DOCSLIB.ORG

Maria Doyle Kennedy

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Maria Doyle Kennedy Maria Doyle Kennedy Winner 2014 Canadian Screen Award for Supporting Actress for ORPHAN BLACK Nominee 2012 IFTA Award for Best Actress in A Supporting Role for ALBERT NOBBS Nominee 2012 IFTA Award for Best Actress for CORP & ANAM Winner 2009 IFTA Award for Best Actress in a Support Role in Television for THE TUDORS. Winner 2008 IFTA Award for Best Actress in A Supporting Role in Television for THE TUDORS. Winner 2008 Gemini Award for Best Performance by an Actress in a Featured Supporting Role in a Dramatic Series for THE TUDORS. Music Awards and nominations Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] WOLFWALKERS Moll MacTíre Tomm Moore, Ross Cartoon Saloon Stewart COLD COURAGE Suzie Hawkins Cold Courage DAC Productions THE CONJURING 2 Peggy James Wan New Line Cinema Nottingham SING STREET Penny John Carney Raphina Productions Limited JUPITER ASCENDING Aleksa Andy Wachowski / Sloane Square Films Ltd Lana Wachowski THE SWAN SONG OF Eliza Lynch Alan Gilsenan Eliza the film Ltd ELIZA LYNCH A THOUSAND TIMES Theresa Erik Poppe Grenade Productions GOODNIGHT THE TIMBER Maggie Anthony O'Brien Team Money Penny BYZANTIUM Morag Neil Jordan Number 9 Flms ALBERT NOBBS Mary Rodrigo Garcia Albert Films Ltd A FURTHER GESTURE Roisin Robert Dornhelm GREGORY'S TWO GIRLS Bill Forsyth HOME FOR CHRISTMAS Cora Charlie McCarthy Ice Box Films for RTE I COULD READ THE SKY Nichola Bruce MISS JULIE Mike Figgis MOLL FLANDERS Alice Moll Flanders Productions MYSTICS David Blair NOTHING PERSONAL Ann Thaddeus O'Sullivan Littlebird SPIN THE BOTTLE Anatascia Ian Fitzgibbon Grand Pictures Limited/ Filmové Studio Barrandov TARA ROAD Rosemary Gillies MacKinnon Dalkey Film Productions Ltd THE COMMITMENTS Natalie Murphy Alan Parker THE GENERAL Francis John Boorman THE MATCHMAKER Sarah Marc Joffe Other Production Character Director Company DISCOGRAPHY 2017 - Maria Doyle Kennedy Mermaid Records 2016 - Mütter’s Daughter Mermaid Records 2014 - Maria Live Mermaid Records 2012 - Sing Mermaid Records United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company 2011 – The Storms Are On The Mermaid Records Ocean 2009 – Have Yourself A Merry Little Mermaid Records Christmas 2009 - Band of Maria’s Live DVD. Mermaid Records 2008 – Forty days Mermaid Records 2007 – Fuckability Mermaid Records 2007 – Mutter Mermaid Records 2005 - Skullcover Mermaid Records 2004 - Sirens Mermaid Records 2001 – Charm Mermaid Records 2001 – Stars Above Mermaid Records Stage Production Character Director Company A FURTHER SHORE: POETRY Performer Lyric Theatre Belfast / Poetry IRELAND Ireland THE BLUE MACUSHLA Druid Theatre, Galway Television Production Character Director Company KIN Bridget “Birdy” Diarmuid Goggins BRON Studios Goggins THE WHEEL OF TIME Illa Various Sony Pictures Television OUTLANDER (Series 5) Jocasta Various Starz! OUTLANDER (Series 4) Jocasta Various Starz! RED WATER Roisin Kelly Jesper W. Nielsen / BBC Karl Neilson STRIKING OUT (Series George Cusack Lisa James Larsson All Rise Productions 2) CALL THE MIDWIFE Attracta Dominic Leclerc CTM4 Productions Ltd (Series 4) ORPHAN BLACK (Series Mrs S Various Temple Street Productions 1 - 5) TITANIC Muriel Batley Jon Jones Titanic Productions Ltd for ITV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company DOWNTON ABBEY Vera Bates Carnival Film & Television (Series 2) for ITV DEXTER (Series 5) Sonya Various Showtime CORP AGUS ANAM Mairead Mhic Darach Mac Con Clapsholas Ceilteach (Series 1 - 2) Iarnain Iomaire Teoranta BIG NIGHT OUT Jenny Red Productions FATHER TED Patsy HIDE AND SEEK Emma Holden Dearbla Walsh Clare Film Productions/RTE MAKING THE CUT AJ Quinn RTE QUEER AS FOLK Sarah Harding Nicky Schindler Red Productions SORTED Roisin BBC THE FITZ Rita Tiger Aspect THE TUDORS Catherine of Charles McDougall Showtime USA Aragon THURSDAY 12TH Nina Charles Beaston Twenty Twenty TV United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected].
Load more

Recommended publications
  • Begin Again Gratis Epub, Ebook
    BEGIN AGAIN GRATIS Auteur: Mona Kasten Aantal pagina's: 416 pagina's Verschijningsdatum: 2020-02-05 Uitgever: Boekerij EAN: 9789022590195 Taal: nl Link: Download hier Begin Again Gretta en haar vriend verhuizen naar New York. Ze proberen het te gaan maken in de grote stad, geholpen door hun passie voor muziek. Haar hart wordt echter gebroken wanneer hij haar verlaat voor de roem en het fortuin van een belangrijk solo-contract. Gretta's wereld krijgt echter een bijzondere wending wanneer een platenproducer haar ontdekt in een lokale bar. Wanneer je deze, als ook andere ingevoegde media op de site wilt zien, dan moet je hier even toestemming voor geven. Lees ons privacybeleid voor meer informatie over hoe MovieMeter met je privacy omgaat. Inloggen met Facebook Twitter Google Microsoft. Gebruikersnaam of e-mail. Blijf ingelogd. Wachtwoord vergeten. John Milton. Eindelijk Begin Again ook kunnen zien, Zwolle Once , een aantal jaar geleden, en Sing Street dit jaar, vallen beide in mijn rijtje met beste muziekfilms ooit gemaakt. Begin Again haalt dat niveau voor mij helaas niet. Het heeft zijn charme, maar maakte weinig indruk op me, in tegenstelling tot die andere films. De echtheid van Once, waarbij je soms niet meer kunt zien waar de fictie eindigt, ontbreekt hier. Dat is niet persé een probleem, want Sing Street heeft dat ook niet, maar voelde voor mij alsnog echter aan. Oprechter ook. Dat in beide andere films de muziek me een stuk beter ligt, valt Begin Again natuurlijk niet zozeer aan te rekenen, maar maakt onmiskenbaar veel verschil bij dit soort films. Ik kan Adam Levine's stem ook niet goed uitstaan, merkte ik weer.
    [Show full text]
  • Orphan Black"
    CLONING THE IDEAL? UNPACKING THE CONFLICTING IDEOLOGIES AND CULTURAL ANXIETIES IN "ORPHAN BLACK" Danielle Marie Howell A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2016 Committee: Bill Albertini, Advisor Kimberly Coates © 2016 Dani Howell All Rights Reserved iii ABSTRACT Bill Albertini, Advisor In this project, I undertake a queer Marxist reading of the television series Orphan Black. Specifically, I investigate the portrayal of women and queer characters in order to discover the conflicting dominant and oppositional ideologies circulating in the series. Doing so allows me to reveal cultural anxieties that haunt the series even as it challenges normative power relations. I argue that while Orphan Black’s narrative subverts traditional gender roles, critiques heteronormativity, and offers sexually fluid queer characters, the series still reifies the traditionally ideal Western female body—thin, attractive, legibly gendered, and fertile. I draw on Antonio Gramsci’s theory of ideology and hegemony, Heidi Hartman’s analysis of Marxism and feminism, and Judith Butler’s theory of gender performativity to unpack the series’ non-normative depiction of gender and its simultaneous reliance on a stable gender binary. I frame my argument with Todd Gitlin’s understanding of hegemony’s ability to domesticate radical ideas in television. I argue that Orphan Black imagines spaces and scenarios that offer the potential to liberate women from heteronormative expectations and limit patriarchy’s harm. The series privileges a queer female collective and envisions a world where women have freedom from normative conceptions of gender and sexuality.
    [Show full text]
  • About Endgame
    IN ASSOCIATION WITH BLINDER FILMS presents in coproduction with UMEDIA in association with FÍS ÉIREANN / SCREEN IRELAND, INEVITABLE PICTURES and EPIC PICTURES GROUP THE HAUNTINGS BEGIN IN THEATERS MARCH, 2020 Written and Directed by MIKE AHERN & ENDA LOUGHMAN Starring Maeve Higgins, Barry Ward, Risteárd Cooper, Jamie Beamish, Terri Chandler With Will Forte And Claudia O’Doherty 93 min. – Ireland / Belgium – MPAA Rating: R WEBSITE: www.CrankedUpFilms.com/ExtraOrdinary / http://rosesdrivingschool.com/ SOCIAL MEDIA: Facebook - Twitter - Instagram HASHTAG: #ExtraOrdinary #ChristianWinterComeback #CosmicWoman #EverydayHauntings STILLS/NOTES: Link TRAILER: https://www.youtube.com/watch?v=x1TvL5ZL6Sc For additional information please contact: New York: Leigh Wolfson: [email protected]: 212.373.6149 Nina Baron: [email protected] – 212.272.6150 Los Angeles: Margaret Gordon: [email protected] – 310.854.4726 Emily Maroon – [email protected] – 310.854.3289 Field: Sara Blue - [email protected] - 303-955-8854 1 LOGLINE Rose, a mostly sweet & mostly lonely Irish small-town driving instructor, must use her supernatural talents to save the daughter of Martin (also mostly sweet & lonely) from a washed-up rock star who is using her in a Satanic pact to reignite his fame. SHORT SYNOPSIS Rose, a sweet, lonely driving instructor in rural Ireland, is gifted with supernatural abilities. Rose has a love/hate relationship with her ‘talents’ & tries to ignore the constant spirit related requests from locals - to exorcise possessed rubbish bins or haunted gravel. But! Christian Winter, a washed up, one-hit-wonder rock star, has made a pact with the devil for a return to greatness! He puts a spell on a local teenager- making her levitate.
    [Show full text]
  • English Department Course Descriptions Spring 2017 Macomb
    English Department Course Descriptions Spring 2017 Macomb Campus Undergraduate Courses English Literature & Writing ENG 200 Introduction to Poetry Section 1 – Merrill Cole Aim: Marianne Moore’s famous poem, “Poetry,” begins, “I too dislike it.” Certainly many people would agree, not considering that their favorite rap or song lyric is poetry, or perhaps forgetting the healing words spoken at a grandparent’s funeral. We often turn to poetry when something happens in our lives that needs special expression, such as when we fall in love or want to speak at a public event. It is true that poems can be difficult, but they can also ring easy and true. Poems may cause us to think hard, or make us feel something deeply. This course offers a broad introduction to poetry, across time and around the globe. The emphasis falls, though, on contemporary poetry more relevant to our everyday concerns. For most of the semester, the readings are organized around formal topics, such as imagery, irony, and free verse. The course also attends to traditional verse forms, which are not only still in use, but also help us better to understand contemporary poetry. Toward the end of the semester, we shift focus to look at two important books of poetry, Frank O’Hara’s 1964 Lunch Poems and Kim Addonizio’s 2000 Tell Me. Although Marianne Moore recognizes that many people “dislike” poetry, she insists that “one discovers in / it after all, a place for the genuine.” William Carlos Williams concurs: ‘ Look at what passes for the new. You will not find it there but in despised poems.
    [Show full text]
  • A Rough Guide
    A ROUGH GUIDE THE IRISH FILM BOARD The Irish Film Board (IFB) is the national development agency for the Irish film and television industry, investing in talent, creativity and enterprise. We support the industry by funding projects and training and by promoting Ireland as a location for international production. 4 GLENDALOUGH, CO. WICKLOW CONTENTS Making Film & TV in Ireland 6 The Irish Producer 8 Irish Sources of Finance 10 Ireland & International Co-production 12 Location Location Location 16 Urban Ireland 18 Rural Ireland 22 Film Studios 26 Post-production, CGI & VFX 28 Case Study: VFX 30 IFB Location Services 34 Support Networks 36 Irish Talent 40 Irish Short Films at the Oscars 42 Case Study: Feature Film 44 Case Study: Television Drama 50 Animation 56 Case Study: Animation 60 International Awards 66 IFB Contact Details 72 6 MAKING FILM & TV IN IRELAND 6 THE IRISH PRODUCER 8 IRISH SOURCES OF FINANCE 10 IRELAND & INTERNATIONAL CO-PRODUCTION 12 8 CLIFFS OF MOHER, CO. CLARE MAKING FILM & TV IN IRELAND orld class film and television drama is made Ireland’s film and television industry is built on in Ireland year after year. talented Irish producers, directors, writers, cast, crew and service providers, backed by consistent Irish W government support, delivered by a competitive tax Recent projects include Lenny Abrahamson’s Frank, two films by John Michael McDonagh, Calvary and incentive and Irish Film Board (IFB) project funding. The Guard, Neil Jordan’s Byzantium, Rodrigo Garcia’s Albert Nobbs, Steven Soderbergh’s Haywire, James We hope this guidebook answers your questions Mather and Stephen St Leger’s Lockout and Tom about making film and television in Ireland.
    [Show full text]
  • American Odyssey,' 'Last Ship,' 'Orphan Black' and More on Day 2 of Wonder-Con
    'American Odyssey,' 'Last Ship,' 'Orphan Black' and more on Day 2 of Wonder-Con 04.05.2015 Day 2 of WonderCon 2015 has arrived and with it comes oodles of panels for shows about to premiere. The Last Ship (TNT) TNT joined the fray on Saturday, with banners advertising the second season of the show, as well as brand new "R U Immune 2?" t-shirts for those that attended the show's panel. TNT also released a season-two trailer on Friday. The Last Ship premieres June 28 at 9/8 c. The Messengers (CW) In Attendance: creator Eoghan O'Donnell; Executive Producer Trey Callaway; stars Jon Fletcher, Shantel VanSanten, Craig Frank, Diogo Morgado, Anna Diop, Joel Courtney and J.D. Pardo. CW's newest genre show certainly has a high concept: five different characters are given gifts and are tasked with the responsibility to prevent the end of days on Earth. Given the Easter weekend background and the appearance of angels and a Devil-like character in its pilot, it's easy to see the show's religious themes. But, Trey Callaway explains, "it's not a show about religion. It's a show about faith." Shantel VanSanten continues, "it's not about a specific faith or message, it's about coming together." This is a theme Callaway hopes can be explored "over many seasons." While The Messengers is about hope, that's not the show's main priority. "I'm a big sucker for a rollercoaster. Our first job is to entertain in a way a rollercoaster does.
    [Show full text]
  • Albert Nobbs
    Albert Nobbs Albert Nobbs, ALBERT NOBBS, RODRIGO GARCIA, Golden Globe Award, role, characters, film credits, John Banville, John Boorman, Julie Lynn, starring role, television, Simone Benmussa, Brendan Gleeson, Radha Mitchell, Harry Potter, Aaron Johnson, Los Angeles Film Critics Association, Los Angeles Drama Critics Circle Award, George Roy Hill, Kerry Washington, Margarethe Cammermeyer, Mia Wasikowska, Joe Layton, Directors' Fortnight, Neil Jordan, BBC comedy series, Florida Film Festival, European Film Academy, award nomination, Arlene Kelly, Sweet Emma Dear Bobe, Dublin Theatre Festival, television drama, Michael Cristofer, Franco Zeffirelli, Harvey Goldsmith, Winner Locarno Film Festival, Harold Prince, Irish actor, Fountain House, Andrew Lloyd Webber, Richard Pearce, Norma Desmond, Merchant Ivory, Stephen Frears, Jack Hofsiss, Stephen Herek, Royal National Theatre, Tony Awards, Richard Marquand, Fatal Attraction, Feature Film Commission, Christopher Walken, Barbet Schroeder, Joe, MAIN characters, National Association of Theatre Owners, Andrei Konchalovsky, International Mental Health Research Organization, Monica Rawling, Glenn Jordan, Rose Troche, Panthera Conservation Advisory Committee, Julian Morris, Danny Boyle, JOE Aaron Johnson, British independent film, Kristen Scott Thomas, Golden Globe nomination, Simon Wincer, Colin Farrell, RODRIGO GARCIA GABRIELLA PREKOP JOHN BANVILLE GLENN CLOSE, GLENN CLOSE, Bonnie Curtis, John Travolta, Golden Globe, Michael Vartan, John Lennon, Rhys Meyers, Jonathan Rhys Meyers, London Film Critics,
    [Show full text]
  • Short-Term Fate of Rehabilitated Orphan Black Bears Released in New Hampshire
    Human–Wildlife Interactions 10(2): 258–267, Fall 2016 Short-term fate of rehabilitated orphan black bears released in New Hampshire Wˎ˜˕ˎˢ E. S˖˒˝ˑ1, Department of Natural Resources and the Environment, University of New Hampshire, 56 College Road, Durham, NH 03824, USA [email protected] Pˎ˝ˎ˛ J. Pˎ˔˒˗˜, Department of Natural Resources and the Environment, University of New Hampshire, 56 College Road, Durham, NH 03824, USA A˗ˍ˛ˎˠ A. T˒˖˖˒˗˜, New Hampshire Fish and Game Department, 629B Main Street, Lancaster, NH 03584, USA Bˎ˗˓ˊ˖˒˗ K˒˕ˑˊ˖, P.O. Box 37, Lyme, NH 03768, USA Abstract: We evaluated the release of rehabilitated, orphan black bears (Ursus americanus) in northern New Hampshire. Eleven bears (9 males, 2 females; 40–45 kg) were outfi tted with GPS radio-collars and released during May and June of 2011 and 2012. Bears released in 2011 had higher apparent survival and were not observed or reported in any nuisance behavior, whereas no bears released in 2012 survived, and all were involved in minor nuisance behavior. Analysis of GPS locations indicated that bears in 2011 had access to and used abundant natural forages or habitat. Conversely, abundance of soft and hard mast was lower in 2012, suggesting that nuisance behavior, and consequently survival, was inversely related to availability of natural forage. Dispersal from the release site ranged from 3.4–73 km across both years, and no bear returned to the rehabilitation facility (117 km distance). Rehabilitation appears to be a valid method for addressing certain orphan bear issues in New Hampshire.
    [Show full text]
  • Metaphors of Patriarchy in Orphan Black and Westworld
    Feminist Media Studies ISSN: 1468-0777 (Print) 1471-5902 (Online) Journal homepage: https://www.tandfonline.com/loi/rfms20 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton To cite this article: Olivia Belton (2020): Metaphors of patriarchy in OrphanBlack and Westworld, Feminist Media Studies, DOI: 10.1080/14680777.2019.1707701 To link to this article: https://doi.org/10.1080/14680777.2019.1707701 Published online: 21 Jan 2020. Submit your article to this journal Article views: 70 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rfms20 FEMINIST MEDIA STUDIES https://doi.org/10.1080/14680777.2019.1707701 Metaphors of patriarchy in Orphan Black and Westworld Olivia Belton Leverhulme Centre for the Future of Intelligence, University of Cambridge, Cambridge, UK ABSTRACT ARTICLE HISTORY Orphan Black (2013–17) and Westworld (2016-) use their science Received 7 August 2018 fiction narratives to create metaphors for patriarchal oppression. Revised 12 November 2019 The female protagonists struggle against the paternalistic scientists Accepted 18 December 2019 and corporate leaders who seek to control them. These series break KEYWORDS away from more liberal representations of feminism on television Science fiction; television; by explicitly portraying how systemic patriarchal oppression seeks patriarchy; cyborgs; to control and exploit women, especially under capitalism. They feminism also engage with radical feminist ideas of separatism and compul- sory heterosexuality. The science fiction plots allow them to deal with feminist issues. Westworld uses computer programming as a metaphor for patriarchal social conditioning, while Orphan Black’s clones recall cyborg feminism.
    [Show full text]
  • Sunday Morning Grid 5/22/16 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 5/22/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program Boss Paid Program PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å News Paid 2016 French Open Tennis First Round. From Roland Garros Stadium in Paris. 5 CW News (N) Å News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) News (N) Supervisorial Debate Explore 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Paid Program 11 FOX In Touch Paid Fox News Sunday Midday Paid Program FabLab I Love Lucy 13 MyNet Paid Program Somewhere Slow (2013) 18 KSCI Paid Hormones Church Faith Dr. Willar Paid Program 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Landscapes Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Ellie’s Real Baking Simply Ming 28 KCET Wunderkind 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ 30 Days to a Younger Heart-Masley Rick Steves Retirement Road Map 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión En contacto Paid Program Como Dice el Dicho La Comadrita (1978, Comedia) María Elena Velasco. República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Schuller In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Firehouse Dog ›› (2007) Josh Hutcherson.
    [Show full text]
  • The List: All Primetime Series on Television Calendar Year 2015
    The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research.
    [Show full text]
  • Albert Nobbs
    Albert Nobbs Chrysalis Films présente Albert Nobbs Un film de RODRIGO GARCIA Avec GLENN CLOSE MIA WASIKOWSKA AARON JOHNSON LE RÊVE EXTRAORDINAIRE JANET McTEER d’une vie ordinaire PAULINE COLLINS BRENDA FRICKER JONATHAN RHYS MEYERS et BRENDAN GLEESON Durée: 1 h 57 SORTIE LE 22 FÉVRIER 2012 Distribution Presse Chrysalis Films Moonfleet 18 rue Saint Marc Jérôme Jouneaux, Isabelle Duvoisin 75002 Paris & Mounia Wissinger Tél : 01 43 33 77 62 10 rue d’ Aumale -75009 Paris Fax : 01 47 88 91 24 www.chrysalis-films.com Tél : 01 53 20 01 20 L’HISTOIRE u XIXème siècle, dans l’Irlande en proie à de terribles difficultés économiques, une femme se fait passer pour un homme afin de pouvoir travailler. Pendant trente ans, elle trompe son entourage, employée dans un hôtel sous le nom d’Albert aNobbs, en tant que majordome. NOTES DE PRODUCTION lA reNCoNtre D’UNe ACtrICe et D’UN rÔle rX : « C’était le deuxième jour de tournage de Glenn ; elle est venue me voir et m’a tendu un scénario en disant : « Je dois absolument jouer ce personnage sur le grand écran avant Glenn Close entretient un lien particulier avec le personnage d’Albert Nobbs depuis de mourir. » presque trente ans : en 1982, elle l’a interprété au théâtre, dans la pièce écrite et mise en scène par Simone Benmussa, LA vIe sINGULIère d’ALbert Nobbs, d’après UN rÉAlIsAteUr PoUr UNe PASSIoN la nouvelle de l’auteur irlandais du XIXe siècle George Moore. sa prestation lui a valu un obie Award. depuis son premier voyage de repérages en 2001 jusqu’au début de la production du Au cours de sa carrière, Glenn Close a toujours gardé un attachement certain pour ce film en 2011, Glenn Close n’a cessé de retravailler et de peaufiner le scénario.
    [Show full text]