Tracing Liberalism Through German Literary Realism
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Inhaltsverzeichnis. (Die Mit * Bezeichneten Stücke Sind Gedichte.)
C^ül32$?C52üESi)C5Sä)C5S)t5ä5) V r^E^C^Bz5iC5SäiCS5iCiäR Inhaltsverzeichnis. (Die mit * bezeichneten Stücke sind Gedichte.) Erster Teil. Am deutschen Ziertt. I- 3«i trauten Rrels. Wn Selte *1. Heimkehr Friedrich Bodenstedt 1 2. Die Familie Adolf Matthias 2 3. Im Heim des Kaisers Bernhard Rogge 4 *4. Spruch Viktor Blüthgen 10 ^5. Aus „Faust". Johann Wolfgang von Goethe 10 II. Leben und Schaffen im deutschen JQaufe. 6. Das häusliche Leben früher un6 jetzt . Mathilde Lammers 10 7. Frau Rat Albert Ernst 16 8. Meine Mutter Gustav Freytag 20 9. Die Kunst, jeden Tag glücklich zu sein ' . Bertold Auerbach' 24 10. Das Loch im Ärmel Heinrich Zschokke 25 11. Die Kleidung im Sprichwort 27 *12. Die Legende vom Hufeisen .... Johann Wölfgang von Goethe 28 13. Deutsche Lebensweisheit Sprichwörter und Denksprüche 29 III. Unser täglich Brot. 14. Guten Appetit! Max Rubner 31 15. Die Zubereitung der Speisen. .' . Max Rubner 34 16. Das Beste aber ist das Wasser Karl Reinhold 40 17. Die Obstkammer Verlins . Richard Nordhausen 43 18. Sprichwörter über Essen und Trinken .... 46 19. Regeln für Gesunde und Kranke 47 20. Der geheilte Patient Johann Peter Hebel 47 *21. Sprüche Emanuel Geibel 49 IV. Abendfrieden. *22. Schlummerlied . ". *. Ferdinand von Saar 50 *23. Lied Otto Julius Bterbaum 51 *24. Abendlied Martin Greif 51 *25. Sommerabend Richard Dehme! 51 Bibliografische Informationen DEUT! digitalisiert durch NATIC ÄE http://d-nb.info/365749958 B BLIE TUEK ESi>CiSi>CääBC5SBCSaCiSBC5äB VI C52i>CiS$>CigöE32SCiS5tC<S$iBäR 9b. Versasser Seite *26. Traumsommernacht Otto Julius Bierbaum 52 *27. Schilflied Nikolaus Lenau B2 V. Scheiden und Meiden. -
Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895) Dissertation submitted for the degree of Doctor of Philosophy Benedict Keble Schofield Department of Germanic Studies University of Sheffield June 2009 Contents Abstract v Acknowledgements vi 1 Introduction 1 1.1 Literature and Tendenz in the mid-19th Century 1 1.2 Gustav Freytag: a Literary-Political Life 2 1.2.1 Freytag's Life and Works 2 1.2.2 Critical Responses to Freytag 4 1.3 Conceptual Frameworks and Core Terminology 10 1.4 Editions and Sources 1 1 1.4.1 The Gesammelte Werke 1 1 1.4.2 The Erinnerungen aus meinem Leben 12 1.4.3 Letters, Manuscripts and Archival Material 13 1.5 Structure of the Thesis 14 2 Political and Aesthetic Trends in Gustav Freytag's Vormiirz Poetry 17 2.1 Introduction: the Path to Poetry 17 2.2 In Breslau (1845) 18 2.2.1 In Breslau: Context, Composition and Theme 18 2.2.2 Politically Responsive Poetry 24 2.2.3 Domestic and Narrative Poetry 34 2.2.4 Poetic Imagination and Political Engagement 40 2.3 Conclusion: Early Concerns and Future Patterns 44 3 Gustav Freytag's Theatrical Practice in the 1840s: the Vormiirz Dramas 46 3.1 Introduction: from Poetry to Drama 46 3.2 Die Brautfahrt, oder Kunz von der Rosen (1841) 48 3.2.1 Die Brautfahrt: Context, Composition and Theme 48 3.2.2 The Hoftheater Competition of 1841: Die Brautfahrt as Comedy 50 3.2.3 Manipulating the Past: the Historical Background to Die Brautfahrt 53 3.2.4 The Question of Dramatic Hero: the Function ofKunz 57 3.2.5 Sub-Conclusion: Die -
Core Reading List for M.A. in German Period Author Genre Examples
Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774) -
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries
Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly M. Kistner A dissertation submitted in partial fulfillment for the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: Gary G. Hamilton, Chair Steven Pfaff Katherine Stovel Program Authorized to Offer Degree: Sociology ©Copyright 2014 Kelly M. Kistner University of Washington Abstract Organizing Knowledge: Comparative Structures of Intersubjectivity in Nineteenth-Century Historical Dictionaries Kelly Kistner Chair of the Supervisory Committee: Professor Gary G. Hamilton Sociology Between 1838 and 1857 language scholars throughout Europe were inspired to create a new kind of dictionary. Deemed historical dictionaries, their projects took an unprecedented leap in style and scale from earlier forms of lexicography. These lexicographers each sought to compile historical inventories of their national languages and were inspired by the new scientific approach of comparative philology. For them, this science promised a means to illuminate general processes of social change and variation, as well as the linguistic foundations for cultural and national unity. This study examines two such projects: The German Dictionary, Deutsches Worterbuch, of the Grimm Brothers, and what became the Oxford English Dictionary. Both works utilized collaborative models of large-scale, long-term production, yet the content of the dictionaries would differ in remarkable ways. The German dictionary would be characterized by its lack of definitions of meaning, its eclectic treatment of entries, rich analytical prose, and self- referential discourse; whereas the English dictionary would feature succinct, standardized, and impersonal entries. Using primary source materials, this research investigates why the dictionaries came to differ. -
Theodor Storm's Der Schimmelreiter and the Realism of the Supernatural
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1981 Theodor Storm's Der Schimmelreiter and the realism of the supernatural Regina Berrit Braker Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the German Literature Commons Let us know how access to this document benefits ou.y Recommended Citation Braker, Regina Berrit, "Theodor Storm's Der Schimmelreiter and the realism of the supernatural" (1981). Dissertations and Theses. Paper 3149. https://doi.org/10.15760/etd.3148 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. ............ ----......-... ... -- ... .---~~·- &•·--- ·--------·~--------- AN ABSTRACI' OF THE THESIS OF Regina Berrit Braker for the Master of Arts in Gencan presented July.31, 1981. T.itle: Theodor Sta:m' s ·oer Schimnelreiter and the Realism of the supernatural. APPROVED BY MEMBERS OF THE THESIS Ca.MITrEE: Roderic c. Diman, Acting Cha4'man William B. Fischer Franz Langhamrer Franklin c. West In interpreting·~ Schinmelreiter by Theodor Stenn, the decon structive method always leaves roan for oore interpretation: a decon- structive interpretation may s:i.trply acknCMledge a variety of critical opinions, not necessarily considering one oore valid than another, but arguing that all of than together are necessary to fonn a collec. tive interpretation. I have examined traditionally important views of Storm's ~rk, those of Stuckert and Silz, W:lo argue for a positive heroic example in the main character Hauke Haien, and who consider the ----------- ---~-& - ~~-· &- --- -- . -
Copyright by Agnieszka Barbara Nance 2004
Copyright by Agnieszka Barbara Nance 2004 The Dissertation Committee for Agnieszka Barbara Nance Certifies that this is the approved version of the following dissertation: Nation without a State: Imagining Poland in the Nineteenth Century Committee: Katherine Arens, Supervisor Janet Swaffar Kirsten Belgum John Hoberman Craig Cravens Nation without a State: Imagining Poland in the Nineteenth Century by Agnieszka Barbara Nance, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2004 Nation without a State: Imagining Poland in the Nineteenth Century Publication No._____________ Agnieszka Barbara Nance, PhD. The University of Texas at Austin, 2004 Supervisor: Katherine Arens This dissertation tests Benedict Anderson’s thesis about the coherence of imagined communities by tracing how Galicia, as the heart of a Polish culture in the nineteenth century that would never be an independent nation state, emerged as an historical, cultural touchstone with present day significance for the people of Europe. After the three Partitions and Poland’s complete disappearance from political maps of Europe, substitute images of Poland were sought that could replace its lost kingdom with alternate forms of national identity grounded in culture and tradition rather than in politics. Not the hereditary dynasty, not Prussia or Russia, but Galicia emerged as the imagined and representative center of a Polish culture without a state. This dissertation juxtaposes political realities with canonical literary texts that provide images of a cultural community among ethnic Germans and Poles sharing the border of Europe. -
Ent-Spatialisierung╟? Oder: Das Scheitern Der Insularen Existenz In
LITERATURWISSENSCHAFT http://dx.doi.org/10.18778/2196-8403.2019.04 TORSTEN VOß ,Ent-Spatialisierung‘? oder: Das Scheitern der insu- laren Existenz in THEODOR STORMS Novelle Waldwinkel, mit Seitenblicken auf RAABE und STIFTER Der Beitrag beschäftigt sich mit dem Gelingen und Scheitern der insularischen Utopie (die aber nicht an die reale Insel gebunden ist wie so viele Entwürfe des Jahrhunderts, auf die allerdings knapp Bezug genommen wird) unter narratologischen Betrachtungen und Ansätzen aus dem Spatial Turn und bringt sie in Verbindung mit Auflösungstenden- zen der romantischen ‚Waldeinsamkeit‘. Zur Diskussion stehen dabei RAABES Das Odfeld (1889), ADALBERT STIFTERS Die Narrenburg (1844) und als garstiges und daher innova- torisches Gegenmodell vor allem THEODOR STORMS stark unterschätzte und wenig inter- pretierte Novelle Waldwinkel von 1874, die offen vorführt, wie Zeit und Geschichte selbst in die räumliche Utopie einbrechen und sie damit auf eine realistische Ebene transferieren. “De-spatialization”? or the Fall of Insular Existence in THEODOR STORM’S Waldwinkel in Reference to Prose by RAABE and SIFTER The article deals with successful and unsuccessful constructions of the island utopia (which, however, are not bound to any real island, as in so many designs of the century, which are, however, briefly referred to), in terms of narrative issues and approaches from the Spatial Turn, and connects them with resolution tendencies of the so-called romantic “loneliness of the forest.” Das Odfeld (1889) by RAABES and Die Narrenburg (1844) by ADALBERT STIFTER’S are discussed, and in particular THEODOR STORM’S greatly underrated and little-interpreted novel Waldwinkel (1874), as an unattractive and there- fore innovative counter-model, which shows openly how time, and history itself, break into the spatial utopia, and thereby transfer it to a realistic level. -
9. Gundolf's Romanticism
https://www.openbookpublishers.com © 2021 Roger Paulin This work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). This license allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text providing attribution is made to the authors (but not in any way that suggests that they endorse you or your use of the work). Attribution should include the following information: Roger Paulin, From Goethe to Gundolf: Essays on German Literature and Culture. Cambridge, UK: Open Book Publishers, 2021, https://doi.org/10.11647/OBP.0258 Copyright and permissions for the reuse of many of the images included in this publication differ from the above. Copyright and permissions information for images is provided separately in the List of Illustrations. In order to access detailed and updated information on the license, please visit, https://doi.org/10.11647/OBP.0258#copyright Further details about CC-BY licenses are available at, https://creativecommons.org/ licenses/by/4.0/ All external links were active at the time of publication unless otherwise stated and have been archived via the Internet Archive Wayback Machine at https://archive.org/web Updated digital material and resources associated with this volume are available at https://doi.org/10.11647/OBP.0258#resources Every effort has been made to identify and contact copyright holders and any omission or error will be corrected if notification is made to the publisher. ISBN Paperback: 9781800642126 ISBN Hardback: 9781800642133 ISBN Digital (PDF): 9781800642140 ISBN Digital ebook (epub): 9781800642157 ISBN Digital ebook (mobi): 9781800642164 ISBN Digital (XML): 9781800642171 DOI: 10.11647/OBP.0258 Cover photo and design by Andrew Corbett, CC-BY 4.0. -
Writers and Poets
HISTORY ARTS CULTURE DOCUMENTARY 30 MIN. VERSIONS Diverse RIGHTS Worldwide, VOD, Mobile RUNNING TIME 13 x 30 min. Writers and Poets ORDER NUMBER Diverse Gotthold Ephraim Lessing | 36 2644 Arabic, English, French, Portuguese, Spanish Gotthold Ephraim Lessing (1729–1781) was a poet and philosopher, dramatist and author, critic and journalist – a man, in short, of many talents. Some of Lessing’s works are among the most important contributions to the German Enlightenment movement, which was directed at humanising national, social and cultural life. In his drama “Nathan the Wise”, Lessing made a plea for human prejudices to give way to a spirit of humanity and tolerance. He was the most significant German writer to emerge since the time of Luther, the one great name in 18th cen- tury German literature until Goethe came on the scene. Johann Wolfgang von Goethe Arabic, English, French, German, Portuguese, Spanish (03 x 30 min.) It is easier to understand the works of Johann Wolfgang von Goethe if something is known of his life. Moreover, and almost more importantly, Goethe regarded the shaping of his life as a creative task. Thus arose what was in a way one of the first conscious autobiographies of mod- ern times, and even his contemporaries spoke of an “exemplary existence”. The Young Goethe (1749–1775) | 36 2643 From Weimar to Rome (1775–1789) | 36 3241 Into a New Century (1789–1832) | 36 3347 Johann Georg Faust | 00 0932 English, German, Spanish The legend and the man – he sold his soul to the devil, and in return, the devil prepared a violent end for him. -
Literary Clusters in Germany from Mid-18Th to Early-20Th Century
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Kuld, Lukas; O'Hagan, John Working Paper Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century TRiSS Working Paper Series, No. TRiSS-WPS-03-2019 Provided in Cooperation with: Trinity Research in Social Sciences (TRiSS), Trinity College Dublin, The University of Dublin Suggested Citation: Kuld, Lukas; O'Hagan, John (2019) : Location, migration and age: Literary clusters in Germany from mid-18th to early-20th Century, TRiSS Working Paper Series, No. TRiSS-WPS-03-2019, Trinity College Dublin, The University of Dublin, Trinity Research in Social Sciences (TRiSS), Dublin This Version is available at: http://hdl.handle.net/10419/226788 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. -
© 2012 Juljana Gjata Hjorth Jacobsen ALL RIGHTS RESERVED
© 2012 Juljana Gjata Hjorth Jacobsen ALL RIGHTS RESERVED SCHLESWIG-HOLSTEIN MEERUMSCHLUNGEN AND THE CALL FOR NATIONALISM: NATIONAL IDENTITY UNDER CONSTRUCTION ON THE GERMAN AND DANISH BORDER IN SELECTED WORKS BY THEODOR STORM, THEODOR FONTANE, AND HERMAN BANG By JULJANA GJATA HJORTH JACOBSEN A Dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in German Written under the direction of Martha Helfer And approved by ___________________ ___________________ ___________________ ___________________ New Brunswick, New Jersey May 2012 ABSTRACT OF THE DISSERTATION Schleswig-Holstein meerumschlungen and the Call for Nationalism: National Identity Under Construction on the German and Danish Border in Selected Works by Theodor Storm, Theodor Fontane, and Herman Bang By JULJANA GJATA HJORTH JACOBSEN Dissertation Director: Martha B. Helfer My dissertation examines selected German and Danish literary texts of the late nineteenth century that employ ideological notions of nationalism for the purpose of constructing and stabilizing national identity. The groundwork for the research centers on specific times in nationalist movements in Europe and a specific setting on the border region of Schleswig-Holstein. The urgency of this project lies especially in the effort to understand the shifting qualities and perceptions of nationalism as both a destructive and productive force in current discourses of globalization. In my analysis of four literary narratives, Theodor Storm’s novellas Ein grünes Blatt (1850) and Abseits (1863), Theodor Fontane’s Unwiederbringlich (1891), and Herman Bang’s Tine (1889), I demonstrate how national identity is constructed on the basis of a firm nationalism and constantly destabilized when confronted with the presence ii of an Other by the border. -
COALITION of WOMEN in GERMAN (WIG) 41Stannual CONFERENCE
COALITION OF WOMEN IN GERMAN (WIG) 41st ANNUAL CONFERENCE Banff Centre, Alberta, Canada !October 13-16, 2016 PROGRAM THURSDAY, OCTOBER 13 4:30 – 5:30 pm TOUR OF THE BANFF CENTRE (Meet in the Professional Development Centre foyer) 5:30-6:45 pm DINNER (Vistas) 6:45-7:00 pm WELCOME (Kinnear Centre Room 201) 7:00-9:15 pm THURSDAY EVENING SESSION (KC 201) OMEKA WORKSHOP AND WIG HERSTORY EVENT Organizers: Beth Muellner (College of Wooster) Kerstin Steitz (Old Dominion University) Workshop Leader: Alicia Peaker, Mellon CLIR/DLF Postdoc, Digital Liberal Arts (Middlebury College) FRIDAY, OCTOBER 14 7:00-8:30 am BREAKFAST (Vistas) 8:45-10:30 am PRE-20TH CENTURY PANEL (KC 201) MOURNING WOMEN Organizers: Lena Heilmann (Knox College) Beth Ann Muellner (College of Wooster) 1. “Geschmücket festlich”: Sorrow and the Sonnet Form in Günderrode’s Die Malabarischen Witwen – Stephanie Galasso (Brown University) 2. Seeking Appropriate Ways of Expressing the Unfathomable: Mourning the Loss of a Muse in Friederike Brun’s and Fanny Lewald’s Writing – Stefanie Ohnesorg (University of Tennessee) and Judith Hector (University of Tennessee) 3. Old Maids’ Mourning and Material Agency in Marie von Ebner-Eschenbach’s Lotti die Uhrmacherin and Theodor Storm’s “Marthe und ihre Uhr” – Petra Watzke (Skidmore College) 10:45-12:30 pm BLACK AUTHORSHIP IN GERMAN VISUAL MEDIA AND PERFORMANCE (KC 201) Organizers: Angelica Fenner (University of Toronto) Jamele Watkins (University of Massachusetts, Amherst) 1. Authorial Stakes in Documentary Testimonial: The Postwar Adoption of Black Germans, Revisited – Rosemarie Peña (Rutgers University) 2. Belonging and the Black Flaneuse in Two European Web Series – Karina Griffith (University of Toronto) 3.