2020-2021 Music Season Brochure
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Services and Music List
Services and Music List March and April 2018 WELCOME Much of our attention, both in Church and in the world, is given to what is extraordinary; to anything which is unusual or which stands out. The daily round of prayer and praise at the Cathedral reminds us that our access to God, and our privilege to begin and end each day begun and ended in God – is far from ordinary. The gold of word and sacrament is supported here at Wells through sensitively chosen and performed music, which for many, is the very ‘language of God.’ It enables us to reflect our world and its triumphs and tribulations back to God creatively and so to experience our share in the divine life. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE February 25 – March 3: The Very Reverend Dr John Davies, DL, Dean March 4 – 10: The Reverend Canon Andrew Featherstone, Chancellor March 11 – 17: The Reverend Canon Nicholas Jepson-Biddle, Precentor March 18 – 24: The Venerable Anne Gell, Archdeacon of Wells March 25 – 31: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 1 – 7: The Reverend Canon Andrew Featherstone, Chancellor April 8 – 14: The Very Reverend Dr John Davies, DL, Dean April 15 – 21: The Reverend Canon Andrew Featherstone, Chancellor April 22 – 28: The Reverend Canon Nicholas Jepson-Biddle, Precentor April 29 – May 5: The Very Reverend Dr John Davies, DL, Dean WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. -
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THE CALL INTRODUCING THE NEXT GENERATION OF CLASSICAL SINGERS Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau piano our future, now Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick THE CALL Martha Jones Laurence Kilsby Angharad Lyddon Madison Nonoa Alex Otterburn Dominic Sedgwick Malcolm Martineau THE CALL FRANZ SCHUBERT (1797-1828) 1 Fischerweise (Franz von Schlechta) f 2’53 2 Im Frühling (Ernst Schulze) a 4’32 ROBERT SCHUMANN (1810-1856) 3 Mein schöner Stern (Friedrich Rückert) d 2’39 JOHANNES BRAHMS (1833-1897) 4 An eine Äolsharfe (Eduard Mörike) f 3’52 ROBERT SCHUMANN 5 Aufträge (Christian L’Egru) b 2’30 GABRIEL FAURÉ (1845-1924) 6 Le papillon et la fleur (Victor Marie Hugo) e 2’08 CLAUDE ACHILLE DEBUSSY (1862-1918) 7 La flûte de Pan (Pierre-Félix Louis) b 2’45 REYNALDO HAHN (1874-1947) 8 L’heure exquise (Paul Verlaine) c 2’27 CLAUDE ACHILLE DEBUSSY 9 C’est l’extase (Paul Verlaine) a 2’54 FRANCIS POULENC (1899-1963) Deux poèmes de Louis Aragon (Louis Aragon) d 10 i C 2’44 11 ii Fêtes galantes 0’57 GABRIEL FAURÉ 12 Notre amour (Armand Silvestre) e 1’58 MEIRION WILLIAMS (1901-1976) 13 Gwynfyd (Crwys) c 3’25 HERBERT HOWELLS (1892-1983) 14 King David (Walter de la Mare) b 4’51 RALPH VAUGHAN WILLIAMS (1872-1958) 15 The Call (George Herbert) f 2’12 16 Silent Noon (Dante Gabriel Rossetti) c 4’03 BENJAMIN BRITTEN (1913-1976) 17 The Choirmaster’s Burial (Thomas Hardy) d 4’08 IVOR GURNEY (1890-1937) 18 Sleep (John Fletcher) e 2’55 BENJAMIN -
LCOM182 Lent & Eastertide
LITURGICAL CHORAL AND ORGAN MUSIC Lent, Holy Week, and Eastertide 2018 GRACE CATHEDRAL 2 LITURGICAL CHORAL AND ORGAN MUSIC GRACE CATHEDRAL SAN FRANCISCO LENT, HOLY WEEK, AND EASTERTIDE 2018 11 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LÆTARE Introit: Psalm 32:1-6 – Samuel Wesley Service: Collegium Regale – Herbert Howells Psalm 107 – Thomas Attwood Walmisley O pray for the peace of Jerusalem - Howells Drop, drop, slow tears – Robert Graham Hymns: 686, 489, 473 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Benjamin Bachmann Psalm 107 – Lawrence Thain Canticles: Evening Service in A – Herbert Sumsion Anthem: God so loved the world – John Stainer Hymns: 577, 160 15 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: Thomas Tomkins Psalm 126 – George M. Garrett Canticles: Third Service – Philip Moore Anthem: Salvator mundi – John Blow Hymns: 678, 474 18 MARCH 11AM THE HOLY EUCHARIST • CATHEDRAL CHOIR OF MEN AND BOYS LENT 5 Introit: Psalm 126 – George M. Garrett Service: Missa Brevis – Giovanni Pierluigi da Palestrina Psalm 51 – T. Tertius Noble Anthem: Salvator mundi – John Blow Motet: The crown of roses – Pyotr Ilyich Tchaikovsky Hymns: 471, 443, 439 3PM CHORAL EVENSONG • CATHEDRAL CAMERATA Responses: Thomas Tomkins Psalm 51 – Jeffrey Smith Canticles: Short Service – Orlando Gibbons Anthem: Aus tiefer Not – Felix Mendelssohn Hymns: 141, 151 3 22 MARCH 5:15PM CHORAL EVENSONG • CATHEDRAL CHOIR OF MEN AND BOYS Responses: William Byrd Psalm 103 – H. Walford Davies Canticles: Fauxbourdons – Thomas -
Lent Term 2013 Cover Image Man of Sorrows by Greg Longford, Acrylic on Sandpaper
Clare College , C ambridge Chapel ServiCeS lent term 2013 Cover image Man of Sorrows by Greg Longford, acrylic on sandpaper. Private collection: used by permission. ServiCeS HOLY COMMUNION is celebrated every Sunday morning at 9.30 a.m. – a service with hymns and a homily, followed by breakfast in E3. On 10 February we will be joining members of Trinity Hall for Holy Communion in their Chapel at 9 a.m. and returning to Clare afterwards for breakfast. MORNING PRAYER is said every Monday–Thursday at 8.15 a.m. On Friday, it is said at 8.00 a.m. and is followed by breakfast in Buttery. EVENING PRAYER is said every Monday and Friday at 6.15 p.m. and Wednesday at 5.00 p.m. MIDDAY PRAYER is said every Wednesday at 12.45 p.m. Silence for meditation and private prayer is kept in Chapel every day from noon until 1.00 p.m. Choral ServiCeS Tuesdays Evensong, 6.15 p.m. Wednesdays Compline, 10.00 p.m. on 27 February Thursday Evensong, 6.15 p.m. Sundays Evensong, 6.00 p.m. Members of College are warmly encouraged to wear gowns to Sunday evening services. This service is followed by drinks and supper in Hall, to which all who attend Chapel are warmly invited (subject to places available). Cost: £4.25 members of College; £7 others. SpeCial ServiCeS Sunday 3 February Corporate Communion for The Presentation of Christ in the Temple (or Candlemas), 6.00 p.m. Wednesday 13 February Said Holy Communion (with Imposition of Ashes) for Ash Wednesday, 8.00 a.m. -
2021-2022 Music Season Brochure
UPLIFT YOUR SPIRIT Music at Christ Church Cathedral 2021-22 About Richards, Fowkes & Co. Opus 24 In December 2013, Christ Church Cathedral commissioned Richards, Fowkes & Co. to design, build, and install a new organ for the primary worship space. Opus 24, completed in March 2021, is a three-manual, 58-stop mechanical-action instrument designed to accompany congregational singing and choral music, in addition to playing solo organ repertoire with a wide palette of colorful sounds. Join us as we celebrate Opus 24’s inaugural season! UPLIFT YOUR SPIRIT with Christ Church Cathedral’s 2021-22 Season of Music! Friends of Music Most of the concerts in our 2021-22 season are offered at no charge, thanks, in part, to generous contributions to the cathedral’s Friends of Music Fund. Friends of Music donations support music programming outside the cathedral’s annual budget. You can become a Friend of Music today by donating online (text GIVECCC to 73256 or visit abundant.co/ccc/friendsofmusic) or send a check to Christ Church Cathedral with “Friends of Music” written on the memo line. Subscribe To have a copy of the season brochure mailed to you annually, visit cincinnaticathedral.com/music or contact Kathy Noe (knoe@cccath. org or 513.842.2051) with your street address. You may also ask to receive our monthly music e-news. Programming All programming is subject to change. See cincinnaticathedral.com/ music for updated information. See the calendar at the bottom of the music webpage for add to calendar links for concerts and worship services. Weekly Sunday Worship 8:00 AM, 10:00 AM, 12:00 PM 3 September 2021 Sunday, September 26 | 5:30 PM Kory Caudill and Wordsmith The Concert for the Human genre-bending original music to launch conversation around Family is an inspiring collaboration that bridges jazz, hip-hop, reconciliation, healing, and between award-winning and bluegrass, performed by justice in the communities we call musicians and church leaders a multicultural team led by home. -
Britten Connections a Guide for Performers and Programmers
Britten Connections A guide for performers and programmers by Paul Kildea Britten –Pears Foundation Telephone 01728 451 700 The Red House, Golf Lane, [email protected] Aldeburgh, Suffolk, IP15 5PZ www.brittenpears.org Britten Connections A guide for performers and programmers by Paul Kildea Contents The twentieth century’s Programming tips for 03 consummate musician 07 13 selected Britten works Britten connected 20 26 Timeline CD sampler tracks The Britten-Pears Foundation is grateful to Orchestra, Naxos, Nimbus Records, NMC the following for permission to use the Recordings, Onyx Classics. EMI recordings recordings featured on the CD sampler: BBC, are licensed courtesy of EMI Classics, Decca Classics, EMI Classics, Hyperion Records, www.emiclassics.com For full track details, 28 Lammas Records, London Philharmonic and all label websites, see pages 26-27. Index of featured works Front cover : Britten in 1938. Photo: Howard Coster © National Portrait Gallery, London. Above: Britten in his composition studio at The Red House, c1958. Photo: Kurt Hutton . 29 Further information Opposite left : Conducting a rehearsal, early 1950s. Opposite right : Demonstrating how to make 'slung mugs' sound like raindrops for Noye's Fludde , 1958. Photo: Kurt Hutton. Britten Connections A guide for performers and programmers 03 The twentieth century's consummate musician In his tweed jackets and woollen ties, and When asked as a boy what he planned to be He had, of course, a great guide and mentor. with his plummy accent, country houses and when he grew up, Britten confidently The English composer Frank Bridge began royal connections, Benjamin Britten looked replied: ‘A composer.’ ‘But what else ?’ was the teaching composition to the teenage Britten every inch the English gentleman. -
Download Full Biography
Duncan Honeybourne Full Biography 900 words "The heroic Duncan Honeybourne" (Musical Opinion) enjoys a colourful and diverse career as a pianist and in music education. Reviews have commended his "glittering performances" and “suave confidence” (International Piano), “terrific intensity and touches of panache” (International Record Review), "intellectual and physical stamina" (Musical Opinion) and “delicate chemistry of touch and arm weight” (Gramophone). Fanfare magazine (USA) remarked: “Honeybourne’s performance is simply beautiful, even in its most powerful and haunting moments”, whilst American Record Guide commented: "Honeybourne's playing is always polished and refined." His debut in 1998 as concerto soloist at Symphony Hall, Birmingham and the National Concert Hall, Dublin, was broadcast on radio and television, and he gave recital debuts in London, Dublin, Paris, and at international festivals in Belgium and Switzerland. Duncan's debut CD was described by Gramophone magazine as “not to be missed by all lovers of English music”, whilst BBC Music Magazine reported: “There are gorgeous things here. Hard to imagine better performances.” Honeybourne has toured extensively in the UK, Ireland and Europe as solo and lecture recitalist, concerto soloist and chamber musician, appearing at many major venues and leading festivals. His solo performances have been frequently broadcast on BBC Radio 3 and TV (UK), RTÉ (Ireland), Radio France Musique, Radio Suisse Romande, Austrian, Belgian, Dutch, Finnish and German Radio, SABC (South Africa), ABC (Australia) and Radio New Zealand. Duncan's engagements for regional music societies and arts centres across England, Wales, Scotland and Ireland have included hundreds of solo recitals as well as many partnerships with renowned artists and ensembles. -
April 2008 in This Issue
The Sacred in Opera April 2008 In this Issue... Ruth Dobson For the next two editions of the SIO newsletter, we are taking an in-depth look at one-act Christmas operas which can be easily produced and are appropriate for both children and adults. This issue we will profile Amahl and the Night Visitors, Only a Miracle, St. Nicholas, Good King Wenceslas, and The Shepherd’s Play. The next issue will highlight The Christmas Rose, The Greenfield Christmas Tree, The Finding of the King, The Night of the Star, and others. Thanks to Allen Henderson for sharing his insight into a triology of operas by Richard Shephard, Good King Wenceslas, The Shepherd’s Play, and St. Nicholas, with us in this issue. As great as Amahl and the Night Visitors is, there are these and other works waiting to be discovered by all of us. We hope you will find these suggestions interesting. These operas vary in length from 10 minutes to an hour, and can be presented alone or paired with others. Amahl and the Night Visitors is almost always a successful box office draw. Pairing it with a lesser known work could make for a very enjoyable afternoon or evening presentation and give audiences an opportunity to enjoy other equally wonderful works. Several of these operas use children as cast members, while others call for only adult performers, but all have stories appropriate for children. They are written in a variety of styles and have very different production requirements. Producers would need to take into consideration the ages of the children that are the target audience. -
BENJAMIN BRITTEN a Ceremony of Carols IRELAND | BRIDGE | HOLST
BENJAMIN BRITTEN A Ceremony of Carols IRELAND | BRIDGE | HOLST Choir of Clare College, Cambridge Graham Ross FRANZ LISZT A Ceremony of Carols BENJAMIN BRITTEN (1913-1976) ANONYMOUS, arr. BENJAMIN BRITTEN 1 | Venite exultemus Domino 4’11 12 | The Holly and the Ivy 3’36 for mixed choir and organ (1961) traditional folksong, arranged for mixed choir a cappella (1957) 2 | Te Deum in C 7’40 for mixed choir and organ (1934) BENJAMIN BRITTEN 3 | Jubilate Deo in C 2’30 13 | Sweet was the song the Virgin sung 2’45 for mixed choir and organ (1961) from Christ’s Nativity for soprano and mixed choir a cappella (1931) 4 | Deus in adjutorium meum intende 4’37 from This Way to the Tomb for mixed choir a cappella (1944-45) A Ceremony of Carols op. 28 (1942, rev. 1943) version for mixed choir and harp arranged by JULIUS HARRISON (1885-1963) 5 | A Hymn to the Virgin 3’23 for solo SATB and mixed choir a cappella (1930, rev. 1934) 14 | 1. Procession 1’18 6 | A Hymn of St Columba 2’01 15 | 2. Wolcum Yole! 1’21 for mixed choir and organ (1962) 16 | 3. There is no rose 2’27 7 | Hymn to St Peter op. 56a 5’57 17 | 4a. That yongë child 1’50 for mixed choir and organ (1955) 18 | 4b. Balulalow 1’18 19 | 5. As dew in Aprille 0’56 JOHN IRELAND (1879-1962) 20 | 6. This little babe 1’24 8 | The Holy Boy 2’50 version for mixed choir a cappella (1941) 21 | 7. -
Edward Elgar: the Dream of Gerontius Wednesday, 7 March 2012 Royal Festival Hall
EDWARD ELGAR: THE DREAM OF GERONTIUS WEDNESDAY, 7 MARCH 2012 ROYAL FESTIVAL HALL PROGRAMME: £3 royal festival hall PURCELL ROOM IN THE QUEEN ELIZABETH HALL Welcome to Southbank Centre and we hope you enjoy your visit. We have a Duty Manager available at all times. If you have any queries please ask any member of staff for assistance. During the performance: • Please ensure that mobile phones, pagers, iPhones and alarms on digital watches are switched off. • Please try not to cough until the normal breaks in the music • Flash photography and audio or video recording are not permitted. • There will be a 20-minute interval between Parts One and Two Eating, drinking and shopping? Southbank Centre shops and restaurants include Riverside Terrace Café, Concrete at Hayward Gallery, YO! Sushi, Foyles, EAT, Giraffe, Strada, wagamama, Le Pain Quotidien, Las Iguanas, ping pong, Canteen, Caffè Vergnano 1882, Skylon and Feng Sushi, as well as our shops inside Royal Festival Hall, Hayward Gallery and on Festival Terrace. If you wish to contact us following your visit please contact: Head of Customer Relations Southbank Centre Belvedere Road London SE1 8XX or phone 020 7960 4250 or email [email protected] We look forward to seeing you again soon. Programme Notes by Nancy Goodchild Programme designed by Stephen Rickett and edited by Eleanor Cowie © London Concert Choir 2012 www.london-concert-choir.org.uk London Concert Choir – A company limited by guarantee, incorporated in England with registered number 3220578 and with registered charity number 1057242. Wednesday 7 March 2012 Royal Festival Hall EDWARD ELGAR: THE DREAM OF GERONTIUS Mark Forkgen conductor London Concert Choir Canticum semi-chorus Southbank Sinfonia Adrian Thompson tenor Jennifer Johnston mezzo soprano Brindley Sherratt bass London Concert Choir is grateful to Mark and Liza Loveday for their generous sponsorship of tonight’s soloists. -
Choir Anthem Schedule
Cathedral Choir Schedule Fall 2019 -- Summer 2020 (Track 1, ST) - Year C to Year A (Track 2, GT) Date Event Time Music Notes September Sunday 1 Proper 17 Ps 81:1, 10-16 (Anglican – John Stainer) Offertory Sing We Merrily (Sydney Campbell) Communion Lord For Thy Tender Mercy’s Sake (Richard Farrant) Sunday 8 Proper 18 10 AM call Ps 139:1-5, 12-17 (Anglican – Ralph Vaughan Williams) Sylvia gone Choristers Offertory Let My Heart and Soul Praise the Lord (G.F. Handel) Communion Pilgrims’ Hymn (Stephen Paulus) Sunday 15 Proper 19 10 AM call Ps 14 (Anglican – Henry Smart) Sylvia gone Offertory See What Love (Felix Mendelssohn) NEW Sunday 22 Proper 20 10 AM call Ps 79:1-9 (Anglican – T. Tertius Noble) set Anthem Be Thou My Vision (Bob Chilcott) NEW Communion Lift Thine Eyes (Felix Mendelssohn) SSA Sunday 29 Proper 21 10 AM call Ps 91:1-6, 14-16 (Anglican – Kellow John Pye) set Anthem Poor Man Lazrus (Jester Hairston) Scholars Communion Grant, We Beseech Thee (Francis W. Snow) October Sunday 6 Proper 22 10 AM call Ps 137 (Anglican – George Mursell Garrett) Anthem Behold, The Tabernacle Of God (William Harris) Sunday 13 Proper 23 10 AM call Ps 66:1-11 (Anglican – William Russell) expand from 1-8 Offertory Jubilate Deo (Benjamin Britten) in Anthems 4, pg 140 Sunday 20 Proper 24 10 AM call Ps 119:97-104 (Anglican – William Crotch) Steve gone Anthem I Lift Up My Eyes To The Hills (Maggie Burk) Zachary directs Sunday 27 Proper 25 10 AM call Ps 65 (Anglican – Edward John Hopkins) use 9-14 only Offertory Fight the Good Fight (John Gardner) Communion -
Britten's Choral Music
SLUG Benjamin Britten at Crag House c.1949: the seeming inevitability of his response to words is one of his hallmarks 22 CHOIR & ORGAN MARCH/APRIL 2013 www.choirandorgan.com C&O - March April - FEATURES - Reed Britten - Tweeked.indd 22 20/02/2013 18:10:43 BRITTEN’S CHORAL MUSIC Sacred and profane Whether writing a cappella church music or a major symphonic choral work, Benjamin Britten responded to texts with depth of insight. In the composer’s centenary year, Philip Reed argues that there is much still to discover in his choral canon he seeming inevitability of nal setting for eight-part chorus in a faux Britten’s response to words is one medieval style. It was first performed in Tof the hallmarks of his output. 1931 by the Lowestoft Choral Society Indeed, so idiomatic are his settings that (in which the composer’s mother sang), it remains difficult, when reading a text he along with his unaccompanied carol, The has set, for one’s mind’s ear not to conjure Sycamore Tree, a setting of a text related to up Britten’s music. This remains as true of the more familiar carol I saw three ships, his wide-ranging choral music as it does of which Britten did not publish (in a revised his numerous song-cycles and operas. But version) until 1967. whereas in his operas and orchestral song- Christmastide remained a favourite cycles Britten was something of a pioneer, season for Britten, one to which he repeat- establishing a national tradition for opera edly responded in his compositions.