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Metrosexuals Take on Gay Sensibilities to Boost Their Personal Aesthetic. P14
Metrosexuals take on gay sensibilities to boost their personal aesthetic. p14 LS IN KristineW to 'FlyAgain' Sandals says no to gay couple, Houstonian Barrie Mitchell nus _ UE with new release. Rosiegets her day in court, likes to work his fingers , Interview, p10 Anti-gay Episcopalians meet in Texas. '~j" through jet black hair. Gaydar, p4 Our Guy, p8 500 Lovett, Suite 200 • Houston, TX77006 Phone: 713-529-8490 • Fax: 713-529-9531 A Window Media TollFree Out-of-State: 877-966-3342 Publication PUBLISHER Window Media LLC All content of Eclipse GENERAL MANAGER magazine copyrighted Mike Kitchens ©2003 by Window Media, LLC,and is ADVERTISING SALES Brett Cullum protected by federal Tom Jones (Classifieds) copyright law and may not be reproduced EDITORIAL DIRECTOR without the written Chris Crain consentof the publisher, The sexual orientation EDITORS Matt Hennie • Mike Fleming of advertisers, photographers, writers WEBMASTER and cartoonistspub- Aram Vartian lished herein is neither inferred nor ART DIRECTOR implied. The appear- Rob Boeger ance of names or PRODUCTION MANAGER pictorial representation John Nail does not necessarily indicate the sexual ori- GRAPHIC DESIGNER entation of the person Joey Carolino or persons. PHOTOGRAPHER Eclipse isfor adults Dalton Dehart only and is published weekly and distributed CONTRIBUTORS free throughout the Jim Buck, Raquel Chevallier, Michael Derry, Deep South. Greg Fox, Glenn Hanson, Woody Miller, Allen Neuwirth, Christopher Seely, Arjan Timmermans, Romeo San Vicento NATIONAL ADVERTISING REPRESENTATIVE Rivendell -
Lesbian and Gay Music
Revista Eletrônica de Musicologia Volume VII – Dezembro de 2002 Lesbian and Gay Music by Philip Brett and Elizabeth Wood the unexpurgated full-length original of the New Grove II article, edited by Carlos Palombini A record, in both historical documentation and biographical reclamation, of the struggles and sensi- bilities of homosexual people of the West that came out in their music, and of the [undoubted but unacknowledged] contribution of homosexual men and women to the music profession. In broader terms, a special perspective from which Western music of all kinds can be heard and critiqued. I. INTRODUCTION TO THE ORIGINAL VERSION 1 II. (HOMO)SEXUALIT Y AND MUSICALIT Y 2 III. MUSIC AND THE LESBIAN AND GAY MOVEMENT 7 IV. MUSICAL THEATRE, JAZZ AND POPULAR MUSIC 10 V. MUSIC AND THE AIDS/HIV CRISIS 13 VI. DEVELOPMENTS IN THE 1990S 14 VII. DIVAS AND DISCOS 16 VIII. ANTHROPOLOGY AND HISTORY 19 IX. ACKNOWLEDGEMENTS 24 X. EDITOR’S NOTES 24 XI. DISCOGRAPHY 25 XII. BIBLIOGRAPHY 25 I. INTRODUCTION TO THE ORIGINAL VERSION 1 What Grove printed under ‘Gay and Lesbian Music’ was not entirely what we intended, from the title on. Since we were allotted only two 2500 words and wrote almost five times as much, we inevitably expected cuts. These came not as we feared in the more theoretical sections, but in certain other tar- geted areas: names, popular music, and the role of women. Though some living musicians were allowed in, all those thought to be uncomfortable about their sexual orientation’s being known were excised, beginning with Boulez. -
The Twenty Greatest Music Concerts I've Ever Seen
THE TWENTY GREATEST MUSIC CONCERTS I'VE EVER SEEN Whew, I'm done. Let me remind everyone how this worked. I would go through my Ipod in that weird Ipod alphabetical order and when I would come upon an artist that I have seen live, I would replay that concert in my head. (BTW, since this segment started I no longer even have an ipod. All my music is on my laptop and phone now.) The number you see at the end of the concert description is the number of times I have seen that artist live. If it was multiple times, I would do my best to describe the one concert that I considered to be their best. If no number appears, it means I only saw that artist once. Mind you, I have seen many artists live that I do not have a song by on my Ipod. That artist is not represented here. So although the final number of concerts I have seen came to 828 concerts (wow, 828!), the number is actually higher. And there are "bar" bands and artists (like LeCompt and Sam Butera, for example) where I have seen them perform hundreds of sets, but I counted those as "one," although I have seen Lecompt in "concert" also. Any show you see with the four stars (****) means they came damn close to being one of the Top Twenty, but they fell just short. So here's the Twenty. Enjoy and thanks so much for all of your input. And don't sue me if I have a date wrong here and there. -
Green the Green Book
Book # 1 THE GREEN BOOK Universal Zulu Nation Infinity Lessons Archive 1973 - 2000 FOR THE MASSES Compiled By : King Mark Luv & Malika Saphire Table of Contents Myths and Misconceptions ..................................................................................................................................................... 2 Laws and Regulations of the Universal Zulu Nation Part 1 (1 – 20) ........................................................................................ 4 Laws and Regulations of the Universal Zulu Nation Part 2 (21 – 46) ...................................................................................... 5 INFINITY LESSON ONE ............................................................................................................................................................. 6 ABOUT ZULU NATION ......................................................................................................................................................... 6 Message to the People........................................................................................................................................................ 7 INFINITY LESSON TWO ............................................................................................................................................................ 8 THE HISTORY OF AFRIKA BAMBAATAA ............................................................................................................................... 8 INFINITY LESSON THREE ....................................................................................................................................................... -
Why Hip Hop Began in the Bronx- Lecture for C-Span
Fordham University DigitalResearch@Fordham Occasional Essays Bronx African American History Project 10-28-2019 Why Hip Hop Began in the Bronx- Lecture for C-Span Mark Naison Follow this and additional works at: https://fordham.bepress.com/baahp_essays Part of the African American Studies Commons, American Popular Culture Commons, Cultural History Commons, and the Ethnomusicology Commons Why Hip Hop Began in the Bronx- My Lecture for C-Span What I am about to describe to you is one of the most improbable and inspiring stories you will ever hear. It is about how young people in a section of New York widely regarded as a site of unspeakable violence and tragedy created an art form that would sweep the world. It is a story filled with ironies, unexplored connections and lessons for today. And I am proud to share it not only with my wonderful Rock and Roll to Hip Hop class but with C-Span’s global audience through its lectures in American history series. Before going into the substance of my lecture, which explores some features of Bronx history which many people might not be familiar with, I want to explain what definition of Hip Hop that I will be using in this talk. Some people think of Hip Hop exclusively as “rap music,” an art form taken to it’s highest form by people like Tupac Shakur, Missy Elliot, JZ, Nas, Kendrick Lamar, Wu Tang Clan and other masters of that verbal and musical art, but I am thinking of it as a multilayered arts movement of which rapping is only one component. -
Innerphaseny
innerphaseNY http://www.innerphaseny.com/view_60.html Boris Unleashed Boris talks life and a history of NYC clubland March Music Reviews Hernan Cattaneo, John Digweed, Greenskeepers, and more... Fresh Openings Steve Porter Hear Samples From Our Chef Homegrown Playboy Did somebody cut the music? The Latest According to by Matt Kalkhoff Garth DJ Garth talks everything Editor's Special Review Nothing kills the peak hour vibe at a raging dance party from mp3-dot-whatever to quite like abruptly shutting off the music and raising those millions of pieces of the house lights. Yet that’s exactly what happened wax around 2:00am on Saturday, February 19, at New York’s famed Roxy nightclub. Everything seemed fine as Modest Beginnings resident DJ Peter Rauhofer prepared to take over the Hector Romero Tells All! decks from opening DJ Merritt. That is, until the music suddenly cut out. UNKLE Interview Catching up behind Decks Ads by Goooooogle After nearly 10 minutes of precious Phazon deprivation, the house lights flashed on and then off again, almost 'n' EFX as quickly as Rauhofer bolted out of the booth and out Nightclub Nyc the back door. To say he looked displeased as he Great deals on exited would be an understatement. Nightclub Nyc Shop on eBay and Save! Then a voice -- presumably that of promoter John Blair www.eBay.com or producer Jason McCarthy -- pierced the buzz-inhibiting silence with a public service announcement to inform [restless] patrons that Rauhofer was having “a bit of a diva moment” and had left the building. Merritt would be spinning the Did somebody cut the remainder of the party. -
Music 6581 Songs, 16.4 Days, 30.64 GB
Music 6581 songs, 16.4 days, 30.64 GB Name Time Album Artist Rockin' Into the Night 4:00 .38 Special: Anthology .38 Special Caught Up In You 4:37 .38 Special: Anthology .38 Special Hold on Loosely 4:40 Wild-Eyed Southern Boys .38 Special Voices Carry 4:21 I Love Rock & Roll (Hits Of The 80's Vol. 4) 'Til Tuesday Gossip Folks (Fatboy Slimt Radio Mix) 3:32 T686 (03-28-2003) (Elliott, Missy) Pimp 4:13 Urban 15 (Fifty Cent) Life Goes On 4:32 (w/out) 2 PAC Bye Bye Bye 3:20 No Strings Attached *NSYNC You Tell Me Your Dreams 1:54 Golden American Waltzes The 1,000 Strings Do For Love 4:41 2 PAC Changes 4:31 2 PAC How Do You Want It 4:00 2 PAC Still Ballin 2:51 Urban 14 2 Pac California Love (Long Version 6:29 2 Pac California Love 4:03 Pop, Rock & Rap 1 2 Pac & Dr Dre Pac's Life *PO Clean Edit* 3:38 Promo Only Rhythm Radio December 2006 2Pac F. T.I. & Ashanti When I'm Gone 4:20 Away from the Sun 3 Doors Down Here Without You 3:58 Away from the Sun 3 Doors Down Bailen (Reggaeton) 3:41 Tropical Latin September 2002 3-2 Get Funky No More 3:48 Top 40 v. 24 3LW Feelin' You 3:35 Promo Only Rhythm Radio July 2006 3LW f./Jermaine Dupri El Baile Melao (Fast Cumbia) 3:23 Promo Only - Tropical Latin - December … 4 En 1 Until You Loved Me (Valentin Remix) 3:56 Promo Only: Rhythm Radio - 2005/06 4 Strings Until You Love Me 3:08 Rhythm Radio 2005-01 4 Strings Ain't Too Proud to Beg 2:36 M2 4 Tops Disco Inferno (Clean Version) 3:38 Disco Inferno - Single 50 Cent Window Shopper (PO Clean Edit) 3:11 Promo Only Rhythm Radio December 2005 50 Cent Window Shopper -
Microsoft Office Outlook
Eliot I. Bernstein Full Name: Above and Beyond First Name: Above and Beyond Job Title: James Grant - Manager Business: 44 20 8742 4950 E-mail: enquiries Categories: call ultrafest 09 20090319 cmb sent email to 20090319 cmb per recept not manager James Grant Media Ltd 94 Strand On The Green Chiswick London W4 3NN tel: 020 8742 4950 fax: 020 8742 4951 email: enquiries James Grant Music Management was formed in the early part of 2005 by Nick Worsley and Simon Hargreaves and is a joint venture with long established TV Management Company James Grant Media. Heading up the company are two former Sony Music Entertainment Executives - Nick Worsley who was Head of Radio Promotions and Simon Hargreaves who was Head Of Press and Publicity. Bringing together over 20 years of music industry experience across both Major labels and the Independent sector - James Grant Music delivers a fresh and extremely potent force in the Music Business and is already breaking new ground in the Music Management arena. 1 Eliot I. Bernstein Full Name: Alina First Name: Alina E-mail: [email protected] E-mail Display As: Alina ([email protected]) Categories: call ultrafest 09 20090319 cmb sent email to the email above AFFILIATION: Sequence Production BOOKING CONTACT: [email protected] BIOGRAPHY Alina Sequence career has begun in 1994 when it has started to work as the assistant to the arranger in a sound studio. Greater support was rendered by Andrey Ivanov (Triplex), having given many useful knowledge in the field of electronic tools, becoming first producer Alina. In 1997 Alina Sequence bases under the beginning a promo-label " Sequence Records " which is engaged in producing of young electronic musicians, and also release of releases of Russian electronic music. -
NITE LIFE Viewpoint Crobar Pried Open Local Life the Club of the Millennium — Finally — and Worth Main Feature the Wait
NYBLADE ONLINE Page 1 of 3 home news NITE LIFE viewpoint Crobar pried open local life The club of the millennium — finally — and worth main feature the wait. Alegria moves in. Hello, Trai La Trash and •nite life viel glück, Peter. arts By Matt Kalkhoff about us Now that the holidays are at a safe distance classifieds behind us, let’s focus on making 2004 one hell of advertising a fantastic year. But first let’s just tie up a few of December’s loose ends. email updates email address Crobar finally pried open its doors last month and everyone showed up. Literally. Unfortunately, only those of us who arrived early (before 10 p.m.) on opening night got in. (I knew better nmlkji subscribe after experiencing the club’s debut in South Roxy regular DJ Peter Rauhofer is up for a Grammy — his nmlkj unsubscribe Beach years ago!) It’s a shame that so many second. VIPs, press and industry folks were turned away, MAIN FEATURE gfedc I have read though, especially since the party was billed as a and agree to our VIP, press and industry event. Getting ahead in the new year terms and Career counselor offers advice in a tough market So was it worth the wait? Absolutely! conditions. NITE LIFE The expansive club is a true masterpiece of Crobar pried open Submit design, drink and decadence. And the coat check’s even efficient. Lady Bunny’s music and The club of the millennium — finally — and worth the wait. Alegria moves in. Hello, Trai La Trash New to email projected live image greeted us in the “Reed updates? Then Room.” (Oddly, the booth almost reaches the and viel glück, Peter. -
Danny Tenaglia Rides the White Horse Danny Tenaglia
return of the king Danny Tenaglia rides the white horse Danny Tenaglia a few years ago Danny Tenaglia was the It’s crunch time king of New York, the untouchable “DJ’s DJ.” for Tenaglia Then the city’s club scene fell apart. Now the man who embodies house music in the uS is back with a residency at Space ibiza Words Todd Burns Photos adam Weiss he room iS dark. The moved in, the neighborhood was just music is loud. There’s that. a neighborhood. a place where a disco ball overhead his brothers became friends with local and Danny Tenaglia is bouncers and convinced them to let at the controls. he’s their kid brother in because he was just put on Pink “just dying to see a disco ball”. Tenaglia Floyd's ‘on The run’. pulls out a picture. “This was me in “i saw roger Waters 1976 in at a place called The miami play Dark Side of the moon at Lounge in Williamsburg,” he proudly TCoachella recently. it was awesome!” proclaims. mixmag points out the he gushes. mixmag is standing in front mustache. “it was the 70s, you know. of him, in-between four speakers once and i was trying to look more mature.” housed at Vinyl, the legendary New Now, Tenaglia is bald underneath his York club where Tenaglia started his Be ever-present baseball cap. Today, the received a call from Twilo to play a on the roof. When his kids took over, Yourself party, and we’re listening to cap is white and logoless, accompanied guest spot with Frankie Knuckles. -
Madonna Miles Away Mp3, Flac, Wma
Madonna Miles Away mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: Miles Away Released: 2008 Style: House, Europop MP3 version RAR size: 1850 mb FLAC version RAR size: 1967 mb WMA version RAR size: 1972 mb Rating: 4.2 Votes: 361 Other Formats: APE DMF MMF DXD MPC MP2 XM Tracklist Hide Credits Miles Away (Peter Rauhofer Mix) 1 Remix – Peter Rauhofer Miles Away (Marcos "Demo" Castellon Mix) 2 Remix – Marcos "Demo" Castellon* Miles Away (Kaskade Remix) 3 Remix – Kaskade Miles Away (Headcleanr) 4 Remix – Headcleanr Miles Away (DJ Johnny Vicious) 5 Remix – DJ Johnny Vicious* Miles Away (Morgan Page) 6 Remix – Morgan Page Miles Away (Stuart Price!) 7 Remix – Stuart Price!* 8 Miles Away (Radio Edit) Credits Producer – Danja, Justin Timberlake, Madonna, Timbaland Written-By – Justin Timberlake, Madonna, Nate Hills, Tim Mosley* Notes Released in a cardboard sleeve. Barcode and Other Identifiers Barcode: 9362498536 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros. 9362-49800-8, Miles Away (CD, Records, 9362-49800-8, Madonna Europe 2008 9362498008 Maxi) Warner Bros. 9362498008 Records Miles Away (Radio Warner Bros. none Madonna Edit) (CDr, Single, none US 2009 Records Promo) Miles Away (CDr, Warner Bros. none Madonna none Denmark 2008 Single, Promo) Records Miles Away (CD, Warner Bros. 9362-49807-0 Madonna 9362-49807-0 Europe 2008 Single) Records Miles Away (CDr, Warner Bros. none Madonna none UK 2008 Single, Promo) Records Related Music albums to Miles Away by Madonna Miles Davis - Workin' with the Miles Davis Quintet Madonna - Miles Away Vol. 2 Miles Davis - Miles Davis At Plugged Nickel, Chicago Vol.2 Seven Miles - Seven Miles Miles Davis - Miles Davis - Miles Davis: The Complete 1963-64 Columbia Recordings Robert Miles - Paths Madonna Feat. -
!Lbwoak Ihi Independent Musiccer-Ike October 2, 2001 Tndiego Is a Forum Which Enables Swedish Independent Labels and Groups to Showcase Their Music in Ondon
SEPTEMBER 22, 2001 Music Volume 19, Issue 39 £3.95 Jamiroquai go straight in at number one inthis week's European Top 100 Albums chart with A Funk Media® Odyssey (Sony S2). we talk1 r.414 M&M chart toppers this week Radio, music industryThe Bad Boy Eurochart Hot 100 Singles EVE FEAT GWEN STEFANI goes back Let Me Blow Ya Mind react to US tragedy (Interscope) A Music & Media st&ff report by Capital included REM's Every- European Top 100 Albums body Hurts. to the street JAMIROQUAI LONDON- The events may have "When you come out of this tragic A Funk Odyssey taken place thousands of miles awayinformation and hear about this (Sony S2) on the other side of the Atlanticaffront to humanity," says Smith, Ocean, but Europe's radio stations"then you play a tune that can European Radio Top 50 and record labels were profoundlyslightly restore your faith in human- MICHAEL JACKSON affected by last Tuesday's terroristity, it's not necessarily uplifting, but You Rock My World atrocities in the US. supportive." (Epic) Following the attacks on New Smith was head of music at the European Dance Trcooc York and Washington,mostofUK's nationalpublic CHR BBC Europe'smusic radio stationsRadio 1 at the time of the death of ROGER SANCHEZ increased the frequency and lengthDiana, Princess of Wales in 1997 Another Chance of news bulletins and made signifi-and sees parallels there with his (R-SenallSony) cant changes to both music policyprogramming responsibilities now, and presentation tone. but on a more local scale. "In Lon- Inside M&M this week Jeff Smith, programme