Quick viewing(Text Mode)

'Hard to Hold' Is Even Harder to Watch by JONATHAN ALBURGER Pected,” I Asserted, Adding, “ What Did You Want Him to Stick to General Hospital

'Hard to Hold' Is Even Harder to Watch by JONATHAN ALBURGER Pected,” I Asserted, Adding, “ What Did You Want Him to Stick to General Hospital

2 A Thursday, A p ril 12,1984 Daily Nexus '' is Even Harder to Watch By JONATHAN ALBURGER pected,” I asserted, adding, “ What did you want him to Stick to General Hospital. Resident heartthrob Dr. Noah do? ” “ Act,” she replied. Drake has been stricken with the old I-could-be-a-star virus I couldn’t have put it better myself. For what seems the and is currently in need of some intensive care. The length of Barry Lyndon and Cleopatra combined, Hard to disease? Hard to Hold. Hold plods awkwardly through one bad scene after another, What is obviously aimed at the giggling pubescent imparting as much artful pizazz as a fart in the wind. And mentality, ’s beefcake brainlessness didn’t contrary to what Rex Reed thinks, Springfield is not simply even stir the young audience at last week’s opening of the fabulous in his wide-screen debut. movie. As a matter of fact, the audience looked rather What Ricky does best — and most — is expose his rear annoyed at being short-changed. We all tried so hard to like end, which he clearly thinks is his best asset. Okay, it’s Rick and his self-glorifying gushiness, but by the time the humorous to see him trapped outside of his dressing room, end credits rolled, the group’s silent reaction and zombie­ running away from a bevy of adulating fans with only his like exit from the theater told all. We were embarrassed. wet towel around his waist. Of course, he’s photographed Hard to Hold is the bright and original story of a from the side of the slit of towel. Is this Playgirl equality? fabulously wealthy and incredibly famous rock star who By the eighth shot of his butt and the tenth reference to it, meets, woos and devastates a Miss Nobody. But with time we’re pretty sick and tired of the whole mess. But it is in — and an endless string of ingenuously delivered bad lines line to review Springfield’s body, since he’s presenting it as — they grow to overcome their differences and blossom into an integral element of the plot and there’s little else so bad more than passionate lovers. Gloop, gloop, glump. as to be funny. Springfield is too made-up and posed to be a My 12-year old companion and authority on over­ lasting screen idol; his body is too thin and sunken in. mediasized celebrities said she was disturbed by all the Fortunately, he does have intense eyes which he uses well; kissing — “ that’s all they did was kiss!” “ That’s ex- but, as Faye Dunaway discovered in The Wicked Lady, flashing the big, brown ones do not make a movie magical. Maybe they could have a stand-in for him during those difficult nude scenes. Rick’s Jamie Roberts is no . Despite that, the film tells us that the life of rock stars is not all “ tits and champagne.” Oh, I am so sorry. Sceenwriter Tom Hedley should be executed and director Larry Peerce ought to be tortured in return for subjecting the poor audience to Ricky’s cutesy-puppy indulgences; I have never in my life Rick Springfield tries to strut his stuff. seen a more insincere — but on-cue — smile. His songs — thank God — are utterly forgettable. who’s always gonna kick Rick’s ass. She’s a chick who Leading lady Janet Eilber, as the love interest and makes no excuses or concessions. Yeah. professional therapist for disturbed children, is really Hard to Hold even mangles the potential for exploiting annoying. She whines and moans shamelessly, then pouts the charm of the San Francisco locations. Instead, of when the whine stops flowing. The film ’s only buoyance is course, we get obscure alleys and concrete slabs. Even supplied by Patti Hansen as the cliche hard-ass lady rocker Monday’s Oscar broadcast was exciting by comparison. A Post-Awards View Of The Dresser'

By KATHERINE ZIMBERT Hollywood politics figure (Courtenay). Like the Sir needs Norman to fuss into it too. If not, Why didn’t London around him, Sir is and fidget over him, Norman If the Academy Awards Eric Roberts get at least a starting to decay from the needs Sir because Norman’s gave any true indication of nomination for his per­ wear and tear of many years identity is wrapped up in the S in c e tQ&i" who was the “ best” in formance in Star 80? Why of internal, creative war­ theater and his special motion pictures this year, haven’t Bob Fosse’s movies fare. He vascillates from relationship to Sir. They are Albert Finney and Tom been given Oscar’s being a raging, pompous, both eccentric, self- WHERE’S THE PORK? Courtenay would have tied recognition? Why was demanding autocrat to a centered, and neurotic, but for Best Actor. Un­ Barbra Streisand com­ weeping, crazed, self-pitying so is the rest of the company, fortunately, nominations pletely ignored? old man, to the fearless and to the war-worn 229 W. Montadlo St. 963-9326 and awards are based on Enough griping. The leader of his aged company. populace of London, they are heroes — pursuing artistic OPEN DAILY 11 A JR. -11 PAL, SUN. ’TIL 10’ more than who is the best; Dresser, adapted from Norman, who dresses Sir Ronald Harwood’s play of both physically and greatness while their city the same name, is an actor’s emotionally, running lines, crumbles around them. movie, and the per­ and telling stories, Finney and Courtenay formances by Finney and desperately tries to protect capture the hero-actor ADVENTUROUS ATTRACTIONS & KTYD Courtenay are equally Sir from those who think he’s quality beautifully, Finney riveting. too weak to make the per­ being the showman, Cour­ ARE PROUD TO ANNOUNCE The Dresser (directed by formance. tenay being the crutch Peter Yates) takes place in While there have been a behind the curtain. As Sir, London during World War II. few new settings inserted to Finney exhausts his actor’s Finney plays Sir, an aging prevent the film version pallette as much as Sir does Shakespearean actor, who is from being static, the most playing Lear. His transitions gently, comically, and dynamic scenes are between from weak and whimpering sometimes harshly coaxed Courtenay and Finney in the to authoritarian and through his 227th per­ dressing room. Sir and booming come one on top of formance of King Lear by Norman are mutually the other, and Finney has a his faithful dresser, Norman dependent on each other — (Please turn to pg.5A, col.l) Arts & Entertainment

Editor: Hugh Haggerty Assistant: Katherine D. Zimbert

Seconds from campi» - rijht on Ihn beach BERUN Cceat feed, drinks, end entertainment! SATURDAY - APRIL 28 - 7:30PM ARLINGTON THEATRE ^ s t a x j b > Bringing yon ill« freshet* and finali prepared TICKETS: $12.50 FLOOR, $10.00 BALCONY prime rib, steak, seafood, and ehieken AVAILABLE AT THE ARLINGTON THEATRE BOX OFFICE, MORNINGLORY AND ALL TRI-COUNTY OUTLETS. ★ H a rry I k * *1 M l M # k * ★ Baar an4 M m - nrrriiztrt ★ PRODUCED BY DANCE AT THE BEACH w ith Friday and Saturday PET PROJECT 964-7881 at Goleta Beach

¿ 9 K V D aily N exus Thursday, Aprii 12,1984 3A

— M M m m m m m m -C O U P O N - — PLAY OUR LUCKY Robin Williams Plays Defector CARD GAME BUTLER’S PIZZA^ . In 'Moscow On The Hudson' FEATURING YOUR CHOICE OF WHITE OR WHOLE WHEAT CRUSTS. .»a # C DELICIOUS SANDWICHES, BEER & WINE 00 $100 2 OFF JL OF1O F F m A N Y RE g X ~ 3 ANYLARGE p iz z a PIZZA (WITH THIS COUPON) 1 coupon per cu to n er 250 Stork« Road. Golds 968*0688 YOUR HOSTS: FRANK & DWIGHT BUTLER». EXPIRES APRIL 16,. 1984

(DRUGS)

971 Embarcadero deI Mar • Ph. 968-2516 By HUGH HAGGERTY is supposed to be about always making plans and Suppose you were a America — land of the free. thinking about the future; ITEM VALUE SALE Russian saxophonist whose Mazursky recognizes that that’s really hard for Vitamin E 1 0 0 0 1.U. 100’s 1169 9.88 grandfather considers an it’s very easy to label the Russians....In America, you extra roll of toilet paper in film as American are free.” Wilson Tennis Balls 139 2.88 the closet one of the keys to propaganda — though that Robin Williams, who plays Vitamin B Complex 100’s 169 1.99 happiness and you come to wasn’t exactly his intention Vladmir Ivanoff, spent five Robitussin DM 4 oz. 135 2.29 New York to discover that — and it could just as easily months learning how to Signal Mouthwash American toilet paper is be labelled as good ol’ en­ speak Russian. He took the 134 2.49 plentiful and feels like silk tertaining Hollywood sap if role because he had a good Oral B Toothbrush Nos. 40 or 60 120 1.39 compared to the stuff at you ignore its context. feeling about it and he liked Halls Cherry Cough Tabs JO .35 home. You find yourself Mazursky, whose parents the momentum and charm of Lamp oil 1 quart 199 1.99 talking about “ American were immigrants to this Vladmir’s character. He decadence” with a big grin country in 1915, also co­ became proficient enough to 12 oz. Digel 129 1.99 on your face and the KGB is wrote the screenplay for the be able to joke around in Golden Tropic Tanning Lotioas & Oils 4.95 3.88 really getting on your ner­ movie and his research Russian with the Russian ves. A defection in really shows. The movie is actors in the film. In ad­ Bloomingdale’s comes to actually based on.the true dition, he learned passable mind as you’re buying your stories of three Russian saxophone in two months, blue jeans and Blammo! immigrants to the U.S. who though most of the scenes Life as a capitalist! You may were intensively in­ where he plays were over­ be in the place that wrote the terviewed. Mazursky spent a dubbed. It’s very easy for book on slavery, urban couple weeks in Moscow to him to joke around now crime and inflation, but in absorb the Soviet ambience about those intense training general, life in America which had to be recreated in sessions. Williams’ capacity seems to be one big Munich, West Germany for for ad-libbing wasn’t used limousine with Freedom the opening half-hour of the very much in the film stamped all over it.You film. Of the Soviet Union, because it is rather a serious COME IN NOW AND SAVE! would be Robin Williams Mazursky said, “ The main role and keeping to the script starring in a movie called worry for people over there was very important. Moscow On The Hudson. is not what you can do, but Williams turns in his best There is some controversy who you are. Here, we’re (Please turn topg.4A, col.3) The Lobero Theatre Foundation Proudly Presents Y^V surrounding the movie ¿C because of its pseudo­ THE SANTA BARBARA THEATRE FESTIVAL political implications. Director Paul Mazursky Book & Lyrics by AT THE . LOBERO Music by (Tempest, Unmarried Harvey Schmidt Woman, and Harry and Tom J o n « . j f c . .H jrvoy i Tonto) said “ they” are refusing to show the movie in the U.S. Olympic training camps because “ they think it’s too political.” If American athletes are being America's longest running musical with the memorable score discouraged from seeing the including such favorites as "Try to Remember" and "Soon Its Gonna Rain." movie, what will the Soviets do to keep their athletes from seeing it when they’re here? This is an unfortunate Robin Williams and Paul Mazzursky during underscoring on a film that press conference.

KNOCK OUT PRODUCTIONS —present»— DAVID NAUGHTON G A R Y S A N D Y (from "American Werewolf (From "W KRP J A C K R I L E Y Jerry Garcia Band in London" and the In Cincinnati") "Dr. Pepper" commercial) (from The Bob featuring Newhart Show) iff R GRATEFUL DEAD’S [Also starring JERRY GARCIA BARBARA BRUSSELL ONE NIGHT - ONE SHOW ONLY AL CHECCO

RON LUEBBERT

Arlington Theatre MURRAY MATHESON Santa Barbara VIC TAYBACK FINAL DAYS May 19, Saturday 8:00 P.M. (Star of "Alice") Tickets go on sale April 14 APRIL 3-15 TUESDAY-SUNDAY $12.50 per ticket C A L L NOW FOR RESERVATIONS 963-0761 GROUPS 965-07« 5 'EVENINGS 8:00 SUN. EVENING 7 :3 0 SAT. & SUN. MATINEES 2:00 II TICKETS: Eve—*$15.25, $12.75; M at—$10-75, $8.75 for information call 9 6 3 -4 4 0 8 PATRON TICKETS $io.QO -— includes cast party ^ m a s t e e c A tto » v i s a a cctrna? n*bc«A>M snwECt ro ca * ”«',* W 4A Thursday, April 12,1984 D aily N exus

reality: Vladmir gets Moscow... mugged at one point in the OPEN 24 HRS movie. (Continued from pg.3A) ORCHID I performance to date as the We see the melting pot that awe-struck Vladmir. The America actually is during BOWL movie contrasts Vladmir’s scenes that were filmed in life in Moscow with his Harlem and various New •Bowling - Billiards transformation in New York. York bars and discos, and •Panda Chinese Restaurant In Moscow, life is one queue Vladmir says at one point, after another, full of knee- “ Everybody I meet is from OPEN LANES ALL WEEKEND jerk sex, and there’s always somewhere else.” Vladmir’s the threat of being spied on. girlfriend, Lucia Lombardo, C O U N T R Y M U S I C Watching Vladmir’s is an Italian just ready to DAN CIN G • Fri & Sat Nite paranoid soul come out of its become a U.S. citizen. Maria cage is nothing short of a Alonso, a form er Miss patriotic heart stab, and for Venezuela, plays Lucia with ORCHID BOWL • GALLEON ROOM Robin Williams, as a Russian defector, is 5925 C a lle Real • G oleta • 967-0128 the cynic, the movie does a sassy yet sensuous flair, have some good doses of though she hasn’t quite protected by Cleavant Derricks from KGB man mastered her Italian accent Savely Kramarov ... yet. Lionel Witherspoon, j p ^ j j p w r i brilliantly done by Cleavant EVERYDAY Low Prices ... Derricks, who calls himself “ a refugee from Alabama,” BLANK TAPE! is the black security guard from Bloomey’s who befriends Vladmir after his defection. Though you may have the temptation to wince during the films, campy-though- necessary cliches, the movie will make you laugh and the movie will probably 3 ? A C H ^ make some people cry. No Cast of 12 <38- 6.29 TWO PACK •ALSO- matter what, you’ll think about your place and your We carry the Fine Line of Discwasher dressing in this salad bowl and falls in love with Record and Tape Care Products called America. saleswoman, Maria Conchita Alonso, in Moscow on The Hudson. discwasher1'

SC2 ^Seeing Red To Be Shown D4 Record Cleaning STYLUS KIT Kit-*11.98 *6.98 Filmmaker Julia Reichert will present the Santa Barbara premiere screening of her film Seeing Red, a 1984 Academy Award nominee as Best Feature Documentary, on V.R.P. RECORD SLEEVES *3.50 (10 Pack) Friday, April 13 at 3 p.m. in UCSB’s Buchanan Hall 1920. This screening is free. Seeing Red is a film about the men and women who belonged to the American Com­ munist Party between the 1930s and the 1950s. It focuses on the personal histories of fifteen party members during four periods: the heyday of the 1930s, the McCarthyite crackdown, the collapse in 1956 after Nikita Kruschev’s Stalin revelations, and con­ tinuing political work in the ’80s. The film combines interviews together with such 9 1 0 Em barcadero Del Norte • Isla Vista contemporary footage as newsreels and anticommunist tracts. O p e n 10 -1 0 D a i l y *12*8 S u n d a y s • 968*4665 For more information, call Arts and Lectures at 961-3535.

Arts & Lectures Spring Events FÑ Ä CLASS B Y ITSELF

JAZZ TAP ENSEMBLE SPRING FILMS & LECTURES San Francisco’s Jazz Tap Ensemble Spring quarter brings the return of returns to Campbell Hall on Wednesday, “ Gotta Sing! Gotta Dance! The Great April 18 at 8:00 p.m. for an evening of American Musical on Film,” a series of vibrant hoofing and highly acclaimed sixteen films celebrating the American music. The ensemble’s previous visit to musical tradition. Santa Barbara delighted a sold-out Inaugurated two years ago, “ Gotta audience in 1982. Singi Gotta Dance!” spans the years from In performances that cross cultural and 1930 (Busby Berkeley’s W h oo p ee) generational gaps, the Jazz Tap Ensem­ through 1979 (H a ir). This popular series ble has danced with the living legends o f includes a wide range o f musical expres­ the tap dance art form — shufflers, sion: the innocence o f Nelson Eddy and tappers and hoofers like Charles “ Honi" Jeanette MacDonald in Sweethearts', the Coles, the Nicholas Brothers, and Foster exuberant song and dance routines of Johnson. The ensemble also appears in Gene Kelly and Judy Garland in The the movie Tapdancin’. P ira te, the grace and charm o f Fred Although tap dance is recognized as a Astaire and Cyd Charisse in Silk Stock­ popular art form, improvisational in both ings; the zaniness o f Zero Mostel in A its choreography (traditional steps evolve Funny Thing Happened on the Way to into hew movements, on the spot) and its the F o ru m ; and the feverish backstage performance history (a buck-and-wing as world o f A ll That Jazz. Specially dis­ beautiful on the street corner as in the counted series tickets are available at 50 concert hall), members of the JTE have percent savings — $16 for the general received a solid and thorough training in public and $12 for UCSB students — at dance and music. Both the ensemble and from April 16 through April 18. Members churches, and at music festivals. They

Everyone is familiar with Casey. The most appealing back through time twenty i Invites you to get acquainted with our dinner menu th e aw kw ard em ­ aspect of Siegal’s work was years to relive a deceitful, (and at a great value) ALL YOU CAN EAT barrassment that causes one the dialogue. The one-liners sarcastic, cruel and spiteful p Every Thursday and Saturday after 4 p. m. to queasily shift in his seat in that dominated numerous life. P CHICKEN STEAK FISH response to viewing a small- scenes sparkled in their P Teriyaki Marinated Tempura scale artist attempting to realism. The dialogue was I loved the zest and energy Style &Charbroiled Style ■ PV transcend his/her limits. At thought-provoking, wrought of the cast. The angels, with PV times the jump is successful. with ideas and concepts that their constant smiles, won P PLUS Pork Fried Rice — Aloha Fries — Salad At times it is not. On Sunday, challenged the viewer. The over the devout audience. TRY A DIFFERENT ENTREE 8 J 9 9 April 8, A Taste of Time conversation at times lapsed Liz Weber provided solo 3 FOR 2nds & 3rd»! performed by the Campus into hackneyed, overused vocals with more than 37(370 Storke Rd. a Go!Goleta, 968-1091 Ambassadors was suc­ cliches, but the trade-off was adequate efforts. Kirsten t cessful more often than not worth it. “ The existence of Gluck was perfectly cast as in expanding and God proves the existence of a Valley-Girl prude; in challenging the limits of morality.” In essence that juxtaposition, David Spiegal small-time theater. To their sentence is the epitome of A as the slap-stick Happy credit and the audience’s Taste of Time. Intellectual, provided ample humorous entertainment, they stayed controversial and sub-plots. within the parameters of philosophical, A Taste of small-scale, low-key Time is a morality play. It The main theme revolved dramatic efforts. was refreshing in that it around Rose (Margaret Why Type? Campus Ambassadors is a presented contemporary Grayson) and Paul Casey’s non-denominational Christ­ problems that are especially (Bob Siegal) romantic en­ ian group on campus. In the pertinent to college students, tanglement and appreciation (When You Can Use past they have produced two yet did not overemphasize of commitment. A plethora other plays, Eternal Reach the theological solution that of emotions and feelings are a Microcomputer) and Pandora’s Child, but this it offered. explored, and perhaps the was their initial attempt at a A series of a series of play could have derived The UCSB Microcomputer Laboratory now .has time available to musical. Pianist Laurie divinely diverse events additional benefit from students who wish to use microcomputers for personal work Charles’ eloquent, flowing befall Paul Casey, who is delving deeper. However A including everything from preparing a paper to balancing your passages were charming in given a second chance by Taste of Time, as a benefit to checkbook. You can buy 10 hours of time in two-hour blocks to be their transitory role, yet the God to repent for a L.I.V.E (Let Isla Vista Eat), used at your convenience for only $25. Anyone who has used a soft, melodic pieces were seemingly “normal” life worked well. This third microcomputer knows how much time can be saved by composing beautiful in their own right. that didn’t measure up to production by Campus directly on a micro rather than writing and rewriting endless drafts by hand or on a typewriter. The entire production was heavenly standards: Two Ambassadors was light­ engineered by the ambitious, angels wielding a guitar sing hearted entertainment with To learn more about this new service, pick up an information sheet multi-faceted Bob Siegal. a lilting harmony; a a bite. Take that bite and at the Microcomputer Lab Office in Room 2326 Girvetz Hall or at the UCSB Extension Office in the TRACOR Aviation Building, 495 So. Following the same mode as comatose forty-year-old chew it over. Fairview Ave. in Goleta. Time cards are available for purchase only at the Extension Office. Dresser... The service is most appropriate for persons who already have some familiarity with microcomputer operations or who have taken a class (Continued from pg.2A) on the wrong make-up and been together for years. at the Microcomputer Laboratory. field day. Courtenay (who quoting the wrong play. The sardonic relationship some old movie buffs may They take turns mothering between Sir and Norman is remember as L a ra ’s each other, being both reflected in Harwood’s view husband in Doctor Zhivago) comforting and scolding. of the internal workings of matches Finney with equal When Sir scolds, Norman is the theater company. (The energy and strength of delighted because Sir is back play was based on some of personality. Courtenay’s to his tyrannical old self; Harwood’s experiences as a u c s B E x t e n s i o n expressions tick across his When Norman gets too dresser.) The actors are face in nervous con­ mothery, Sir snaps out of his selfish egotists, constantly sternation as he pushes Sir poor, tired, old man routine needing reassurance of their through his dressing routine in order to put Norman back greatness. When Norman — “ Come along, Sir, It’s in his place. They are has to make a speech time to age,” he coos. No abusive and pathetic, but warning the audience about “ 6 PAG” sooner does Courtenay turn beneath their nastiness they the air raids, like the actors, his back to take a quick nip love one another. It is easy to his only concern is, “ did I do of booze than Sir is putting believe these two men have (Please turn to pg.9A, col. 1) 6 Movies * 6 Bucks* Series Ticket Prices: Graduation $8.00 student/$10.00 non-student. ceremonies 1984 Individual films: $2.00 student/$2.50 non-student. ATTENTION LETTERS A * Bring three UNDENTED cans of food to receive discount on the price of a SERIES TICKET or SCIENCE GRADUATES receive 500 off an INDIVIDUAL TICKET price for a donation of a SINGLE UNDENTED can of food. Nominations are being Assist the Food Bank of Santa Barbara help people solicited lor faculty in our community, and raise funds for the Sun-Day commencement speakers. Extravaganza, A.S. Program Board. Each of the four Letters APRIL 13th: AMERICAN WEREWOLF IN LONDON, ft Science ceremonies Campbell Hall ______will include a brief APRIL 16th: THE THING, Chem 1179______faculty address. Send APRIL 23rd: name and any supporting CREEP SHOW, Chem 1179 APRIL 30th: statement you wish to DRESSED TO KILL, Chem 1179 provide to Provost M AY 7th: ROAD WARRIOR, Chem 1179 Sprecher, College of M AY 14th: Letters ft Science. 2217 MAD MAX, Chem 1179______Cheadle Hall, by Show times 7:00 and 9:30 PM.

April 16,1984 Ford Motor Company's Ford Theater presented by 6 A Thursday, A p ril 12,1984 D aily Next

Keyvan Behnla THINK GREEN

’1.76 Pitchers SIIMG1 The Psychedelic Furs:“ Heaven” — Living in New York seems to have a fatal effect on British musicians. Just look at Billy Idol, who has become a coked-out, moronic, sex mummy going around making a fool of himself, or Mick Jones who, nowadays, seems to u 1 3 different types of beer r have more friends practicing law than music. In the case of The Furs, the killing appears to be painless and prolonged. “ Heaven” is T a very good pop song, but it also is very calculated, impotent, and inoffensive. The urgency of the Furs original sound is caged inside FREE CHIPS AND SALSA a cramped production in order to allow the average FM listener to identify with it. Also, the absence of the drummer, Vince Fly, who The Greenhouse Restaurant left the band to produce Ministry, is felt on both tracks. The Furs During Rugby Wssksad Nappy Hours end up sounding like a fish out of water — flickering, fading, dying. (2 P.M.-6 P.M.) < 4 On the flip side, “ Heartbeat” is a fantastic dance song, but it is so B629 Trigo - Across iron Magio Laatora un-Furrish that long-time fans will just shake their heads at it. Depeche Mode:“ People Are People” — Recorded in Berlin, this single deals with social equality and the flip side “ Place It In The Our community and our campus needs a place for all Memory” outlines dialectical materialism on the dance floor. Huh? people to be able to express their individuality without On both these songs, Depeche Mode moves further from their once the fear of prejudiced ridicule. Santa Barbara lacks a pretty-boy image and in doing so, they are impressive. social place which has original and unique entertaiment. Ideologically, they seem to have adopted a utopian/ socialistic view Moreover, the main commercial rock FM station in of the world which is far fetched. Musically, “ People Are People” town has become extremely feeble and reactionary in showcases their expanding instrumentation, which features an exploring new musical horizons. Therefore, to counter assortment of wind instruments. The lyrics are minimal and this vacuum of creativity and lack of diversity, there is repeated — often effectively, the bass synthesizers and the drum going to be a new, student-operated night spot called The machines rattle the brain and move the feet. Depeche Mode is Web starting this Saturday and every other Saturday for the remainder of this quarter. It is sponsored by KCSB- FM and is meant to be a gathering place for all of those people who wish to try something different. Music will be provided by KCSB DJ’s, and it will feature the best in dance music from new funk to European imports. Unlike other clubs in S.B., each time it will be decorated and lit to give it a unique atmosphere and identity. If you feel like doing something different, if you think you will enjoy hearing songs before they get played to a repetitious death on commercial radio stations, then you should check out The Web, this Saturday night from 9 p.m. to early morning at Cafe Interim. It will be the only

AVAILABLE THROUGH

gradually and consistently emerging as the premier British electro-pop band. Their music is a perfect soundtrack for a brave new world. El P aseo Culture Club:“ Miss Me Blind” /“ It’s A Miracle” (Mega Mix)— Piccadilly Square Why put together two pretty good songs only to come up with one 813 State St! 816 S ta te S t. big bore? This mix is mega-awful. The songs crash into each other 966-5997 965-8686 rather than blend together. It only shows to us mortals that even gods are not perfect. Eyeless In Gaza:“ Sun Bursts In” — This electronic duet is best known for experimental, imaginative early sound. They were a cross between the rough realism of Cabaret Voltaire and the place in Santa Barbara that you will be able to dance to polished sound of Ultra vox. But this new single expands on a new the best of these singles and meet exciting people. frontier. The inescapable melody, the colorful horns, and well- The Cure:“ Caterpillar” —During a period of three defined vocals are all perfected in a state-of-the-art production. , The Cure created a massive cult following. Siouxie And The Banshees:“ Swimming Horses” — Robert Their depressing, gloomy portrayal of human alienation Smith’s bouncy piano, Steve Sevrin’s slow bass, and Siouxie’s was unique in the music world. However, Robert Smith radiant, yet subdued voice stir raw and rare emotions. With this was too eccentric an artist to give his loyal fans what record, once again, they leave the listener entranced in the shadow they wanted. He strayed from the dark underworld of of their music, mystique, and personalities. Their new , c on« oi « cessions doom and gloom into such happy and cheerful musical Diablo will be released shortly. rveys. ofle5~nsive summer sess planes as disco and jazz. Even though his musical Thompson Twins-.“ You Take Me Up” — One of the worst singles aliform a changes raised the outcries of early Cure fans, no one of the year. Inexcusably mundane with stale vocals and no melody. could argue that each Cure single was a good song on its Nothing saves this song. 1 E R F U N own. This current single “ Caterpillar” is taken from the Afrika Bambatta and The Soulsonic Force:“ Renegades Of forthcoming album titled The Tops. Funk” — The singles cover portrays Afrika and his force as comic ia’s Favorite ■ c ^ ie s m The accoustics of this single, especially the insistent, book characters. One listen to this disk and you’ll find out that these — but hollow, drumming, give it a unique folksy flavor. But guys are as comical as Dirty Harry. This is Funk with balls. There g „dess attractions. when The Cure’s famous trademarks appear, it is all are no wimpy, pretentious beats or kiss and touch words. Potent j smiles till the final note. The simple, addictive guitar dance music for those who don’t leave their brains at home when f chords coupled with Robert Smith’s exceptionally they go out dancing. c beautiful voice are once again outstanding. Smith’s Break Machine:“ Street Dance” — A big hit on British dance \ lyrics, which usually draw abstract moods from simple charts. Break Machine is powered by three young break dancers i details, are also present on this tale of lost romantic who have come up with this infectious street dance. There is a innocence. lingering, catchy, high-pitched synthesizer melody which creeps 1

_____^ 1 ¡SUMMER SESSIONS I San Diego State University

[ Y e s ! Please send free catalog with com ­ plete information on Summer Session' i courses and living accommodations q

Name .

Address .

C it y ____ State Summer Sessions San Diego State Unhrcrslty San Diego. CA 92182 (619) 265-5152 | IXUS Thursday, April 12,1984 7 A LES BAR

L I B R A R Y > DRestaurant______r&. . V!:- Nitespot______

through the record quite effectively. The singing of the Machine 500 OFF ANY BURGER could improve. But all in all, a great song to dance or break to. WITH THIS AD Marilyn:“ Cry And Be Free’ ’— Who is the best drag queen in the (Expires April 16,1984) world of pop today? Before you answer, let me tell you that Boy Jaw’s ex-roommate has released one hell of a tear-jerker. This superb, slow, romantic song is so sticky with emotion that you can’t HAPPY HOURS M—F 2—6 easily wash your mind from it. If Marilyn can keep this level of SANTA BARBARA'S NEWEST NITESPOT FOR TOP ENTERTAINMENT quality, he won’t be second best for too long. Boomtown Rats: “ Tonight” — This single opens with the same old Every Thursday KTYD's Friday April 13 melodrama of usual BTR sound. However, Geldof’s voice and Rock of the 80's words shine. This won’t be a chartbuster, but it will satisfy old fans. Danes Party w / ja m Aahar, Robert Grol:“ Darling Don’t Leave Me” — This is the second solo R iy P to rc « THEWHIPTONES or single by Grol, who was the leader of the very popular German Marti Avory electro-pop band D.A.F.. It also features Annie Lennox on vocals. Nevertheless, the song sort of strangles itself in its repetition and IKMon-Tues Dance to state-ot-the-art sound, lavish lightingA falls short of its potential. systems and special concert videos on wide-screen TV Fiction Factory:“ Ghost Of Love” — Fiction Factory’s first S A T U R D A Y A p ril 14 Every Sunday single, “ Feels Like Heaven,” entered the top ten in British charts CapHoi recording Artist with a sound that was a shamefull replica of Air Supply. This THE C A LL LNfcRARY / second single is Air Supply all over again, but with a big dose of testosterone. A new British band with the polished, marketable "when tfw «vaia oama down" sv/a M ovie M enu sound that American record executives dream about, and also as ♦4 co ver (can for Schedule) much personality as a herd of sheep. The Poppyfields: “Alien and Candy” — The debut single by this All entertainment programmed by Bassman Productions 685-7788 Manchester guitar-synthesizer band. This record shows signs of a 6581 Pardall Road, Isla Vista 685-5596

d i s c o u n t • d i s c o u n t • d i s c o b O q m Ace's of Goleta ! V) 3 a ICI o ■BEER- o o c (A NEW o GRIZZLY BEER o z .a n W 3 * ® o g Case.! 1 5 19 6pk„ c (A -FREE POSTER WITH PURCHASE- z 5 - • L0WENBRAU Â99 o 12 pk Bottles <75 3 o O o o HEINEKEN 0 1 9 c 12 pk Bottlos O z —LIQUOR' (A 3 MONTEZUMA o good band in the making, but not being able to show its real identity o o o c yet. The opening song, “ Alien,” is fast paced and powerful. What C/5 TEQUILA S o ld i White z follows is a melancholy ballad with clear vocals and a cool back­ O H drop of synths. The two songs on the second side are in the same 1.75 L. 9 M i l 5 m vein. This feverish tension in their music and their beautiful name o •DI •DI •DI T N U O C IS D • T N U O C IS • D T N U O C IS D • T N U O C S make the Poppyfields a promising prospect. 5*9 The Danse Society: “ 2000 Light Years From Home” — Once again Windsor Canadian 1 L. The Danse Society is very impressive, and this time with an ex­ cellent remake of this Jagger/Richard classic. Still there is a g ■'■— W INE1 nagging paradox underlying this band’s work. Even though on ? Ballard Canyon 199 vinyl they are very intriguing and inspiring, through their in­ h- Cat, Sawigaon Blanc 760 ml. terviews they emerge as a bunch of superstitious, ignorant fools. I am not quite sure if they project such a shallow image purposely, Kendall Jackson 82 H99 but due to this contradiction; they remain a band fit for listening O Chardonnay 780 ail. and not contemplating. Bourgie Bourgie: “ Breaking Point” — One of the new British bands most likely to break it big in 1984. Bourgie’s music is multi­ dimensional, breezy, and positive. This single defines its own Ace's of Goleta unique sound by stealing fundamentals from Roxy Music and early ABC. It the kind of music James Bond would listen to on a Sunday afternoon drive in his convertible car. 7127 Hollister Aio. Friends Again:“ Honey At Core”— Incredibly, they sound like Bob Seger and they do it in grand style. The vocals are colorful in describing this account of sweet romance. It is a pleasant surprise Goleta to hear a new group with such a magnetic old sound. Six Sed Red: “ Bang 'em Right” — Saving the best for last, this is my favorite new group. They were discovered by Marc Almond of 685-2200 Soft Cell during their last American tour, and they are produced by Cabaret Voltaire. Their intoxicating electronic sound, and fascinating vocal ability of the female singer makes dancing and HOURS: WEEKDMS M M l k » Wl listening to this record a mystical experience. Bound to be a giant m « sunn ti M • son n t M hit. !• DISCOUNT • DISCOUNT • DISC 8A Thursday. A p ril 12,1984 Daily Nexus rock’n chair productions presents 'Mass Appeal' is Unappealing By HUGH HAGGERTY recording and those where sit-com about the whole at the Challenging an audience he talks on the phone to vain thing. In a two-man with a daring philosophical parishioners, Duffin’s production like this, action and religious dialogue is not charm works wonders. But gets squashed and con­ something one would expect for some reason, Duffin saw densed with the characters ARLINGTON THEATRE from a play entitled Mass fit to start and end almost narrating events which are Appeal. Why did I expect it? every scene with a quaff supposed to happen off It might’ve been my from the chalice. No wonder stage. These parts in the reluctance to take the pun he said he’s having trouble dialogue tended to interrupt for all of its vacuous gran­ living down his portrayal of the development of Father deur. Maybe it’s because Brendan Behan in Con­ Tim’s and Mark’s Jesuits always seemed more fessions of an Irish Rebel. relationship and rendered sensible than Franciscans to (In that production Duffin some scenes less than me and I hoped the play drinks upwards of two pints credible. Ultimately, there is might save face for the of Guiness stout while on little catharsis at the con­ Franciscan order. In any stage.) clusion of the play due to its case, seeing Catholicism Eric Brown plays Mark tiring jabs of over-used treated with the tact of an Dolson, the fiery young man humor and plot technique. especially poignant episode interned at the nearby St. of I Love Lucy left me Francis novitiate. Dolson is The blame for this swell wondering if the script the motor which makes the production probably lies writer for Mass Appeal is plot move, however Brown’s with Shay Duffin who is the known as a swell guy who go-cart whine made Dolson’s play’s one bright spot. He is NEXT tells bad Polish jokes among scenes of chest-thumping obviously very comfortable * '• V f FRIDAY his friends. rhetoric and Bible-hurling portraying the Irish spirit. Bill C. Davis’ characters sermons seem like an un­ Ensemble Theatre Project are straight out of the text­ trained chihuahua — tiny would never toy around with book. Father Tim Farley, and cute. Dolson is amused a two-man show unless they portrayed by Shay Duffin, quite a few times at Father had top actors, like Duffin SHOW provides the bouncing board Tim ’s antics but Brown and Brown, doing it. for the laughs with his handled his laughing scenes Following this run at the stereotypical drunkenness, with stunning ineptness. It Ensemble Theatre Project his bloating complacency seems a genuine case of mis­ which ends April 10, the FRIDAY NITE- APRIL 20 -8 P.M. and his brown-nosing of the casting as Brown has an company will have an parishioners. Although impressive history in his engagement down in Santa Duffin’s acting was on a par acting career. Barbara’s sister-city Puerto Reserved Seats $11.50/$ 12.50 with his ability, he failed to From the beginning, Vallarta, Mexico, where the lift Farley out of the campy Father Tim ’s and Mark’s rich tourists will guffaw cliche realm. In scenes communication is unlikely heartily at the jokes and the where he practices his intimate and there’s natives who work at the sermons along with a tape something disturbingly TV hotels will politely smile. G reek ’ Classic Trashed With Class By PETER LEFEVRE with no punches pulled. At tripe on the tube night after i l The L.A. Theater Works the very least, Berkoff shows night, then a barrage of well- Company brought Steven us that he is not afraid to placed expletives might not Berkoff’s Greek to UCSB’s look at the worst of the sit so well on the psyche. But Main Theater on Tuesday human condition straight in even though the dirt and night. The actors described the eye, and at the very dregs are driven at the graphic scenes of lurid sex most, he opens up. the audience full throttle, the and random violence for two possibility of loving our­ interesting thing is that they hours, and then everyone selves in spite of our con­ don’t get in the way of the went home. Now, depending dition. narrative. Once the first few on one’s taste for lurid sex It could be very easy to anatomical references are and random violence, this take offense at the play. If made it becomes like can be either good or bad, one is used to watching and working in a bell factory. Tickets Available but strictly as a theater listening to pre­ After awhile, you don’t hear S A T . A P R IL 21st piece, the play confronts programmed, sanitized, the bells. The images run these controversial topics sleep-inducing, mindless

N May 10, 1984 8 pm, Arlington Theatre Santa Barbara Tickets $11.50

and very special guest

Tickets available at Vandenberg Air Force Base, Port Hueneme / Oxnard, Morninglory (I.V.), Cheap Thrills (All locations), Jailhouse (Ventura), McCabes (S. Paula & Ojai), Arlington Ticket Agency.

COMING TO SAVE THE WORLD TICKETS ON SALE Sat., April 21st at tha A .S. Ticket Office THIS SUMMER. (after 23rd at usual outlets) Sat May 19,1984

Tickets $10.75 / $11.75 Campbell Hall, UCSB Tickets available soon

© 1984 C O L U M B IA P IC T U R E S IN D U S TR IE S. INC. D aily N exus Thursday, April 12,1984 9A M o s s Jacobs Presents at At the Arlington FRIDAY, APRIL 13 - everyone welcome 'In A , Dreams Stay With You' THE THREE O’CLOCK “Jet Fighter” By CRAIG KNIZEK constant skipping around and Adamson’s occasional guitar- with The name and sound of Scotland’s Big Country invokes hero leaps. The anthematic “ Big Country” started out Population 5 (from L A .) the feeling of freedom and wide-openess of unlimited slowly and with difficulties, but the dogged persistence of (form er members of the KNACK & The Josie Cotton Bend) boundaries. The band’s songs center around the theme the band and the sheer, intense beauty of the song carried it and Giant Eden Tickets: $5 advance at Sound Factory and M om lnglory Music that the individual can expand the conventional limits that to its proper heights as one of the best songs of the year. $6 at door. Also available through are implemented by society and self-imposed burdens. There was a crowd sing-a-long chorus in the middle to Stuart ^Adamson’s unique wailing, high-pitched guitar establish audience involvement; the numerous fans I saw At Jailhouse Records m Ventura. May Company. Music Plus and Sportman sound conjures up images of a group of tussled, jumping wildly around with upraised fists in unison with Ticketmaster Charge (805) 583-8700, (213) 480-3232 or (714) 740-2000 bedraggled men playing bagpipes, clad in their historical were evidence that indeed he had family plaid patterns and connected in reaching the FRIDAY, MAY 4-everyone welcome colors, marching valiantly people. over open, stony, wind-swept The epic “Porrohman” fields. was brillant and perhaps the For those of you who best song of the evening. The LOS ILLEGALS cannot fathom salvation tension of the two guitars through music, read no alternating, yet mixing in further. But for those of you high-pitched, high-land who identify with Bruce notes, then the crashing Springsteen’ phrase “ Rock power chords complete with n’ roll saved my soul,” then Adamson’s standard shout you realize that what I ’m created a powerful moment. hinting at cannot be ver­ The encores consisted of with special guests balized, merely felt. The their latest single “ Won­ Ray-G un bursting, dizzy state of being derland” and an old Smokey when you have to pretend Robinson classic “ Tracks of Tickets: $5 advance at Sound Factory and M om lnglory Music $6 at door. Also available through you’re playing the guitar or my Tears.” In an ironic twist singing the song; the I felt the latter one was very (.HEAT FOOD maudlin happiness that sparks in your glowing soul. soulful and sounded just as invigorating and moving as if AVAILABLE AT Big Country visited Santa Barbara last Thursday evening they had released it as their own single, whereas “ Won­ KTYD LA C O C IN A INSIDE y | CASA at the regal Arlington Theatre which ideally would have derland” was simply rehashing their popular, but worn provided a theatrical environment for a regal band. But the formula. L£ CASA P£ LA RAZA 601 E. Montecito St. predominantly high-school crowd displayed a junior high Big Country teased the audience. When playing good they mentality which impinged on anyone whose seats were were brillant, showing the promise of a band that has With This Ad Save $1 at the door anything better than mid-theater. potential to be superstar status. They opened up with “ 1000 Stars” to a gaping crowd awed by the magnificently appropriate backdrop — these guys learned something from MTV. A setting of mountains and wispy clouds overhead in combination with eclectic lighting helped convey and enhance the meaning of the song as well as setting the mystical tone for several of the songs. But enough of the intelllectual dissertation on semi-relevant tangents; what about the music? The guitar sound of and Stuart Adamson was akin to Phil Spector’s wall of sound. With the steady rhythm section of on bass and the booming beat of drummer Mark Brzezicki, the Spenda guitars not only hammered away at your senses, but the subtleties that emerged from note to note within that wall of sound were overwhelming. The band showed that they were accomplished craftsmen by not solely relying nor ex­ ploiting their commercial successes. But like the song they opened with, the fluctuation between showmanship and musical virtuosity may have slowed them down. The crowd right at became the most excited when the band members them­ selves became excited, especially Tony Butler with his Dresser... (Continued from pg.5A) theater buffs will appreciate FordTheater alright?” Reality is the this film for its accurate, theater, and the life and though not always kind “Get off toa great start w it h death crisis is the per­ portrayal of theater — ac­ formance, not the failing ting, design, tech, and stage bombs outside. Despite its depressing managing. Sir even has a theme, The Dresser has line about critics being some funny moments, some mentally deficient. . . WKWTOW of them brutally so. All hmmm. The Most Fun You’ll Ever Have

DATE: April 13-Fri. DATE: April 16-Wad. DATE: April 23-Mon. TIME: 7:00 & 9:30 p.m. TIME: 7:00 & 9:30 p.m. TIME: 7:00 & 9:30 p.m. PLACE: Campbell Hall PLACE: Chem 1179 PLACE: Chem 1179 ADMISSION: $2.00 ADMISSION: $2.00 ADMISSION: $2.00

THE WORD IS OUT! “ROAD WARRIOR IS A H IT !

THE ROAD WARRIOR IS«-

DATE: April 30-Mon. DATE: May 7-Mon. DATE: May 14-Mon. TIME: 700 & 9:30 p.m. TIME: 700 & 9:30 p.m. TIME: 700 & 9:30 p.m. PLACE: Chem 1179 PLACE: Chem 1179 PLACE: Chem 1179 ADMISSION: $2.00 ADMISSION: $2.00 ADMISSION: $2.00 SERIES PACKAGE PRICE OF $6.00 UNIV. OF CALIF.-SANTA BARBARA (034)

H APPY HOUR I Today thru Friday 5 p.m. to 9 p.m. I 60 oz. Pitcher - *1“ p lu s t a x I FREE DELIVERY c 1984 M i FM INC. 968-6969 The above motion picture presentations To A Limited Area are brought to you by the Ford Division I 928 Em barcadero del Norte of the Ford Motor Company.

M i l l l 10A Thursday, April 12,1964 D aily N exus Beaux Arts Trio In Campbell Hall

By KATHERINE D. ZIMBERT most musicians get stuck with a rather muddy sounding It wasn’t an easy job to please me last Friday night. I was grand, pianist Menahem Pressler played on a spectacular exhausted, and my lack of sleep during the past week had Steinway thanks to Philips and Mercury records. Pressler manifested itself in a bad cold. Spending the evening trying is an excellent pianist, and his sensitive touch and fine THIS WEEK’S SPECIALS to quietly unravel the wrappings of Sucrets while sitting in technique was complemented by the piano. Campbell Hall listening to the Beaux Arts Trio was the last The Trio by Charles Ives provided the opportunity for the BEER SALE Reg thing I wanted to do, but it was too late to cop out. musicians to show off their versatility, however. The first The concert was mercifully short, but the real reason I movement was mournful and haunting, dominated by the COORS 6 pks managed to enjoy the evening was because the Beaux Arts sounds of cellist Bernard Greenhouse. The second LOWENBRAU12 pks Trio played an uplifting and emotionally satisfying concert. movement, TSIAJ — Presto, (according to the program They opened with Haydn’s Trio in A major, H.XV, No. 18, TSIAJ stands for This Is A Joke) was entertaining and MICHELOB12 pks an elegant piece of music that is accessible to both classical musically intricate. Fragments of old tunes such as “ My music lovers and those who are discovering chamber music Old Kentucky Home” and “ Ta-ra-ra-boom-de-ay” were Milwaukee’s Best 6 pks 1.49 NEW for the first time. Each instrument was given its chance to intertwined with atonal waves of sound, and occasional, solo, while being gently backed up by one of the others. With chilly, Prokofievan piano solos. Brief passages of the WINE the exception of one noticeable sour note by violinist Isidore playful second movement flitted nostalgically around the 4« Cohen, the playing was meticulously clean. brooding, melodic frame of the third movement, bringing GALLO U L t r . 2 .9 9 The concert was especially outstanding because the out the best in tasteful sensitivity from the trio. ANDRE Champagne 2 .5 9 3 " pianist actually had a good piano at his disposal. While Felix Mendelssohn’s Trio in D minor, Op. 49 completed the program. Though not as musically complicated as some Pussycat Theatres Present +t -k M * CK MONDAVI U L t r . 3 .3 9 5“ of his earlier chamber works, the Trio reveals a more refined Mendelssohn, and the Beaux Arts Trio, well war- Starring LIQUOR&MISC. : med up by now, performed it with the appropriate ICKED JESIE St. JAMES JOANNA STORM restrained finesse. They maintained their high energy and RONRICO RUM 500 ml. 3 .4 9 4 " WAYS , professionalism throughout, never losing sight of one Emmets IRISH CREAM 750 ml. 7 .4 9 10“ W 2nd Feature another. The transitions were clean, and the brisk timing changes were accentuated with necessary snappiness. SEVEN-UP 6 pks 1 .9 9 2” For an encore the Trio played a movement from Dvorak’s Dumke Trio, which made me long to hear them a a m a n a m m m m a m m a n n n m MANY MORE SPECIALSI play the entire work. Maybe someday the Dumke will be on 6580 Pardall — OPEN — 6854541 Starring Annette Haven. the program for a future concert — better that than more Hustler's Bridget! Monet. MMR repeat performances of some “ popular” classical music 10 A.M. Penthouse Girl l.oni Sanders. Pl/SSVCAT’S ROXY MIDNITE DAILY 320 S. Kellogg • 964-0011 standards, which has been the trend of late. ADULTS ONLY! * * oil Hollister! Open Daily I? Noon On a final note: The stage manager, or whoever is in charge of the lighting in Campbell Hall, has kept up the annoying practice of leaving the lights up during the con­ certs. This not only makes it harder to inform the audience that it’s time to be quiet, but it detracts from the concert to be so aware of the well-lit, outlandish costume of the person sitting close by. As for Arts and Lectures, I can only hope they keep up the good work by bringing more fine musicians to UCSB. 'Greek'...

(Continued from pg.8A) into you. The struggle against them ends. Everything in the play is designed so this will happen. Simple costumes, almost no props, and a kitchen table with four chairs make up the technical wizardry here. The focal point becomes the hypnotic effect of the language. The question is: Can you stand it? Greek is a retelling of the Oedipus legend, set in modern day London. A glossary of British slang is thoughtfully provided in the program, but few audience members were busy looking up unfamiliar words during the performance. What didn’t come across in verbal description came across in action. Familiarity with the original play wasn’t a requirement for the experience either. Greek has achieved a certain timelessness on it’s own. Berkoff has created an entirely different play with only the most essential plot elements retained from the Sophoclean tragedy. John Francis, an original member of the L.A. production, played the role of Eddie with relish. Obscenities floated from his lips in ways that can not be described in the daily news. Above the obvious fun he was having in springing the slimy images on the audience, was an athletic discipline unique to superior actors. Not only did he understand the role, but he pounced on it and tore its throat out. The small company of four all latched on to their roles with vise-like strength. One of the most devastating moments of the evening was a lengthy monologue delivered by the sphinx, portrayed in the play by Dinah Anne Rogers. The utter contempt the sphinx feels for all that Eddie is manifests itself in a spray of insults that reveal a profound un­ derstanding of the causes of division between man and woman. Jean Gilpin played the role of wife and mother to

16528025 Wed., April 18 / UCSB Campbell Hall / 8 PM In residence April 16-18 Free lecture-demonstration: Tuesday, April 17/ Campbell Hall / 4 PM______Reserved Seats: S10.00/S8.00/S6.00 STARTS FRIDAY AT THEATRES EVERYWHERE UCSB Students: S8.00/S6.00/S4.00 Tickets/Charge By Phone: 961-3535 Presented by UCSB Arts & Lectures. D aily N exus Thursday, April 12.1984 11A

Gotta Sing! Gotta Dance! Case of Strauss and Hof­ series continues with Silk *☆ * Attractions mannsthal.” Part 2 will □□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□□I □ □ □ □ □ □ □ □ □ □ □ □ □ □ □ □ Stockings, tonight at 7 and feature Imo Schnieder of □ 9:30 p.m. in Campbell Hall. Composer Byong-Kon Kim “ Sonata in A major” by Central Washington State Whoopee shows Sunday at 7 will give a free guest lecture Johannes Brahms, “ Partita University, and takes place □ and 9:30 p.m. Tickets are $2 on Tuesday, 2 p.m. in Music for Solo Violin in D minor” on Monday, April 30 at 4 p.m. □ for UCSB students and $2.50 room 1145. Kim chairs the by J.S. Bach and “ Second in Music room 1145. It is general. composition faculty at Sonata” by Charles Ives. entitled “ Personal □ California State University- Reflections on the Setting of A free lecture by film­ Los Angeles and is founder Lyrical Texts.” “ Words into Music” is the maker Julia Reichart, and a and director of the 241 title of a free two-part lec­ S SOCIAL HOUR screening of Seeing Red, will University’s New Music Music of Asia, a series ture series co-sponsored by □ take place in Buchanan Hall Ensemble. presented by the Jazz and 2 for 1 (of the same drink) 1920 at 3 p.m. Friday. the department of Germanic World Music Society, will □ (with a friend/bring one or make one here) and Slavic languages. Part Violinist Ronald Copes, as open with a Javanese □ 1, featuring Stephan Kohler, Filmmaker Larry Got- recipient of the 1984 Harold Gamelan on Saturday at 7:30 □ 3 5 p m director of the Ricard W EEKDAYS thiem will give a free lecture J. Pious Memorial Award, p.m. at the Natural History □ Strauss Institute, takes in Broida 1640 at 8 p.m. on will present a free recital on Museum, 2559 Pues ta Del place next Wednesday at 4 □ Monday. Tuesday at 8 p.m. in Lotte Sol. The performance is free. □ Borsodi’s Lehman Concert Hall. p.m. in Music room 1145. It is 938 Embarcadero del Norte I.V. 968-2414 entitled “ A Critique of Text □ The Jazz Tap Ensemble Assisted by pianist Ellen and 'Music Research: the will offer a free lecture and Porter, he will perform the demonstration Tuesday at 4 i l l * I p.m. in Campbell Hall. The Ensemble will perform in Campbell Hall at 8 p.m. Wednesday. Call Arts and Lectures for more in­ the mordes formation. The Santa Barbara SANTA BARBARA Symphony will perform Rachmaninoff’s 3rd Piano MON THRU THUR8 Concerto, Tartini’s Violin SEAN PENN 6 :06, 7 :36. 10:06 Concerto and Nielson’s Fifth ENCHANTMENT ELIZABETH McGOVERN Symphony, with soloists FROM Sueng Ha and Clayton 7QETROPE STUDIOS Racing with Haslop, on Sunday at 3 p.m. and Tuesday at 8 p.m. in the the Moon ^ Arlington Theater. For more . t n upstairs information call 965-6596. A PARAMOUNT PICTURE

A free screening of Joan Harvey’s documentary film MON t h r u THURS MON THRU THURS upstairs 4:46, 7:16, 9:16 downstairs ! 4 : 18. 7:00, 9:40 - America, from Hitler to MX FRANCl S Come to terms. will show tonight at 8 p.m. in FOR D_ w im JÊ m RÜHN WlUAMS DEBRA WINGER Buchanan 1920. Based on SH IRLEY M acLAINE meticulous research, the COPPOLA film shows how top-level MOSCOW banks and corporations have ARLINGTON OPENING supported fascism in the f k CENTER SATURDAY APRIL 7TH fig Hudson past, and continue to do so 1317 Stata Street even today. One shocking 966-9382 revelation is the history of America’s industrial support GOLETA i l l ■ ' ...^...... —. for Hitler during the 1930’s. II 6J666WPftLe>4 rrnbtm THIS IS THE STORY Harvey examines how these Go for the fun o f it! same economic forces drive O F A S M A L L the nuclear arms race, p B r i police TOWN THAT LOST leading to the development Komancùvf y » MMEM l ITS DREAMS. „ of weapons whose only use v 7HTQNE) 7:30 ft 1 ^bot an would be in a first strike. The 9:36 Institution! screening will be followed by PICTURE n ® ll§Sj-ss MONTHRUTHURS a discussion led by Evely 6:10, 7:20, 9:30 B MON THRU THURS Shlensky. Ftestaí 6:30, 7:46, 10:00 916 State Street 963-0781 The Ridge String Quartet' 7:20 ft 6:36 Featuring RICK SPRINGFIELD’S will conclude UCSB Arts and hit single GREYSTOKE *3 1*41 "LOVE SOMEBODY" -TH E LEGEND O F -" Lectures “ Discoveries” TARZAN series tonight at 8 p.m. in LO RD O F THE APES Lotte Lehman Concert Hall. An epic HARD adventure of a For ticket information call From the first 7:30 ft 6:30 What on laugh, you’ll man caught TO between two 961-3535.______b e h o o k e d ! different worlds. Institution! BUENA VISTA . HOLD o (EH DISTRIBUTION CO.l ■ THRU THURS An electronic music | MON THRU THURS 6:16, 8:18, 10:16 concert, directed by Ann 7 :00, 9:46 Hankinson, will take place ¡SLAVISTA ______on Saturday, at 8 p.m. in JODIE FOSTER 6:46 965-6188 Paul Newman Lotte Lehman Concert Hall. BEAU BRIDGES . _ ACADEMY GENE HENRY “HARRY & SON“ Admission is free.______HACKMAN THOMAS I l f i M AWARD For every poreor (PG) who wonrs ro love 2044 Alameda Padre Serra NOMINEE 7:20 ond understood. «¡fam fu fo ic Near Santa Barbara Mission mgm/ua£m) AN ONION PICTUN tt NEIEAS* A FILM BY Greek... RACHEL WARD ALBERT FINNEY C A R L O S 1 Í R Ü JEFF BRIDGES TOM COURTENAY SAURA (Continued from pg.lOA) AGAINST JAMES 8.40 THE CARMEN GARNER Eddie with tragic poise. Her [ D R ESSER •« COLUMBIA B A UNIVERSAL howl at the end of the show PICTURES RELEASE & 9:40 was a chiller. Neil Elliot jj rounded out the company as

both Eddie’s dad, a mousy! , I.....§ DRIVE-INS ...... * ...... Like it's ready, totally, and ineffectual human' •:40 the most ^ fun. 7:00.9:20. | Jonathan's 1 1 1 » jU PL being, and the manager of a having his L 4 DEDEIA ORO T / J lt e A e . restaurant ( a greek first affair. 349 S- Hitchcock Wey a m o m o n n c T u n e t m l c a s c * * W j COlUMSiAfSI •62-4936 restaur aunt, of course) that! 8:40 iCTuNis « c it a s iÜ UPTHE ~tUc Eddie kills with words. I 7:00 ft 10:30 "WiteAeTtUe Watching Eddie imperative 7:10 ft 10:36 c r e e k 7:00.9.1* S o y A / l à e . a man to death was enough * h e " . OXOfI IK \/»é . Owns* f A TH-SWR RELEASE to knock your eyes out. Mr. tf-AiB-smnasE 1.1664 Quo» P

OPEN LATE 12A Thursday, April 12,1964 Daily Nexus

COMEDY NITE THIS MIGHT BE FOR YOU!! TUESDAYS opportunities in entertainment IN 1984/1985 THE A.S. Program Board PUB Orientation Meetings

POSITIONS AVAILABLE Experience The Final Days FOR THE COMING YEAR: Commissioner Of Asian Culture Week Concert Cheirperson This Friday and Saturday are the final days of Asian Culture UCen Activities Cheirperson Week. The weekday’s activities will culminate in the Pilipino Special Events Chairperson Student Union’s Dance Presentation. They will perform three Cultural Events Chairperson traditional dances on Friday, April 13,12 noon in Storke Plaza. Come Lectures Chairperson join the fun. We’ll be encouraging participants to come join in our Publicity Chairperson bamboo dance, the Tinikling. Production Coordinator Security Chairperson Two Representatives at Large A TTEND A SCHEDULED MEETING Et IT'S COMING... FIND OUT ABOUT THE A.S. PROGRAM BOARD Meetings will be held TOD A Y SUNDAY MAY 20th from 7-9 pm in UCen Meeting Room 21! BE TH ERE! NOTE: For those interested attendence at one meeting is advisable!

Author Scheele To Speak On Careers

If you think that success has a lot to do with being in the "6 Pac" F ilm Series right place at the right time, it’s time you met Dr. M. Scheele. Going to college is more than just attending Begins Friday April 13 classes and buying books, according to author and strategist Scheele, who will be speaking on “ Making This quarter, in association with the Ford Motor Com­ College Pay Off” Tuesday night, April 17 at 7:00 pm in the pany, the A.S. Program Board is sponsoring the “ 6 Pac,” UCen Pavilion. an adventure/horror/ series in order to raise funds “ Students in college have two curricula to learn,” for the upcoming ‘‘Sun-Day Extravaganza.” The first film Scheele said recently. “ One is a program of study. The will be “ American Werewolf In London” and will be shown second is a program consisting of leadership skills, on Friday April 13 at 7 and 9:30 pm in Campbell Hall. courage, and an ability to connect with ideas, professors Beginning on Monday April 16 and continuing until Monday and the college staff.” May 14 the series will be shown every Monday evening in Scheele, who has written two books, Skills for Success Chem 1179. Ticket prices for the series are as follows: and the recently released Making College Pay Off, said she SERIES TICKETS: students $8.00 and nonstudents $10.00 believes that too many students do not take advantage of INDIVIDUAL TICKETS: students $2.00 and nonstudents what their colleges have to offer. Dr. Adele M. Scheele $2.50 per show. “ The most terrible mistake is for the student to think that In addition, we are sponsoring a food drive for the Food getting all A ’s is enough,” she said, adding that employers Bank of Santa Barbara. There will be a $2.00 Reduction in do not measure solely on the basis of grades. “ You have to Arab Music the Series Ticket price for a donation of 3 undented cans of learn how to present yourself, how to deal with conflict, not food or PREPACKAGED rice/beans and a SO cent to be scared when you speak in public and to learn to con­ Reduction in the Individual Ticket price for a donation of I nect yourself with faculty and staff who know a lot,” she To Highlight Undented Can of food or PREPACKAGED rice/beans. Due said. to storage problems we will be unable to accept donations of “ You have a lot to make up for if you don’t use college Culture Week perishable items such as dairy products or produce. The right,” she added. proper number of cans of food must be brought with you An evening of Arab music will highlight the Arab Culture when you purchase either your series or individual ticket to Week offerings of the Arab American Association at UCSB take advantage of the reduced ticket prices. We encourage on Monday, April 16 at 8 pm in Buchanan Hall, room 1910, you to buy the series tickets at the reduced price not only to This W eek. . . At The Pub UCSB. save you money but to also help the people in our com­ Saadoun A1 Bayati, concert artist and energetic en­ Tonight A.S. Program Board and The Pub present a very munity who are in need of food. tertainer, will sing classical, folkloric and popular Arab special appearance by Population 5 in a FREE show at The music, accompanying himself on the oud (middle-eastern Pub beginning at 8:30 pm. The band is up from LA. for its lute) and tabla (middle-eastern drum). He will be ac­ opening slot for The 3 O’clock tomorrow night at La Casa companied on the drums by James Knight of the Aman START YOUR WEEK OFF De La Raza, and agreed to perform tonight at The Pub so Folk Ensemble. students could have the opportunity to see this unique Born in Baghdad, Iraq, A1 Bayati began his voice training WITH A 6 PAC! group. Featuring former members of The Knack and the by learning to chant the Koran, and with this training Josie Cotton Band, Population 5 is a band that should not be achieved a mastery of the vibrato, resonance and quarter Apr. 13: Am er. W erewolf missed, brought to you as part of the Miller High Life Rock tones that distinguishes Arab vocalizing from that of the Series. West. He is also known as a drummer without equal and his Apr. 23: Creep Show Tomorrow night, Program Board is proud to present the record album Songs of Iraq is a classical one used by ethnic Apr. 16: The Thing return of Tom Ball and Kenny Sultan to The Pub. Tom and dancers. He has performed at many university concerts Kenny are well known to most Santa Barbara residents, and nightclubs and has worked with UCLA Apr. 30: Dressed to Kill having played in and around town for several years. Join ethnomusicologist Ali Jihad Racy. A professional actor as your friends at The Pub tomorrow at 6 pm for two relaxing well, A1 Bayati currently has his own restaurant, Saadoun’s May 7: Road W arrior hours of music and conversation with Santa Barbara’s ‘f i in Costa Mesa. May 14: Mad Max favorite duo. It’s a great way to kick off the weekend! And, Tickets are available at the door. The concert is co­ of course, it’s FREE. sponsored by the A.S. Program Board and is presented with the assistance of the Jazz and World Music Society.