Vincent Herring Eric Harland Hugh Steinmetz Tadd Dameron
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Cyrus Chestnut
Cyrus Chestnut Born on January 17, 1963, in Baltimore, MD; son of McDonald (a retired post office employee and church organist) and Flossie (a city social services worker and church choir director) Soulful jazz pianist Cyrus Chestnut might just be proof positive of the impact that music has on babies in the womb. Either that, or a life in music was simply in his blood. Chestnut's father, a postal employee and the son of a church minister, was the official organist for the local church in Baltimore, Maryland, where Chestnut grew up. Young Cyrus's home was filled with the sounds of the gospel music that his church-going parents played in their home, along with jazz records by artists such as Thelonius Monk and Jimmy Smith. Chestnut has said that the roots of his love of music began there, and to this day, Chestnut's ties to the gospel church remain constant. "Growing up, gospel music was what I heard in the house," Chestnut told Down Beat magazine. As a boy Chestnut reached for the piano keys before he could walk, so his father began teaching the earnest three-year-old to play the piano. One of the first songs young Cyrus learned was "Jesus Loves Me." Before long, seven-year-old Cyrus was playing piano in the family church, and by age nine he was promoted to church pianist at Mt. Calvary Star Baptist Church in Baltimore, Maryland. Chestnut, who became known for his improvisational skills and unique jazz-gospel and bop style, has credited his abilities to those formative years when he played at church. -
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The Subversive Songs of Bossa Nova: Tom Jobim in the Era of Censorship Irna Priore and Chris Stover OSSA nova flourished in Brazil at the end of the 1950s. This was a time of rapid Bdevelopment and economic prosperity in the country, following President Jucelino Kubitschek’s 1956 proclamation of “fifty years of progress in five,” but after the 1964 coup d’état, when General Humberto Castello Branco’s military regime took control of Brazil, the positive energy of the bossa nova era quickly dissipated.1 Soon after the 1964 coup the atmosphere changed: civil rights were suppressed, political dissent was silenced, and many outspoken singer-songwriters, authors and playwrights, journalists, and academics were censored, arrested, and imprisoned. First-generation bossa nova artists, however, were able to avoid such persecution because their music was generally perceived as apolitical.2 This essay challenges this perception by analyzing the ways in which iconic bossa nova composer Antônio Carlos (“Tom”) Jobim inscribed subversive political thought through musical syntax and lyrical allegory in several of his post-1964 songs. We begin by providing a brief overview of the socio-political history of 1960s Brazil, considering some general features of the Brazilian protest song (canção engajada) before focusing on Chico Buarque’s anthemic “Roda viva” as an exemplar of that style. We then move to a detailed examination of the Jobim compositions “Sabiá” and “Ligia,” the lyrics to both of which speak of love, longing, and saudade in the manner of many bossa nova songs, but within which can be found incisive (if carefully coded) critiques of the Castello Branco government. -
October 8, 2018 Jazz Album Chart
Jazz Album Chart October 8, 2018 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Yellowjackets 1 1 4 1 Raising Our Voice Mack Avenue 272 272 0 4 46 2 2 weeks at No. 1 2 2 16 2 Count Basie Orchestra All About That Basie Concord Jazz 266 242 24 3 48 5 3 4 9 3 Bob James Espresso Evolution Music 252 240 12 4 45 4 4 5 2 2 Karrin Allyson Some of That Sunshine kasrecords 250 239 11 8 52 1 5 3 1 1 Steve Turre The Very Thought of You Smoke Sessions 239 241 -2 6 50 1 6 7 41 6 Cécile McLorin Salvant The Window Mack Avenue 233 222 11 3 47 3 7 7 20 7 Christian Sands Facing Dragons Mack Avenue 231 222 9 3 51 6 Stefon Harris & Blackout 8 10 51 8 Sonic Creed Motema 218 209 9 2 53 8 Most Reports 8 9 7 1 Verve Jazz Ensemble Connect The Dots Lightgroove Media 218 217 1 10 38 2 10 6 3 1 John Coltrane Both Directions at Once - The Lost Album Impulse / Verve 199 237 -38 13 35 0 11 13 5 2 Antonio Adolfo Encontros - Orquestra Atlantica AAM Music 184 197 -13 12 39 1 12 11 7 7 Houston Person & Ron Carter Remember Love HighNote 181 204 -23 7 43 1 12 11 12 1 Bobby Sanabria West Side Story Re-Imagined Jazzheads 181 204 -23 11 32 0 14 18 27 14 Helen Sung Sung with Words (A Collaboration with Dana Stricker Street 179 168 11 4 41 0 Gioia) 15 14 6 6 Charlie Sepulveda & The Turnaround Songs For Nat HighNote 174 184 -10 7 40 2 16 14 14 11 Ben Paterson Live at Van Gelder’s Cellar Live 173 184 -11 8 37 0 17 21 14 4 Kamasi Washington Heaven and Earth Young Turks 153 151 2 13 29 0 18 16 10 2 Cory Weeds Little Big Band Explosion Cellar Live 151 181 -30 12 33 0 19 17 11 10 Marcus Miller Laid Black Blue Note 145 172 -27 14 25 0 20 20 17 2 Black Art Jazz Collective Armor Of Pride HighNote 143 165 -22 13 35 0 21 19 18 13 Mark Winkler & Cheryl Bentyne Eastern Standard Time Café Pacific 141 167 -26 6 37 0 22 22 25 22 James Austin, Jr. -
New Original Works Festival 2009 Program Two
NEW ORIGINAL WORKS FESTIVAL 2009 PROGRAM TWO July 30 – August 1, 2009 8:30pm presented by REDCAT Roy and Edna Disney/CalArts Theater California Institute of the Arts NOW FESTIVAL 2009: PROGRAM TWO NEW ORIGINAL WORKS FESTIVAL 2009 UPCOMING PERFORMANCES August 6 – August 8 : Program Three 1 CAROLE KIM W/ OGURI, ALEX CLINE AND DAN CLUCAS: N Zackary Drucker / Mariana Marroquin / Wu Ingrid Tsang: PIG direction and video installation: Carole Kim Meg Wolfe: Watch Her (Not Know It Now) dance: Oguri Lauren Weedman: Off percussion: Alex Cline winds: Dan Clucas live-feed video: Adam Levine and Moses Hacmon lighting design: Chris Kuhl I. Reflect --he vanishes Into the skin of water... ...And leaves me with my arms full of nothing But water and the memory of an image? ...The one I loved should be let live. He should live on after me, blameless.’ [Tales from Ovid, Hughes] II. Hall of Mirrors The black mirror is a surface, but this surface is also a depth. This specular catastrophe, prefigured by the myth of Narcissus, is inseparable from a process that renders the gaze opaque. [The Claude Glass: Use and Meaning of the Black Mirror in Western Art, Arnaud Maillet] III. Syphon IV. Shade This mirror creates, as it were, a hole in the wall, a door into the realm of the dead. But it also constitutes an epiphany, since the divinity is seen in all its glory and clarity. [Maillet] Improvising … hinges on one’s ability to synchronize intention and action and to maintain a keen awareness of, sensitivity to, and connection with the evolving group dynamics and experiences. -
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter
Jimmy Raney Thesis: Blurring the Barlines By: Zachary Streeter A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey In partial fulfillment of the requirements for the degree of Master of Jazz History and Research Graduate Program in Arts written under the direction of Dr. Lewis Porter and Dr. Henry Martin And approved by Newark, New Jersey May 2016 ©2016 Zachary Streeter ALL RIGHT RESERVED ABSTRACT Jimmy Raney Thesis: Blurring the Barlines By: Zach Streeter Thesis Director: Dr. Lewis Porter Despite the institutionalization of jazz music, and the large output of academic activity surrounding the music’s history, one is hard pressed to discover any information on the late jazz guitarist Jimmy Raney or the legacy Jimmy Raney left on the instrument. Guitar, often times, in the history of jazz has been regulated to the role of the rhythm section, if the guitar is involved at all. While the scope of the guitar throughout the history of jazz is not the subject matter of this thesis, the aim is to present, or bring to light Jimmy Raney, a jazz guitarist who I believe, while not the first, may have been among the first to pioneer and challenge these conventions. I have researched Jimmy Raney’s background, and interviewed two people who knew Jimmy Raney: his son, Jon Raney, and record producer Don Schlitten. These two individuals provide a beneficial contrast as one knew Jimmy Raney quite personally, and the other knew Jimmy Raney from a business perspective, creating a greater frame of reference when attempting to piece together Jimmy Raney. -
Analysis of Selected Percussion Literature: Concerto
ANALYSIS OF SELECTED PERCUSSION LITERATURE: CONCERTO FOR VIBRAPHONE AND ORCHESTRA BY NEY ROSAURO, SURFACE TENSION BY DAVE HOLLINDEN, URBAN SKETCHES FOR PERCUSSION TRIO BY LON W. CHAFFIN, TAKE FIVE BY PAUL DESMOND, AND DT SUPREME BY AUSTIN BARNES by AUSTIN LEE BARNES B.M.E., Fort Hays State University, 2010 A REPORT submitted in partial fulfillment of the requirements for the degree MASTER OF MUSIC Department of Music College of Arts and Sciences KANSAS STATE UNIVERSITY Manhattan, Kansas 2012 Approved by: Major Professor Dr. Kurt Gartner Copyright AUSTIN LEE BANRES 2012 Abstract This is a report for anyone playing or teaching anyone of the following pieces: Concerto for Vibraphone and Orchestra by Ney Rosauro, Surface Tension by Dave Hollinden, Urban Sketches for Percussion Trio by Lon W. Chaffin, Take Five by Paul Desmond, or DT Supreme by Austin Barnes. The repertoire is analyzed by the method given in Jan Larue’s book Guidelines for Style and Analysis. The report includes interpretive decisions, technical considerations, harmonic analysis, and form. Table of Contents List of Figures ................................................................................................................................ vi List of Tables ................................................................................................................................ vii Dedication .................................................................................................................................... viii CHAPTER 1 - Concerto for Vibraphone -
Hermann NAEHRING: Wlodzimierz NAHORNY: NAIMA: Mari
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Hermann NAEHRING: "Großstadtkinder" Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; Henry Osterloh -tymp; recorded 1985 in Berlin 24817 SCHLAGZEILEN 6.37 Amiga 856138 Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Stefan Dohanetz -d; recorded 1985 in Berlin 24818 SOUJA 7.02 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; Volker Schlott -fl; recorded 1985 in Berlin A) Orangenflip B) Pink-Punk Frosch ist krank C) Crash 24819 GROSSSTADTKINDER ((Orangenflip / Pink-Punk, Frosch ist krank / Crash)) 11.34 --- Hermann Naehring -perc,marimba,vib; Dietrich Petzold -v; Jens Naumilkat -c; Wolfgang Musick -b; Jannis Sotos -g,bouzouki; recorded 1985 in Berlin 24820 PHRYGIA 7.35 --- 24821 RIMBANA 4.05 --- 24822 CLIFFORD 2.53 --- ------------------------------------------ Wlodzimierz NAHORNY: "Heart" Wlodzimierz Nahorny -as,p; Jacek Ostaszewski -b; Sergiusz Perkowski -d; recorded November 1967 in Warsaw 34847 BALLAD OF TWO HEARTS 2.45 Muza XL-0452 34848 A MONTH OF GOODWILL 7.03 --- 34849 MUNIAK'S HEART 5.48 --- 34850 LEAKS 4.30 --- 34851 AT THE CASHIER 4.55 --- 34852 IT DEPENDS FOR WHOM 4.57 --- 34853 A PEDANT'S LETTER 5.00 --- 34854 ON A HIGH PEAK -
The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters
4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 1 The John F. Kennedy Center for the Performing Arts DAVID M. RUBENSTEIN , Chairman DEBoRAh F. RUTTER, President CONCERT HALL Monday Evening, April 16, 2018, at 8:00 The Kennedy Center and the National Endowment for the Arts present The 2018 NEA Jazz Masters Tribute Concert Honoring the 2018 National Endowment for the Arts Jazz Masters TODD BARKAN JOANNE BRACKEEN PAT METHENY DIANNE REEVES Jason Moran is the Kennedy Center Artistic Director for Jazz. This performance will be livestreamed online, and will be broadcast on Sirius XM Satellite Radio and WPFW 89.3 FM. Patrons are requested to turn off cell phones and other electronic devices during performances. The taking of photographs and the use of recording equipment are not allowed in this auditorium. 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 10:33 AM Page 2 THE 2018 NEA JAZZ MASTERS TRIBUTE CONCERT Hosted by JASON MORAN, Kennedy Center Artistic Director for Jazz With remarks from JANE CHU, Chairman of the National Endowment for the Arts DEBORAH F. RUTTER, President of the John F. Kennedy Center for the Performing Arts The 2018 NEA JAzz MASTERS Performances by NEA Jazz Master Eddie Palmieri and the Eddie Palmieri Sextet John Benitez Camilo Molina-Gaetán Jonathan Powell Ivan Renta Vicente “Little Johnny” Rivero Terri Lyne Carrington Nir Felder Sullivan Fortner James Francies Pasquale Grasso Gilad Hekselman Angélique Kidjo Christian McBride Camila Meza Cécile McLorin Salvant Antonio Sanchez Helen Sung Dan Wilson 4-16 JAZZ NEA Jazz.qxp_WPAS 4/6/18 -
Baptiste Trotignon, : Première Partie SAMEDI 19MAI–20H Fin Duconcert Vers 23H10
7/05/19 TROTIGNON:N 11/05/07 18:08 Page 1 SAMEDI 19 MAI – 20H Première partie : Baptiste Trotignon, piano solo entracte Deuxième partie : Michel Portal, clarinettes, saxophone, bandonéon Louis Sclavis, clarinettes, saxophone Daniel Humair, batterie Bojan Z., piano Bruno Chevillon, contrebasse Fin du concert vers 23h10. Samedi 19 mai Samedi 7/05/19 TROTIGNON:N 11/05/07 18:08 Page 2 7/05/19 TROTIGNON:N 11/05/07 18:08 Page 3 SAMEDI 19 MAI Baptiste Trotignon Un phrasé éblouissant de vélocité et de rigueur mêlées ; un lyrisme et une virtuosité parfaitement assumés ; une façon bien à lui de passer de climats intimistes jamais mièvres ni embrumés de romantisme frelaté à d’intenses séquences énergétiques, pleines d’arabesques virevoltantes toujours articulées avec une grande lisibilité et un souci constant de la mélodie : Baptiste Trotignon apparaît aujourd’hui incontestablement comme l’une des valeurs les plus sûres du nouveau piano jazz européen. Il faut dire qu’en ne cherchant jamais à brûler les étapes pour se propulser artificiellement sur le devant de la scène, Trotignon a fait de sa jeune carrière un modèle d’intelligence et d’équilibre entre sagesse et témérité. Élève de la classe jazz du Conservatoire de Paris (CNSMDP) après des études classiques conséquentes, Trotignon, dès le milieu des années quatre-vingt-dix, s’immerge totalement dans l’effervescente scène jazz parisienne et apprend le métier au fil de ses rencontres avec des musiciens comme Christian Escoudé, André Ceccarelli, Claudia Solal ou encore les frères Moutin… Créant son propre trio avec Clovis Nicolas à la contrebasse et Tony Rabeson à la batterie, il enregistre coup sur coup ses deux premiers disques en leader (Fluide en 2000 et Sightseeing l’année suivante) qui, par leur grâce juvénile mâtinée d’une surprenante maturité formelle, lui assurent aussitôt une belle renommée tant critique que publique. -
88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Complete Band and Panel Listings Inside!
THE STROKES FOUR TET NEW MUSIC REPORT ESSENTIAL October 15, 2001 www.cmj.com DILATED PEOPLES LE TIGRE CMJ MUSIC MARATHON ’01 OFFICIALGUIDE FEATURING PERFORMANCES BY: Bis•Clem Snide•Clinic•Firewater•Girls Against Boys•Jonathan Richman•Karl Denson•Karsh Kale•L.A. Symphony•Laura Cantrell•Mink Lungs• Murder City Devils•Peaches•Rustic Overtones•X-ecutioners and hundreds more! GUEST SPEAKER: Billy Martin (Medeski Martin And Wood) COMPLETE D PANEL PANELISTS INCLUDE: BAND AN Lee Ranaldo/Sonic Youth•Gigi•DJ EvilDee/Beatminerz• GS INSIDE! DJ Zeph•Rebecca Rankin/VH-1•Scott Hardkiss/God Within LISTIN ININ STORESSTORES TUESDAY,TUESDAY, SEPTEMBERSEPTEMBER 4.4. SYSTEM OF A DOWN AND SLIPKNOT CO-HEADLINING “THE PLEDGE OF ALLEGIANCE TOUR” BEGINNING SEPTEMBER 14, 2001 SEE WEBSITE FOR DETAILS CONTACT: STEVE THEO COLUMBIA RECORDS 212-833-7329 [email protected] PRODUCED BY RICK RUBIN AND DARON MALAKIAN CO-PRODUCED BY SERJ TANKIAN MANAGEMENT: VELVET HAMMER MANAGEMENT, DAVID BENVENISTE "COLUMBIA" AND W REG. U.S. PAT. & TM. OFF. MARCA REGISTRADA./Ꭿ 2001 SONY MUSIC ENTERTAINMENT INC./ Ꭿ 2001 THE AMERICAN RECORDING COMPANY, LLC. WWW.SYSTEMOFADOWN.COM 10/15/2001 Issue 735 • Vol 69 • No 5 CMJ MUSIC MARATHON 2001 39 Festival Guide Thousands of music professionals, artists and fans converge on New York City every year for CMJ Music Marathon to celebrate today's music and chart its future. In addition to keynote speaker Billy Martin and an exhibition area with a live performance stage, the event features dozens of panels covering topics affecting all corners of the music industry. Here’s our complete guide to all the convention’s featured events, including College Day, listings of panels by 24 topic, day and nighttime performances, guest speakers, exhibitors, Filmfest screenings, hotel and subway maps, venue listings, band descriptions — everything you need to make the most of your time in the Big Apple. -
Artists & Music
Artists & Music Metheny Group Expands Scope With `Day' Telarc Ties In With Book Co. Tour To Drive For Label Debut Warner Expects Sales For `Nature Of America' Set BY BRADLEY BAMBARGER rock bands. But one especially charged down "Quartet" crowned Top Jazz new track, "The Roots Of Coinci- Albums during a 32 -week chart run BY DYLAN SIEGLER NEW YORK -One of the great attrib- dence," even finds common ground (Billboard, Nov. 23, 1996). The groove - utes of the ever-intrepid Pat Metheny with the likes of Nine Inch Nails. "We oriented'We Live Here" peaked at No. Performances by the Cincinnati Group has always been its high "trip question ourselves less and less about 2 on Top Contemporary Jazz Albums Pops Orchestra and themes from quotient," as Metheny likes to say. And idiom as we go on," Metheny says. in '95; moreover, it hit No. 83 on The popular nature -themed films will be with "Imaginary Day" -its 12th album "We're just following the material Billboard 200, a rare feat for a jazz featured in an unusual CD/book tie -in and first for Warner Bros. -the Group where. it takes us-and on this album, record (Billboard, Dec. 10, 1994). that seeks to capture `The Nature Of has broadened its horizons consider- that meant follow- A star collaborator outside the America." Telarc International is set ably. ing it as far as it Group, Metheny has both pushed the to release the compilation "The "Our past albums have always had a would go. `Roots envelope of late and pursued more pop- Nature Of America: A Musical couple nine- or 10- minute.songs that Of Coincidence' is ulist projects.