The Hybrid Mobile Instrument: Recoupling the Haptic, the Physical, and the Virtual
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Skiesunlimited
Winter/Spring Catalog 2018 SKIESUnlimited USAG Italy Schools of Knowledge, Inspiration, Exploration & Skills About Us Contents Discover the The SKIESUnlimited Program at School of Academics, Mentoring & Intervention USAG Italy supports the Child & Our Philosophy Youth Services commitment to 1 Italian Language Families by enhancing options for the At SKIESUnlimited, our focus is development of youth through quality high quality instructional classes School of Arts, Recreation & Leisure learning opportunities. inspiring our students to explore, learn and grow. 3 Multicultural Creations We offer instructional classes for 4 Fine Art youth in each of our four schools: Through a cadre of caring faculty 5-6 Pre-Dance, Tap & Ballet with Ms. Silvia School of Academics, Arts, Life and and staff, we encourage our 7-8 Modern Dance & Dance Theatre with Ms. Boba Sports. SKIESUnlimited is committed students to set high goals and 9 Irish Dance with Ms. Esther 10 Kindermusik® to creating an environment of work to achieve them. excellence by providing quality class 11-15 Private Music Instruction materials and using instructors who We strive to provide a variety of School of Life Skills, Citizenship & Leadership are certified experts in their fields. educational activities for all Classes are offered for specific age members of our CYS Family and 17 Cooking groups ranging from 6 months to 18 seize every opportunity to learn, years of age. grow, support and have fun! School of Sports, Fitness & Health Enrollment for SKIESUnlimited Thank you for supporting the classes takes place at CYS Parent 19-20 Parent & Me Swimming & Swimming by Levels SKIESUnlimited program! Central Services in the Davis Soldier 21 Water Fitness & Family Readiness Center, Bldg. -
Proceedings, the 50Th Annual Meeting, 1974
proceedings of tl^e ai^i^iVepsapy EQeetiiig national association of schools of music NUMBER 63 MARCH 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC PROCEEDINGS OF THE 50 th ANNIVERSARY MEETING HOUSTON, TEXAS 1974 Published by the National Association of Schools of Music 11250 Roger Bacon Drive, No. 5 Reston, Virginia 22090 LIBRARY OF CONGRESS CATALOGUE NUMBER 58-38291 COPYRIGHT ® 1975 NATIONAL ASSOCIATION OF SCHOOLS OF MUSIC 11250 ROGER BACON DRIVE, NO. 5, RESTON, VA. 22090 All rights reserved including the right to reproduce this book or parts thereof in any form. CONTENTS Officers of the Association 1975 iv Commissions 1 National Office 1 Photographs 2-8 Minutes of the Plenary Sessions 9-18 Report of the Community/Junior College Commission Nelson Adams 18 Report of the Commission on Undergraduate Studies J. Dayton Smith 19-20 Report of the Commission on Graduate Studies Himie Voxman 21 Composite List of Institutions Approved November 1974 .... 22 Report of the Library Committee Michael Winesanker 23-24 Report of the Vice President Warner Imig 25-29 Report of the President Everett Timm 30-32 Regional Meeting Reports 32-36 Addresses to the General Session Welcoming Address Vance Brand 37-41 "Some Free Advice to Students and Teachers" Paul Hume 42-46 "Teaching in Hard Times" Kenneth Eble 47-56 "The Arts and the Campus" WillardL. Boyd 57-62 Papers Presented at Regional Meetings "Esthetic Education: Dialogue about the Musical Experience" Robert M. Trotter 63-65 "Aflfirmative Action Today" Norma F. Schneider 66-71 "Affirmative Action" Kenneth -
2015-16-Course-Descriptions.Pdf
Courses ACC - Accounting ACC 201 - Accounting Principles I (3) Emphasizes the process of generating and communicating accounting information in the form of financial statements to those outside the organization. No prerequisite. Crosslisted as: ACC. ACC 202 - Accounting Principles II (3) Emphasizes the process of producing accounting information for the internal use of a company's management. Prerequisite: ACC-201. Crosslisted as: ACC. ACC 210 - Using Spreadsheets in Accounting (3) This course introduces the student to the Microsoft Spreadsheet application. The course provides intensive training in the use of spreadsheets on microcomputers for the accounting profession. The student is taught to automate many of the routine accounting functions. The student will also be taught how to develop spreadsheets for common business functions. Crosslisted as: ACC. ACC 220 - Payroll Accounting and Taxation (3) This is a comprehensive payroll course in which federal and state requirements are studied. This includes computation of compensation and withholdings, processing and preparation of paychecks, completing deposits and payroll tax returns, informational returns, and issues relating to identification and compensation of independent contractors. In addition, students will overview electronic commercial systems such as ADP, as well as review the requirements for certification through the American Payroll Association (APA). Crosslisted as: ACC. ACC 230 - Business Taxation (3) This course is an introduction to the federal tax system. This includes the basic income tax models, business entity choices, the tax practice environment, income and expense determination, property transactions, and corporate, sole proprietorship, and flow-through entities. In addition, individual and wealth transfer taxes will be overviewed. Crosslisted as: ACC. ACC 304 - Current Topics in Accounting (1) A seminar class with the objective of using a current book and/or articles as the basis for discussing new ideas or issues facing the accounting profession. -
Detecting Pre-Modern Lexical Influence from South India in Maritime Southeast Asia
Archipel Études interdisciplinaires sur le monde insulindien 89 | 2015 Varia Detecting pre-modern lexical influence from South India in Maritime Southeast Asia Détecter l’influence du lexique pré‑moderne de l’Inde du Sud en Asie du Sud-Est maritime. Tom Hoogervorst Electronic version URL: http://journals.openedition.org/archipel/490 DOI: 10.4000/archipel.490 ISSN: 2104-3655 Publisher Association Archipel Printed version Date of publication: 15 April 2015 Number of pages: 63-93 ISBN: 978-2-910513-72-6 ISSN: 0044-8613 Electronic reference Tom Hoogervorst, “Detecting pre-modern lexical influence from South India in Maritime Southeast Asia”, Archipel [Online], 89 | 2015, Online since 15 June 2017, connection on 05 March 2021. URL: http://journals.openedition.org/archipel/490 ; DOI: https://doi.org/10.4000/archipel.490 Association Archipel EMPRUNTS ET RÉINTERPRÉTATIONS TOM HOOGERVORST1 Detecting pre-modern lexical influence from South India in Maritime Southeast Asia2 Introduction In the mid-19th century, the famous Malacca-born language instructor Abdullah bin Abdul Kadir documented the following account in his autobiography Hikayat Abdullah (Munšī 1849): “[…] my father sent me to a teacher to learn Tamil, an Indian language, because it had been the custom from the time of our forefathers in Malacca for all the children of good and well-to-do families to learn it. It was useful for doing computations and accounts, and for purposes of conversation because at that time Malacca was crowded with Indian merchants. Many were the men who had become rich by trading in Malacca, so much so that the names of Tamil traders had become famous. -
Products of Interest
Products of Interest Gibber JavaScript Live-Coding background, auditioning it through Overtone is available as a free Environment headphones and pushing it to the download. Contact: Sam Aaron, master computer when they wish to. University of Cambridge Computer Gibber is a live-coding environment A number of video demonstrations Laboratory, William Gates Build- for Google Chrome. It is written of Gibber being used in performance ing, 15 JJ Thomson Avenue, Cam- completely in JavaScript and can be is available on the developer’s Web bridge CB3 0FD, UK; electronic mail used within any Web page. It uses the site. [email protected]; Web overtone audioLib.js library, which was created Gibber is available as a free down- .github.io/. by Finish musician and programmer load. Contact: Charlie Roberts, elec- Jussi Kalliokoski. Gibber extends tronic mail charlie@charlie-roberts this library to add extra effects, .com; Web www.charlie-roberts.com/ TIAALS Analysis Tools sequencing, and automated audio gibber/ and github.com/charlieroberts/ for Electroacoustic Music graph management. The environment Gibber/. provides the user with a simple Tools for the Interactive Aural Analy- syntax, sample accurate timings sis (TIAALS) of Electroacoustic music for synthesis and sequencing, and a Overtone Live-Coding Audio is the result of a research project be- simple model for networked use, and Environment tween the University of Huddersfield it supports music notes and chords and Durham University in the UK. It through the teoria.js library. Overtone is an open source audio is a set of tools for analysis and in- Six types of oscillators are avail- environment designed for live coding. -
Patent Application Publication (10) Pub. No.: US 2017/0110097 A1 Sperr (43) Pub
US 201701 10097A1 (19) United States (12) Patent Application Publication (10) Pub. No.: US 2017/0110097 A1 Sperr (43) Pub. Date: Apr. 20, 2017 (54) GUITAR CONVERSION SYSTEMAND (57) ABSTRACT METHOD Aguitar conversion system for the assembly of a guitar in an easy quick manner, from conventional guitar designs to (71) Applicant: Eric Sperr, South Plainfield, NJ (US) hybrid guitars. The guitar conversion system includes at least one main body portion and at least one side body (72) Inventor: Eric Sperr, South Plainfield, NJ (US) portion. Preferably a pair of side body portions is provided. The main body portion includes a headstock, machine heads (or pegheads, or tuners), a neck, and pickups in communi (21) Appl. No.: 13/844,781 cation with electronic controls located on the side body portion. The main body portion includes left and right edge walls having attachment means for releasably attaching at (22) Filed: Mar. 15, 2013 least one other main body portion or at least one side body portion to the main body. The side body portion includes at least one electrical control integrated therein for electronic Publication Classification communication with the main body portion. The side body portion comprising a top side wall and at least one side (51) Int. Cl. attachment portion that is adapted to mate with the attach GIOD L/08 (2006.01) ment means of the main body portion. The guitar conversion GIOH 3/8 (2006.01) system provides the ability to interchange the body portion (52) U.S. Cl. and/or each of the side body portions to change any resultant CPC .............. -
62 Years and Counting: MUSIC N and the Modular Revolution
62 Years and Counting: MUSIC N and the Modular Revolution By Brian Lindgren MUSC 7660X - History of Electronic and Computer Music Fall 2019 24 December 2019 © Copyright 2020 Brian Lindgren Abstract. MUSIC N by Max Mathews had two profound impacts in the world of music synthesis. The first was the implementation of modularity to ensure a flexibility as a tool for the user; with the introduction of the unit generator, the instrument and the compiler, composers had the building blocks to create an unlimited range of sounds. The second was the impact of this implementation in the modular analog synthesizers developed a few years later. While Jean-Claude Risset, a well known Mathews associate, asserts this, Mathews actually denies it. They both are correct in their perspectives. Introduction Over 76 years have passed since the invention of the first electronic general purpose computer,1 the ENIAC. Today, we carry computers in our pockets that can perform millions of times more calculations per second.2 With the amazing rate of change in computer technology, it's hard to imagine that any development of yesteryear could maintain a semblance of relevance today. However, in the world of music synthesis, the foundations that were laid six decades ago not only spawned a breadth of multifaceted innovation but continue to function as the bedrock of important digital applications used around the world today. Not only did a new modular approach implemented by its creator, Max Mathews, ensure that the MUSIC N lineage would continue to be useful in today’s world (in one of its descendents, Csound) but this approach also likely inspired the analog synthesizer engineers of the day, impacting their designs. -
Eastman Guitar Specifications
Series Name Parlor Orchestra Grand Auditorium Dreadnought Slope Shoulder Arch Top Originally designed to be played in small rooms, The Eastman Orchestra Model is most A popular guitar for vocal Acoustic Electric Flatpicking musicians, hard This guitar provides a Electric Description or “parlors”, the parlor guitar has a tight and popular size among fingerstyle guitarists. accompaniment, the Eastman Grand Versatile small-bodied, jumbo cutaway strummers and woodiness that's sweet A fine example of why Eastman focused sound. Eastman Parlor guitars are Large enough to be heard playing in a Auditorium models feature a very guiter perfect for fingerstyle, flatpicking, vocalist/guitarists often on the ears thanks to is a major force in the world of inspired by the great parlor guitars of the 30′s group. They are tight and focused, with balanced sound though the range. They and vocal backing. The solid Indian choose the Eastman the use of Adirondack archtop guitars. This beautiful and 40′s. Players and listeners alike are added volume. have volume sufficient for playing in a rosewood back and sides, an Alaskan Dreadnought guitars as spruce that's a popular guitar illustrates the harmonious surprised by the volume and tonally quality of group. Grand Auditoriums work well as Sitka spruce top, and an abalone rosette their “working” instrument. choice for flatpicking & relationship between premium Eastman Parlor guitars, despite their diminutive a hybrid guitar for fingerpicking and make these stunning instruments. Add in The tonal qualities make it a live vocal tonewoods and the time honored size. Most often used by fingerstyle and slide flatpicking. -
Blank1 Page Intentionally Left Blank EDITORIAL
Fellowship of European MAGAZINE Luthiers Published by the Fellowship of European Luthiers Magazine for luthiers, designers and lovers of stringed musical instruments Number 6 - 2014 / I blank1 Page intentionally left blank EDITORIAL Here we go again his adventure called SUSTAIN begins ades, and others just discovered this fascinat- its second year. Two things made it ing world. Many of you like working amidst T possible: the sawdust; others prefer the artistic side of 1) Our readers’ support. Your letters, com- lutherie. But all of you, dear lovers of all kinds ments, feedback and encouragement. of musical instruments, are the cause and the 2) Our authors’ contribution. Your articles are objective of this magazine. the heart and soul of the magazine. By shar- ing your experiences you have enriched us all. This past year we made new friends, we Some of you are professionals, some are am- learned things, and we welcomed a growing ateurs; some have been in the trade for dec- number of Fellows with the same interests. For all that, I thank you. And of course, here we go again, looking for- ward to another year talking about these won- derful chunks of wood we love to make music with. Leo Lospennato is luthier, author of books on lutherie and chief editor of SUSTAIN Magazine. He lives in Berlin, Germany. Visit www.lospennato.com 1 Imprint Letters Product news This issue’s cover Speed 2: The Making of a Winning Design By Leo Lospennato Research Laser Harps: Plucking Strings of Light By Cem Öcek Woodworking Measuring Moisture Content in Tonewood An interview with Flavia Santana Pohl Interview A Brief Guide to Copyright Law for Luthiers Advice from Dr. -
2021-2022 Undergraduate Catalog Mount St
2021-2022 Undergraduate Catalog Mount St. Joseph University compiled August 7, 2021, from https://registrar.msj.edu/undergraduate-catalog/ PDF Version History: March 21, 2021: v.2021-03 April 23, 2021: v.2021-04 – updated elective course options for requirements for the minor and the certificate in Gerontology – updated course number in requirements for the minor in Exercise Science & Fitness – updated "Graduate Courses for Undergraduates" policy – updated "Residency Requirement" policy – updated course descriptions – updated faculty listing June 14, 2021: v.2021-06 – requirements for Major in Computer Science with Concentration in Natural Language Processing: replaced five INF courses with five NLP courses – requirements for Minor in Exercise Science & Fitness: Renumbered ESF 323 and ESF 323A to ESC 323 and ESC 323A, repectively – updated Academic Dismissal policy – updated course descriptions – updated faculty listing August 7, 2021: v.2021-08 – program requirements for Minor in Forensic Science: removed option of CRM 395 – program requirements for Major in Criminology, Justice Studies Concentration: removed major elective option of CRM 395 – added teaching credential information regarding licensure programs to School of Education and State Licensure Requirements information – program requirements for Spec Ed (K-12) and Primary (P-5) Major Dual License, BA Degree, Concentration 1: added SED 215S, SED 332, SED 333, SED 334 – program requirements for Spec Ed (K-12) and Primary (P-5) Major Dual License, BA Degree, Concentration 2: correct -
Synthmaster 2.9 User Manual 1
SynthMaster 2.9 User Manual 1 SynthMaster 2.9 User Manual Version 2.9.9 Written By Bülent Bıyıkoğlu SynthMaster 2.9 User Manual 2 Credits Programming, Concept, Design & Documentation : Bulent Biyikoglu User Interface Development: Jonathan Style Bulent Biyikoglu Satyatunes Web Site Development: Umut Dervis Bulent Biyikoglu Levent Biyikoglu Factory Wavetables: Galbanum User wavetables: Compiled with permission from public archive Factory Presets (v2.7) BluffMonkey Gercek Dorman Nori Ubukata Rob Lee Ufuk Kevser Vorpal Sound Vandalism Factory Presets (v2.5/2.6): BigTone Frank “Xenox” Neumann Nori Ubukata Rob Lee Sami Rabia Teoman Pasinlioglu Umit “Insigna” Uy Xenos Soundworks Ufuk Kevser User Presets DJSubject@KVRAudio FragileX@KVRAudio Ingonator@KVRAudio MLM@KVRAudio Beta Testing: Bulent Biyikoglu Gercek Dorman Sound designers KVRAudio.com forum users Copyright © 2004-2021 KV331 Audio. All rights reserved. AU Version of SynthMaster is built using Symbiosis by NuEdge Development. XML processing is done by using TinyXML HTTP/FTP processing is done by using LibCurl This guide may not be duplicated in whole or in part without the express written consent of KV331 Audio. SynthMaster is a trademark of KV331 Audio. ASIO, VST, VSTGUI are trademarks of Steinberg. AudioUnits is a trademark of Apple Corporation. AAX is trademarks of Avid Corporation All other trademarks contained herein are the property of their respective owners. Product features, specifications, system requirements, and availability are subject to change without notice. SynthMaster -
The Computational Attitude in Music Theory
The Computational Attitude in Music Theory Eamonn Bell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2019 © 2019 Eamonn Bell All rights reserved ABSTRACT The Computational Attitude in Music Theory Eamonn Bell Music studies’s turn to computation during the twentieth century has engendered particular habits of thought about music, habits that remain in operation long after the music scholar has stepped away from the computer. The computational attitude is a way of thinking about music that is learned at the computer but can be applied away from it. It may be manifest in actual computer use, or in invocations of computationalism, a theory of mind whose influence on twentieth-century music theory is palpable. It may also be manifest in more informal discussions about music, which make liberal use of computational metaphors. In Chapter 1, I describe this attitude, the stakes for considering the computer as one of its instruments, and the kinds of historical sources and methodologies we might draw on to chart its ascendance. The remainder of this dissertation considers distinct and varied cases from the mid-twentieth century in which computers or computationalist musical ideas were used to pursue new musical objects, to quantify and classify musical scores as data, and to instantiate a generally music-structuralist mode of analysis. I present an account of the decades-long effort to prepare an exhaustive and accurate catalog of the all-interval twelve-tone series (Chapter 2). This problem was first posed in the 1920s but was not solved until 1959, when the composer Hanns Jelinek collaborated with the computer engineer Heinz Zemanek to jointly develop and run a computer program.