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Professor Victor Samson Dugga
Curriculum Vitae of PROFESSOR VICTOR SAMSON DUGGA 1. Full Name: Victor Samson DUGGA 2. Date of Birth: 9th November 1967 3. Place of Birth: Akwanga 4. Nationality: Nigerian 5. Permanent Home Address: 16 Kwang Road, Gold and Base, Jos, Plateau State, Nigeria. 6. Postal Address: Dean’s Office Faculty of Arts Federal University Lafia PMB 146, Lafia, Nasarawa State, Nigeria. 7. Mobile Tel.: +2348037009799 8. Email: [email protected], [email protected] 9. Marital Status: Married 10. Number of Children: Four 11. Languages Spoken: Fluent in English, Eggon, Hausa; passable German and Migili. 12. Life Objective: To serve humanity with dignity and integrity, empowering the less privileged to realize their optimum potentials. 13. Skills: Computer literacy: Excellent skills acquired since 1994 - proficient in Internet Applications, Word Processing Applications, Power Point, Excel and SPSS. I am trained in motnitoring and evaluation and have garnered experience in strategic planning, implementation and evaluation for higher education, NGOs and the culurarl industry. I am creative writer, possessing great people, media and communication skills. 14. Educational Institutions Attended (with Dates): a. University of Bayreuth, Germany, May 2000 – September 2001 b. University of Essex, UK, September 1994 – October 1995. c. University of Jos, Nigeria, October 1991 – April 1993. d. University of Jos, Nigeria, October 1986 – August 1990. e. Government College, Keffi, Nigeria, September 1979 – July 1984. 1 15. Academic Qualifications Obtained (with Dates): a. University of Stellenbosch, South Africa, Postgraduate Diploma in Monitoring and Evaluation (PgDME), January 2007 - March, 2008. b. Doctor of Philosophy (PhD). Dissertation: ‘Creolisations in Nigeria Theatre’ – (magna cum laude), University of Bayreuth, Germany, 2001. -
Teenage Marriage and Female Genital Mutilation
ACKNOWLEDGEMENTS He who embarks on a research or writes a book is one of the most indebted of men. So many persons contribute and assist in so many direct and indirect ways that complete recognition and repayment becomes impossibility. Who can ever adequately evaluate the influence of close friends, associates, and teachers? Yet their influence upon us and anything we undertake is deep and lasting. For most, all that can be done is humbly to acknowledge their value and influence. There are always a few, however, without whose help and encouragement the immediate task would not have been possible. In the case at hand, I wish to express particular thanks and gratitude to a few such specific individuals: To Dr. David Le Cornu for his professional guardian and inspiration and my supervisor Dr. B Rundle. To Sareola Olusola E. and my sister Mary Wilkie both of Centre-Fold Computer Training Centre and the Director for their assistance during the typing of the manuscripts. I want to also thank Dr. Fola Awosika, Medical Director Coastal Clinic and Hospital Ltd., and President Nigeria Complementary Medical Association. Feyi Oshifeso of The Lagos State Ministry of Information and Culture. Ambassador and Mrs. Martins, Dr (Mrs.) Sabina A. Ofoegbu, Assistant Director Federal Ministry of Women Affairs and Social Developments - Abuja. J. Kayode Tejumola Ajiboye Snr Research/Evaluation Officer JOHN HOPKINS UNIVERSITY CENTER FOR COMMUNICATION PROGRAMS, Nigeria Office. Felix N. Awantang, Director USAID - Nigeria. Chief Mrs. Jokotifa Ajanaku Scott, The Iyanifa of Lagos. Chief Mrs. Ogunaike - Ministry of Agriculture Lagos state. Chief A. Ijabadeniyi - Ministry of Information and Culture - Lagos. -
Nigerian Eatre Journal
Nigerian eatre Journal A Journal of the Society of Nigeria eatre Artists (SONTA) Vol. 19.3 ISSN 0189-9562 Editor Barclays Foubiri Ayakoroma 2019 Copyright © 2019 Society of Nigeria eatre Artists (SONTA) Nigerian eatre Journal (NTJ) (ISSN 0189-9562) is published by Society of Nigeria eatre Artists (SONTA), C/o e Editor, NTJ, Department of eatre Arts, University of Africa, Toru-Orua (UAT), Bayelsa State, Nigeria. All Rights Reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information or retrieval system, without the prior permission, in writing, from the Publisher or SONTA Editor. EDITORIAL BOARD MEMBERS Prof. Alex C. ASIGBO - Chairman Prof. Barclays F. AYAKOROMA - Editor Prof. Sunday E. ODODO - Member Prof. Tor IORAPUU - Member Prof. Ameh D. AKOH - Member Prof. Moh'd I. UMAR-BURATAI - Member Prof. Julie UMUKORO - Member EDITORIAL ADVISERS Prof. Olu OBAFEMI - University of Ilorin, Nigeria Prof. Chris NWAMUO - University of Calabar, Nigeria Prof. Duro ONI - University of Lagos, Nigeria Prof. Saint GBILEKAA - University of Abuja, Nigeria Prof. Irene AGUNLOYE - University of Jos, Nigeria Prof. Sam UKALA - Delta State University, Abraka, Nigeria Prof. John S. ILLAH - University of Jos, Nigeria Prof. Sam KASULE - University of Derby, UK Prof. Osita OKAGBUE - Goldsmiths College, University of London, UK Prof. Kevin WETMORE - Loyola MaryMount University, Los Angeles, USA ii Nigerian eatre Journal (ISSN 0189-9562): A Publication of Society of Nigeria eatre Artists (SONTA). Since the leadership of SONTA changes every two to four years, it is encouraged that enquiries be sent to SONTA Editor: Prof. -
The Nigerian Diaspora and National Development: Contributions, Challenges, and Lessons from Other Countries
Wapmuk, Akinkuotu, & Ibonye / The Nigerian Diaspora & National Development 292 THE NIGERIAN DIASPORA AND NATIONAL DEVELOPMENT: CONTRIBUTIONS, CHALLENGES, AND LESSONS FROM OTHER COUNTRIES Sharkdam Wapmuk Nigerian Institute of International Affairs, Lagos, Nigeria [email protected] Oluwatooni Akinkuotu Nigerian Institute of International Affairs, Lagos, Nigeria [email protected] Vincent Ibonye Nigerian Institute of International Affairs, Lagos, Nigeria [email protected] Abstract The paper, in general terms, clarifies and discusses the link between the Diaspora and the issue of development in general, and, in specific terms examines the role as well as the huge potential of the Nigerian Diaspora in national development. Drawing lessons from the historical as well as contemporary experiences of some countries such as India, China, Philippines, Italy, and Ghana, the paper argues that the Diaspora can be an agent of national development. In analyzing the different Diasporas and remittances from Diasporas from the different countries, the paper took cognizance of the fact that they are not similar to each other, just like Nigerian Diaspora has different kinds of diasporic conditions and responses as that of other African countries in Diaspora. After many years of military authoritarian rule, Nigeria returned to democratic rule in 1999. The event opened a new vista in terms of Nigerian government-Diaspora relations. This is evidenced in the increased efforts by past administrations of Presidents Olusegun Obasanjo and Umaru Yar -
Nigerian Theatre Journal a Journal of the Society of Nigeria Theatre Artists (SONTA)
Nigerian Theatre Journal A Journal of the Society of Nigeria Theatre Artists (SONTA) Vol. 17, No. 2 Editor Ameh Dennis Akoh 2017 Copyright © 2017 Society of Nigeria Theatre Artists (SONTA) Nigerian Theatre Journal (NTJ) is published by the Society of Nigeria Theatre Artists, c/o The Editor, NTJ, Department of Theatre and Film Studies, Federal University, Ndufu-Alike, Ikwo, Nigeria ISSN 0189-9562 EDITORIAL BOARD MEMBERS Professor Sunday E. Ododo – University of Maiduguri, Nigeria Professor Alex Asigbo – Nnamdi Azikiwe University, Nigeria Professor Tor Iorapuu – University of Jos, Nigeria Professor Ameh D. Akoh – Federal University Ndufu-Alike,Ikwo, Nigeria Dr Barclays F. Ayakoroma – Nasarawa State University, Nigeria Professor M. I. Umar-Buratai – Ahmadu Bello University, Nigeria Professor Julie Umukoro – University of Port-Harcourt, Nigeria EDITORIAL ADVISERS Professor Olu Obafemi – University of Ilorin, Nigeria Professor Duro Oni – University of Lagos, Nigeria Professor Saint Gbilekaa – University of Abuja, Nigeria Professor Kevin Wetmore – Loyola MaryMount University, USA Professor Chris Nwamuo – University of Calabar, Nigeria Professor Sam Ukala – Delta State University, Nigeria Professor Osita Okagbue – Goldsmiths, University of London, UK Professor Irene Agunloye – University of Jos, Nigeria Professor J.S. Egwugwu Illah – University of Jos, Nigeria Professor Sam Kasule – University of Derby, UK ii Copyright © 2017 – Society of Nigeria Theatre Artists (SONTA) All Right Reserved Nigerian Theatre Journal (ISSN 0189-9562) is published annually by the Society of Nigeria Theatre Artists (SONTA). Because the leadership of the Society changes every two to four years, it is encouraged that enquires about the Journal should be addressed to the current President of SONTA. Paper Subscription: Libraries and other institutions, U.S $100.00; individuals, U.S. -
Introduction to the Drama of Ahmed Parker Yerima
Cover Page The handle http://hdl.handle.net/1887/20858 holds various files of this Leiden University dissertation. Author: Julius-Adeoye, ‘Rantimi Jays Title: The drama of Ahmed Yerima : studies in Nigerian theatre Issue Date: 2013-05-08 The Drama of Ahmed Yerima. Studies in Nigerian Theatre Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus prof.mr. C.J.J.M. Stolker, volgens besluit van het College voor Promoties te verdedigen op woensdag 8 mei 2013 klokke 13.45 uur door ‘Rantimi Jays Julius-Adeoye geboren te Lagos in 1972 PROMOTIECOMMISSIE Promotor: Prof.dr. E.J. van Alphen Co-promotor: Dr. D. Merolla Overige Leden: Prof.dr. W.J.J. Schipper-de Leeuw, Universiteit Leiden Prof.dr. M.E. de Bruijn, Universiteit Leiden Prof.dr. R.J. Ross, Universiteit Leiden Prof.dr. M.A. Bleeker, Universiteit Utrecht TABLE OF CONTENTS Introduction to the Drama of Ahmed Parker Yerima 1 Introduction 1 Background of the Study 5 The Drama of Ahmed Yerima 7 Historical Realist Plays 10 Religious Realist Plays 12 Socio-political realist plays 15 Chapter One: Nigerian Theatre: From ‘Masquerade Drama’ to Nigerian Video Film 21 Pre-colonial Theatre 22 Nigerian Theatre during the Period of Colonialism 33 Nigerian Popular Theatre 34 The Yoruba Travelling Theatre 35 The Popular Theatre and the Advent of Television 43 Movement from Stage to Cinema and Video Culture 45 Nigerian Literary Theatre 49 The Establishment of the Arts Theatre in Ibadan 51 The Ibadan Drama Groups 52 The First Generation of Nigerian Literary