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Zachary Loeffler ZACHARY LOEFFLER 5120 South University Avenue Apartment 1 Chicago, Illinois 60615 [email protected] (646) 247-9006 zachloeffler.net EMPLOYMENT 2021 Instructor of Music History/Musicology The Eastman School of Music 2020 Writing Lector The University of Chicago 2018–2020 Postdoctoral Teaching Fellow in the Humanities The University of Chicago EDUCATION 2018 PhD, History and Theory of Music The University of Chicago Dissertation: “Speaking of Magic: Enchantment and Disenchantment in Music’s Modernist Ordinary” Committee: Berthold Hoeckner, Lauren Berlant (English), Steven Rings, and Seth Brodsky 2010 Performance Diploma, classical guitar performance The Manhattan School of Music 2009 Master of Music, classical guitar performance The Manhattan School of Music 2007 Performance Diploma, classical guitar Accademia TEMA di Milano (Milan, Italy) 2005 Bachelor of Music, classical guitar performance (cum laude) Vanderbilt University PUBLICATIONS The Only Real Magic: Music, Unity, and Problems of Value in Global Capitalist Culture, monograph in preparation “Defining Lang Lang’s Theatricality: A Historical-Materialist Approach,” Naxos Musicology International, 2020 ‘“The Only Real Magic’: Enchantment and Disenchantment in Music’s Modernist Ordinary,” in “Music and Magic,” ed. Barbara Lebrun and Nanette De Jong, special issue, Popular Music, 38, no. 1 (2019): 8–32. CD liner notes, Eterna Saudade, Andrew Zohn, 2019 CD liner notes, Mozart: Five Divertimenti, K. 439b for Two Guitars, Sharpe Zohn Guitar Duo, 2014 PRESENTATIONS “Mass Magic: Anthemic and Nonanglophone Hymnic Forms,” presented at Contact—Performing Proximity, UCLA Department of Theater and the Center for Performance Studies, 2021 ‘“Real Magic’: A Genealogy of the Recital Encore,” presented at AMS Boston, 2019 ‘“The Only Real Magic’: Historicizing Music’s Erotic Powers,” presented at Music and Erotics, University of Pittsburgh, 2019 “Miniature Magic: The Untold Story of the Recital Encore,” presented at Music History and Theory Workshop, University of Chicago, 2017 “The Encore’s Little Magic,” presented at EZ Music Conference, University of California, Berkeley, 2016 and Midwest Graduate Music Consortium, University of Chicago, 2016 “Goosebumps and Worrywarts: Music, Magic, Modernity,” presented at Music History and Theory Workshop, University of Chicago, 2015 Invited Commentator, 3CT Book Salon featuring Leela Gandhi, The Common Cause: Postcolonial Ethics and the Practice of Democracy, 1900–1955, Chicago Center for Contemporary Theory, University of Chicago, 2014 FELLOWSHIPS AND AWARDS 2018 The Dean’s Award for Graduate Student Teaching Excellence, Music Department nominee, University of Chicago 2017–2018 Franke Institute for the Humanities Dissertation Completion Fellowship, University of Chicago 2016 Music Department travel funding, University of Chicago 2011–2016 GAI Fellowship, University of Chicago 2009–2010 Merit Scholarship, Manhattan School of Music 2007–2009 Merit Scholarship, Manhattan School of Music 2001–2005 Dean’s Honor Scholarship, Vanderbilt University TEACHING EXPERIENCE Instructor of Music History 2021 Music and Politics (MHS 594) Eastman School Music • Instructor for graduate seminar exploring the relationship between music, politics, and economics in global capitalist culture from the mid-nineteenth century to the present Lecturer 2018–2019 Philosophical Perspectives (HUMA 11500) University of Chicago • Lecturer for first of three quarters of humanities core sequence exploring the good life, justice, and virtue as they were formulated by ancient Greek writers and philosophers 2016–2020 Introduction to Music Analysis and Criticism (MUSI 10400) Introduction to Western Art Music (MUSI 10100) University of Chicago • Lecturer for introductory courses intended for nonmajors • Taught two sections remotely (online) for the full Spring Quarter of 2020 o Received extensive training from the Chicago Center for Teaching on synchronous and asynchronous online learning Writing lector 2016–2018 Lector in Academic and Professional Writing (“The Little Red Schoolhouse”) University of Chicago • Worked with approximately seven undergraduate writers in weekly seminars • Designed and led seminar discussions, wrote extensive critiques of papers, graded papers • Received one quarter of training from the Writing Center in writing pedagogy Course assistant 2015 Music Analysis and Criticism (MUSI 10400) University of Chicago • Introductory level course for nonmajors. Graded papers, delivered guest lectures, held office hours Course assistant 2013–2014 Music theory sequence (MUSI 15100, 15200, 15300) University of Chicago • Introductory level musicianship skills and harmony course for majors and minors • Designed and led aural skills classes, designed and led keyboard skills lessons Teaching assistant 2004 American Popular Music Vanderbilt University • Led review sessions for exams, aided Dr. Jim Lovensheimer with lectures SERVICE, ACTIVISM, ORGANIZING 2018–2020 Elected representative to the University of Chicago Labor Council from SEIU Local 73 Faculty Forward (contingent faculty union) • Worked with GSU (Graduate Students United), AAUP (American Association of University Professors), AFT (American Federation of Teachers), Teamsters Local 743 (clerical and service maintenance employees), NNU (National Nurses United), IUOE (International Union of Operating Engineers), SLEU (Student Library Employee Union), and CTU (Chicago Teachers Union) as well as community groups to build a campus-wide labor council aimed at democratizing the university and the South Side of Chicago • Helped organize and provided support for CTU, NNU, and GSU actions as well as May Day marches and wage-theft campaigns on Chicago’s South Side • Provided support for Nabisco workers’ campaign against layoffs and benefits cuts 2015–2018 Music Department Organizer, GSU, University of Chicago • Worked closely with several dozen other grad organizers as well as professional organizers from AFT developing and implementing a successful strategy for grad union card campaign and election • Had dozens of one-on-one organizing conversations with grad workers in all divisions • Built a coalition of more than 1,500 grad workers at University of Chicago SELECTED PERFORMANCES AND MUSICAL EXPERIENCE 2007–2010 Solo recitals, Tennessee State University Classical Guitar Seminar, Nashville TN 2007 Solo recital in virtuoso showcase, Festival mediterraneo della chitarra, Cervo Italy 2005 Assistant Artistic Director, Virtuoso Showcase at the Nashville Public Library RESEARCH LANGUAGES Italian (fluent speaking, reading, writing) French, German (reading with dictionary) PROFESSIONAL AFFILIATIONS 2015–present American Musicological Society REFERENCES Berthold Hoeckner Steven Rings Professor of Music, Chair Associate Professor Department of Music Department of Music The University of Chicago th The University of Chicago 1010 E. 59 St. 1010 E. 59th St. Chicago, IL 60637 Chicago, IL 60637 [email protected] [email protected] (773) 702-7629 (773) 702-8577 Lauren Berlant Seth Brodsky George M. Pullman Distinguished Service Professor Associate Professor Department of English Department of Music The University of Chicago th The University of Chicago 1050 E. 59 St. 1010 E. 59th St. Chicago, IL 60637 Chicago, IL 60637 [email protected] [email protected] (773) 273-9584 (773) 702-5909 .
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