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The Champeen
The Champeen US : 1923 : dir. Silent : ? min prod: Hal Roach : scr: : dir.ph.: OUR GANG: Johnny Downs; Mary Kornman; Ernie “Sunshine Sammy” Morrison …………… Adult cast unknown Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 5451 1½ 0 1 647 - - - - - No Unseen Johnny Downs, promenading with ms Kornman, finds himself mocked by a mere pickaninny… Source: The Moving Picture Boy The Moving Picture Boy entry on Morrison: New Orleans family by a yet better offer in Los Angeles. He fell in with film studio people(as “The happy, wiry Frederick Ernest Morrison, Richard Lamparski relates), and on hearing that later known as "Sunshine Sammy", began a little black boy was needed for a short filming at the age of three in a somewhat featuring the Pathé moppet [sic] Baby Marie roundabout fashion. His father, a brilliant Osborne, took along the next-door-neighbour’s cook, was lured from his post with a wealthy son. The latter proved hopeless, so next day Mr father (something of a business wizard, who Morrison took along his own Ernie. already owned a grocery chain and was a large candy wholesaler) he now began several years of Morrison Junior leapt wholeheartedly into the vaudeville appearances, as "The Sepia Star of spirit of the thing and smiled like an angel. Our Gang Comedies". Later he formed a band From 1917-19 he partnered Marie Osborne called "Sunshine Sammy and His Hollywood dozens of times, and seems to have been the Syncopators", and in the mid-Forties danced (as first American negro child to be credited by a temporary member of the Step Brothers) in name – not that this saved him from being "SHINE ON, HARVEST MOON" and called, variously, "little Sambo", "Rastus", "GREENWICH VILLAGE". -
Society for the Study of Childhood in the Past 8Th Annual International Conference Depaul University, Chicago IL September 11-13, 2015
Society for the Study of Childhood in the Past 8th Annual International Conference DePaul University, Chicago IL September 11-13, 2015 Abstracts Abstracts are presented alphabetically using the last name of the senior author. The New Child: The Birth of a Psychological Subject Jutta Ahlbeck, University of Turku, Finalnd The paper examines changing notions of childhood in Finland in the late 19th and early 20th centuries. Following scholars who argue that children and childhood started gaining intense medical and psychological attention in the mid-1900th century, the paper scrutinizes when and how notions of children’s psychological development entered Finnish scientific discourses. Whereas children’s somatic health (infant mortality, contagious diseases, malnutrition) had long been a societal concern, the new ‘child sciences’, child psychiatry and child psychology, addressed the importance of children’s minds and mental capacities as crucial to the normal development of the child. Scholars such as Wilhelm Preyer (1882), James Sully (1895) and Stanley G. Hall (1894, 1904) introduced new psychological theories on children’s minds, and their works reached and influenced Finnish educators and psychologists. The notion that the child’s mind is different from that of an adult, and that children are in need of special care and protection, resulted in intellectual, but also sentimental investments in childhood. The paper analyzes early Finnish child- psychological writings and looks at how the child as a psychological subject is conceptualized at the turn of the century. How was the child’s mind to be understood, how should a ‘normal’ child develop, in other words, what is a child? Paper Traces Childhood: Print Representations and Personal Reappropriations of an Idealized American Girlhood, 1900-1919 Diana Anselmo-Sequeira, University of Pittsburgh At the turn of the twentieth century, scientists began defining adolescence as a key developmental phase, distinct from childhood and adult age. -
I Price of This Paperis 3 Cents Everywhere-Pay No More Comic Section 14 Pages Today Edforials, Page 4 [B, No
Four Page Colored i Price of This Paperis 3 cents everywhere-Pay no more Comic Section 14 Pages Today Edforials, Page 4 [B, No. 49 CARTERET PRESS CAHTKRKT, N. J., FRIDAY, AtHJIJST 20, 1926 PRICE THREE CENTS FIREMEN COMPLETING PLANS f ruck Sideswipes Elko Team Lose, In Game With Maurer Four Arrested Trunk Sewer Appropriation FOR BIG TRIPLE CELEBRATIOS Rahway-Carteret Bus Losing a hard .1 to i battle to the Maurer A. A., at Kriirfy's, Sunday af- In Midnight Fight -Old Home Week" To Begin Monday Night And Continue Sam George Report* Accident ternoon, was a touith break for Jess i/,. Is Increased to $250,000 Cn l Week With Many Visiting Fire Organizations As Guests to Police. Blames Truck Sullivan who fanned the unlucky | * '*«» of Aatault and Battery "13" batten and allow..! hut six hits »nd of Carrying Concealed Council Puts Through Measure To Raise Original Amount By On Opening Night. Rides And Other Attraction.. Driver For Damages In Several errors were ,-,lstly to the Alii Weapona Lodged After $28,000 To Cover Amount Named In Bid* of Contractor*. Crash At East Rahway Local team of Jor filko. ' Labor Day Program To Continue All Day And Round-up In Chrome In dropping this contest to the i Expect Contract May Be Awarded At Next Week's End Up With Big Display of FireWorks. Sam George, proprietor of the Rah- Maurer nine, Carte ret lost to one t»< Four arrests were made last night Meeting. Hermann Construction Company Gets "Mill Carteret" Contest Attracts way-Carteret bus line, reported to the snappiest teams in the state. -
Stan Laurel: a Life on Film
M A Y , 2005 I S S U E N º HOLLYWOOD 4368 The Internet Noiseletter of the On The Loose tent (Oasis Nº 206) of the Sons of the Desert StanStan Laurel:Laurel: N EXT M EETING May 21st, 2005 A Life on Film AA New Life Series Beginning on With Filmthe May 21st 7:00 pm ~ 12:00 am Meeting of On The Loose at 188 Seames Drive Manchester, NH Join us for an evening of film (titles both familiar and obscure), scholarship and finger food (take your eats right over there). With the May 21st, 2005 meeting, On The Loose takes a renewed purpose in tackling the “loving study of the persons and films of Stan Laurel and Oliver Hardy.” In the past few weeks, eh, months, ahem, years, bhhrr, near- ly a decade now, we have been steadily drifting away from the absolute purity of that purpose. Now, while we have not drifted so far away that the far shores presently reside on distant continents (or in-continents as may be the case with some of our members), it certainly wouldn’t hurt to put our shoulders together, row for the beach and hope sin- cerely that we wind up somewhere in the vicinity of Culver City. That doesn’t mean. however, that we won’t find our- selves now and again passing the Christie Studios, the Keaton lot, Mr. Sennett and company, or hanging from a telephone pole in the company of a certain cross-dressing ape friend. On the other hand, we will at all cost avoid wan- dering too far afield with the child-demons: Sunny McKean, Arthur Trimble and Mickey “himself” McNausea. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms international A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Order Number 9201666 Toys, cbildreHj and the toy industry in a culture of consumption, 1890—1991. (Volumes I and II) Greenfield, Lawrence Frederic, Ph.D. -
De Representatie Van Our Gang's “Sunshine Sammy”
De representatie van Our Gang’s “Sunshine Sammy” Representatieonderzoek in Amerikaanse filmtijdschriften naar de verhouding tussen zwarte en witte acteurs van Our Gang Hannah Bremer (5705339) Begeleider: Judith Thissen ME3V15026 BA-eindwerkstuk Tweede lezer: André van der Velden Media en cultuur 2018/2019 Inleverdatum: 24-01-19 Blok 2 Woordenaantal: 8833 Abstract In dit bachelor eindwerkstuk is door middel van Amerikaanse filmtijdschriften – vakpers en filmfantijdschriften - onderzoek gedaan naar de representatie van de zwarte acteur Ernie Morrison. Hij speelde in de komedie Our Gang en stond daar bekend als “Sunshine Sammy.” Our Gang was een serie korte films die vanaf 1922 geproduceerd werd en ging over buurtkinderen die samen avonturen beleefden. Morrison’s personage is onderzocht door een vergelijking te maken met de representatie van zwarte acteur Allen Hoskins (“Farina”) en de witte acteurs Mickey Daniels en Jackie Condon. Volgens filmhistoricus Donald Bogle worden zowel Ernie Morrison als Allen Hoskins in Our Gang neergezet als pickaninny, een zwart stereotype. Hoewel Morrison wordt besproken in publicaties over Our Gang, is onderzoek naar zijn persoon en personage in de serie tot dusver beperkt. In de literatuur wordt al wel uitgebreid aandacht besteed aan het personage van de zwarte Hoskins (“Farina”). In de tijd dat de films met Our Gang werden vertoond, was zwarte stereotypering aan de orde van de dag binnen Hollywood. Hier hadden ook Morrison en Hoskins mee te maken. In dit eindwerkstuk laat ik echter zien dat Hoskins zwaarder onderhevig was aan deze stereotypering dan Morrison, maar dat beiden sterker gestereotypeerd werden dan de witte acteurs in de serie. Door de bestudering van namen wordt allereerst duidelijk dat in de bij- en artiestennamen een onderscheid ligt tussen de zwarte en witte acteurs en tussen beide zwarte acteurs. -
Catalogo Giornate Del Cinema Muto 2012
ASSOCIAZIONE CULTURALE Rarità italiane: Claudia Gianetto (Museo Nazionale “LE GIORNATE DEL CINEMA MUTO” del Cinema, Torino); Maria Assunta Pimpinelli (Cineteca Nazionale, Roma); Irela Nuñez Soci fondatori (Cineteca Nazionale, Roma); Alessandro De Zan, Paolo Cherchi Usai, Lorenzo Codelli, Elena Beltrami (Cineteca del Friuli); Sergio Bruno, Piero Colussi, Andrea Crozzoli, Luciano De Giusti, Laura Argento (Cineteca Nazionale, Roma); Livio Jacob, Carlo Montanaro, Mario Quargnolo†, Antonio Coppola, Mariolina Scarpetta; Aldo Piera Patat, Davide Turconi† Bernardini; Paolo Caneppele, Claudio Santancini (Österreichisches Filmmuseum). Presidente Livio Jacob Animazione: Peter Bagrov (Gosfilmofond); Sergei Kapterev, Nikolai Izvolov; Bryony Dixon, Fleur Direttore Buckley (BFI National Archive); Russell Merritt; Don David Robinson Oriolo & Felix the Cat Creations, Inc.; Mike Mashon, Lynanne Schweighofer (Library of Congress); Jared Ringraziamo per la collaborazione al programma: Case, Daniel Bish, Timothy Wagner (George Eventi speciali: Pablo Berger, Chaz Ebert; Stefano Eastman House); Todd Wiener, Steven K. Hill Jacono (Movies Inspired, Torino); Iris Martín-Peralta; (UCLA Film & Television Archive); Mark Langer; Maria Luisa Sogaro, Emanuela Gobbo; Manuela Serge Bromberg, Eric Lange (Lobster Films). Morana, Silvia Moras (Cinemazero); Jean Darling, Il canone rivisitato: Daniel Bish, Jared Case, Nancy Donald Sosin, Tony Saffrey; Janice E. Allen, Michael Kauffman, Benjamin Tucker, Timothy Wagner Kolvik (Cinema Arts, Pennsylvania); Riccardo Burei, (George Eastman House); Tom Luddy, Gary Meyer Roberto Zago (Cinemazero); Daniela Currò, M. (Telluride Film Festival); Margaret Bodde (The Anthony Delgrosso, Anthony L’Abbate, Deborah Film Foundation); Alexander Horwath, Regina Stoiber, Caroline Yeager (George Eastman House); Schlagnitweit, Paolo Caneppele (Österreichisches Juan Vrijs, Gerard de Haan (Haghefilm Digitaal, Filmmuseum); Sergei Kapterev; Peter Bagrov Amsterdam); Annette Melville (National Film (Gosfilmofond); J.P. -
Poverty Row Films of the 1930S by Robert J Read Department of Art History and Communication Studies
A Squalid-Looking Place: Poverty Row Films of the 1930s by Robert J Read Department of Art History and Communication Studies McGill University, Montreal August 2010 A thesis submitted to McGill University in partial fulfillment of the requirements of the degree of Doctor of Philosophy All rights reserved. This work may not be reproduced in whole or in part, by photocopy or by other means, without permission of the author. Robert J Read, 2010. ii Abstract Film scholarship has generally assumed that the low-budget independent film studios, commonly known as Poverty Row, originated in the early sound-era to take advantage of the growing popularity of double feature exhibition programs. However, the emergence of the independent Poverty Row studios of the 1930s was actually the result of a complex interplay between the emerging Hollywood studios and independent film production during the late 1910s and 1920s. As the Hollywood studios expanded their production, as well as their distribution networks and exhibition circuits, the independent producers that remained outside of the studio system became increasingly marginalized and cut-off from the most profitable aspects of film exhibition. By the late 1920s, non-Hollywood independent film production became reduced to the making of low-budget action films (westerns, adventure films and serials) for the small profit, suburban neighbourhood and small town markets. With the economic hardships of the Depression, the dominant Hollywood studios were forced to cut-back on their lower budgeted films, thus inadvertently allowing the independent production companies now referred to in the trade press as Poverty Row to expand their film practice. -
~ ,;Film --- ~ -- - Preservation --- -=- - Associates
__ .......... _...... _____________ .., ; ~ ,;FILM --- ~ -- - PRESERVATION --- -=- - ASSOCIATES 8307 San Fernnndo Road Sun Valley, CA (H352 Telephone: 818 768-5376 BLACKHAWK FILMS in 16mm January 1992. wtU mark the 100th birthday of Hal Roach (it seems likely that he wtU celebrate it in person) and of OUuer Hardy. To commemorate these milestones, we offer Dog• of War, a 1923 "Our Gang" comedy written as weU as produced by Hal RCX1Ch which includes fabulous behind-the-scenes ]<>Of.age of the Roa.ch Studio lot, two pre Laurel appearances by Hardy, and a rare specw.l price on a Laurel & Hardy classic. Addittona.l special centennial releases wUl be announced dwing the year. Other comedy rartties and Blackhawk Library ''firsts" for your Special consideration: Harold Lloyd's best sound film. The Milky Way directed by Leo McCarey, tn a first class print; an ingratiating Soutet satire of 1925. The Tailor from Torzhok ; and perhaps best of all (certainly least expensive of all), an ingenious trtck farce, The Thieving Hand, produced by Vltagraph in 1908, which has been enchanting audiences lucky enough to stumble across it in museum and other special showings since tts rediscovery tn 1986. A solemn anniversary commemorates the surprise attack by Japan on Pearl Harbor. HawaiL December 7th, 1941 , w hich brought the United States into World War II Just fifty years ago. We offer a complete theatrtcal newsreel reporting that e vent in the language and attitude of the time, and Hwnphrey Jennings· brillia nt Listen to Britain, which ts among the most powerful wartime documentaries. PEARL HARBOR THE MILKY WAY (1942) $85 (1936) $500 In one of the most fortuitous accidents of fll m history Movlctone '"The Milky Way was Lloyd's best Ciitically acclaimed picture tn the News cameraman Al Br1ck was filming a travelogue at Pearl Harbor 30und era. -
List of Titles 1. ABRAHAM LINCOLN (1930, BW, 92 MIN)
© 2003 Trocadero Film Library -selected masters- Vidmast #5542810 List of titles 1. ABRAHAM LINCOLN (1930, BW, 92 MIN) Walter Huston, Una Merkel, Russell Simpson, Jason Robards, Sr., directed by D. W. Griffith. Huston portrays Lincoln from his early days as a country lawyer, his courting of Mary Todd through his quest for the presidency, the civil war and the assassination. Some great war scenes. 2. ABILENE TOWN (1946, BW, 89 MIN) Randolph Scott, Ann Dvorak, Edgar Buchanan, Rhonda Fleming, Lloyd Bridges, directed by Edwin L. Marin. In the years following the Civil War, the town of Abilene, Kansas is poised on the brink of an explosive confrontation. A line has been drawn down the center of the town where the homesteaders and the cattlemen have come to a very uneasy truce. The delicate peace is inadvertently shattered when a group of new homesteaders lay down their stakes on the cattlemen's side of town, upsetting the delicate balance that had existed thus far and sparking an all-out war between the farmers, who want the land tamed and property lines drawn, and the cowboys, who want the prairies to be open for their cattle to roam. 3. ADMIRAL WAS A LADY, THE (1950, BW, 90 MIN) Edmond O'Brien, Wanda Hendrix, Rudy Vallee, directed by Albert S. Rogell. Four war veterans with a passion for avoiding work compete for the attentions of an ex-wave. © 2003 Trocadero Film Library -selected masters- Vidmast #5542810 4. ADVENTURERS, THE (1950, BW, 82 MIN) Dennis Price, Siobhan McKenna. Four people, none of who trusts the other, set out to discover a cash of diamonds hidden in the African jungle. -
Rating Guide Ty Hungerford
ADAM’S RIB 5555 Romance-Com- light. Tammin Sursok, Travis Van Winkle, edy Married lawyers clash in and out of Tiffany Hines, Stephen Boss. (2:00) ’15 court over a woman’s right to shoot her HALL 185 Jan. 8 2p husband and his lover. Spencer Tracy, The Adventures of Huckleberry Finn Perrey Reeves, Kim Shaw, Gord Rand, Katharine Hepburn, Judy Holliday, Tom 555 Comedy-Drama Mark Twain’s boy 9 A Kristin Booth. (TV14, 2:00) ’20 LMN 109 Ewell. (NR, 1:41) ’49 TCM 132 Jan. hero rafts the Mississippi with slave Jim 19 10p Aaliyah: The Princess of R&B Jan. 21 12p and meets a bogus king and duke. Tony 55 Docudrama The story of the Abduction 56 Action A young man must The Addams Family 556 Comedy Randall, Eddie Hodges, Archie Moore, A Gomez, Morticia and their ghoulish house- Patty McCormack. (NR, 1:47) ’60 TCM music sensation, from her discov- run for his life soon after learning that the ery on the TV show Star Search folks who raised him are not his real par- hold are prey to a scam involving long-lost 132 Jan. 30 12p to her tragic death in a plane crash. Alex- ents. Taylor Lautner, Lily Collins, Alfred Uncle Fester. Anjelica Huston, Raul Julia, The Adventures of Pluto Nash 5 andra Shipp, Rachael Crawford, Sterling Molina, Jason Isaacs. (1:50) ’11 EPIX 380 Christopher Lloyd, Dan Hedaya. (PG-13, Comedy In the future, the owner of a Jarvis, A.J. Saudin. (TVPG, 2:00) ’14 LIFE Jan. 29 5:15a, EPIXHIT 382 Jan. -
Gala Program Planned for Kam Day Fete Wd1kie
WE PUBLISH LOCAL LEADING JAPANESE AND WORLD’S DAILY ON LATEST HAPPENINGS ISLAND OF HAWAII VOL. XXXIII HILO, HAWAII, T. H., SATURDAY, JUNE 7, 1941 N O . 8 9 6 7 British Airmen GALA PROGRAM Raid French Coast LONDON, June 7—British RAF PLANNED FOR bombers conducted a large-scale air raid of the French coast in the B : S o S l A FRONT neighborhood of Calais early this morning, while the Nazi luftwaffes KAM DAY FETE were busy raining bombs over the ;!!8 1 GERM! S 3 1 SYRIA southeast coast. COLORFUL PAGEANT WELL i The German raiders were chased BE CENTER OF ATTRACTION off by heavy British anti-aircraft Large - Scale Battle In Middle East Now ______ jfire, it was announced. Looming Up With Both British And The Kamehameha Lodge will ' stage one of the most colorful pro- j Germans Taking Positions grams this year to celebrate Ka- j i mehameha Day. WD1KIE GIVES On Monday night, June 9, torch ISTANBUL, June 7 Dispatches reaching" here from light parade will be held with the procession starting from Lincoln I Beirut in Syria reported unusual activity among British for Park at 7:00 p. m. The parade will ces in Transjordania, especially along the Syrian frontier, be led by Hawaii County band in where some 10,000 British troops were reported to be gar the lead and proceeding to Waia- j ON U.S. UNITY risoned. nuenue then down to Kamehame ha and on to Mooheau Park. REFUTES COL. LINDBERGH IN GERMANS IN SYRIA In the line of march will be STIRRING ADDRESS IN On the other hand, radio announcements from Ankara members of all the Hawaiian org- , CHICAGO were heard in which it was reported that the Nazis were con anizations with boys and girls tinuing to filter through into Syria where engineers and from the clubs in Hilo.