Depicting Hero in Mainstream Tamil Cinema: the Mould That Changes
International Journal of Advanced Science and Technology Vol. 29, No. 12s, (2020), pp. 09-14 Depicting Hero In Mainstream Tamil Cinema: The Mould That Changes Prabakaran V* & Dr. G Balasubramaniaraja** *Ph.D. Scholar, Reg No: 17234011021141, ManonmaniamSundaranar University, Tirunelveli, Tamilnadu, India. Assistant Professor, Department of Visual Communication, FSH, SRM Institute of Science and Technology, Tamilnadu, India **Professor and Head, Department of Communication, ManonmaniamSundaranar University, Tirunelveli, Tamilnadu, India Abstract The Protagonist, a hero, generally is the central character of any film. The antagonist, a Villain, performs against the Hero and negative side of the story. However, at times hero characters come with a negative shade. The films come up with the reasonable (at least to them) flashback stories in antihero subjects. They justify their harmful protagonist activities. For example, all the don stories of Tamil cinema have a flashback explaining why he has become so. MGR used the medium to communicate the positive elements only to maintain his image among the audiences and to convey his ideologies. He even made sure that his film titles convey the positivity. In this paper, the researcher analyses the changing image of the hero characters in Tamil cinema Keywords: The Hero, Tamil Cinema, Image building, antihero, Characterization Introduction Hero characters in Tamil cinema are classified into these categories. Category One, the good guy, who does good to the society in a natural way whatever the situation he faces. Second one whatever the way maybe; doing good to the society is matters. The third one is not at all good, so do not expect good from him.
[Show full text]