READER SERVICE CARD www.americanradiohistory.com All Equalizers are not Created Equal The »looe Ten Bmid Graphic Equalizer and Three Band Parametric Equalizer are the first of a series of new signal processors designed sp cifically for the needs of today's creative electronic performers. We have combined state -of- the -art performance with smooth -working musically lc gical controls and potent input /output resources into a rugged, attractive re ck- mountable case. The Moog Parametric Equalizer gives you full control of the frequency, width and height of three wide range resonances. The Moog Graphic Equalizer spans the entire audio range in ten precisely -spaced octave bands. The right hand controls are these Signal Processors carry the Moog heritage! unique to signal process- For more information on the Equalizers write to ing equipment: a DRIVE Moog Signal Processors at the Lincolnwood address. control for getting the cor- rect internal operating level for maximum siignal to noise. An insertion GAIN control for balancing loudness levels, plus overload and bypass indicators. The Moog Signal Processors are the musician's o equalizers. Use tnern as multiresonant filters to ex- pand your instruments tone color resources. As spectrum shapers to achieve ba.alnce in your en- SIGNAL PRO_CES_S_ORS semble. And as space expanders to spread out For more information, write: your sound. Norlin Music, Inc., Advertising Dept. MR -1 Play the mus tally engineered controls. Listen to 7373 N. Cicero Avenue, Lincolnwood, linois 60646 the clear, clean, fat sound that comas out. After all, In Canada: 51 Nantucket Blvd., Scarborough, Ontario (Norlin),M CIRCE 85 ON READER SERVICE CARD www.americanradiohistory.com MAY 1978 ERN VOL. 3 NO. 8 RIC RDIING SERVING TODAY'S MUSIC/RECORDING-CONSCIOUS SOCIETY THE FEATURES THE STAPLES GROUNDING PROBLEMS LETTERS TO THE EDITOR 4 By Lothar A. Krause, Jr. 36 Those annoying clicks, pops and hums TALKBACK c can also be extremely dangerous. How- The technical Q & A scene. 6 ever, with a little foresight and proper technique they can be avoided, and tech- THE PRODUCT SCENE nicians and musicians will all be better off By Norman Eisenberg 28 for it. The notable and the new, with a comment on new "monitors" available. A SESSION WITH THE COMMODORES MUSICAL NEWSICALS By Larry Rebhun 48 By Fred Ridder 32 One of the very few acts that can "ship" plati- New products for the musician. num, the Commodores are the pride of Motown and of the record buying public. The AMBIENT SOUND members of the group are incredibly hard By Len Feldman 64 working -"We'll work thirty -six hours a day" New rulings by the IHF will affect us all, and -and their albums show the result of that they will be shortly forthcoming. Explana- hard work. tions are in this month's Ambient Sound. ECHO, REVERB AND DELAY LAB REPORT - Part 'I By Norman Eisenberg By Peter Weiss 54 and Len Feldman Now that "echo," "reverb" and "delay" have Fisher CR -5120 Cassette Tape Recorder all become standard terms and techniques in Russound QT -1 Switchbox today's recording world, perhaps it's time Celestion 66 Speaker System that we sat down and took a look at what they are, what they mean, when to use them, and GROOVE VIEWS 74 perhaps most important, why we need them. Reviews of albums by Joan Armatrading, 10cc, Eric Clapton, The Rumor, Randy New- man, Eddie Condon and Chuck Mangione. ADVERTISER'S INDEX 96 COMING NEXT ISSUE! Echo, Reverb and Delay -Part ll Cover photo by Joanne Geffen The Making of a Record Modern Recording is published monthly by Cowan Publishing Corp., 14 Vanderventer Ave., Port Washington, N.Y. 11050. Design and contents are copyright by Cowan Publishing Corp. and must not be reproduced in any manner except by permission of the publisher. Second class postage paid at Port Washington, New York, and at additional mailing offices. Subscription rates: $12.00 for 12 issues; $22.00 for 24 issues.
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