Dance Tracks 1973–1997 (From the Ballroom Archive & Oral History Project Interviews)
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MFSB Amor Universal Mp3, Flac, Wma
MFSB Amor Universal mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Amor Universal Country: Spain Released: 1975 Style: Soul, Disco MP3 version RAR size: 1684 mb FLAC version RAR size: 1254 mb WMA version RAR size: 1734 mb Rating: 4.8 Votes: 719 Other Formats: DTS VOX VOC MP2 MIDI VQF AC3 Tracklist Hide Credits Sexy A1 3:33 Arranged By – Bobby MartinProducer – Gamble/Huff*Written-By – K. Gamble*, L. Huff* MFSB A2 3:42 Arranged By – Bobby MartinProducer – Gamble/Huff*Written-By – K. Gamble*, L. Huff* Máquina Humana A3 3:52 Arranged By – Bobby MartinProducer – Gamble/Huff*Written-By – L. Huff*, R. Baker* El Amor No Tiene Tiempo Ni Lugar A4 Arranged By – Jack FaithBacking Vocals – Deborah Stockton, Evette Davis, Harriet Tharpe, 6:18 Shirley BrewerProducer – Bruce HawesWritten-By – B. Hawes*, C. Biggs* T.L.C. (Tender Lovin' Care) B1 3:41 Producer, Arranged By – Bobby MartinWritten-By – R. L. Martin*, N. Harris* Vamos A La Discoteca B2 Arranged By – Bobby MartinProducer – Gamble/Huff*Written-By – C. Gilbert*, G. 4:14 McFadden*, J. Whitehead*, L. Huff*, V. Carstarphen* K-Jee B3 Producer – Broadway EddieProducer, Arranged By – Bobby MartinWritten-By – C. 4:15 Heardon* Mi Estado De Ánimo B4 4:10 Producer – Gamble/Huff*Written-By – K. Gamble*, L. Huff* Companies, etc. Distributed By – Discos CBS, S.A., Madrid Phonographic Copyright (p) – PIR, Inc. Copyright (c) – PIR, Inc. Published By – Mighty Three Music Published By – Golden Fleece Music Published By – Mardix Music Published By – Dunbar Music Published By – Rutri Music Inc. Recorded At – Sigma Sound Studios Mastered At – Frankford/Wayne Recording Labs Credits Arranged By – Bobby Martin Design, Photography [Photo] – Ed Lee Engineer – Joe Tarsia Illustration [Cover] – Oni Mastered By – NS* Typography [Lettering] – Andy Engel, Danny Wong Notes Titles in spanish on labels Recorded at Sigma Sound Studios, Philadelphia, Pennsylvania Mastered at Frankford/Wayne Recording Labs, Philadelphia, Pa. -
Harold Melvin and the Bluenotes Where Are All My Friends Mp3, Flac, Wma
Harold Melvin And The Bluenotes Where Are All My Friends mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Where Are All My Friends Country: US Released: 1974 Style: Soul, Disco MP3 version RAR size: 1805 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1786 mb Rating: 4.8 Votes: 961 Other Formats: AUD AC3 MPC MMF WMA AA RA Tracklist Hide Credits Where Are All My Friends A Written By – V.Carstarphen - G.McFadden - J.WhiteheadWritten-By – G.McFadden*, 3:25 J.Whitehead*, V.Carstarphen* Let It Be You B 3:32 Written-By – K. Gamble - L. Huff* Companies, etc. Phonographic Copyright (p) – CBS Inc. Manufactured By – Columbia Records Of Canada, Ltd. Recorded At – Sigma Sound Studios Mastered At – Frankford/Wayne Recording Labs Published By – Mighty Three Music Published By – World War Three Music Credits Arranged By – Bobby Martin Performer [Music By] – MFSB Producer – Gamble-Huff* Notes Mastered at Frankford/Wayne Recording Labs, Phila.,Pa. "The Sound of Philadelphia"® [A]: ℗1974 CBS Inc. [B]: ℗1972 CBS Inc. Barcode and Other Identifiers Rights Society: BMI Matrix / Runout (A side label): AA-AF ZS8-3552-3 Matrix / Runout (B side label): AA-AF ZS8-3552-4 Matrix / Runout (A side etched runout): ZS8-3552-3-1A-2H: Matrix / Runout (B side etched runout): ZS8-3552-4-1A-2H: Other versions Category Artist Title (Format) Label Category Country Year Harold Melvin Philadelphia Where Are All ZS8 3552 And The International ZS8 3552 US 1974 My Friends (7") Bluenotes* Records Harold Melvin Where Are All Philadelphia S PIR 2819 And The -
BASKETBALL Head Coach James Johnson 2013-14 VIRGINIA TECH BASKETBALL
2013-14 VIRGINIA TECH BASKETBALL Head Coach James Johnson 2013-14 VIRGINIA TECH BASKETBALL A MESSAGE TO TECH SUPPORTERS This is a very exciting time for the Virginia Tech men’s basketball team. We look forward to a season that will bring in new faces and new challenges. It should be a season of excitement and of improvement. The thing I have noticed about this group through the summer and the preseason is their willingness to work. I stated often last season that I never had to coach effort and this season, that same spirit has been evident since day one. This group of players shows up ready to do their best, regardless of whether it’s on the court, in the weight room or in the classroom. They are always ready to take a step forward. During the last year, we have made very substantial strides in shaping this program into a group that makes this University proud. We have become more involved in campus and community projects and have comported ourselves in a manner expected of Virginia Tech students and student-athletes. We strive to make this team YOUR team. It has meant so much to the team and me that you stop us on the street, in restaurants and out in public and greet us all so warmly. I believe this partnership has gotten off to a wonderful start and will only grow stronger. The season will begin on Nov. 9 and we will need each and every one of you in Cassell Coliseum, supporting this team. -
Strictly Rhythm Celebrates 30 Years Shaping House Music
Strictly Rhythm Celebrates 30 Years Shaping House Music Artist : Various Artists - Strictly Rhythm Records Title: The Definitive 30 Label: Strictly Rhythm Records Release date: 13 December 2019 Cat #: SR12931 Format: Digital Strictly Rhythm 30th Anniversary celebrations include ‘The Definitive 30’ Album, 3-part ‘2 x 12” vinyl’ series, & ten currently unavailable digitally recordings “To remove Strictly Rhythm from the history of house would be a bit like the Louvre losing half of its art collection in a fire.” (Mixmag) Legendary label Strictly Rhythm celebrates its landmark 30th anniversary - having shaped the face of house music since its inception in New York in 1989. To commemorate its proud heritage, Strictly Rhythm will release ‘The Definitive 30’ on 13 December - 30 classic tracks that define the label musically, artistically and culturally. To accompany this, there will be a 3-part 2 x 12” vinyl series being released from January, plus ten digitally unreleased recordings – including tracks from Todd Terry and Kenny Dope – on 13 December and 10 January. Strictly Rhythm’s extraordinary influence is shown by the many iconic artists who have released on the label, the internationally renowned selectors who regularly feature Strictly Rhythm tracks in their sets to a rapturous response, and the label’s presence in scores for the big and small screen. ‘The Definitive 30’ is a multi-faceted collection celebrating Strictly Rhythm’s legacy. Featuring early New York deep house: Logic’s ‘The Warning’, After Hours’ ‘Waterfalls’, and Kerri Chandler’s ‘Stompin’ Grounds’; the disco house sounds built on New York’s rich club heritage: Underground Solution’s ‘Luv Dancin’, The Untouchables’ ‘Lil Louie’s Anthem’; classic vocal house from Barbara Tucker, Aly-Us, and Black Magic; harder- edged rave classics in the shape of Todd Terry’s ‘Can You Feel It’ and Armand Van Helden’s ‘Witch Doktor’; and crossover hits from Reel II Real, Ultra Naté, Planet Soul, and Wamdue Project. -
1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979. -
Harry Romero & Joeski
2/1/2018 Harry Romero & Joeski "Get It Right" w/ Traxsource. - Traxsource News FOLLOW US Best of In The Studio Live Music News Q & A TRAXSOURCE Enter search terms... Latest Traxsource named Symphonic Distribution’s ‘Partner Of The Year’Jan 24, 04:04 PM West Coast Weekender Announces 2018 Line-UpJan 23, 03:10 PM Now Available: All-New Traxsource Downloader v2.0Jan 19, 01:14 PM Traxsource Top 100 Artists of 2017Dec 15, 11:15 AM Traxsource Top 100 Vocalists of 2017Dec 14, 01:00 PM Traxsource Top 100 Deep House Artists of 2017Dec 14, 08:56 AM Traxsource Top 100 Techno Artists of 2017Dec 13, 01:01 PM Traxsource Top 100 Nu Disco / Indie Dance Artists of 2017Dec 13, 08:59 AM Traxsource Top 100 Tech House Artists of 2017Dec 12, 12:59 PM Traxsource Top 100 Soulful House Artists of 2017Dec 12, 09:03 AM Traxsource Top 100 Afro House Artists of 2017Dec 11, 10:59 AM Traxsource Top 100 Jackin House Artists of 2017Dec 10, 10:43 AM Traxsource Top 100 House Artists of 2017Dec 9, 10:58 AM Traxsource's Best Selling Tracks of 2017Dec 7, 05:08 PM Include Pre-Order & 'Album Only' Tracks In Your ChartNov 22, 03:13 PM TagsSHARES http://news.traxsource.com/articles/1548/harry-romero-joeski-get-it-right-w-traxsource 1/5 2/1/2018 Harry Romero & Joeski "Get It Right" w/ Traxsource. - Traxsource News Harry Romero & Joeski "Get It Right" w/ Traxsource. Nov 11, 02:33 PM Harry Romero and Joeski have had their respective successes in the house music scene since the early nineties with plethora of dance-floor filling music, and ‘Get It Right’ looks set to continue that tradition. -
Sammy Strain Story, Part 3: the Imperials, 1961
Reprinted with permission from Echoes of the Past, Issue No. 103 (Spring 2013), pp. 17—24. The Sammy Strain Story—Part 3 The Imperials (1961—1963) by Charlie Horner With contributions from Pamela Horner After a more than three very successful years on George Goldner’s End label, Little Anthony & the Impe- rials broke up in 1961. Most of those three years had been spent under the mentorship of Richard Barrett; ever since 1957 when as the Chesters, Barrett had res- cued them from the clutches of Apollo Records. But as the smoke cleared from the payola hearings in 1961, it was clear that the music industry was changing. By 1961, Richard Barrett was an independent producer and was distancing himself from George Goldner and Morris Levy of End/Roulette Records. Without Barrett’s lead- ership, the Imperials came apart. [For the early story of Little Anthony & The Imperials, see Echoes of the Past, Issue #82, 2007] Imperials’ Little Anthony Gourdine went solo, remaining with Roulette Records. Nate Rogers was drafted into the service and Tracey Lord left to get married. Ernest Wright and Clarence Collins wanted to continue singing as the Imperials so they went to their mentor, Richard Barrett to help keep the group going. The Imperials, 1961. Left to right: Ernest Wright, Meanwhile, Sammy Strain was busy singing Sammy Strain, Clarence Collins, George Kerr. with the Impacts [see Steven Kahn’s story, this issue of (Photo courtesy of Sammy Strain) Echoes of the Past]. Strain and the Imperials had grown up together in Brooklyn. als and Ernest and Clarence told me to call you because “By then Richard Barrett was in my life,” said you sing first tenor. -
The Flight Plan
® Chicago DODO Chapter, Tuskegee Airmen, Inc.® The Flight Plan Vol. XVIII no. 4 November 2011 Chicago DODO Chapter, P. O. Box 19063, Chicago, IL 60619 Ken Rapier, President Carrying on the legend and teaching young people about the opportunities in aviation. FROM: R. J. LEWIS 10/23/11 TO: EDITOR-TUSKEGEE NEW SUBJ: ARTICLE: MILDRED L. CARTER-AVITRIX MILDRED LOUISE (HEMMONS) CARTER Beloved Pioneer Tuskegee Aviatrix, Mildred Louise (Hemmons), Carter passed away peacefully at her home on 21 October 2011 after a lengthy illness. She filed her final Flight Plan on a perfect Tuskegee flying day with little wind and a cloudless blue sky; Mildred was 90 years old. Aviator, wife, great-grandmother, a leading citizen of Tuskegee; Mil- dred is perhaps best known as a graduate of the Tuskegee Civilian Pilot Program (CPT), authorized by President Franklin D. Roosevelt. This was the precursor of the Tuskegee Airmen. As a 19 year-old Tuskegee Institute (University) graduate with a BA in Business, Mildred was the first hire of the Army Air Corps in setting up the Tuskegee Army Air Field (TAAF). She served as Chief Clerk in the Quartermaster Corps at TAAF and created the documents that equipped the new base. Mildred also held a Parachute Packer Rating and was an excellent Secretary/Typist. She was a Documented Original Tuskegee Airman (DOTA), and a member of the Bessie Coleman Foundation; an organization of women aviators... During the 1941 historic 40 minute flight of First Lady Eleanor Roosevelt with C. Alfred “Chief” Anderson, head of the Tuskegee Civilian Pilot Training Program, Chief advised that the Negro students were indeed doing well in their training regimen. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
(With) Shakespeare (/783437/Show) (Pdf) Elizabeth (/783437/Pdf) Klett
11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation ISSN 1554-6985 V O L U M E X · N U M B E R 2 (/current) S P R I N G 2 0 1 7 (/previous) S h a k e s p e a r e a n d D a n c e E D I T E D B Y (/about) E l i z a b e t h K l e t t (/archive) C O N T E N T S Introduction: Dancing (With) Shakespeare (/783437/show) (pdf) Elizabeth (/783437/pdf) Klett "We'll measure them a measure, and be gone": Renaissance Dance Emily Practices and Shakespeare’s Romeo and Juliet (/783478/show) (pdf) Winerock (/783478/pdf) Creation Myths: Inspiration, Collaboration, and the Genesis of Amy Romeo and Juliet (/783458/show) (pdf) (/783458/pdf) Rodgers "A hall, a hall! Give room, and foot it, girls": Realizing the Dance Linda Scene in Romeo and Juliet on Film (/783440/show) (pdf) McJannet (/783440/pdf) Prokofiev’s Romeo and Juliet: Some Consequences of the “Happy Nona Ending” (/783442/show) (pdf) (/783442/pdf) Monahin Scotch Jig or Rope Dance? Choreographic Dramaturgy and Much Emma Ado About Nothing (/783439/show) (pdf) (/783439/pdf) Atwood A "Merry War": Synetic's Much Ado About Nothing and American Sheila T. Post-war Iconography (/783480/show) (pdf) (/783480/pdf) Cavanagh "Light your Cigarette with my Heart's Fire, My Love": Raunchy Madhavi Dances and a Golden-hearted Prostitute in Bhardwaj's Omkara Biswas (2006) (/783482/show) (pdf) (/783482/pdf) www.borrowers.uga.edu/7165/toc 1/2 11/19/2019 Borrowers and Lenders: The Journal of Shakespeare and Appropriation The Concord of This Discord: Adapting the Late Romances for Elizabeth the -
Why Stonewall Still Matters…
PrideLife Magazine 2019 / pridelifemagazine 2019 @pridelife YOUR ESSENTIAL th 2020 ELECTION 50 PRIMER stonewall P.68 anniversaryspecial issue STEP INSIDE THE NIGHT OF WHY THE RIOTS STONEWALL P.50 STILL MATTERS… THE FIERCE WITH EXCLUSIVE AND TRIBUTES FROM FABULOUS Asia Kate Dillon Jesse Tyler Ferguson Madonna Christian Siriano Kamala Harris Indigo Girls Gus Kenworthy Bethany Meyers George Takei BILLY Margaret Cho Rufus Wainwright Carson Kressley Adore Delano Daya And more... PORTERP.46 PLUS! INTRODUCING THE INTERPRIDELIFE SEAL OF APPROVAL P.14 B:17.375” T:15.75” S:14.75” Important Facts About DOVATO Tell your healthcare provider about all of your medical conditions, This is only a brief summary of important information about including if you: (cont’d) This is only a brief summary of important information about DOVATO and does not replace talking to your healthcare provider • are breastfeeding or plan to breastfeed. Do not breastfeed if you SO MUCH GOES about your condition and treatment. take DOVATO. You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should ° You should not breastfeed if you have HIV-1 because of the risk of passing What is the Most Important Information I Should HIV-1 to your baby. Know about DOVATO? INTO WHO I AM If you have both human immunodeficiency virus-1 (HIV-1) and ° One of the medicines in DOVATO (lamivudine) passes into your breastmilk. hepatitis B virus (HBV) infection, DOVATO can cause serious side ° Talk with your healthcare provider about the best way to feed your baby. -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions.