DOCSLIB.ORG

Annualreport 2 0

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Annualreport 2 0 ANNUAL REPORT 2019-20 . CONTENTS 1. Introduction a. Who We Are b. The Journey So Far 2. Snapshot 2019-20 3. Recurring Programmes a. Overview b. Programme Details 4. Widening Circles: Pickle Factory Season 2 a. Overview b. Facts and Figures c. International Residency summary d. Critical Response e. Repurposing Spaces f. Partners g. Individual Donors 5. Five Million Incidents 6. Pickle Factory Special: cieLaroque in India a. Overview b. Facts and Figures c. Partners 7. Audience Engagement 8. Into the Future a. Focus Areas b. The Covid Factor c. New Partnerships and Programmes d. Continuing Partnerships and Programmes e. Pickle Factory Specials 9. The Team COVER IMAGE: TOP About Ram by Anurupa Roy and Katkatha Puppet Trust (Delhi) at Kolkata Centre for Creativity Photograph by Golam Ashraf BOTTOM Practice of Relations workshop by Alberto Cissello of cieLaroque (Salzburg) at Rabindra Sarobar Image credit - CUSP INTRODUCTION Who We Are Pickle Factory Dance Foundation is a hub for the practice, discourse and presentation of dance and movement work in Calcutta, housed in spaces repurposed for the arts. We are a space to think, meet, know, talk, imagine – dance. We respond to the lack of spaces and infrastructure in India to develop and nurture dance and movement work and artists. We work with, for and through artists, audiences and support systems to imagine our many possible futures. Our big dream is a permanent venue in a repurposed space in Calcutta that transforms our experience of both physical movement and physical space. This venue will be local, national and international in outlook, participation and reach, and part of a network of such vital and vibrant arts spaces. We hope you will join us on this adventure. The Journey So Far We launched with Pickle Factory Season 1 in February-March 2018 – five weeks of performances, workshops, an exhibition, dance in public spaces and more. Over the year we presented various programmes with artists from India, the USA, The Philippines, Lithuania, Switzerland, China and Wales. 2019-20 has seen us grow as a company and community, streamline our programmes, and expand our partners and audiences. This year saw a seven-week Season 2, new projects with partners, and several international collaborations. It was an incredibly special experience for us Since 2018, Pickle Factory has been offering to be able to bring our work to India. And a delectable dance fair to the dilettante of the more specifically to feel like we were part of city. Only from August 2018 to October 2019, building something with you all in Kolkata there have been 30 programmes; artistes have with the Pickle Factory season. What you participated from the USA, the Philippines, are all doing is brave and inspiring, and Lithuania, Switzerland, China, Wales and most of all takes a lot of passion and tireless Australia, apart from India; there have been effort. So thank you for all of this, and for 11 partners and 8 venues have been explored in allowing us to be part of it too. Kolkata, Delhi and Bolpur (Shantiniketan). David Carberry, circus artist Utpal K. Banerjee, dance critic | Calcutta, India From a review in Narthaki, December 2019 Brisbane, Australia SNAPSHOT 2019-20 PROGRAMMES WITH PARTNERS ELSEWHERE IN INDIA TOTAL NUMBER OF PROGRAMMES ACROSS 6 PROJECTS COMMUNITY BUILDING ENGAGEMENTS LOCAL, NATIONAL AND PERFORMANCES INTERNATIONAL PARTNERS: CALCUTTA, MUMBAI, BANGALORE, ARTIST TALKS IMPHAL, AIZAWL, SHANTINIKETAN, AND INTERACTIONS AUSTRALIA, SWITZERLAND, CANADA, GERMANY, SCOTLAND, AUSTRIA WORKSHOPS 76 ARTISTS AND GUESTS FROM INDIA AND ABROAD INCLUDING LEAD ARTISTS, CO-ARTISTS, TECHNICIANS, SPEAKERS, FACILITATORS AND MORE 7 INTERNATIONAL FESTIVALS WHERE PICKLE FACTORY HAS BEEN REPRESENTED - IN AUSTRALIA, SCOTLAND, URUGUAY, FINLAND, USA, CANADA What I find truly interesting and exciting is Pickle Factory’s wide areas of exploration, be Audience engagement it performance from Indian classical dance to WORKSHOP PARTICIPANTS - 600 + puppetry or contemporary performance along LIVE PERFORMANCE AUDIENCES - 2000 + with other aspects of art dealing with art SOCIAL MEDIA ENGAGEMENT - 50000 + management, workshops on the exploration of body-mind connection, movement, choreography etc. Their wide range of collaborations enlighten the city audience with many new art experiences across borders. * All information and numbers are for Calcutta, unless otherwise Monami Nandy, odishi dancer | Calcutta, India specified CONTENTS RECURRING PROGRAMMES Our recurring programmes foster the habit of regular engagement with dance and movement. The programmes are designed to variously cover our three key approaches: to curate, to catalyse, and to cultivate the field in different ways with different partners to reach different audiences. Pickle Factory Preludes – a space to demonstrate, discuss, and discover Dance with expert practitioners. In partnership with Goethe-Institut / Max Mueller Bhavan Kolkata at their premises. • The Philosophy & Technique of American Modern Dance | with Ranjita Karlekar | 3 & 4 June 2019 | 5 - 7 pm • Flamenco without Borders (Flamenco sin fronteras) | with Annalouise Paul | 23 & 24 September 2019 | 6 - 8 pm • Politics, Practice, Performance, Participation: the dance work of Helene Weinzierl | with Luan de Lima | 11 & 12 February 2020 5.30 - 7.30 pm Connect @ KCC – a platform for emerging dancers and choreographers in performance. In partnership with Kolkata Centre for Creativity at their premises. • Uttaran, an odishi recital by Monami Nandy | 17 August 2019 | 6 pm • Mass, a contemporary dance piece by Satakshi Nandy | 30 November 2019 | 6 pm Scratch! – an opportunity for practitioners to share works-in-progress with a small audience. In partnership with Janus Centre for Visual and Performing Arts at their premises. • Trimukhi Platform, Pintu Das, Madhyama Haldar, Arunima Sengupta Basu | 5 November 2019 | 6.45pm (part of Pickle Factory Season 2) Garage Night – a community led (and fed) dance jam. In partnership with community individuals and venues. • Inaugural Garage Night curated and coordinated by Sangram Mukhopadhyay and Aopala Banerjee | 12 February 2020 | DNA Danceworks Bodyworks Studio CONTENTS Pickle Factory Garage Night at DNA Danceworks Bodyworks Photograph by Sohini Banerjee The Pickle Factory has its finger firmly on the pulse of Dance in India! Their ideas and programs are exciting, clever and inventive, it’s always a pleasure to work with this entire professional team. Annalouise Paul, contemporary flamenco performer and choreographer | Sydney, Australia CONTENTS WIDENING CIRCLES: PICKLE FACTORY SEASON 2 Overview A RANGE OF ARTISTS AND GUESTS A RANGE OF VENUES AND SPACES A RANGE OF AUDIENCES AND COMMUNITIES Widening Circles: Pickle Factory Season 2 – a seven-week celebration of diversity in dance and movement – featured artists and guests from India, Canada, Switzerland, Australia, Germany and Scotland, spanning backgrounds of classical and contemporary dance, physical theatre, multimedia performance, puppet-theatre, circus-theatre, performance criticism, and more. The Season had an international focus on Australia with a circus company from Brisbane, delegates from Cairns and Melbourne, and resident artists from the state of Victoria. The circus company also toured to Mumbai and Aizwal for performances and workshops. Delhi was our national focus, with five very different artists presenting a variety of work from our capital city. Apart from the festival, we also ran workshops on audience facilitation and had a focus week on repurposing spaces for the arts. The season was excellent in bringing alternative dance forms and expressions to the audiences of Kolkata. I think the audiences enjoyed the opportunity to experience some different styles and have their thinking provoked. For the Consulate, our priority was to showcase modern Australia and also highlight the Consulate’s new presence in Kolkata. We want people to think of us as much more than a cricketing nation with abundant natural resources and great beaches. Having performers like David and Alice, and experts like Efterpi, Niharika and Pippa helps us achieve that. It was also great that David and Alice could visit the north-east of India where we have less exposure. Andrew Ford, Consul General, Australian Consulate-General, Kolkata CONTENTS CONTENTS SEASON 2 facts and figures 42 days (1 November to 12 December 2019) National Focus Delhi, International Focus Australia Festival with 8 featured artist teams in 12 full performances across 6 venues – an auditorium, a burnt out cinema, two roof-top spaces, a television studio, a blackbox theatre 18 workshops spanning dance and movement practice, arts management, design, audience facilitation and more Focus week on repurposing spaces for the performing arts in Calcutta, with conversations travelling to 5 locations – a music venue, Kolkata Port, Pickle Factory workspace, a bookstore, a blackbox theatre in a converted apartment Month-long International Artist Residency with a choreographer and filmmaker duo from Australia CONTENTS Underground by David Carberry (Brisbane) at Satyajit Ray Film & Television Institute Photograph by Golam Ashraf Variety was the catchword in PFS2. From classical dance to contemporary to experimental works that even included circus theatre. The choice of venues was an interesting factor. When on the one hand there was proscenium theatre, on the other there was this cavernous interior of the old dilapidated movie theatre with an electrifying atmosphere. Added to these the various
Load more

Recommended publications
  • A Critical Analysis of Narrative Art on Baranagar Temple Facades
    Rupkatha Journal on Interdisciplinary Studies in Humanities (ISSN 0975-2935) Indexed by Web of Science, Scopus, DOAJ, ERIHPLUS Special Conference Issue (Vol. 12, No. 5, 2020. 1-18) from 1st Rupkatha International Open Conference on Recent Advances in Interdisciplinary Humanities (rioc.rupkatha.com) Full Text: http://rupkatha.com/V12/n5/rioc1s16n2.pdf DOI: https://dx.doi.org/10.21659/rupkatha.v12n5.rioc1s16n2 Unraveling the Social Position of Women in Late-Medieval Bengal: A Critical Analysis of Narrative Art on Baranagar Temple Facades Bikas Karmakar1 & Ila Gupta2 1Assistant Professor, Government College of Art & Craft Calcutta [email protected] 2Former Professor, Department of Architecture & Planning, IIT Roorkee [email protected] Abstract The genesis of the present study can be traced to an aspiration to work on the narratives of religious architecture. The Terracotta Temples of Baranagar in Murshidabad, West Bengal offer a very insightful vantage point in this regard. The elaborate works of terracotta on the facades of these temples patronized by Rani Bhabani during the mid-eighteenth century possess immense narrative potential to reconstruct the history of the area in the given time period. The portrayals on various facets of society, environment, culture, religion, mythology, and space and communication systems make these temples exemplary representatives for studying narrative art. While a significant portion of the temple facades depicts gods, goddesses, and mythological stories, the on-spot study also found a substantial number of plaques observed mainly on the base friezes representing the engagement of women in various mundane activities. This study explores the narrative intentions of such portrayals. The depictions incorporated are validated with various types of archival evidence facilitating cross-corroboration of the sources.
    [Show full text]
  • SUPREME COURT of INDIA Page 1 of 2 CASE NO.: Appeal (Civil) 3593-05 of 2003 PETITIONER: Union of India RESP
    http://JUDIS.NIC.IN SUPREME COURT OF INDIA Page 1 of 2 CASE NO.: Appeal (civil) 3593-05 of 2003 PETITIONER: Union of India RESPONDENT: Howrah Ganatantrik Nagarik Samity & Ors. DATE OF JUDGMENT: 17/04/2003 BENCH: N.Santosh Hegde & B.P.Singh. JUDGMENT: J U D G M E N T (Arising out of SLP Nos.17203-17205 of 1999) SANTOSH HEGDE,J. (With SLP No.9827/2002) Leave granted. SLPNo.9827/2002 is de-linked from C.A.Nos...of 2003 @ SLPNos. 17203-205/99. Heard learned counsel. Union of India through Eastern Railway, Calcutta is challenging an order made by Calcutta High Court dated 18.6.1999 in Writ Petition Nos. 12902/97 and 1322/98 pending in the file of the High Court of Judicature at Calcutta. A Division Bench of the said High Court while considering the above noted writ petitions filed before it for seeking eviction of illegal squatters in the railway property, as also areas besides Rabindra Sarobar, directed the State of West Bengal and Railway administration as an interim measure, to provide sanitary facilities to the said squatters. Accordingly following directions were issued:- (1) Cost for the project shall be borne in equal proportion by the State of West Bengal and the Union of India, through railway administration. (2) The State Government authorities, authorities of the railway administration as also the Calcutta Municipal Corporation shall see to it that no further infiltration takes place. (3) After the aforementioned project is completed by the State Government Calcutta Municipal Corporation would see the proper sanitation is maintained.
    [Show full text]
  • IN the HIGH COURT at CALCUTTA CONSTITUTIONAL WRIT JURISDICTION APPELLATE SIDE (Through Video Conference)
    04-05 05.11.2020 Ct. No.16 pg. IN THE HIGH COURT AT CALCUTTA CONSTITUTIONAL WRIT JURISDICTION APPELLATE SIDE (Through Video Conference) WPA 9184 of 2020 Ms. Anasua Bhattacharya Vs. State of West Bengal & Ors. with WPA 9209 of 2020 Ajay Kumar De Vs. Government of West Bengal & Ors. Mr. Rachit Lakhmani Mr. Indrajeet Dey Mr. Kushal Das Mr. Ranodip Dutta … For the petitioner in WPA 9184 of 2020 Mr. Bikash Ranjan Bhattacharjee Mr. Sabyasachi Chatterjee Mr. Pintu Kumar Kar Ms. Ankani Biswas @ Ankan Biswas Mr. Akashdeep Mukherjee Mr. Sandipan Das … For the petitioner in WPA 9209 of 2020 Mr. Kishore Datta, Ld. AG Mr. Abhrotosh Majumdar, Ld. AAG Mr. T.M. Siddiqui Mr. Sayan Sinha … For the State Mr. N.C. Bihani Ms. P. Banerjee Bihani … For the respondent no.4 Mr. Joy Saha Mr. Yash Vardhan Deora Ms. Easha Manchanda … For the intervenor These two matters, filed in public interest, pertain to the upcoming celebrations. In the second of the matters, 2 prayers have been made pertaining to Kali Puja right upto Christmas. There is an application by an unregistered body that can be loosely called the local firecrackers’ association. It is a body of persons engaged in the manufacture of or trading in firecrackers. The State has issued verbal advisories pertaining to firecrackers during the Kali Puja and Diwali celebrations. Certain guidelines have been framed regarding Kali Puja pandals. An appeal appears to have been made on behalf of the State for all kinds of firecrackers not to be used this year in view of the pandemic and the virus that attacks the respiratory system.
    [Show full text]
  • Annual Report 2011-12
    Nature Mates-Nature Club 4/10A Bijoygarh, Kolkata-700032 Annual Report 2011-12 Regular Works 1. Maintenance of Banabitan Butterfly Garden We are maintaining this garden since 2010. During this financial year approximately 2500 numbers of butterflies were released. 15 new life cycles were documented. Other Works 2. We have assisted Centre for Contemporary Communication to do the Status Survey of Parks of Kolkata. The Report were prepared and submitted to CCC. 3. We have been assigned to assist the Wildlife Division II, Department of Forest, Government of West Bengal, to do the documentation of Butterfly fauna at Gorumara National Park. The work has been started during September 2011. 4. Many wildlife were rescued from in and around Kolkata and were given to the DRC Saltlake. 5. We have cleaned and restored the Santragachhi Jheel during September – November 2011. It was a huge success. Media covered our work with a lot of praise. 6. We are assigned by Creative Hortifirms Pvt Ltd to prepare a Biodiversity Status Report of their property at Panchla, named “Country Roads”. The work has started during July 2011. 7. We are assigned by GGL Hotel and Resort Company Ltd., Amubuja Reality to prepare a Biodiversity Status Report of their property at Raichak on Ganges. The work has started during August 2011. Nature Mates-Nature Club 4/10A Bijoygarh, Kolkata-700032 Annual Report 2012-13 Regular Works 1. Maintenance of Banabitan Butterfly Garden We are maintaining this garden since 2010. During this financial year approximately 3500 numbers of butterflies was released. 10 new life cycles were documented.
    [Show full text]
  • Kolkata Stretcar Track
    to BANDEL JN. and DANKUNI JN. to NAIHATI JN. to BARASAT JN. Kolkata 22./23.10.2004 M DUM DUM Streetcar track map: driving is on the left r in operation / with own right-of-way the second track from the right tracks seeming to be operable e is used to make the turns of the regular passenger trains track trunks which are not operable v other routes in 1996 according to Tasker i other suspended routes according to CTC map TALA 11 [13] R actual / former route number according to CTC ULTADANGA ROAD Suburban trains and ‘Circular Railway’ according to Narayanan: Galif [12] i BELGATCHIA in operation under construction l Street [13] 1 2 11 PATIPUKUR A.P.C. Rd[ 20 ] M Note: The route along the Hugly River can’t be confirmed by my own g 12 Belgatchia observations. Bagbazar SHYAM BAZAR R.G. Kar Rd u BAG BAZAR M M metro railway pb pedestrian bridge 1 2 [4] 11 H Shyambazar BIDHAN NAGAR ROAD pb TIKIAPARA [8] 5 SOVA SOVA BAZAR – M BAZAR 6 AHIRITOLA Bidhan Nagar to PANSKURA JN. Aurobinda Sarani 17 housing block [4] 20 20 [12] [13] [ 12 ] 17 loop Esplanade [10] Rabindra Setu Nimtala enlargement (Howrah Bridge) pb [4] 1 [8] GIRISH 2 Howrah [10] M PARK 5 BURRA 6 15 Bidhan Sarani Rabindra Sarani 11 BAZAR 11 12 20 [21] [26] V.I.P. Rd 15 HOWRAH 11 12 M.G. 30Rd MAHATMA Maniktala Main Rd RAILWAY GANDHI 20 30 Acharya Profullya Chandra Rd STATION M ROAD M.G. Rd 20 Howrah [16] 17 17 Northbound routes are [12] [13] [16] M turning counterclockwise, Bridge 15 Mahatma Gandhi Rd 20 20 southbound routes are [4] 11 12 15 17 [ 12 ] 17 ESPLANADE 12 20 turning clockwise.
    [Show full text]
  • A Platform of Organizations and People Supporting Environment RA 449 Sector IV Salt Lake, Kolkata 700105 Phone No
    A Platform of Organizations and People Supporting Environment RA 449 Sector IV Salt Lake, Kolkata 700105 Phone No: 9831172060 E mail : [email protected] Ref: SM/ R-Sarovar/ 110 Dt. 18 Nov 2020 To The Hon'ble Chief Minister, Government of West Bengal Nabanna Sub: Feared environmental degradation and destruction of biodiversity at Rabindra Sarovar and Subhas Sarobar during ensuing Chhat Festival Respected Madam, At the outset please accept our festive greetings. You may be aware that Sabuj Mancha is the largest platform of organizations and individuals concerned for environment of the state, and has been consistently trying since 2009 to generate an informed and united voice regarding the critical environmental issues in the state, and share inputs and opinions to government for facilitating actions against range of environmental violations. We like to draw your kind attraction that Rabindra Sarovar, one of the most important National Water bodies and few of the rarest major patches of green and water left in the city, is under threat. You yourself raised the issues regarding Rabindra Sarobar in the past. Rabindra Sarovar plays a major role in maintaining ecological equilibrium in the city, particularly in its southern part, and has never been associated with practicing any religious or social rituals. However during last few years, the Sarovar has been severely affected environmentally; often in the name of culture and religion especially during Chhat Puja. We take this opportunity to remind that a committee involving primarily government officials and experts, set up under NGT order, highlighted the threat to Rabindra Sarobar and recommended the ban on such events in Rabindra Sarobar; based on which NGT passed the ‘ban Chhat puja’ order.
    [Show full text]
  • Environmental Impact Assessment Study Report on Rabindra Sarobar Lake Premises, Kolkata
    ENVIRONMENTAL IMPACT ASSESSMENT STUDY REPORT ON RABINDRA SAROBAR LAKE PREMISES, KOLKATA FINAL REPORT APRIL, 2017 Published by West Bengal Pollution Control Board on 05 June 2018 1 EIA Report of Rabindra Sarovar, Kolkata Acknowledgement The West Bengal Pollution Control Board wishes to thank the Hon’ble NGT (EZ) for constituting a five member committee consisting of eminent scientists and engineers to study and submit a report on the probable impact of the activities in the Rabindra Sarovar stadium during the nights, connected with ISL matches, on “physical environment”, “biodiversity of the lake environment” and on the survivability scope of the migratory birds and required preventive measures. The West Bengal Pollution control Board extends heartiest thanks to the expert committee members, constituted to undertake Rapid EIA study in the Rabindra Sarovar: Dr. A.K. Sanyal, Chairman, WBBB (Chairman of the Expert Committee), Dr. Ujjal Kumar Mukhopadhyay, Chief Scientist, WBPCB, Dr. Anirban Roy, Research Officer, WBBB , Dr. Rajib Gogoi, Scientist-D, BSI, Kolkata, Dr. Rita Saha, Scientist-D, CPCB, Kolkata Regional Office, Dr. Deepanjan Majumdar, Sr. Scientist, NEERI, Dr. S.I. Kazmi, Scientist, ZSI, Kolkata and Mr. Ashoke Kumar Das, Secretary, KIT, Kolkata (Convenor). The background information and Literature survey provided by West Bengal Biodiversity Board and Botanical Survey of India were intently helpful to prepare this “ EIA Report of Rabindra Sarovar, Kolkata ” . This could not have been possible to prepare and publish this without their great help. We are also thankful to the team from the West Bengal Biodiversity Board for visiting Rabindra Sarobarlake and premises and contributed their effort & energy to prepare general biodiversity documentation, one of the essential source for this report, with their expertise.
    [Show full text]
  • D I R E C T I O N
    WEST BENGAL POLLUTION CONTROL BOARD (Department of Environment, Government of West Bengal) Paribesh Bhawan,10A, Block – LA, Sector III, Salt Lake Kolkata-700 098, Ph.: (033)335 8212, Fax : (033)335-8073, Web:www.wbpcb.gov.in, Email:[email protected] Memo No. 386 –2L/WPB-B(IX)/2002 Dated: 07/05/2003. D I R E C T I O N WHEREAS the West Bengal Pollution Control Board (hereinafter will be referred to as the ‘WBPCB’) is entrusted with the enforcement of the provisions of the Water (Prevention and Control of Pollution) Act, 1974, the Air (Prevention and Control of Pollution) Act, 1981 and the Environment (Protection) Act, 1986 for the purpose of protection of environment and for the prevention and control of pollution in the State of West Bengal; AND WHEREAS it is observed that due to extensive and indiscriminate use of non-biodegradable plastic carrybags in the under mentioned heritage and tourist spots, huge quantity of garbage containing plastic carrybags accumulates causing environmental pollution due to contamination of water in such areas or in their vicinity; AND WHEREAS for the purpose of protecting the environment in the under mentioned areas, the entry, use, sale and processing of the plastic carrybags should be prohibited; AND THEREFORE in exercise of the power conferred by section 33 and 33A of the Water (Prevention and Control of Pollution) Act 1974 and by section 31 and 31A of Air (Prevention and Control of Pollution) Act 1981, the entry, use, sale of plastic carrybags are prohibited in the following areas with immediate effect: Contd.
    [Show full text]
  • Online Request for Proposal (RFP)
    Online Request for Proposal (RFP) To organise Museum, Belvedere House, National Library, Kolkata & Old Currency Building, Kolkata which include conceptualizing, designing, layout, material supply, setting up and execution and submission on turnkey basis. 1 CONTENTS Section Particulars Page No. Section 1 Notice Inviting Request for Proposals 3 Section 2 Critical Date Sheet 4 Section 3 Instructions to Bidders 5-11 Section 4 Technical Proposal (Annexure - I to Annexure - IV) 12-16 Section 5 Performance Bank Guarantee (Annexure - V) 17-18 Section 6 Financial Proposal (Annexure A) 19-24 Section 7 Terms of Reference [Scope of Work] 25-28 Section 8 General Terms of Contract (GTC) 29-38 Section 9 Special Terms of Contract (SCC) 39 Section 10 Form of Agreement (Annexure B) 40 Section 11 Technical Evaluation proposals (Annexure C) 41-42 Section 12 Eligibility Criteria for the Bidder (Annexure D) 43 Section 13 BOQ Format (Annexure E) 44 Section 16 Plan/ Elevation (Annexure F) 45-46 2 3 Critical Date Sheet 1. Name of work To organise Museum, Belvedere House, National Library, Kolkata & Old Currency Building, Kolkata which include conceptualizing, designing, layout, material supply, setting up and execution and submission on turnkey basis. 2. Approximate Estimated Cost Rs. 4,00,00,000/- (inclusive of taxes) 3. EMD Rs.12,00,000/- 4. Cost of RFP NIL 5. Probable time of Completion 120 days from the date of award of work 6. Date of Issue of RFP 03.06.2019 7. Bid Document Download Start Date 03.06.2019 8. Start date for submission of filled in RFP 04.06.2019 from 2:00 PM document 9.
    [Show full text]
  • Government of India National Gallery of Modern Art Jaipur House, India Gate, New Delhi – 110003
    Government of India National Gallery of Modern Art Jaipur House, India Gate, New Delhi – 110003 Expression of Interest for Engagement as Professional Advisor cum Architect National Gallery of Modern Art (NGMA), Ministry of Culture, Government of India invites applications from qualified and experienced professionals for engagement as a Professional Advisor cum Architect (PACA) for the establishment of a regional unit of the NGMA in Kolkata, West Bengal. The proposal envisages the adaptive reuse of the Currency Building located at B.B.D. Bagh, Kolkata and currently under the custody and maintenance of the Archaeological Survey of India (ASI). The proposal envisages the establishment of the regional unit of NGMA in the frontal section of the Currency Building with the main entry from B B D Bag (Dalhousie Square) East Road while the Archaeological Survey of India will retain the rear section of the building with an exclusive entry from R N Mukherjee Road. The site plan indicating the division and the entry is appended with this EOI document as Appendix – I (Dwg No. A-1.1). The background, scope of works and other requirements are as follows: The Gallery is a premier institution of its kind in India. It is run and administered as a subordinate office under the Department of Culture, Government of India. The NGMA has two branches one at Mumbai and the other at Bengaluru. The gallery is a repository of the cultural ethos of the country and showcases the changing art forms through the passage of the last hundred and fifty years starting from about 1857 in the field of Visual and Plastic arts.
    [Show full text]
  • GEOGRAPHY — HONOURS — PRACTICAL Paper : DSE-A-3P (Environmental Issues in Geography) Full Marks : 30 the Figures in the Margin Indicate Full Marks
    ( 1 ) T(6th Sm.)-Geography-H/Pr./(DSE-A-3P)/CBCS 2021 GEOGRAPHY — HONOURS — PRACTICAL Paper : DSE-A-3P (Environmental Issues in Geography) Full Marks : 30 The figures in the margin indicate full marks. Candidates are required to give their answers in their own words as far as practicable. 1. Prepare a questionnaire on the perception of people about the environmental pollution caused by a factory in your locality with both close and open ended questions. 10 2. How do you collect soil sample from the field and estimate proportion of organic carbon in it using a field kit? Describe the methodology. 10 3. Interpret the following changes in air quality. Diagram not necessary. 5 Stations in Kolkata AQI on Prominent AQI on Prominent 5/01/2021 Pollutant 5/05/2020 Pollutant Fort William 223 PM 2.5 45 PM 10 Jadavpur 260 PM 2.5 34 PM 10 Rabindra Bharati 315 PM 2.5 33 PM 10 Rabindra Sarobar 207 PM 2.5 31 PM 10 Victoria Memorial 240 PM 2.5 34 PM 10 Beliaghata 167 PM 10 23 PM 10 Shyambazar 228 PM 2.5 42 PM 10 Tollygunj 112 PM 10 25 PM 10 4. Laboratory notebook. 5 ( 1 ) T(6th Sm.)-Geography-H/Pr./(DSE-A-4P)/CBCS 2021 GEOGRAPHY — HONOURS — PRACTICAL Paper : DSE-A-4P (Resource Geography) Full Marks : 30 The figures in the margin indicate full marks. Candidates are required to give their answers in their own words as far as practicable. Answer All questions. 1. Compute the HDI values for the given states of India and represent with a suitable cartogram.
    [Show full text]
  • The Silver Series - 3
    DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 6 - 10 JULY 2020 10% SALE PROCEEDS TO 1 DAG : THE SILVER SERIES - 3 THE SILVER SERIES EDITION 3 100 ARTISTS ² 100 WORKS Modern and Contemporary Indian Art 6 - 10 JULY 2020 FIXED-PRICE ONLINE SALE The Silver Series is DAG’s initiative towards raising funds for charity through its fixed-price online sales For further information please contact us at [email protected] 1 DAG : THE SILVER SERIES - 3 FROM ASHISH ANAND’S DESK Hundreds of great artists have marked every decade of the twentieth century, which is why I have always been surprised at the invisibility of so many of our masters. Painters, sculptors, printmakers, teachers, they have made a name for themselves, but in the absence of their work being shown nationally—rather than regionally, as has been the norm—many have remained outside mainstream discourse. At DAG, it has been our effort to ensure their rediscovery and recognition, something we continue to do with our Silver Series, fixed-price online sales. The outstanding success of the first two editions is an indicator that art-lovers also have an appreciation for lesser-known names, as well as those whose works do not appear frequently in the market. Our endeavour with every edition will be to continue to surprise you with the mix of artists and the quality of their work. I hope the additions in this edition will bring you joy. If you miss any favourites, I assure you that you will find them in subsequent editions.
    [Show full text]