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Thoughts from Shadrach Final
Seven-Score Thoughts From Shadrach _______________________________________________________________________________ Seven-Score Thoughts… (Plus a few more, from) Shadrach Sackcloth (nom-de-plume) 1 Seven-Score Thoughts From Shadrach _______________________________________________________________________________ First Edition 2014 Copyright by Alan N. Good -------------------------------------------------------------------- All rights reserved. This book or portions thereof may be reproduced or retransmitted without written permission from the author only if attributed to the author and without alteration, and for non-profit. ----------------------------------------------------------------------------------------------- ISBN: 0970241852 Library of Congress Number: 2011912947 Suggested Cataloging data Good, Alan N. 180 p Includes Biblical References ISBN: 0970241852 Suggested Library of Congress Number: BS585 Suggested Dewey Number 220-07 ------------------------------------------------------------------------------------ Other books by Shadrach Sackcloth “The Question Mark” ISBN 9780977405152 097740515X 2 Seven-Score Thoughts From Shadrach _______________________________________________________________________________ To Him be the glory, Great things He hath taught us… Great things he hath done1 1 Fanny J. Crosby, 1875 3 Seven-Score Thoughts From Shadrach _______________________________________________________________________________ 4 Seven-Score Thoughts From Shadrach _______________________________________________________________________________ -
Stranje House
Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
The Enemy in Colorado: German Prisoners of War, 1943-46
The Enemy in Colorado: German Prisoners of War, 1943-46 BY ALLEN W. PASCHAL On 7 December 1941 , the day that would "live in infamy," the United States became directly involved in World War II. Many events and deeds, heroic or not, have been preserved as historic reminders of that presence in the world conflict. The imprisonment of American sol diers captured in combat was a postwar curiosity to many Americans. Their survival, living conditions, and treatment by the Germans became major considerations in intensive and highly publicized investigations. However, the issue of German prisoners of war (POWs) interned within the United States has been consistently overlooked. The internment centers for the POWs were located throughout the United States, with different criteria determining the locations of the camps. The first camps were extensions of large military bases where security was more easily accomplished. When the German prisoners proved to be more docile than originally believed, the camps were moved to new locations . The need for laborers most specifically dic tated the locations of the camps. The manpower that was available for needs other than the armed forces and the war industries was insuffi cient, and Colorado, in particular, had a large agricultural industry that desperately needed workers. German prisoners filled this void. There were forty-eight POW camps in Colorado between 1943 and 1946.1 Three of these were major base camps, capable of handling large numbers of prisoners. The remaining forty-five were agricultural or other work-related camps . The major base camps in Colorado were at Colorado Springs, Trinidad, and Greeley. -