SLIFF Program 2009
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
East Rutherford
Aito of i» Meddbwfan**" Beginning with its April 22 issue, W^t fisnbtt will mail to all the residents of Wallington. The newspaper's new total circulation will be 40,304. Established 1894 www. Loader Newspapers, net Thuisday, April 15. 2010 Superintendent in Rutherford to retire 24 hours By Susan C. Moeller SENIOR REPORTER RUTHERFORD — Leslie O'Keefe, longtime super- intendent of schools in Rutherford, will retire July n minutes 1. The administrator gave her three-month notice to the Board of Education Thursday, April 1. The news came in the wake of Rutherford's budget crunching, which will result in several layoffs and pro- gram cuts throughout the district. O'Keefe, who has served as superintendent for 10 years, was vocal during the Board's March 31 budget presentation that the circumstances involving Rutherford and its loss of state aid are devastating. "It gives me an enormous amount of pain" to stand here and say these things, O'Keefe said to assembled board members and parents. The cuts are "beginning the disman- tling of an outstanding school district." But, current events are not the reason O'Keefe is choos- ing to end her career. "I have been doing this for a really long lime," she said during an interview with The leader. While the governor's "assault on education" made the Please see RETIRE on Page A5 Garbage plan draws gripes Raising funds for kids PHOTO BY SUSAN C MOELLER one pedal a! a By Susan C. Moeller $115,000, depending on SENIOR REPORTER the cost per ton to dump refuse, explained Council By John Soltes 24 hours Children," Bob said. -
Dance Design & Production Drama Filmmaking Music
Dance Design & Production Drama Filmmaking Music Powering Creativity Filmmaking CONCENTRATIONS Bachelor of Master of Fine Arts Fine Arts The School of Filmmaking is top ranked in the nation. Animation Cinematography Creative Producing Directing Film Music Composition Picture Editing & Sound Design No.6 of Top 50 Film Schools by TheWrap Producing BECOME A SKILLED STORYTELLER Production Design & Visual Effects Undergraduates take courses in every aspect of the moving image arts, from movies, series and documentaries to augmented and virtual reality. Screenwriting You’ll immediately work on sets and experience firsthand the full arc of film production, including marketing and distribution. You’ll understand the many different creative leadership roles that contribute to the process and discover your strengths and interests. After learning the fundamentals, you’ll work with faculty and focus on a concentration — animation, cinematography, directing, picture editing No.10 of Top 25 American and sound design, producing, production design and visual effects, or Film Schools by The screenwriting. Then you’ll pursue an advanced curriculum focused on your Hollywood Reporter craft’s intricacies as you hone your leadership skills and collaborate with artists in the other concentrations to earn your degree. No.16 of Top 25 Schools for Composing for Film and TV by The Hollywood Reporter Filmmaking Ranked among the best film schools in the country, the School of Filmmaking produces GRADUATE PROGRAM experienced storytellers skilled in all aspects of the cinematic arts and new media. Students Top 50 Best Film Schools direct and shoot numerous projects alongside hands-on courses in every aspect of modern film Graduate students earn their M.F.A. -
Tard Exe:Plus Tard
IMAGE ET COMPAGNIE / AGAV FILMS / FRANCE 2 PRESENT ONE DAY YOU’LL UNDERSTAND DIRECTED BY AMOS GITAÏ BASED ON JÉRÔME CLÉMENT’S BOOK “PLUS TARD TU COMPRENDRAS” ome 20 years ago in an apartment overcrowded with antique objects, SRivka is trying to prepare dinner. But the Klaus Barbie trial on television breaks her concentration. Rivka is overcome with emotion listening to JÉRÔME CLÉMENT the testimony of a camp survivor. érôme Clément wrote Plus tard, tu comprendras (Grasset et Fasquelle, 2005) as an homage to his Jmother, whose parents were murdered at Auschwitz. Clément is also the author of several In Rivka's son Victor's office, the sounds of the trial are also heard. other books: Un homme en quête de vertu (Grasset, 1992), Lettres à Pierre Bérégovoy (Calmann Levy, Victor can't manage to fully concentrate on the piles of case documents on 1993), La culture expliquée à ma fille (Seuil, 1995) and Les femmes et l’amour (Stock, 2002). his desk nor his secretary's questions. Clément is currently elected President of the European television station Arte France. He’s also a board member of several cultural organizations (notably the Orchestre de Paris and Despite the intimacy of their mother-son dinner later that evening, the Théâtre du Châtelet). Clément has been decorated with the French Legion of Honor, the neither Rivka nor Victor speak of the Barbie trial. Rivka changes the subject National Order of Merit, the Society of Arts and Letters and Germany’s Grand Cross of the each time her son brings up the trial in conversation. -
A Film by David Gordon Green
PRESENTS JOE A FILM BY DAVID GORDON GREEN 2013 Venice Film Festival 2013 Deauville American Film Festival 2013 Toronto International Film Festival 2013 Zurich Film Festival RUNNING TIME: 117 Minutes INTERNATIONAL SALES WestEnd Films - [email protected] U.S. SALES CAA - [email protected] PRESS CONTACT DDA Public Relations - [email protected] 02 Synopsis A gripping mix of friendship, violence and redemption erupts in the contemporary South in this adaptation of Larry Brown’s novel, celebrated at once for its grit and its deeply moving core. Directed by David Gordon Green (PRINCE AVALANCHE, PINEAPPLE EXPRESS, UNDERTOW, ALL THE REAL GIRLS), the film brings Academy Award® winner Nicolas Cage back to his indie roots in the title role as the hard-living, hot-tempered, ex-con Joe Ransom, who is just trying to dodge his instincts for trouble – until he meets a hard-luck kid, (Tye Sheridan) (MUD, TREE OF LIFE) who awakens in him a fierce and tender-hearted protector. The story begins as Joe hires teenaged Gary Jones and his destitute father onto his “tree- poisoning” crew for a lumber company. Joe might be notoriously reckless with his pick-up, his dog and especially with women, but he sees something in Gary that gets to him: a determination, a raw decency and a sense of resilience he can barely believe in anymore. Gary has truly had nothing in life – he’s never spent a day at school – yet something drives him to take care of his family, to keep his sister safe when his father turns monstrous, to hang onto hope of a better future. -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
The Second Woman
Next Wave 2019 Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs The Second Woman Created by Nat Randall and Anna Breckon BAM Fishman Space Oct 18 at 5pm Running time: approx. 24 hours Written and directed by Anna Breckon and Nat Randall Performed by Alia Shawkat Video direction by EO Gill & Anna Breckon Lighting design by Amber Silk & Kayla Burrett Sound design by Nina Buchanan Set design by FUTURE METHOD STUDIO Hair and makeup design by Sophie Roberts Season Sponsor: Leadership support for BAM Access Programs provided by the Jerome L. Greene Foundation Leadership support for theater at BAM provided by The SHS Foundation and The Shubert Foundation, Inc. v Directors’ Note Photo: Heidrun Lohr The Second Woman takes as its starting point the idea that emotions and identities are culturally and historically specific, and that gender identities are defined by, and produced through, emotional cul- tures and norms. Taking gender, as a particular relation to cultural power and privilege, as its focus, The Second Woman explores the ways in which gender privilege and power expresses itself through feeling. The Second Woman began as a small self-funded project. It was a high-risk endeavor as, although we could test the work with multiple participants, we couldn’t test the durational aspect of the show. There is no way to rehearse a 24-hour production that relies on audience and participants. With so many variables and unknowns, we went into our second performance with an equal amount of dread. -
The Cutting Edge of French Cinema
BACKWASH: THE CUTTING EDGE OF FRENCH CINEMA J’IRAI AU PARADIS CAR L’ENFER EST ICI , Xavier Durringer ( France, 1997 ) MA 6T VA CRACK-ER , Jean-Francois Richet ( France, 1997 ) LE PETIT VOLEUR , Érick Zonca ( France, 1998 ) L’HUMANITÉ , Bruno Dumont ( France, 1999 ) POLA X , Leos Carax ( France, 1999 ) RESSOURCES HUMAINES (Human Resources), Laurent Cantet ( France, 1999 ) À MA SOEUR! , Catherine Breillat ( France-Italy, 2000 ) PARIA , Nicolas Klotz ( France, 2000 ) SAINT-CYR , Patricia Mazuy ( France-Belgium, 2000 ) SELON MATTHIEU , Xavier Beauvois ( France, 2000 ) SOUS LE SABLE , François Ozon ( France-Belgium-Italy-Japan, 2000 ) ÊTRE ET AVOIR , Nicolas Philibert ( France, 2001 ) IRRÉVERSIBLE (Irreversible), Gaspar Noé ( France, 2001 ) LA CHATTE À DEUX TÊTES , Jacques Nolot ( France, 2001 ) LA VIE NOUVELLE , Philippe Grandrieux ( France, 2001 ) LE PACTE DES LOUPS , Christophe Gans ( France, 2001 ) LE STADE DE WIMBLEDON , Mathieu Amalric ( France, 2001 ) ROBERTO SUCCO , Cédric Kahn ( France-Switzerland, 2001 ) TROUBLE EVERY DAY , Claire Denis ( France-Japan, 2001 ) DANS MA PEAU , Marina De Van ( France, 2002 ) UN HOMME, UN VRAI , Jean-Marie Larrieu, Arnaud Larrieu ( France, 2002 ) CLEAN , Olivier Assayas ( France-UK-Canada, 2003 ) INNOCENCE , Lucile Hadzihalilovic ( France-UK-Belgium, 2003 ) L’ESQUIVE , Abdellatif Kechiche ( France, 2003 ) LE CONVOYEUR , Nicolas Boukhrief ( France, 2003 ) LES CORPS IMPATIENTS , Xavier Giannoli ( France, 2003 ) ROIS ET REINE , Arnaud Desplechin ( France-Belgium, 2003 ) TIRESIA , Bertrand Bonello ( France, 2003 ) DE BATTRE MON COEUR S’EST ARRÊTÉ (The Beat That My Heart Skipped), Jacques Audiard ( France, 2004 ) LES REVENANTS , Robin Campillo ( France, 2004 ) LES ANGES EXTERMINATEURS , Jean-Claude Brisseau ( France, 2005 ) VOICI VENU LE TEMPS , Alain Guiraudie ( France, 2005 ) À L’INTERIEUR , Alexandre Bustillo, Julien Maury ( France, 2006 ) AVIDA , Benoît Delépine, Gustave Kervern ( France, 2006 ) LES CHANSONS D’AMOUR , Christophe Honoré ( France, 2006 ) 24 MESURES , Jalil Lespert ( France-Canada, 2007 ) L’HISTOIRE DE RICHARD O. -
PICNIC PLAYBOOK on the Flip Side of This Letter
PLAYBOOK / MEMORABLE PICNICS ON FILM Dear Picnic in the Park supporters Gosford Park (2001) Call Me By Your Name (2017) and friends of The Picture House, Any fan of Downton Abbey will love this upstairs/ Nominated for Academy Awards for both Best Pic- downstairs whodunnit that was also an Academy ture and Best Actor and the winner of Best Adapted As summer fades into fall and the anticipation of Award nominee for Best Picture. At a lavish picnic lunch Screenplay, this love story takes place in rural Italy in the back-to-school season sets in, we at the Picture following a fox hunt, the mystery takes quite a turn. A the summer of 1983. The breathtaking Italian backdrop House are usually busy planning one of our favorite terrific film for the amateur detective in your home. is used throughout the film for multiple al fresco dining events of the year - Picnic in the Park. Coming scenes. Just keep a box of tissues handy for the end. together with old friends and new to celebrate film The Stepford Wives (1975) and community is something we look forward to all Life in the suburbs sometimes maybe feel too perfect? To Catch a Thief (1955) year. In Stepford, it just might be. Based on the novel by Ira Can a notorious cat burglar change his stripes? Escape Levin, The Stepford Wives is a perfect blend of sci-fi, to the French Riviera in this Hitchcock classic to see But if there’s one thing we know for sure, this year has satire, and dark comedy that brought a whole new Gary Grant attempt to woo Grace Kelly with a scenic been NO picnic. -
Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple
’Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple To cite this version: James Dalrymple. ’Gosford Park, the ”Altmanesque” and Narrative Democracy’. ”Narrative Democ- racy in 20th- and 21st-Century British Literature and Visual Arts”, SEAC 2018 conference, Nov 2018, Université Toulouse Jean Jaurès, France. hal-01911889 HAL Id: hal-01911889 https://hal.archives-ouvertes.fr/hal-01911889 Submitted on 25 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. James Dalrymple (ILCEA4) – Gosford Park, the ‘Altmanesque’ and democracy Gosford Park, the ‘Altmanesque’ and democracy James Dalrymple, Institut des langues et cultures d'europe, amérique, afrique, asie et australie (ILCEA4), Université Grenoble-Alpes, France. Often working with large casts of actors—and many featuring on screen simultaneously, with dialogues frequently overlapping one another and given little hierarchy in the sound design—US director Robert Altman (1925–2006) came to be associated with a signature style despite working in a range of genres, mostly in order to subvert their conventions. The adjective ‘Altmanesque’ has come to apply to this aesthetic, one in which much is also left to chance, with actors given space to improvise and create their own characters within a larger tableau or ‘mural’ (del Mar Azcona 142). -
Disturbed Släpper Album - Kommer Till Sverige!
Disturbed till Sverige! 2018-10-18 13:05 CEST DISTURBED SLÄPPER ALBUM - KOMMER TILL SVERIGE! Imorgon (19 oktober) släpps Disturbeds efterlängtade album "Evolution" - som redan hyllats unisont av kritiker! Som om inte det vore nog beger sig Chicago-bandet ut på en stor världsturné - där ett stopp blir Sverige, Stockholm och Annexet den 30 april! Biljetter släpps fredag 26 oktober kl. 10.00 via LiveNation.se! "Are You Ready" från det kommande albumet har nu legat på förstaplatsen på Billboard Rock Chart - 4 veckor i rad! Singeln, tillsammans med "The Best Ones Lie" och "A Reason to Fight" är första smakproven från ett av årets mest efterlängtade albumsläpp. Disturbed har sålt platinum (flera gånger om), nominerats till två Grammy Awards och sålt ut arenor världen över. 9 januari startar en omfattande världsturné där bandet kommer att erövra USA, UK, Tyskland, Spanien, Sverige - och många fler länder (15 totalt i Nordamerika och Europa!). Bandet har tidigare hyllats av The Wall Street Journal, New York Times, USA Today och många fler. De har vunnit flertalet priser (bl.a. Best Rock Artist på IHeartRadioMusic Awards) och senaste albumet "Immortalized" var bandets femte(!) album i rad som direkt landade på Billboard Top 200s förstaplats. Vi längtar efter ett nytt album med Disturbed - och en konsert på Annexet med både gamla och nya favoritlåtar. 30 april - då ses vi! Datum 30/4 - Annexet, Stockholm Biljetter Biljetter släpps 26 oktober kl. 10.00 via LiveNation.se Pressbiljetter & fotopass Ansökan om köp av pressbiljett skickas till [email protected]. Det är viktigt att du skickar en förfrågan per artist/evenemang och att du i ämnesraden anger vilken artist/evenemang det gäller. -
Sxsw Film Festival Announces 2018 Features and Opening Night Film a Quiet Place
SXSW FILM FESTIVAL ANNOUNCES 2018 FEATURES AND OPENING NIGHT FILM A QUIET PLACE Film Festival Celebrates 25th Edition Austin, Texas, January 31, 2018 – The South by Southwest® (SXSW®) Conference and Festivals announced the features lineup and opening night film for the 25th edition of the Film Festival, running March 9-18, 2018 in Austin, Texas. The acclaimed program draws thousands of fans, filmmakers, press, and industry leaders every year to immerse themselves in the most innovative, smart and entertaining new films of the year. During the nine days of SXSW 132 features will be shown, with additional titles yet to be announced. The full lineup will include 44 films from first-time filmmakers, 86 World Premieres, 11 North American Premieres and 5 U.S. Premieres. These films were selected from 2,458 feature-length film submissions, with a total of 8,160 films submitted this year. “2018 marks the 25th edition of the SXSW Film Festival and my tenth year at the helm. As we look back on the body of work of talent discovered, careers launched and wonderful films we’ve enjoyed, we couldn’t be more excited about the future,” said Janet Pierson, Director of Film. “This year’s slate, while peppered with works from many of our alumni, remains focused on new voices, new directors and a range of films that entertain and enlighten.” “We are particularly pleased to present John Krasinski’s A Quiet Place as our Opening Night Film,” Pierson added.“Not only do we love its originality, suspense and amazing cast, we love seeing artists stretch and explore.