Program Book September 27-28, 2014
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Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Oral History Interview
Oral History Interview with Arigon Starr Interview Conducted by Julie Pearson-Little Thunder March 13, 2017 Spotlighting Oklahoma Oral History Project Oklahoma Oral History Research Program Edmon Low Library ● Oklahoma State University © 2017 Spotlighting Oklahoma Oral History Project Interview History Interviewer: Julie Pearson-Little Thunder Transcriber: Dakota Daves Editors: Rosalie Swingle, Micki White The recording and transcript of this interview were processed at the Oklahoma State University Library in Stillwater, Oklahoma. Project Detail The purpose of the Spotlighting Oklahoma Oral History Project is to document the development of the state by recording its cultural and intellectual history. This project was approved by the Oklahoma State University Institutional Review Board on April 15, 2009. Legal Status Scholarly use of the recordings and transcripts of the interview with Arigon Starr is unrestricted. The interview agreement was signed on March 13, 2017. 2 Spotlighting Oklahoma Oral History Project About Arigon Starr… Arigon Starr took her middle name for a last name because her family moved constantly with her Navy father and she got tired of coaching new teachers and her friends on how to pronounce Wahpecome. Kickapoo, Creek, Cherokee, and Seneca, Starr is equally at home in music, theater, comics, and graphic novels. After high school, she worked a variety of office jobs in Hollywood while performing her original music on the side. She is a long-time member of Native Voices at the Autry, which first tapped her as an actor and later helped promote her singing and composing talents in her one-woman musical, The Red Road, which also became a radio play. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
Customer Order Form
ORDERS PREVIEWS world.com DUE th 18 OCT 2016 OCT COMIC THE SHOP’S PREVIEWSPREVIEWS CATALOG CUSTOMER ORDER FORM CUSTOMER 601 7 Oct16 Cover ROF and COF.indd 1 9/8/2016 4:16:17 PM Oct16 Archie.indd 1 9/8/2016 9:50:56 AM THE LEGEND MOTOR CRUSH #1 OF ZELDA: IMAGE COMICS ART & ARTIFACTS HC DARK HORSE COMICS SUPERGIRL: BEING SUPER #1 DC ENTERTAINMENT ALIEN VS. PREDATOR: ROCKSTARS #1 LIFE AND DEATH #1 IMAGE COMICS DARK HORSE COMICS LOCKE & KEY: SMALL WORLD ONE-SHOT IDW ENTERTAINMENT JUSTICE LEAGUE VS. U.S.AVENGERS #1 SUICIDE SQUAD #1 MARVEL COMICS DC ENTERTAINMENT Oct16 Gem Page ROF COF.indd 1 9/8/2016 4:10:22 PM FEATURED ITEMS COMIC BOOKS & GRAPHIC NOVELS Rough Riders Volume 1 TP l AFTERSHOCK COMICS Reggie & Me #1 l ARCHIE COMICS Uber: Invasion #1 l AVATAR PRESS The Avengers: Steed & Mrs Peel: The Diana Magazine Stories Volume 1 GN l BIG FINISH PRODUCTIONS Jim Henson’s The Storyteller: Giants #1 l BOOM! STUDIOS 1 Klaus and the Witch of Winter One-Shot l BOOM! STUDIOS 1 Wonder Woman ‘77 Meets the Bionic Woman 77 #1 l D.E./DYNAMITE ENTERTAINMENT Red Sonja #0 l D.E./DYNAMITE ENTERTAINMENT Another Castle: Grimoire TP l ONI PRESS Disney’s Great Parodies Volume 1: Mickey’s Inferno GN/HC l PAPERCUTZ Hookjaw #1 l TITAN COMICS World War X #1 l TITAN COMICS Divinity III: Stalinverse #1 l VALIANT ENTERTAINMENT Tomie Complete Deluxe Editon HC l VIZ MEDIA The Pokemon Cookbook Sc l VIZ MEDIA BOOKS 2 Mercenary: The Freelance Illustration of Dan Brereton HC l ART BOOKS Krazy: The Black & White World of George Herriman HC l COMICS The Art of Archer HC l MOVIE/TV The Art of Rogue One: A Star Wars Story HC l STAR WARS Star Wars Little Golden Book: I Am a Stormtrooper l STAR WARS - YOUNG READERS MAGAZINES 2 Doctor Who Magazine Special #45: 2017 Yearbook l DOCTOR WHO Birth.Movies.Death. -
Katalog Zur Ausstellung "60 Jahre Marvel
Liebe Kulturfreund*innen, bereits seit Ende des Zweiten Weltkriegs befasst sich das Amerikahaus München mit US- amerikanischer Kultur. Als US-amerikanische Behörde war es zunächst für seine Bibliothek und seinen Lesesaal bekannt. Doch schon bald wurde das Programm des Amerikahauses durch Konzerte, Filmvorführungen und Vorträge ergänzt. Im Jahr 1957 zog das Amerika- haus in sein heutiges charakteristisches Gebäude ein und ist dort, nach einer vierjährigen Generalsanierung, seit letztem Jahr wieder zu finden. 2014 gründete sich die Stiftung Bay- erisches Amerikahaus, deren Träger der Freistaat Bayern ist. Heute bietet das Amerikahaus der Münchner Gesellschaft und über die Stadt- und Landesgrenzen hinaus ein vielfältiges Programm zu Themen rund um die transatlantischen Beziehungen – die Vereinigten Staaten, Kanada und Lateinamerika- und dem Schwerpunkt Demokratie an. Unsere einladenden Aus- stellungräume geben uns die Möglichkeit, Werke herausragender Künstler*innen zu zeigen. Mit dem Comicfestival München verbindet das Amerikahaus eine langjährige Partnerschaft. Wir freuen uns sehr, dass wir mit der Ausstellung „60 Jahre Marvel Comics Universe“ bereits die fünfte Ausstellung im Rahmen des Comicfestivals bei uns im Haus zeigen können. In der Vergangenheit haben wir mit unseren Ausstellungen einzelne Comickünstler, wie Tom Bunk, Robert Crumb oder Denis Kitchen gewürdigt. Vor zwei Jahren freute sich unser Publikum über die Ausstellung „80 Jahre Batman“. Dieses Jahr schließen wir mit einem weiteren Jubiläum an und feiern das 60-jährige Bestehen des Marvel-Verlags. Im Mainstream sind die Marvel- Helden durch die in den letzten Jahren immer beliebter gewordenen Blockbuster bekannt geworden, doch Spider-Man & Co. gab es schon lange davor. Das Comic-Heft „Fantastic Four #1“ gab vor 60 Jahren den Startschuss des legendären Marvel-Universums. -
Alter Ego #78 Trial Cover
TwoMorrows Publishing. Celebrating The Art & History Of Comics. SAVE 1 NOW ALL WHE5% O N YO BOOKS, MAGS RDE U & DVD s ARE ONL R 15% OFF INE! COVER PRICE EVERY DAY AT www.twomorrows.com! PLUS: New Lower Shipping Rates . s r Online! e n w o e Two Ways To Order: v i t c e • Save us processing costs by ordering ONLINE p s e r at www.twomorrows.com and you get r i e 15% OFF* the cover prices listed here, plus h t 1 exact weight-based postage (the more you 1 0 2 order, the more you save on shipping— © especially overseas customers)! & M T OR: s r e t • Order by MAIL, PHONE, FAX, or E-MAIL c a r at the full prices listed here, and add $1 per a h c l magazine or DVD and $2 per book in the US l A for Media Mail shipping. OUTSIDE THE US , PLEASE CALL, E-MAIL, OR ORDER ONLINE TO CALCULATE YOUR EXACT POSTAGE! *15% Discount does not apply to Mail Orders, Subscriptions, Bundles, Limited Editions, Digital Editions, or items purchased at conventions. We reserve the right to cancel this offer at any time—but we haven’t yet, and it’s been offered, like, forever... AL SEE PAGE 2 DIGITIITONS ED E FOR DETAILS AVAILABL 2011-2012 Catalog To get periodic e-mail updates of what’s new from TwoMorrows Publishing, sign up for our mailing list! ORDER AT: www.twomorrows.com http://groups.yahoo.com/group/twomorrows TwoMorrows Publishing • 10407 Bedfordtown Drive • Raleigh, NC 27614 • 919-449-0344 • FAX: 919-449-0327 • e-mail: [email protected] TwoMorrows Publishing is a division of TwoMorrows, Inc. -
NOVEDADES Eccediciones.Com TM & © DC Comics
MAYO 2013 << SUPERMAN Y SU FAMILIA COMUNICADO DE NOVEDADES eccediciones.coM TM & © DC Comics ANTES DE WATCHMEN: MINUTEMEN núm. 6 (de 6) GUION DARWYN COOKE DIBUJO DARWYN COOKE EDICIÓN ORIGINAL Before Watchmen: Minutemen núm. 6 USA PERIODICIDAD Mensual FORMATO 32 págs. | Grapa | Color | 168x257 mm. PVP 2,50 € De la mano de los mejores artistas de la industria del cómic, llega a nosotros Antes de Watchmen, una genial colección de series limitadas y números especiales que indagan en el mundo de Watchmen y sus personajes, con un respeto absoluto hacia la obra original. En Minutemen, con firma del magistral Darwyn Cooke, asistimos a la creación y el desarrollo del mítico primer equipo de superhéroes del universo Watchmen. EL HOMENAJE DE LA GENERACIÓN AL CÓMIC QUE CRECIÓ CON WATCHMEN eccediciones.com MÁS IMPORTANTE DE LA HISTORIA 9 7 8 8 4 1 5 8 4 4 4 3 3 ANTES DE WATCHMEN: OZYMANDIAS núm. 6 (de 6) GUION LEN WEIN DIBUJO JAE LEE EDICIÓN ORIGINAL Before Watchmen: Ozymandias núm. 6 USA PERIODICIDAD Mensual FORMATO 32 págs. | Grapa | Color | 168x257 mm. PVP 2,50 € De la mano de los mejores artistas de la industria del cómic, llega a nosotros Antes de Watchmen, una genial colección de series limitadas y números especiales que indagan en el mundo de Watchmen y sus personajes, con un respeto absoluto hacia la obra original. En Ozymandias veremos cómo los míticos Len Wein y Jae Lee dan forma a las aventuras de un personaje que solo la historia podrá tildar de magnífico héroe o grandioso villano. EL HOMENAJE DE LA GENERACIÓN AL CÓMIC QUE CRECIÓ CON WATCHMEN eccediciones.com MÁS IMPORTANTE DE LA HISTORIA 9 7 8 8 4 1 5 8 4 4 4 5 7 TM & © DC Comics ANTES DE WATCHMEN: DR. -
To What Extent Does Chimera Ant Teach Us About Humanity? a Thematic Look at Hunter X Hunter’S Chimera Ant Arc
To What Extent Does Chimera Ant Teach Us About Humanity? A Thematic Look at Hunter x Hunter’s Chimera Ant Arc MrDrWombat Extended Essay: Film May 2015 MrDrWombat 2 Abstract Hunter x Hunter (2011) is a Japanese animated television series produced by Madhouse production studio. It is an adaptation of a manga of the same name. Chimera Ant is a story arc within the show that deals with post-humanism and the complex nature of humanity. My research question for the extended essay was, “To what extent does Chimera Ant teach us about humanity?” To investigate my research question, I watched and analyzed the Chimera Ant story arc, paying close attention to the character development and thematic reasoning behind character actions. I used knowledge of film language and context behind the medium of animation in order to create a mirrored character analysis of the protagonist and antagonist of Chimera Ant. Analyzing these two characters, along with the context of the medium of Anime, allowed me to construct a look at human nature through the symmetrical story arcs of these two main characters. After having done this, I concluded that Chimera Ant explores the human condition to a great extent, and uses the focus of these two characters as proof. The protagonist, Gon, shows the potential for evil in the best of us, and how good intentions can lead to bad actions. The antagonist, Meruem, shows the other side of humanity and identity. His arc teaches us the complexity of worth and strength within humans, and shows that good can come from even the most evil. -
Inside: Will Eisner! J. Michael Straczynski!
IINNSSIIDDEE:: WWIILLLL EEIISSNNEERR!! JJ.. MMIICCHHAAEELL SSTTRRAACCZZYYNNSSKKII!! $ 95 MAGAAZZIINEE August 5 2003 In the USA JJEEPPHH BBOOBB LLOOEEBB && SSCCHHRREECCKK JJIIMM LLEEEE DIANA SCHUTZ DDEENNNNYY OO’’NNEEIILL FFAABBIIAANN NNIICCIIEEZZAA GGEETTTTIINNGG AA NNOOVVEELL PPAAUULL PPUUBBLLIISSHHEEDD DDIINNII Batman, Bruce Wayne TM & ©2003 DC Comics MAGAZINE Issue #5 August 2003 Read Now! Message from the Editor . page 2 The Spirit of Comics Interview with Will Eisner . page 3 He Came From Hollywood Interview with J. Michael Straczynski . page 11 Keeper of the Bat-Mythos Interview with Bob Schreck . page 20 Platinum Reflections Interview with Scott Mitchell Rosenberg . page 30 Ride a Dark Horse Interview with Diana Schutz . page 38 All He Wants To Do Is Change The World Interview with Fabian Nicieza part 2 . page 47 A Man for All Media Interview with Paul Dini part 2 . page 63 Feedback . page 76 Books On Writing Nat Gertler’s Panel Two reviewed . page 77 Conceived by Nuts & Bolts Department DANNY FINGEROTH Script to Pencils to Finished Art: BATMAN #616 Editor in Chief Pages from “Hush,” Chapter 9 by Jeph Loeb, Jim Lee & Scott Williams . page 16 Script to Finished Art: GREEN LANTERN #167 Designer Pages from “The Blind, Part Two” by Benjamin Raab, Rich Burchett and Rodney Ramos . page 26 CHRISTOPHER DAY Script to Thumbnails to Printed Comic: Transcriber SUPERMAN ADVENTURES #40 STEVEN TICE Pages from “Old Wounds,” by Dan Slott, Ty Templeton, Michael Avon Oeming, Neil Vokes, and Terry Austin . page 36 Publisher JOHN MORROW Script to Finished Art: AMERICAN SPLENDOR Pages from “Payback” by Harvey Pekar and Dean Hapiel. page 40 COVER Script to Printed Comic 2: GRENDEL: DEVIL CHILD #1 Penciled by TOMMY CASTILLO Pages from “Full of Sound and Fury” by Diana Schutz, Tim Sale Inked by RODNEY RAMOS and Teddy Kristiansen . -
Free Catalog
Featured New Items DC COLLECTING THE MULTIVERSE On our Cover The Art of Sideshow By Andrew Farago. Recommended. MASTERPIECES OF FANTASY ART Delve into DC Comics figures and Our Highest Recom- sculptures with this deluxe book, mendation. By Dian which features insights from legendary Hanson. Art by Frazetta, artists and eye-popping photography. Boris, Whelan, Jones, Sideshow is world famous for bringing Hildebrandt, Giger, DC Comics characters to life through Whelan, Matthews et remarkably realistic figures and highly al. This monster-sized expressive sculptures. From Batman and Wonder Woman to The tome features original Joker and Harley Quinn...key artists tell the story behind each paintings, contextualized extraordinary piece, revealing the design decisions and expert by preparatory sketches, sculpting required to make the DC multiverse--from comics, film, sculptures, calen- television, video games, and beyond--into a reality. dars, magazines, and Insight Editions, 2020. paperback books for an DCCOLMSH. HC, 10x12, 296pg, FC $75.00 $65.00 immersive dive into this SIDESHOW FINE ART PRINTS Vol 1 dynamic, fanciful genre. Highly Recommened. By Matthew K. Insightful bios go beyond Manning. Afterword by Tom Gilliland. Wikipedia to give a more Working with top artists such as Alex Ross, accurate and eye-opening Olivia, Paolo Rivera, Adi Granov, Stanley look into the life of each “Artgerm” Lau, and four others, Sideshow artist. Complete with fold- has developed a series of beautifully crafted outs and tipped-in chapter prints based on films, comics, TV, and ani- openers, this collection will mation. These officially licensed illustrations reign as the most exquisite are inspired by countless fan-favorite prop- and informative guide to erties, including everything from Marvel and this popular subject for DC heroes and heroines and Star Wars, to iconic classics like years to come. -
Why Wonder Woman Matters
Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative. -
GENIUS BRANDS INTERNATIONAL, INC. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION WASHINGTON, DC 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): July 15, 2020 GENIUS BRANDS INTERNATIONAL, INC. (Exact name of registrant as specified in its charter) Nevada 001-37950 20-4118216 (State or other jurisdiction (Commission File Number) (IRS Employer of incorporation) Identification No.) 190 N. Canon Drive, 4th Fl. Beverly Hills, CA 90210 (Address of principal executive offices) (Zip Code) Registrant’s telephone number, including area code: (310) 273-4222 ________________________________________________________ (Former name or former address, if changed since last report) Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2 below): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d-2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e-4(c)) Securities registered pursuant to Section 12(b) of the Act: Title of each class Trading Symbol(s) Name of each exchange on which registered Common Stock, par value $0.001 per share GNUS The Nasdaq Capital Market Indicate by check mark whether the registrant is an emerging growth company as defined in Rule 405 of the Securities Act of 1933 (§230.405 of this chapter) or Rule 12b-2 of the Securities Exchange Act of 1934 (§240.12b-2 of this chapter).