Into 'Live' Concert Space

Total Page：16

File Type：pdf, Size：1020Kb

TURN YOUR LISTENING PLACE INTO ‘LIVE’ CONCERT SPACE NEW! MRX RECEIVERS WITH ANTHEM ROOM CORRECTION MRX 700 | MRX 500 | MRX 300 Live in concert: Paradigm and Anthem Paradigm speakers, they put you in the moment and keep you there! w w w . a n t h e m A V . c o m FROM THE DESIGNERS OF AWARD-WINNING ANTHEM A/V PROCESSORS HIGHLIGHTS LISTENING MODES CUSTOM INSTALLATION • Anthem Room Correction (ARC) • AnthemLogic-Music • IR Input • A very beefy amp – more ‘real’ power than the • AnthemLogic-Cinema • IR Emitter Output competition! • Dolby Pro Logic IIx (Movie, • Trigger Output • Dual-processor audio DSP Music, Game) • Second Zone • Video Conversion from Composite Video and • Dolby Pro Logic IIz • RS-232 Control Component Video to HDMI • DTS Neo:6 (Music, Cinema) • Scaling up to 1080p60 • Dolby Virtual Speaker (Wide, Reference) ADDITIONAL FEATURES • 1080p24 mode • All Channel Stereo • Video Configuration Memorized by Source • Dolby Volume • Dolby Digital EX • Dolby Headphone • AM/FM Tuner • Backlit Remote Control • 3D Support via software upgrade INPUTS • Sidemount Rack Kit (sold separately) • 4 HDMI Inputs DECODING • Analog Video Inputs: 4 Composite + 3 Component WARRANTY • Dolby TrueHD and Dolby Digital Plus • Digital Audio Inputs: 2 Coaxial + 3 Optical • 3 years • Dolby DigitXal E • 7 Stereo Analog RCA Inputs • 1 year on Remote Control • DTS-HD Master Audio • 2 USB Inputs (MRX 700/500) • DTS-ES (Matrix, Discrete) • HDMI On-Screen Display – setup, video • DTS 96/24 adjustments, status, song navigation MODEL Power Rating Play Music Internet Radio HD Radio from Flash Drive or USB Hard Disk MRX 700 2 channels driven: 120 W Continuous into 8 ohms YES YES YES 5 channels driven: 90 W Continuous into 8 ohms MRX 500 2 channels driven: 100 W Continuous into 8 ohms YES YES NO 5 channels driven: 75 W Continuous into 8 ohms MRX 300 2 channels driven: 80 W Continuous into 8 ohms NO NO NO 5 channels driven: 60 W Continuous into 8 ohms DIMENSIONS (all models) Height ............................................................................ 6½ in (16.4 cm) Weight (unpacked) including feet (4 rack units) MRX 700....................... 35.4 lb (16.1 kg) Width ............................................................................. 17¼ in (43.9 cm) MRX 500....................... 34.3 (15.6 kg) Depth ............................................................................. 15¼ in (39.0 cm) MRX 300....................... 33.4 lb (15.2 kg) Copyright © Paradigm Electronics Inc. Electronics Paradigm © Copyright “ WARNING: Anthem Gear May Be Addictive.” Eric Hetherington. GoodSound!.

Copy Link

Recommended publications

MRX 700/500/300 Manual
IMPORTANT SAFETY INSTRUCTIONS CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. 1. Read these instructions. 2. Keep these instructions. 3. Heed all warnings. 4. Follow all instructions. 5. Do not use this apparatus near water. 6. Clean only with a dry cloth. 7. Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions. 8. Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat. 9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles and the point where they exit from the apparatus.
[Show full text]
Manual of Analogue Sound Restoration Techniques
MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland The British Library Analogue Sound Restoration Techniques MANUAL OF ANALOGUE SOUND RESTORATION TECHNIQUES by Peter Copeland This manual is dedicated to the memory of Patrick Saul who founded the British Institute of Recorded Sound,* and was its director from 1953 to 1978, thereby setting the scene which made this manual possible. Published September 2008 by The British Library 96 Euston Road, London NW1 2DB Copyright 2008, The British Library Board www.bl.uk * renamed the British Library Sound Archive in 1983. ii Analogue Sound Restoration Techniques CONTENTS Preface ................................................................................................................................................................1 Acknowledgements .............................................................................................................................................2 1 Introduction ..............................................................................................................................................3 1.1 The organisation of this manual ...........................................................................................................3 1.2 The target audience for this manual .....................................................................................................4 1.3 The original sound................................................................................................................................6
[Show full text]
Dolby Laboratories Inc. - Chronology 1990 to Present
Film-Tech The information contained in this Adobe Acrobat pdf file is provided at your own risk and good judgment. These manuals are designed to facilitate the exchange of information related to cinema projection and film handling, with no warranties nor obligations from the authors, for qualified field service engineers. If you are not a qualified technician, please make no adjustments to anything you may read about in these Adobe manual downloads. www.film-tech.com Dolby Laboratories Inc. - Chronology 1990 to Present A Chronology of Dolby Laboratories 1990 to Present May 1999 ● Singapore Airlines initiates cinema-quality surround sound on in-flight entertainment using Dolby Headphone technology. ● First film with Dolby Digital Surround EX soundtrack, Star Wars: Episode I–The Phantom Menace, opens in U.S. April 1999 ● DP571 and DP572 Dolby E codecs for use in DTV multichannel audio production and distribution debut at NAB Convention, Las Vegas. ● Number of cinemas equipped with Dolby Digital totals more than 20,000, surpassing all other formats both in North America and worldwide. March 1999 ● With 2,500 SA10 cinema processor adapters ordered, Dolby Digital Surround EX becomes most successful new format launch in cinema sound history. February 1999 ● David Gray, Vice President, Hollywood Film Division, awarded John A. Bonner Medal of Commendation by Academy of Motion Picture Arts and Sciences in appreciation of "outstanding service and dedication in upholding the high standards of the Academy." ● Version 1 of DVD-Audio specifications include two technologies licensed by Dolby Laboratories: Meridian Lossless Packing (MLP) for audio zone and Dolby Digital for optional video zone.
[Show full text]
Dolby Laboratories Inc
Productivity Commission Inquiry into Broadcasting Submission by: Dolby Laboratories Inc. San Francisco, CA November 29, 1999 Dolby Laboratories Submission to the Productivity Commission Nov. 29, 1999 1. Preface 1.1 Dolby Laboratories conceives, designs, develops and deploys audio signal processing products and technologies. The company manufactures professional audio equipment for the motion picture, broadcasting, and music recording industries. Dolby also licenses audio signal processing technologies for a wide variety of entertainment applications in the consumer electronics and computer industries. Providing the best possible audio for any entertainment environment, including music, movies, television and multimedia, is Dolby Laboratories’ principal mission. The privately held company is headquartered in San Francisco, with offices in New York, Los Angeles, Shanghai, Tokyo, and European headquarters in England. 1.2 Dolby has studied the Productivity Commission’s draft report on Broadcasting, as well as many of the submissions that provided information to the Commission. We believe that some of the information provided to the Commission is incorrect, and that the draft report contains inaccurate statements about Dolby AC-3 audio. Dolby Laboratories appreciates this opportunity to provide factual information for consideration by the Commission. 1.3 Three mischaracterizations regarding Dolby AC-3 technology are particularly egregious, namely: • that it is “proprietary” • that it adds significant cost to decoders • that inclusion of AC-3 is not “true DVB” 1.4 AC-3 technology is an international standard, and Dolby has made the customary commitment to open and fair licensing. The cost of AC-3 decoder circuit implementations is currently low, and is rapidly becoming negligible as decoder chips become more highly integrated.
[Show full text]
Model DP564 Multichannel Audio Decoder User's Manual
Model DP564 Multichannel Audio Decoder User’s Manual Issue 1 Part Number 91830 DP564 Multichannel Audio Decoder Dolby Laboratories, Inc. Corporate Headquarters Dolby Laboratories, Inc. 100 Potrero Avenue San Francisco, CA 94103-4813 Telephone 415-558-0200 Fax 415-863-1373 www.dolby.com European Headquarters Dolby Laboratories, Inc. Wootton Bassett Wiltshire, SN4 8QJ, England Telephone (44) 1793-842100 Fax (44) 1793-842101 Dolby, Pro Logic, and the double-D symbol are registered trademarks of Dolby Laboratories. Surround EX is a trademark of Dolby Laboratories. All other trademarks remain the property of their respective owners. 2002 Dolby Laboratories, Inc.; all rights reserved. S02/14327 Issue 1 Part Number 91830 ii DP564 Multichannel Audio Decoder Table of Contents List of Figures............................................................................................................................ vi List of Tables.............................................................................................................................. vi Regulatory Notices and Fusing Information .................................................................... vii Fusing Information................................................................................................. ix Chapter 1 Introduction ...................................................................................................... 1-1 Chapter 2 Installation ............................................................................................ 2-1 2.1 Mounting.................................................................................................
[Show full text]
Dolby Product Brochure
A full spectrum of industry-leading solutions for cinema Effective March 1, 2017 A FULL SPECTRUM OF INDUSTRY-LEADING SOLUTIONS FOR CINEMA Dolby offers a full range of audio, imaging, accessibility, and content management solutions designed to give audiences the most spectacular, fully immersive cinema experience available to date. We collaborate with exhibitors, dealers, and the industry at large to deliver product solutions that are more innovative, flexible, cost-efficient, and scalable than ever before. AUDIO Dolby Atmos Cinema Processor CP850 Dolby Digital Cinema Processor CP750 Dolby Multichannel Amplifier Dolby Atmos Connect Interface DAC3202 IMAGING Dolby Integrated Media Server IMS3000 Dolby Integrated Media Server IMS2000 Dolby Storage Server and Integrated Media Block—ShowVault/IMB Dolby 3D ACCESSIBILITY Dolby CaptiView Dolby Fidelio Dolby AccessLink CONTENT MANAGEMENT Dolby CineAsset Dolby Theatre Management System (TMS4) SLS CINEMA PRODUCTS SLS 3-Axis Speaker SLS Rapid Rigging System DOLBY.COM/CINEMA-PRO Audio DOLBY ATMOS® CINEMA PROCESSOR CP850 LINE Choose the Right Processor for Your Cinema The Dolby Atmos® Cinema Processor CP850 line offers you a choice of advanced digital cinema audio solutions to fit your business model. Whether you’re ready to equip your cinema for an immersive Dolby Atmos audio experience now or prefer a flexible processor that can be upgraded in the future to deliver a full Dolby Atmos experience, we have a CP850 processor that’s ideal for your needs. The CP850 Base will play back traditional Dolby® Surround 7.1 and 5.1 formats, as well as render select Dolby Atmos titles to a Dolby Surround 7.1 configuration. It includes the same advanced equalization and other audio features as the Dolby Atmos Cinema Processor CP850.
[Show full text]
ATSC Standard: Digital Audio Compression (AC-3, E-AC-3)
ATSC A/52:2012 Digital Audio Compression Standard 17 December 2012 ATSC Standard: Digital Audio Compression (AC-3, E-AC-3) Doc. A/52:2012 17 December 2012 Advanced Television Systems Committee 1776 K Street, N.W. Washington, D.C. 20006 202-872-9160 1 ATSC A/52:2012 Digital Audio Compression Standard 17 December 2012 The Advanced Television Systems Committee, Inc., is an international, non-profit organization developing voluntary standards for digital television. The ATSC member organizations represent the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. Specifically, ATSC is working to coordinate television standards among different communications media focusing on digital television, interactive systems, and broadband multimedia communications. ATSC is also developing digital television implementation strategies and presenting educational seminars on the ATSC standards. ATSC was formed in 1982 by the member organizations of the Joint Committee on InterSociety Coordination (JCIC): the Electronic Industries Association (EIA), the Institute of Electrical and Electronic Engineers (IEEE), the National Association of Broadcasters (NAB), the National Cable & Telecommunications Association (NCTA), and the Society of Motion Picture and Television Engineers (SMPTE). Currently, there are approximately 140 members representing the broadcast, broadcast equipment, motion picture, consumer electronics, computer, cable, satellite, and semiconductor industries. ATSC Digital TV Standards include digital high definition television (HDTV), standard definition television (SDTV), data broadcasting, multichannel surround-sound audio, and satellite direct-to-home broadcasting. NOTE: The user's attention is called to the possibility that compliance with this standard may require use of an invention covered by patent rights. By publication of this standard, no position is taken with respect to the validity of this claim or of any patent rights in connection therewith.
[Show full text]
Trident SOAL
UNITED STATES BANKRUPTCY COURT DISTRICT OF DELAWARE In re: Trident Microsystems (Far East) Ltd., Debtor. Case No. 12-10070 (CSS) SUMMARY OF SCHEDULES Indicate as to each schedule whether the schedule is attached and state the number of pages in each. Report the totals from Schedules A, B, C, D, E, F, G, H, I, and J in the boxes provided. Add the amounts from Schedules A and B to determine the amount of the debtor's assets. Add the amounts of Schedules D, E, and F to determine the total amount of the debtor's liabilities. Amounts Scheduled Attached Name of Schedule (YES/NO) No. of Sheets Assets Liabilities Other $ - A - Real Property Yes 1 $ 165,039,336 B - Personal Property Yes 247 C - Property Claimed as Exempt No 0 $ - D- Creditors Holding Secured Claims Yes 1 $ 2,831,595 E - Creditors Holding Unsecured Priority Claims Yes 1 $ 181,872,981 F - Creditors Holding Unsecured Nonpriority Claims Yes 11 G - Executory Contracts and Leases Yes 34 H - Codebtors Yes 1 N/A I - Current Income of Individual Debtor(s) No 0 N/A J- Current Expenses of Individual Debtor(s) No 0 Total Number of Sheets in ALL Schedules 296 Total Assets$ 165,039,336 Total Liabilities$ 184,704,577 GENERAL NOTES PERTAINING TO SCHEDULES AND SOFAs On January 4, 2012 (the “Commencement Date”), Trident Microsystems Inc. and Trident Microsystems (Far East) Ltd., as debtors and debtors in possession (the “Debtors”), filed voluntary petitions for relief under chapter 11 of the title 11 of the United States Code (the “Bankruptcy Code”) in the United States Bankruptcy Court for the District of Delaware (the “Bankruptcy Court”), Case Nos.
[Show full text]
Krf-X9090d Instruction Manual
AUDIO VIDEO SURROUND RECEIVER KRF-X9090D INSTRUCTION MANUAL About the supplied remote control Compared to standard remote controls, the remote control supplied with this model has several operation modes. These modes enable the remote control unit to control other audio/video components. In order to effectively use the remote control it is important to read the operating instructions and obtain a proper understanding of the remote control and how to switch its operation modes (etc.). Using the remote control without completely understanding its design and how to switch the operation modes may result in incorrect operations. B60-5561-10 01 CS (E,X) OC 0504 Caution : Read this page carefully to ensure safe Before applying the power operation. Units are designed for operation as follows. How to use this manual U.S.A. and Canada ........................................... AC 120 V only Australia ........................................................... AC 240 V only This manual is divided into four sections, Preparations, Operations, Europe ............................................................... AC 230 V only Remote Control, and Additional Information. Other countries ............ AC 110-120 / 220-240 V switchable Preparations Shows you how to connect your audio and video components to this model and prepare the surround processor. Information on Disposal of Old Electrical and Since this model works with all your audio and video components, kindly Electronic Equipment (applicable for EU countries follow the instructions in this manual for the correct connections. that have adopted separate waste collection Operations systems) Shows you how to operate the various functions available on this model. Products with the symbol (crossed-out wheeled Remote Control bin)cannot be disposed as household waste.
[Show full text]
Newproducts Tested&Rated
300+ New Products Tested&Rated HDTVs Cell Phones DVRs Camcorders MP3 Players Universal Remotes Gaming PCs Headphones Pocket Cameras Electric Shavers Digital SLRs Vacuums And More... REVEALED! TheBestGadget ofAllTime iFRAUD Essential Tips forSpotting Counterfeit Gear GO BIG Widescreens at Small Prices WINTER 2008 23The Wired Ultimate Gadget Tourney Sixty-four gadgets fought for ultimate techno superiority. There were run- away blowouts by fan favorites but also surprising victories by unheralded underdogs. In the end, only one sur- vived all seven rounds of competition to emerge as the single greatest gad- get of all time. Our special foldout shows each tournament head-to-head and reveals which gizmo came out on top. by christopher null 15 Start 55 ESSAY Why wireless carriers cripple 15 your cell phone FRAUD How to spot fake gear THE BEST Obsolete tech- nologies INFOPORN The cost of living on the bleeding edge of gadgetry. 30 Mobile Phones Ranging from easily pocketable com- puters to sleek fashion statements, 66 the latest cellulars do everything 30 except return your calls for you. 46 Digicams Taking great pictures has never been easier, whether you’re packing the hot- test digital SLR or grabbing snapshots with a pocket-size point-and-shoot. 58 Videocams Home movies? How about hospital- baiting parkour clips? Choose the tape-based cam, DVD model, or hard-drive storage monster that 43 best suits your action. WIRED TEST 0 0 5 153 Televisions 70 Your standard-def set is yesterday’s news. With prices plummeting on HDTVs, you can enjoy razor-sharp 86 images even on mammoth screens.
[Show full text]
DENSITÉ Series DAP-1781 8 Channel Digital Audio Processor with Dolby
DENSITÉ series DAP-1781 8 Channel Digital Audio Processor with Dolby Decoder, Dolby-E Encoder, Dolby-D Encoder, upMAXTM Upmixer option Guide to Installation and Operation M769-9900-221 29 Mar 2012 Miranda Technologies Inc. 3499 Douglas-B.-Floreani St-Laurent, Québec, Canada H4S 1Y6 Tel. 514-333-1772 Fax. 514-333-9828 www.miranda.com © 2012 Miranda Technologies Inc. GUIDE TO INSTALLATION AND OPERATION Electromagnetic Compatibility This equipment has been tested for verification of compliance with FCC Part 15, Subpart B requirements for Class A digital devices. Note: This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference, in which case the user will be required to correct the interference at his own expense. This equipment has been tested and found to comply with the requirements of the directive 2004/108/CE: • EN 55022 Radiated emissions, Class A • EN 55022 Conducted emissions, Class A • EN 61000-3-2 Harmonic current emission limits • EN 61000-3-2 Voltage fluctuation and flicker limitations • EN 61000-4-2 Electrostatic discharge immunity • EN 61000-4-3 Radiated EMF immunity – RF • EN 61000-4-4 Electrical fast transient immunity • EN 61000-4-5 Surge immunity • EN 61000-4-6 Conducted immunity • EN 61000-4-8 Power frequency magnetic field • EN 61000-4-11 Voltage dips, short-interruption and voltage variation immunity Manufactured under license from Dolby Laboratories.
[Show full text]
Digital Audio—Freescale Partners
Wireless Developer Network Digital Audio Freescale Partners freescale.com/fwdn www.freescale.com/fwdn Color Indicator Bar/Volume no. Table of Contents Introduction 2 Audio Algorithms 3 APT 4 BBE Sound, Inc. 5 Dolby Laboratories 6 DTS 7 Neural Audio 8 Qsound Labs, Inc. 9 THX® Ltd. 10 Waves 11 Components 12 AKM Semiconductor, Inc. 13 Freesystems Pte Ltd 14 STS 15 www.freescale.com/fwdn 1 Color Indicator Bar/Volume # Introduction In the world of audio, Freescale processors are behind it all—playing the music, producing the music, mastering CDs and DVDs, and then playing back that content at movie theaters, in home theaters and in the car. Freescale’s software and hardware set the benchmark for audio systems, and our long-standing and For more information about the continuing partnerships with leading tool companies are an essential part of that Freescale Wireless Developer Network, leadership. visit www.freescale.com/fwdn. The partners in this brochure have all developed tools that will help you differentiate your products, add valuable applications, get to market quickly and enrich your customers’ audio experience. Each partner is a member of the Freescale Wireless Developer Network, which helps developers make their services available to customers who want to take advantage of our broad portfolio. Our partners provide hardware and software for Freescale’s audio portfolio, which includes: • The Symphony™ family of audio DSPs is designed to meet the demands of audio electronics system designers by integrating audio peripherals and by supporting the latest generation decoders. Freescale’s DSP technology set the de facto standard for professional audio systems when we introduced the first 24-bit DSP in 1987.
[Show full text]