April 12, 2020 Easter A

Total Page:16

File Type:pdf, Size:1020Kb

April 12, 2020 Easter A Page 1 S ERVED BY : Easter Sunday ofA theSCENSION Resurrection ofC theATHOLIC Lord C OMMUNITY April 12, 2020 Rev. Eamon Tobin .......................Ext. 3070 Pastor, email: [email protected] 2950 N. Harbor City Blvd., Melbourne, FL 32935 Rev. Martin Fitzgerald ....... 321-254-1595 Tel. 321-254-1595 -Fax 321-255-3490 Assistant Priest www.ascensioncatholic.net [email protected] Deacon Sergio A. Colon ..............Ext. 3082 Bereavement Ministry, Hispanic Community [email protected] Deacon Tom Stauffacher [email protected]—321-242-4504 Deacon Bill Terneus [email protected]—254-1595 Deacon Chris Meehan [email protected] —242-8003 Anita Brady ...................................Ext. 3001 School Principal [email protected] John Baillie ....................................Ext. 3044 Technology Administrator [email protected] Victoria Dunn ...............................Ext. 3003 Director, School Development Office [email protected] Betsy Glasenapp ...........................Ext. 3080 Faith Formation Director [email protected] Shelly Wackley .............................Ext. 3080 Faith Formation Assistant [email protected] Cara Giuliano ................................Ext. 3501 Director of Youth Ministry [email protected] Anna Nagy .....................................Ext. 3501 Associate Youth Minister Katie Gander .................................Ext. 3068 Music/Liturgy Director [email protected]. Laura Dodson ...............................Ext. 3067 Pastoral Associate/RCIA [email protected] ASCENSION CATHOLIC SCHOOL Ashley Breaux ...............................Ext. 3077 SCHEDULE OF MASSES www.ascensioncatholicsch.org Contemporary Music U.S. Department of Education Saturday Vigil Mass [email protected] School of Excellence 4:30 pm Monica Sutton ..............................Ext. 3076 Pre-Kindergarten through Eighth Grade Sunday Masses Volunteer Coordinator FAITH FORMATION 7:30 am [email protected] Religious Education PARISH OFFICE HOURS 9:30 a.m. (free childcare) Monday-Friday - 8:30 a.m. - 4:00 p.m. Pre-K3– Gr. 3 Tuesdays, 2:00-3:30pm (choir) PARISH OFFICE STAFF Pre-K3– Gr. 6 Tuesdays, 4:00 - 5:15 p.m. 11:30 am (free childcare) Teresa Romano ........................... Ext. 3050 Pre-K3– Gr. 6 Wednesdays, 4:00 - 5:15 p.m. 5:30 pm Front Office Manager Gr. 1-6 Wednesdays, 6:15 - 7:30 p.m. [email protected] (Contemporary Music) YOUTH MINISTRY Mary Russo....................................Ext. 3078 Ascension Catholic Life Teen Weekday Masses Business Manager/Bookkeeper Sundays 6:45-8:30pm Monday-Friday: 7:30 am [email protected] Edge (Grades 7&8) Wednesdays 6-7:30pm Sat. 9:00 am Anne Whelan ................................Ext. 3074 Assistant Bookkeeper Ascension Thrift Store: 259-7291 Sacrament of Reconciliation [email protected] Saturday: 3:15 - 4:25 pm Ascension Social Concerns: 259-5685 Maria Sittig .................................. Ext. 3072 Wednesday: 5:00 pm Religious Articles Gift Shop Secretary/Bulletin Open after all weekend Masses (or by appointment) [email protected] Brian Carley Special Projects Manager As a good steward of the Lord’s blessings, please remember to consider [email protected] your Parish Family or School Endowment in your Last Will and Testament. Page 2 Easter Sunday of the Resurrection of the Lord April 12, 2020 Pope Francis used this imagery in his address to the whole world on March 27 (Urbi et Orbi). FAITH IN THE MIDST OF A STORM Pope Francis meditated on the calming of the storm from the Gospel of Mark during the prayer service over which he presided on the steps of St. Peter’s Basilica on Friday evening. Below is the full text. “When evening had come” (Mk 4:35). The A VERY DIFFERENT EASTER SUNDAY Gospel passage we have just heard begins like this. FAITH IN THE MIDST OF A STORM For weeks now it has been evening. Thick dark- ness has gathered over our squares, our streets and BY POPE FRANCIS our cities; it has taken over our lives, filling every- VARIOUS TYPES OF FAITH thing with a deafening silence and a distressing void, that stops everything as it passes by; we feel Easter Greetings to all of you! As we all know, this it in the air, we notice in people’s gestures, their Easter Sunday is like no other Easter Sunday any glances give them away. We find ourselves afraid of us has experienced in our lifetime. On a normal and lost. Like the disciples in the Gospel we were Easter Sunday, large numbers of people would be caught off guard by an unexpected, turbulent in church including many who normally do not storm. We have realized that we are on the same come to church. This Easter 2020, we as a nation boat, all of us fragile and disoriented, but at the are doing something totally new to us: we are same time important and needed, all of us called socially distancing. And most places in our coun- to row together, each of us in need of comforting try are on lockdown, including Florida. the other. On this boat…are all of us. Just like those disciples, who spoke anxiously with one The elderly especially, like myself, are told to stay voice, saying “We are perishing” (v.38), so we too home. School children are home that so many have realized that we cannot go on thinking of parents are faced with the challenge of childcare if ourselves, but only together can we do this. they have to leave home to work. Those parents who can work from home have to deal with young It is easy to recognize ourselves in this story. children who are missing their friends and getting What is harder to understand is Jesus’ attitude. antsy at home. While his disciples are quite naturally alarmed and Some families have loved ones in nursing homes, desperate, he stands in the stern, in the part of the rehabilitation centers or hospitals, but cannot visit boat that sinks first. And what does he do? In spite them. People in retirement centers have to stay in of the tempest, he sleeps on soundly, trusting in their room to eat, and they miss socializing with the Father; this is the only time in the Gospels their friends. we see Jesus sleeping. When he wakes up, after calming the wind and the waters, he turns to the This pandemic has profoundly impacted countless disciples in a reproaching voice: “Why are you lives, most notably of course, the medical person- afraid? Have you no faith?” (v.40). nel at the front lines of this war—God bless them and protect them. A powerful imagery to express Let us try to understand. In what does the lack what we are going through is that of Jesus and his of the disciples’ faith consist, as contrasted with disciples when they were caught in a mighty storm. Jesus’ trust? They had not stopped believing in Page 3 Easter Sunday of the Resurrection of the Lord April 12, 2020 him; in fact, they called on him. But we see how thinking we would stay healthy in a world that they call on him: “Teacher, do you not care if we was sick. Now that we are in a stormy sea, we perish?” (v.38). Do you not care: they think that implore you: “Wake up, Lord!” Jesus is not interested in them, does not care about them. One of the things that hurts us and “Why are you afraid? Have you no faith?” our families most when we hear it said is: “Do you Lord, you are calling to us, calling us to faith. not care about me?” It is a phrase that wounds and Which is not so much believing that you exist, but unleashes storms in our hearts. It would have coming to you and trusting in you. This Lent shaken Jesus too. Because he, more than anyone, your call reverberates urgently: “Be converted!”, cares about us. Indeed, once they have called “Return to me with all your heart” (Joel 2:12). on him, he saves his disciples from their You are calling on us to seize this time of trial as discouragement. a time of choosing. It is not the time of your judgement, but of our judgement: a time to The storm exposes our vulnerability and choose what matters and what passes away, a uncovers those false and superfluous certainties time to separate what is necessary from what is around which we have constructed our daily not. It is a time to get our lives back on track with schedules, our projects, our habits and priorities. It regard to you, Lord, and to others. We can look shows us how we have allowed to become dull to so many exemplary companions for the jour- and feeble the very things that nourish, sustain and ney, who, even though fearful, have reacted by strengthen our lives and our communities. The giving their lives. This is the force of the Spirit tempest lays bare all our prepackaged ideas and poured out and fashioned in courageous and forgetfulness of what nourishes our people’s souls; generous self-denial. It is the life in the Spirit all those attempts that anesthetize us with ways of that can redeem, value and demonstrate how thinking and acting that supposedly “save” us, but our lives are woven together and sustained by instead prove incapable of putting us in touch with ordinary people—often forgotten people—who our roots and keeping alive the memory of those do not appear in newspaper and magazine head- who have gone before us. We deprive ourselves of lines nor on the grand catwalks of the latest show, the antibodies we need to confront adversity. but who without any doubt are in these very days writing the decisive events of our time: In this storm, the façade of those stereotypes doctors, nurses, supermarket employees, cleaners, with which we camouflaged our egos, always caregivers, providers of transport, law and order worrying about our image, has fallen away, uncov- forces, volunteers, priests, religious men and ering once more that (blessed) common belonging, women and so very many others who have of which we cannot be deprived: our belonging as understood that no one reaches salvation by them- brothers and sisters.
Recommended publications
  • ROUSE-DISSERTATION-2020.Pdf (646.5Kb)
    REUNITED AND IT FEELS SO GOOD? THE LIVED EXPERIENCE OF USING TECHNOLOGY TO RECONNECT WITH OLD FLAMES/LOST LOVES: A QUALITATIVE STUDY A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN’S UNIVERSITY DEPARTMENT OF HUMAN DEVELOPMENT, FAMILY STUDIES, & COUNSELING COLLEGE OF PROFESSIONAL EDUCATION BY THELMA L. ROUSE, M.B.A., M.A. DENTON, TEXAS AUGUST 2020 Copyright ©Thelma L. Rouse, 2020 all rights reserved. ACKNOWLEDGEMENTS With God all things are possible and through Christ I can do all things. I would like to thank God Almighty for surrounding me with such a wonderful support system to finish this portion of my journey. He placed a lot of awesome people and great opportunities in my life along this journey. As I continue to run this race. I look forward to so much more. To my husband Herman and my daughters, Imani and Iyana, I love you all very much and I thank you for the many times you have provided a listening ear, as I pondered various ideas over the course of my study at Texas Woman’s University or when you volunteered to be my “road dawgs” as I commuted to campus for various reasons. I like to thank my fur babies Coco and Ditto for remaining dutifully by my side to offer a belly to rub, a wet nose kiss, or a snuggle at my feet while I studied. To my dissertation committee, Dr. Brock, Dr. Hwang, and Dr. Ladd, I am grateful for your guidance and reassurance throughout this portion of my academic career.
    [Show full text]
  • Journal of the American Theatre Organ Society
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY '_ --~~~ - -- - ·- - -- ~--'- -'. Orbil ID™eeclronic 1yn~e1izer P,UJ ~ -~eo~re01pinel organ equo1... ~e newe;I woy lo mo <emu1ic rromWur ilzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-1272 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. ha.~the ,vay cover- photo ••• Sidney Torch at the Console of the Christie Organ, Regal Theatre, Edmonton. The glass panels surrounding the keyboards were illuminated by several sets of differently colored lights, controlled by motorized rheostats which created Journal of the American Theatre Organ Society different color effects as the lights were dimmed and brightened - an exclusive English feature! See the interview of Sidney Torch by Judd Walton and Frank Volume 14, No.
    [Show full text]
  • 1 Column Unindented
    DJ PRO OKLAHOMA.COM TITLE ARTIST SONG # Just Give Me A Reason Pink ASK-1307A-08 Work From Home Fifth Harmony ft.Ty Dolla $ign PT Super Hits 28-06 #thatpower Will.i.am & Justin Bieber ASK-1306A-09 (I've Had) The Time Of My Life Bill Medley & Jennifer Warnes MH-1016 (Kissed You) Good Night Gloriana ASK-1207-01 1 Thing Amerie & Eve CB30053-02 1, 2, 3, 4 (I Love You) Plain White T's CB30094-04 1,000 Faces Randy Montana CB60459-07 1+1 Beyonce Fall 2011-2012-01 10 Seconds Down Sugar Ray CBE9-23-02 100 Proof Kellie Pickler Fall 2011-2012-01 100 Years Five For Fighting CBE6-29-15 100% Chance Of Rain Gary Morris Media Pro 6000-01 11 Cassadee Pope ASK-1403B 1-2-3 Gloria Estefan CBE7-23-03 Len Barry CBE9-11-09 15 Minutes Rodney Atkins CB5134-03-03 18 And Life Skid Row CBE6-26-05 18 Days Saving Abel CB30088-07 1-800-273-8255 Logic Ft. Alessia Cara PT Super Hits 31-10 19 Somethin' Mark Wills Media Pro 6000-01 19 You + Me Dan & Shay ASK-1402B 1901 Phoenix PHM1002-05 1973 James Blunt CB30067-04 1979 Smashing Pumpkins CBE3-24-10 1982 Randy Travis Media Pro 6000-01 1985 Bowling For Soup CB30048-02 1994 Jason Aldean ASK-1303B-07 2 Become 1 Spice Girls Media Pro 6000-01 2 In The Morning New Kids On The Block CB30097-07 2 Reasons Trey Songz ftg. T.I. Media Pro 6000-01 2 Stars Camp Rock DISCMPRCK-07 22 Taylor Swift ASK-1212A-01 23 Mike Will Made It Feat.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Ifidelity: Interactive Technology and Relationship Faithfulness for More Information
    State of our Unions 2019 iFidelity: Interactive Technology and Relationship Faithfulness For more information: The National Marriage Project P.O. Box 400766 Charlottesville, VA 22904-4766 (434) 321-8601 [email protected] http://www.stateofourunions.org The Wheatley Institution Brigham Young University 392 Hinckley Center Provo, UT 84602 (801) 422-5883 [email protected] http://wheatley.byu.edu/ The School of Family Life 2086 Joseph F. Smith Building Provo, UT 84602 (801) 422-2069 http://familylife.byu.edu/ July 2019 Design Lis Malmgren © Copyright 2019 by the National Marriage Project, the Wheatley Institution, and the School of Family Life at Brigham Young University. All rights reserved. State of our Unions 2019 The State of Our Unions monitors the current health of marriage and family life in America. It is a publication of the National Marriage Project of the University of Virginia. In 2019, this report is published jointly with the Wheatley institution and the School of Family Life at Brigham Young University.” Editor: W. Bradford Wilcox Associate Editors: Jeffrey P. Dew, Betsy VanDenBerghe Founding Co-Editors: David Popenoe and Barbara Dafoe Whitehead Page IV The National Marriage Project The National Marriage Project (nmp) is a nonpartisan, nonsectarian, and interdisciplinary initiative located at the University of Virginia. The Project’s mission is to provide research and analysis on the health of marriage in America, to analyze the social and cultural forces shaping contemporary marriage, and to identify strategies
    [Show full text]
  • The Genesis of Theme in Salinger: a Study of the Early Stories
    The genesis of theme in Salinger: a study of the early stories Item Type text; Thesis-Reproduction (electronic) Authors Taiz, Nard Nicholas, 1939- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 07/10/2021 05:33:52 Link to Item http://hdl.handle.net/10150/317934 THE GENESIS OF THEME IN SALINGER: A STUDY OF THE EARLY STORIES by Nard Nicholas Taiz A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 6 STATEMENT BY AUTHOR This thesis has been submitted in partial fulfill­ ment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission? provided that accurate acknowl­ edgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the inter­ ests of scholarship« In all other instances9 however, permission must be obtained from the author.
    [Show full text]
  • The 101St Madonna Della Cava Feast
    VOL. 125 - NO. 33 BOSTON, MASSACHUSETTS, AUGUST 13, 2021 $.35 A COPY The 101st Madonna Della Cava Feast The 101st Madonna Della Cava feast honor- ing Maria SS Della Cava, Principal Patron of Pietraperzia, Sicily took place August 6–8, 2021, in Boston’s North End. The three-day celebration News Briefs culminated in a Grand Procession in which the by Sal Giarratani image of the Madonna was carried through the streets, accompanied by society members and marching bands. Thousands Hit Streets Protesting (Photos by Matt Conti Vaccine Passports/Lockdowns MattConti.com) Citizens have taken to the streets in several coun- tries, among them France, Italy, the UK and even Australia to protest vaccine passports and extended lockdowns on the weekend of July 25th. These anti- government protests were strongly denounced by national leaders and police officials. On July 24th, some 160,000 attended public protests in France against president Emmanuel Macron’s vaccine passport requirement, in which those who choose not to accept a COVID vaccine would be excluded from nearly all aspects of public life such as entering restaurants, bars, theatres, public transit, etc. The mandate could also see business owners go to jail for not enforcing the new rules. On July 25th, Macron criticized protesters saying, “This is not free- dom, it is called irresponsibility, egoism,” according to a Google translation of a French report. London also saw massive protests over the same weekend as Boris Johnson announced a similar vaccine passport in the nation. Coverage of the protests showed people holding signs with slogans “Show your papers, comrades,” a reminder to many of the old Soviet Union’s “internal passports.” Democrats Hide Party’s Racist Roots Democrat leaders claim “the GOP wants to white- wash American history” by barring critical race theory from schools, but they refuse to acknowledge their party “did more than any other institution in American life to preserve” slavery and “enforce Jim Crow,” observes RealClearInvestigations’ Mark Hemmingway.
    [Show full text]
  • A 3Rd Strike No Light a Few Good Men Have I Never a Girl Called Jane
    A 3rd Strike No Light A Few Good Men Have I Never A Girl Called Jane He'S Alive A Little Night Music Send In The Clowns A Perfect Circle Imagine A Teens Bouncing Off The Ceiling A Teens Can't Help Falling In Love With You A Teens Floor Filler A Teens Halfway Around The World A1 Caught In The Middle A1 Ready Or Not A1 Summertime Of Our Lives A1 Take On Me A3 Woke Up This Morning Aaliyah Are You That Somebody Aaliyah At Your Best (You Are Love) Aaliyah Come Over Aaliyah Hot Like Fire Aaliyah If Your Girl Only Knew Aaliyah Journey To The Past Aaliyah Miss You Aaliyah More Than A Woman Aaliyah One I Gave My Heart To Aaliyah Rock The Boat Aaliyah Try Again Aaliyah We Need A Resolution Aaliyah & Tank Come Over Abandoned Pools Remedy ABBA Angel Eyes ABBA As Good As New ABBA Chiquita ABBA Dancing Queen ABBA Day Before You Came ABBA Does Your Mother Know ABBA Fernando ABBA Gimmie Gimmie Gimmie ABBA Happy New Year ABBA Hasta Manana ABBA Head Over Heels ABBA Honey Honey ABBA I Do I Do I Do I Do I Do ABBA I Have A Dream ABBA Knowing Me, Knowing You ABBA Lay All Your Love On Me ABBA Mama Mia ABBA Money Money Money ABBA Name Of The Game ABBA One Of Us ABBA Ring Ring ABBA Rock Me ABBA So Long ABBA SOS ABBA Summer Night City ABBA Super Trouper ABBA Take A Chance On Me ABBA Thank You For The Music ABBA Voulezvous ABBA Waterloo ABBA Winner Takes All Abbott, Gregory Shake You Down Abbott, Russ Atmosphere ABC Be Near Me ABC Look Of Love ABC Poison Arrow ABC When Smokey Sings Abdul, Paula Blowing Kisses In The Wind Abdul, Paula Cold Hearted Abdul, Paula Knocked
    [Show full text]
  • A Healing Performance of Mino-Bimaadiziwin: the Good Life
    THE JOURNEY OF A DIGITAL STORY: A HEALING PERFORMANCE OF MINO-BIMAADIZIWIN: THE GOOD LIFE CARMELLA M. RODRIGUEZ A DISSERTATION Submitted to the Ph.D. in Leadership and Change Program of Antioch University in partial fulfillment of the requirements for the degree of Doctor of Philosophy June, 2015 This is to certify that the Dissertation entitled: THE JOURNEY OF A DIGITAL STORY: A HEALING PERFORMANCE OF MINO-BIMAADIZIWIN: THE GOOD LIFE prepared by Carmella M. Rodriguez is approved in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Leadership and Change Approved by: Carolyn Kenny, Ph.D., Committee Chair date Elizabeth Holloway, Ph.D., Committee Member date Luana Ross, Ph.D., Committee Member date Daniel Hart, M.F.A., Committee Member date Jo-Ann Archibald, Ph.D. External Reader date Copyright 2015 Carmella M. Rodriguez All rights reserved. Acknowledgements Creator, I thank you for guiding me through this beautiful journey, for accepting me as one of your children and for all of creation. Thank you spiritual guides for teaching me about life and keeping me on the right path. Brenda Manuelito, thank you for being my partner and the other half of nDigiDreams. I’m so grateful I met you in a little hog farm in Lyons, Colorado. Thank you for travelling across this beautiful land with me on dirt roads, blue skies, and across so many waterways. Our learning journey together has been incredible and I’m so happy that we are doing something good for “the people.” Thank you to all of the medicine men and women, who helped us raise nDigiDreams, since birth and for the spiritual guidance and prayers for this path.
    [Show full text]
  • The Heath Brothers Jimmy Heath, Tenor Saxophone • Percy Heath, Bass & Cello Albert "Tootie" Heath, Drums Jeb Patton, Piano
    T H E U N I V E R S IT Y OF N ORT H FL O R I D A GREAT AMERICAN JAZZ SERIES " ... a musical language all their own" Howard Reich, Chicago Tribune The Heath Brothers Jimmy Heath, tenor saxophone • Percy Heath, bass & cello Albert "Tootie" Heath, drums Jeb Patton, piano also featuring the UNF Jazz Ensemble I • Dr. Keith Javors. director Thursday, October 4, 2001 • 7:30pm Andrew Robinson Theater • University of North Florida About the UNF Jazz Program • • • " . where the pros go to school. " Down Beat Magazine The Jazz Program at the and Dr. Keith Javors (since 1997 Mobile Jazz Festival and University of North Florida was January 2001 ), the band has both the 1998 and 1999 Notre established in 1986 with a Chair emerged both nationally and Dame Jazz Festivals. In May in American Music, endowed by internationally as a spotlighted 1998, the Down Beat Magazine Ira M. Koger, Jacksonville busi­ representation of only the best in Student Music Award for Best nessman and philanthropist. collegiate big band jazz. Jazz Instrumental Group was Rich Matteson, noted jazz edu­ Over the past fifteen years, the presented to the UNF Jazz cation pioneer and euphonium UNF Jazz Ensemble I has been Combo. In May 1999, Down performer, was appointed Distin­ selected to perform at IAJE Beat Magazine presented two guished Professor of American Conferences in Atlanta, Boston, Student Music Awards to UNF Music and quickly established the Miami and New Orleans; the Jazz Combos. program as one of the leading jazz prestigious Mid-West Band and A special component of the schools in the country.
    [Show full text]
  • Turn Your Radio On: Music in the Novels of Silas House 157
    Turn Your Radio On: Music In the Novels of Silas House 157 Jennifer Adkins Reynolds Turn Your Radio On: Music In the Novels of Silas House by Jennifer Adkins Reynolds Music is an integral part of life. It is a natural extension of an oral tradition found in many cultures and is a universal art form that transcends time, age, race, and nationality. For hundreds of years, and across continents, music has also served an important role in literature. In his book, The Afro-American Novel and Its Tradition, Bernard Bell discusses an oral narrative tradition as a basis for many African-American novels. He refers to what the anthropologist William Bascom has termed “verbal art” as “an important means of maintaining the continuity and stability of traditional African cultures” (Bell 15-16). While Bell is focusing on African-American fiction, his study applies to other cultures rooted in the oral tradition, especially contemporary Appalachian fiction. When considering Bell’s assertions, one can make an easy leap from his ideas to their connections to Appalachian literature. Bell observes, “For the anthropologist . verbal art [forms] have four principal functions. They transmit knowledge, values, and attitudes from one generation to another, enforce conformity to social norms, validate social insti- tutions and religious rituals, and provide a psychological release from the restrictions of society” (16). When considering the strong oral tradition in Appalachian culture, a natural extension of this “verbal art” form is the novelist using music to form his characters and to breathe life into them. Silas House saturates Clay’s Quilt and The Coal Tattoo with music: performed music, recorded music, composed music, radio music, and remembered music.
    [Show full text]
  • Talk a Lot Intermediate Book 2 Unit 1 Lesson 1
    Talk a Lot Intermediate Book 2 > Unit 2 > Lesson 1 > Page 1 2-1-1 English is a rich language, which means there is often more than one way to say exactly the same thing. Native speakers often enjoy using idioms, phrasal verbs, and slang – a kind of picture language – rather than literal dictionary words, because it feels more natural to them. When speech includes a lot of this kind of non-literal English, as in the dialogues below, it can be really confusing for the English student, who might feel as if they’re not listening to English at all, but… A DIFFERENT LANGUAGE 1 Dialogue 1 – Quiz a) Read the dialogue with your partner quickly to get the gist. Student A is Leanna and Student B is Billie. Note that the dialogues in this lesson are not exaggerated – native speakers (especially young people) really do speak like this! b) Read it together more slowly. Each student reads their lines and tells or guesses the literal translation of each idiomatic phrase in red type. The other student checks the meaning on their handout (see PP.3-4) and gives 10 points for each correct answer. The student with the most points is the winner! Two teenage girls are chatting on the bus… L: 1 Why the long face? 2 What’s up? B: Brandon’s 3 chucked me. L: What? B: Yeah. We had 4 a bust-up last night – at Kim’s party – and he’s been 5giving me the cold shoulder ever since. L: Ah! You must be 6 gutted.
    [Show full text]