History Reading List

Total Page:16

File Type:pdf, Size:1020Kb

History Reading List History Reading List Classical Civilizations/Ancient History Brave -Wendy Constance – Paleolithic 13 year olds Wild Horse and Blue Bird, must prove their bravery on a dangerous adventure The Clan of the Cave Bear – Jean.M.Auel. Roman Mysteries - Caroline Lawrence Pompeii - Robert Harris The Seeing Stone by Kevin Crossley-Holland - bitesize Arthurian Legend. Medieval The Seeing Stone, Arthur, King of the Middle March & Gatty’s Tale – The depiction of the medieval setting is meticulous but this is a series of novels about heart and song. It will lift the spirits and move you to tears. A Time Traveller’s guide to Medieval England: A handbook for visitors to the 14th century – Ian Mortimer Tudors A traveler in Time – Alison Uttley – Penelope finds herself slipping back in time to join the inhabitance of 1580 at the time of Elizabeth I and Mary Queen of Scots. A Time Traveller’s guide to Tudor England: A handbook for visitors to the 15th century – Ian Mortimer How to be a Tudor: A Dawn to Dusk Guide to Everyday Life – Ruth Goodman Stuarts I Coriander - Sally Gardner –A glorious novel set in 17th century London and in the fairy world. No Shame, No Fear - Ann Turnbull – Love against the odds 1662 England. Civil War tale of William and his love for a Puritan girl. Children of the New Forest – Frederick Marryat – Children of a dead Royalist soldier are rescued by loyal servants and hidden in the New Forest until the Civil War has settled. At the Sign of the Sugared Plum – Mary Hooper – Hannah moves to London only to find Plague is sweeping through the city. The Sacrifice - Diane Matcheck – Portrayal of Native American life and a girls struggle for survival. Apache: Girl Warrior - Tanya Landman – Siki is an orphan Black Mountain Apache. She witnesses the death of her little brother and vows to become a warrior to avenge him. The Red necklace – Sally Gardner – Thrilling novel set during the French Revolution with some magic thrown in. Chains – Laurie Halse Anderson – 13 year old slave fights for her freedom. Victorian/Industrial Revolution The Ruby in the Smoke - Philip Pullman (first of the Sally Lockhart trilogy set in Victorian London) Little Women - Louisa May Alcott – A family drama following the lives of the March sisters. Jane Eyre - Charlotte Bronte – The story of a young girl’s passage to adulthood in the early nineteenth century. Wuthering Heights - Emily Bronte – A wild, passionate story set on a lonely moorland. The Secret Garden - Frances Hodgson-Burnett - An adventure into a secret garden, showing that people can change. The Railway Children - Edith Nesbit – A family move to a House near the railway, after their father is imprisoned having been falsely accused of spying Sherlock Holmes stories - Arthur Conan Doyle, Fascinating tales about a 19th century detective with extraordinary abilities Oliver Twist - Charles Dickens, Classic Dickens tale of the young orphan’s dramatic move through life. Coram Boy - Jamila Gavin, Two boys, from very different backgrounds, end up in a home for parentless children. A challenging story set in the 18th century. Frankenstein - Mary Shelley The door that led to Where – Sally Gardner – Time travel to 1830’s London. Journey to the River Sea - Eva Ibbotson – Orphaned London school girl and her governess journey to South America in 1900. Master and Commander – Patrick O’Brian WWI Private Peaceful - Michael Morpurgo War Horse - Michael Morpurgo Remembrance - Theresa Breslin Cider with Rosie – Laurie Lee -The funny and moving autobiography of a young boy growing up in Gloucestershire just after the 1st World War. Animal Farm - George Orwell Stay where you are and then leave - John Boyne – Warm and moving story about a boys search for his missing father during WWI. 1920s Jazz Age The Great Gatsby – F. Scott Fitzgerald One Summer America 1927 – Bill Bryson Two Brothers – Ben Elton 1930s Great Depression Roll of Thunder, Hear my Cry - Mildred Taylor, Tale of family loyalty set against the racist background of 1930s America. To Kill a Mockingbird - Harper Lee Of Mice and Men - John Steinbeck Grapes of Wrath - John Steinbeck Al Capone does my shirts – 1935 Matthew Flanagan’s family move to Alcatraz Island. Matthew’s sister has autism. Funny, touching and serious. Ethel & Ernest – Raymond Briggs – cartoon from the man who drew the Snowman. An ordinary couples lives from the 1930’s until the 1980s. WWII Carrie’s War - Nina Bawden Goodnight Mr Tom- Michelle Magorian - A long-bereaved old man grudgingly takes London evacuee into his home Back Home - Michelle Magorian A little Love song - Michelle Magorian A spoonful of Jam - Michelle Magorian Cuckoo in the Nest - Michelle Magorian Sweet Clarinet etc - James Riordan Empire of the Sun – J.G.Ballard Swallows and Amazons by Arthur Ransome Chinese Cinderella – Adeline Yen Mah. Adeline grows up in China during the Second World War in a family which does not seem to love her. A moving story of individual survival. Anne Frank, The Diary of a Young Girl – Anne, a Jewish Dutch girl, has to hide from the Germans in a tiny secret room with her family and another family for two years. The Book Thief - Markus Zusack Blitzcat by Robert Westall (WWII told through the eyes of a cat) The Boy in the Striped Pyjamas - John Boyne The Silver Sword / Ian Serraillier – Polish family during WWII. The night the Nazis arrive to take their mother, 3 children escape across the roof tops of Warsaw. The Boy at the top of the Mountain – John Boyne - An account of how one boy was influenced by Nazi ideas and paid the price. Going Solo – Roald Dahl – His account of life as a fighter pilot in the Western Desert and Greece during WWII. Code name Verity – Elizabeth E Wein - Verity is a captured British Spy handing Allied information over to the Gestapo in Nazi Germany. When Hitler stole Pink Rabbit - Judith Kerr – The story of one family’s flight from Nazi Germany in the years before war broke out. The Machine Gunners – Robert Westall –Wreckage of a German Bomber leads to children building their own fortress but war is no game. Cold War & Civil Rights 1950-1970 The Wheel of Surya - Jamila Gavin (Indian independence) Lies we tell ourselves – Robin Talley – Set in 1959, following events in Little Rock. Black students walk to their new high school with police and protestors facing them. The Help – Kathryn Ptockett 1980 -2000 Kiss the Dust - Elizabeth Laird (Kurdish refugees) Notes from a Big Country – Bill Bryson - An American’s very funny perspective on Britain and British culture. The Garbage King / Elizabeth Laird – Deeply moving, gritty story of street children in Ethiopia. The Other Side of Truth / Beverley Naidoo – Set in autumn of 1995 in Nigeria. Tackling issues such as injustice, freedom of speech and political asylum. Refugee Boy / Benjamin Zephaniah – Meet Alem. His mother is Eritrean and his father Ethiopean and with both countries at war, Alem and his family are neither safe nor wanted. The Kite Runner – Set in the city of Kabul in the 1970’s. A stoty of boyhood friendship destroyed by jealousy, fear and evil. (Un)Arranged Marriage - Bali Rai - Set in the UK and India this is a look at one young man’s fight to free himself from his families’ expectations. Ruby Red - Linzi Glass – Love story set in Johannesburg 1976 during Apartheid (when Backs and whites were separated) General Terry Deary, Horrible Histories – The gory aspects of history. Blackadder Scripts – The Whole Damn Dynasty – A surreal and comedic take on English History. My Story – A 25 historical novel collection all written from the perspective of teenagers. From Viking Blood to The Road to War. .
Recommended publications
  • Orphan Black"
    CLONING THE IDEAL? UNPACKING THE CONFLICTING IDEOLOGIES AND CULTURAL ANXIETIES IN "ORPHAN BLACK" Danielle Marie Howell A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Bill Albertini, Advisor Kimberly Coates © 2016 Dani Howell All Rights Reserved iii ABSTRACT Bill Albertini, Advisor In this project, I undertake a queer Marxist reading of the television series Orphan Black. Specifically, I investigate the portrayal of women and queer characters in order to discover the conflicting dominant and oppositional ideologies circulating in the series. Doing so allows me to reveal cultural anxieties that haunt the series even as it challenges normative power relations. I argue that while Orphan Black’s narrative subverts traditional gender roles, critiques heteronormativity, and offers sexually fluid queer characters, the series still reifies the traditionally ideal Western female body—thin, attractive, legibly gendered, and fertile. I draw on Antonio Gramsci’s theory of ideology and hegemony, Heidi Hartman’s analysis of Marxism and feminism, and Judith Butler’s theory of gender performativity to unpack the series’ non-normative depiction of gender and its simultaneous reliance on a stable gender binary. I frame my argument with Todd Gitlin’s understanding of hegemony’s ability to domesticate radical ideas in television. I argue that Orphan Black imagines spaces and scenarios that offer the potential to liberate women from heteronormative expectations and limit patriarchy’s harm. The series privileges a queer female collective and envisions a world where women have freedom from normative conceptions of gender and sexuality.
    [Show full text]
  • English Department Course Descriptions Spring 2017 Macomb
    English Department Course Descriptions Spring 2017 Macomb Campus Undergraduate Courses English Literature & Writing ENG 200 Introduction to Poetry Section 1 – Merrill Cole Aim: Marianne Moore’s famous poem, “Poetry,” begins, “I too dislike it.” Certainly many people would agree, not considering that their favorite rap or song lyric is poetry, or perhaps forgetting the healing words spoken at a grandparent’s funeral. We often turn to poetry when something happens in our lives that needs special expression, such as when we fall in love or want to speak at a public event. It is true that poems can be difficult, but they can also ring easy and true. Poems may cause us to think hard, or make us feel something deeply. This course offers a broad introduction to poetry, across time and around the globe. The emphasis falls, though, on contemporary poetry more relevant to our everyday concerns. For most of the semester, the readings are organized around formal topics, such as imagery, irony, and free verse. The course also attends to traditional verse forms, which are not only still in use, but also help us better to understand contemporary poetry. Toward the end of the semester, we shift focus to look at two important books of poetry, Frank O’Hara’s 1964 Lunch Poems and Kim Addonizio’s 2000 Tell Me. Although Marianne Moore recognizes that many people “dislike” poetry, she insists that “one discovers in / it after all, a place for the genuine.” William Carlos Williams concurs: ‘ Look at what passes for the new. You will not find it there but in despised poems.
    [Show full text]
  • American Odyssey,' 'Last Ship,' 'Orphan Black' and More on Day 2 of Wonder-Con
    'American Odyssey,' 'Last Ship,' 'Orphan Black' and more on Day 2 of Wonder-Con 04.05.2015 Day 2 of WonderCon 2015 has arrived and with it comes oodles of panels for shows about to premiere. The Last Ship (TNT) TNT joined the fray on Saturday, with banners advertising the second season of the show, as well as brand new "R U Immune 2?" t-shirts for those that attended the show's panel. TNT also released a season-two trailer on Friday. The Last Ship premieres June 28 at 9/8 c. The Messengers (CW) In Attendance: creator Eoghan O'Donnell; Executive Producer Trey Callaway; stars Jon Fletcher, Shantel VanSanten, Craig Frank, Diogo Morgado, Anna Diop, Joel Courtney and J.D. Pardo. CW's newest genre show certainly has a high concept: five different characters are given gifts and are tasked with the responsibility to prevent the end of days on Earth. Given the Easter weekend background and the appearance of angels and a Devil-like character in its pilot, it's easy to see the show's religious themes. But, Trey Callaway explains, "it's not a show about religion. It's a show about faith." Shantel VanSanten continues, "it's not about a specific faith or message, it's about coming together." This is a theme Callaway hopes can be explored "over many seasons." While The Messengers is about hope, that's not the show's main priority. "I'm a big sucker for a rollercoaster. Our first job is to entertain in a way a rollercoaster does.
    [Show full text]
  • Short-Term Fate of Rehabilitated Orphan Black Bears Released in New Hampshire
    Human–Wildlife Interactions 10(2): 258–267, Fall 2016 Short-term fate of rehabilitated orphan black bears released in New Hampshire Wˎ˜˕ˎˢ E. S˖˒˝ˑ1, Department of Natural Resources and the Environment, University of New Hampshire, 56 College Road, Durham, NH 03824, USA [email protected] Pˎ˝ˎ˛ J. Pˎ˔˒˗˜, Department of Natural Resources and the Environment, University of New Hampshire, 56 College Road, Durham, NH 03824, USA A˗ˍ˛ˎˠ A. T˒˖˖˒˗˜, New Hampshire Fish and Game Department, 629B Main Street, Lancaster, NH 03584, USA Bˎ˗˓ˊ˖˒˗ K˒˕ˑˊ˖, P.O. Box 37, Lyme, NH 03768, USA Abstract: We evaluated the release of rehabilitated, orphan black bears (Ursus americanus) in northern New Hampshire. Eleven bears (9 males, 2 females; 40–45 kg) were outfi tted with GPS radio-collars and released during May and June of 2011 and 2012. Bears released in 2011 had higher apparent survival and were not observed or reported in any nuisance behavior, whereas no bears released in 2012 survived, and all were involved in minor nuisance behavior. Analysis of GPS locations indicated that bears in 2011 had access to and used abundant natural forages or habitat. Conversely, abundance of soft and hard mast was lower in 2012, suggesting that nuisance behavior, and consequently survival, was inversely related to availability of natural forage. Dispersal from the release site ranged from 3.4–73 km across both years, and no bear returned to the rehabilitation facility (117 km distance). Rehabilitation appears to be a valid method for addressing certain orphan bear issues in New Hampshire.
    [Show full text]
  • Metaphors of Patriarchy in Orphan Black and Westworld
    Feminist Media Studies ISSN: 1468-0777 (Print) 1471-5902 (Online) Journal homepage: https://www.tandfonline.com/loi/rfms20 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton To cite this article: Olivia Belton (2020): Metaphors of patriarchy in OrphanBlack and Westworld, Feminist Media Studies, DOI: 10.1080/14680777.2019.1707701 To link to this article: https://doi.org/10.1080/14680777.2019.1707701 Published online: 21 Jan 2020. Submit your article to this journal Article views: 70 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfms20 FEMINIST MEDIA STUDIES https://doi.org/10.1080/14680777.2019.1707701 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton Leverhulme Centre for the Future of Intelligence, University of Cambridge, Cambridge, UK ABSTRACT ARTICLE HISTORY Orphan Black (2013–17) and Westworld (2016-) use their science Received 7 August 2018 fiction narratives to create metaphors for patriarchal oppression. Revised 12 November 2019 The female protagonists struggle against the paternalistic scientists Accepted 18 December 2019 and corporate leaders who seek to control them. These series break KEYWORDS away from more liberal representations of feminism on television Science fiction; television; by explicitly portraying how systemic patriarchal oppression seeks patriarchy; cyborgs; to control and exploit women, especially under capitalism. They feminism also engage with radical feminist ideas of separatism and compul- sory heterosexuality. The science fiction plots allow them to deal with feminist issues. Westworld uses computer programming as a metaphor for patriarchal social conditioning, while Orphan Black’s clones recall cyborg feminism.
    [Show full text]
  • Sunday Morning Grid 5/22/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/22/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid 2016 French Open Tennis First Round. From Roland Garros Stadium in Paris. 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News (N) Supervisorial Debate Explore 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Paid Program FabLab I Love Lucy 13 MyNet Paid Program Somewhere Slow (2013) 18 KSCI Paid Hormones Church Faith Dr. Willar Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Ellie’s Real Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ 30 Days to a Younger Heart-Masley Rick Steves Retirement Road Map 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Como Dice el Dicho La Comadrita (1978, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Firehouse Dog ›› (2007) Josh Hutcherson.
    [Show full text]
  • The List: All Primetime Series on Television Calendar Year 2015
    The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research.
    [Show full text]
  • 2015 Summer Reading
    WCU ENGLISH DEPARTMENT SUMMER READING & VIEWING LIST: Faculty Picks 2015 This annual list presents suggestions for summer reading/viewing from individual faculty of the West Chester University English Department. You can also find this list & its predecessors at http://www.wcupa.edu/_academics/sch_cas.eng/facultyPicks.aspx. Book, podcast, film, site: Recommender: 20 Feet From Stardom Maureen McVeigh Trainor Morgan Neville, Director They sing your favorite songs, but you’ve probably never heard of them. This film highlights the backup singers of some of the most iconic American bands and the stark contrast of their lives to those of the famous musicians. Exploring ideas of gender, race, and economics, this film is engaging, thought-provoking, and entertaining, just like the music it includes. I saw this movie on a whim and have been recommending it ever since. It won an Oscar for Best Documentary and is available on Netflix. And, fellow faculty, because of this film, I learned we all have something in common with the woman who inspired the song Brown Sugar as she is now an adjunct professor of languages. 99% Invisible Rodney Mader http://99percentinvisible.org The title comes from a quotation by Buckminster Fuller about the unseen centrality of design to human lives: "Ninety-nine percent of who you are is invisible and untouchable.” A favorite of Ira Glass and the Radiolab team, the production values are excellent, and the stories are cocktail party gold. Recent shows cover the popularity of the Portland airport’s carpet design; the introduction of palm trees to Los Angeles; an electric bulb that has been continuously operating for 113 years; and how you can always tell what used to be a Pizza Hut.
    [Show full text]
  • "She's Not a Real Monster": Orphan Black's Helena and the Monstrous-Feminine Natalie Eisen Scripps College
    Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2017 "She's Not a Real Monster": Orphan Black's Helena and the Monstrous-Feminine Natalie Eisen Scripps College Recommended Citation Eisen, Natalie, ""She's Not a Real Monster": Orphan Black's Helena and the Monstrous-Feminine" (2017). Scripps Senior Theses. 929. http://scholarship.claremont.edu/scripps_theses/929 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. “SHE’S NOT A REAL MONSTER”: ORPHAN BLACK’S HELENA AND THE MONSTROUS-FEMININE by NATALIE EISEN SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR OF ARTS PROFESSOR ANDREJEVIC PROFESSOR CHENG DECEMBER 9, 2016 Eisen 1 The scene opens on a pool of blood in a sink. As the camera skitters madly through a series of fractured images – bloodstained bandages on the countertop, bloodstained gloves holding rubbing alcohol, bloodstained boots and bloodstained skin – the scene echoes with the soundtrack’s mechanical screeches and a woman’s labored gasps of pain. The woman in question is invisible to the audience, at least as a whole body; she is fractured – inhuman – monstrous. The scene blurs and shifts, irrationally, and at last the camera focuses on the woman’s mouth. All she says: “I’m not Beth.” So that is the entirety of her identity: what it is that she is not. Female monsters are defined by their unpredictability, their inability to suit a clear definition.
    [Show full text]
  • Spring 2020 Courses That Fulfill English Distribution British/Irish Literature Pre-18
    DEPARTMENT OF ENGLISH COURSE DESCRIPTIONS: SPRING 2020 COURSES THAT FULFILL ENGLISH DISTRIBUTION BRITISH/IRISH LITERATURE PRE-1800 MEDIEVAL 2101 Foundations of Brit Lit I 3160 Fabulous Middle Ages 3260 Revenge Tragedy RENAISSANCE 2101 Foundations of Brit Lit I 3290 Revengers, Murderers, Malcontents 3440 Harlots, Rakes and Libertines RESTORATION & 18th CENTURY 2101 Foundations of Brit Lit I 3440 Harlots, Rakes and Libertines 19th CENTURY BRITISH/IRISH LIT 3530 Victorian Doubles AMERICAN LITERATURE TO 1900 4001 Major American Writers I 4003 African-American Lit Tradition I AMERICAN LITERATURE AFTER 1900 2301 Lit of Science Fiction 4622 African-American Women Writers 4647 Gender and Sexuality English courses, 2000-5000, Spring 2020 /2 Note Course Numbering Format: 2000 range: courses focused on writing, theory, methodology, genre, and literature in translation 3000 range: courses on British, Irish, and other anglophone literature/culture beyond the Americas 4000 range: courses on literature/culture of the Americas Courses offered that count for the Minor/Concentration in Creative Writing: 1842 Freshman Creative 2009 Writing/Traditional Writing Novel 2003 Intro to Creative Writing 2016 Writing Speculative 2006 Writing of Poetry Fiction Courses offered that count for the GIS:Major/Minor in Africana Studies 4003 African American 4622 African American Literary Tradition I Women Writers Courses offered that count for the GIS: Major in Cultural Studies 2046 Teaching English as a 2302 Apocalyptic 2nd Language Literature 2360 Adaptation: Film as
    [Show full text]
  • From June 2-8, Nyc's Ifc Center Celebrates the Art of Television with Star-Studded Split Screens Festival
    FROM JUNE 2-8, NYC'S IFC CENTER CELEBRATES THE ART OF TELEVISION WITH STAR-STUDDED SPLIT SCREENS FESTIVAL Inaugural Week-Long Event, Programmed By Critic/Author Matt Zoller Seitz, To Feature Exclusive Screenings and Panels Spotlighting Critically-Acclaimed Scripted Series World Premiere Screening of HBO’s Highly Anticipated Drama 'The Deuce' Kicks Off Curated Lineup On Friday, June 2nd; Featured Content To Include: 'Better Call Saul,' 'Billions,' ‘Brockmire,’ ‘Difficult People,’ 'The Get Down,' 'The Girlfriend Experience,' 'Mr. Robot,' ‘Orphan Black,’ ‘Search Party,’ ‘Underground’ Plus Other Special Events To Be Announced Specials Guests Include Hank Azaria, Sarah Violet Bliss, Lilly Burns, Asia Kate Dillon, John Fawcett, Nelson George, Stephen Adly Guirgis, Maggie Gyllenhaal, Anthony Hemingway, Aisha Hinds, Lodge Kerrigan, Julie Klausner, Brian Koppelman, Rami Malek, Tatiana Maslany, Michelle MacLaren, Graeme Manson, Michael McKean, Amanda Peet, George Pelecanos, Charles Rogers, Amy Seimetz and More Tickets on Sale Beginning May 11 [New York, May 11, 2017] – IFC Center today announced the first portion of its impressive lineup for the inaugural Split Screens Festival taking place Friday, June 2 through Thursday, June 8, 2017, at the IFC Center in New York City. Throughout the week, the festival will host a series of special events celebrating the art and craft of TV with exclusive screenings and vibrant panel conversations featuring the biggest and boldest names in scripted content. Tickets to the public go on sale beginning Thursday,
    [Show full text]
  • Television Shows
    Libraries TELEVISION SHOWS The Media and Reserve Library, located on the lower level west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 1950s TV's Greatest Shows DVD-6687 Alias Season 2 (Discs 4-6) DVD-6171 Discs 4 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Alias Season 3 (Discs 1-4) DVD-7355 Discs 1 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Alias Season 3 (Discs 5-6) DVD-7355 Discs 5 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Alias Season 4 (Discs 1-3) DVD-6177 Discs 1 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Alias Season 4 (Discs 4-6) DVD-6177 Discs 4 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Alias Season 5 DVD-6183 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 All American Girl DVD-3363 30 Days Season 1 DVD-4981 Alternative Fix DVD-0793 30 Days Season 2 DVD-4982 Amazing Race Season 1 DVD-0925 30 Days Season 3 DVD-3708 America in Primetime DVD-5425 30 Rock Season 1 DVD-7976 American Horror Story Season 1 DVD-7048 Abolitionists DVD-7362 American Horror Story Season 2: Asylum DVD-7367 Abraham and Mary Lincoln: A House Divided DVD-0001 American Horror Story Season 3: Coven DVD-7891 Adam Bede DVD-7149 American Horror Story Season 4: Freak Show DVD-9562 Adventures of Ozzie and Harriet DVD-0831 American Horror Story Season 5: Hotel DVD-9563 Afghan Star DVD-9194 American Horror Story Season 7: Cult DVD-9564 Age of AIDS DVD-1721 Animaniacs Season 1 (Discs 1-3) c.2 DVD-1686 Discs 1 Age of Kings, Volume 1 (Discs 1-3) DVD-6678 Discs
    [Show full text]