MERCIAD SUCCESSES RELATIVE Published Semi-Monthly by the Students of Mercyhurst College

Total Page:16

File Type:pdf, Size:1020Kb

MERCIAD SUCCESSES RELATIVE Published Semi-Monthly by the Students of Mercyhurst College ~*^~ m Vol. XIII.. No. 2 Mercyhurst College, Erie, Pa. November 13, 1942 flemish Art Illustrated Seniors Sponsor I. On November 19, the 2nd lecture of the school year, will room ance be presented by Baron Van Der Elst. His lecture, entitled "Flemish Art of the 15th Cen­ Tomorrow Night Sees First Large Danc e tury," will be highlighted by the projection of full color Come one! Come all! Join the fun!{ Herejis the?first big photographs of the master­ Mercyhurst dance of the year—your first opportunity to pieces of Flemish Art. Baron show your school spirit. And what's more—this dance will Van Der Elst is a connoisseur determine the dances to come. For the Freshmen, this will and patron of art who delights be their first Mercyhurst dance; for the Sophs, it will be their in bringing to others a fresh last|Opportunity to cooperate^with their "big sisters"; for view of the Flemish masters. "How To Be Different" \ W the Jrs.,|they will look for­ ward, land backward, and listen to this! The music will He has several of the origi­ know what fun awaits them. be furnished by Lucille Sea- nals in his own private collec­ iStressed At Institute So let's not miss*this oppor­ brooke and her Music Makers tion. I tunity, but turn out 100%. | —a man's band with a woman \ leader. Novel? You bet! Good I The autumn Prom will be \ To him, art, especially that music? You know it! A good of his native Flanders, is a "How to Be Different" was stitute were Rev. Herbert held Nov. 14 atrthe Y.W.C.A. the subject of an Institute O'H. Walker, S. J.; managing —a convenient spot for every­ floor?—the best! ?Ybu see, living force identified with everything adds up to the every essence of culture and sponsored by thejErie Sodali­ editor of The Queen's *Work, one. If you happen to be won­ ty Union at 8 p. m.,November national Sodality magazine, dering about the orchestra— promise of a typical Mercy­ civilization which the free 8, 9, and 10 in the ballroom of hurst dance. men of America and the world and Miss Dorothy Willman, This will be aLjait different are fighting to preserve. the Lawrence Hotel. The two parish editor. Both speakers DANCE TONIGHT speakers conducting the In- are prominent members of the from the past dances, because The Baton, served in the this is the first informal facuKJr" of the Sodality Sum­ f This ^is' just a reminder Mercyhurstf dance. But, Belgian army during World mer School of Catholic Action. that the funlyoufhad at the War | earning for himself due to transportation^ and The Institute followed a meet­ first A. A. Fun Night on Octo­ other wartime "must do with- distinguished service medals. Sodality Reopens ing of Erie Sodality 'Union ber 17 is being repeated every outs" the Seniors felt that la Baron Van Der Elst, now Book Nook leaders with Father McMana- Fridayfnight. It's a sure cure formal dance at* this ftime serving the Belgian govern­ man, diocesan moderator. |i for week-end doldrums! would be both unpatriotic and ment in exile, is located in the! The purpose of the Institute impractical. So —Ithe^dance New York office of the Bel­ The Book Nook, located on was to discredit the modern will be informal. This does the college floor, features books slogan "Be Natural," empha­ gian Embassy in the capacity of Catholic fact! and fiction RATIONING DOES NOT not mean that the spirit of of Counsellor. 1 chosen for interest and enjoy­ sizing to Sodalists that? they the dance will be any different ment. These books are for you must adopt as their motto "Be HALT BRUNCH ** from that of fthe past. Not to read—entirely if there is Supernatural." They should at all! Where Mercyhurst t'"me; in part, if there is not. be distincJtlyy different from girls are,^there is a "Mercy­ They are designed to enable you the average man or woman BThe Junior Class will enter­ to read briefly but consistently tain their little ^sisters! at a hurst time." $• I I Posture Contest every day. The Book Nook will with whom they "rub elbows" It The price, because of this help you get acquainted easily because their lives are moti­ brunch on Saturday, Novem­ change, is only $1.65, tax in­ with Catholic literature and will vated by the |principles of ber 14, in? the student dining cluded. Do youi realize what For two weeks collegians encourage a new viewpoint room.! 4« 4* M Hp received instructions for cor- towards things Catholic. Christ at home, atiwork, and that means? Imagine, a col­ ect at recreation. At first it was thought that lege prom for $1.65—where J : Posture in preparation Currently^ featured are tjie the traditiona 1 m Freshman - ior Posture Week. Many made lives of the saints. Robert Spe- ^An official letter of an­ could you find any better bar­ a Junior Brunch would have to real effort towards sett­ a'ght, after enacting the role of nouncement to members of gain—especially now? improv Thomas,^ a'| Becket for three be abandoned because of food 3 lement. The results years, has written the biogra­ the Sodality Union stated that rationing, but now the ap­ Let us all get behind our are shown by the number of phy JSaint Thomas ?of Cante- the Institute would " ^ . give proval l has been*given * and Seniors and behind our school, ^ored silhouettes still in- bury from his unusual experi­ an opportunity of learning |a plans fori it fare? underway. and *De out to fthe autumns 1^- Percentages must be ence. MytSaint Patrick by Alan way of living for Christ, planj, Adele Trippe, Ann Klan, Anne Prom 100%-. It will be a greatl jecked for accuracy, but it M. Buc£Jgives a human and ning for Christ and seeing the ev vivid portrayal of Ireland's Johnson, Eva Jacobs, Elayne time for|everyone, and you f,- "fent^-from remaining hero* Others also are waiting world as Christ's." IB Tormay, and PatoDuffy are in don't want to miss it —| to come to life through your ef ?V at a sharPly contest- charge of ^arrangements. | do you? V, v°r.v was in_ progress. reading. ( ning c a8s Pamphlets on all phases of re­ eiLTO DUFeT with * can receive lief on and morality likewise are PnJf. pnde their well-earned displayed for your use at the Fos Book Nook. LE CERCLE FRANCAIS | Sunday Blue Room Concerts Held ture Banner. As French artJwas the theme of the French Club meeting of Oct. 27. Kay Monroe opened the$ meet­ Is there a symphony you've always wanted to hear—an ing with a prayer-to St. Luke, nneratic aria you love? Then you are cordially invited to the p£t"on of artists. The new officers — 'President/ Kay Monroe ^Vice- Bkie Room Concerts arranged by Sister Helen Mane every ane Walsh Elected Vice Pres. President, Jeanne Gough; Secre­ Sunday afternoon from 4:45 to 5:45. Mimeographed program tary, Regina English; Treas­ notes will supplement your enjoyment of the recorded music. urer, Kay Dineen—were formally, Briniyour knitting, finish that letter you were writing or inducted. Sister Angelica, JguesV W Lake Erie Region C. S. P. F.speaker , lectured on outstanding just relax. The first program on Nov. 15 is as follows: ^ contribut'ons of French art from I (Rigoletto), J"-- the sixteenth century to the pres­ "Caro Nome" Jane Walsh was elected tion. The highlights of this ent day. J. Gough and K/ Monroe Verdi. Lily Pons. School Calendar l^-President of the Lake theme found a logical conclu­ presented a clever French skit. The "H nome vostro ditemi" n of the sion in the inspiring address meeting concluded with an fin- (Rigoletto), Verdi. Lily Pons Friday, November 13— frudenf P° Catholic formal discussion of French Art. Current Events Forum. the ri+v ,ace Federation of of Dr. John Armstrong, L1..-L). and Giuseppe DeLuca. 0 0 ; THE S.lo. S. Saturday, November 14— taW*. " Association for Dr. Armstrong advocated, not "II lacerato spirito" (Sim- 11 Senior Dance and Freshman- onal the hierarchy of nations for At the first meeting of the one Boccanegra), Verdi, Alex­ Junior Brunch. fifth nual Peace atrthe S. 0. S.^jNov. 2, members voted to at st p convention h( Id world peace, 1 but the hier­ join the Nat'onal and State Asso- ander Kipnis. j|| Sunday, November 15— ^- conaventure College. archy of values ^through the ciat'ons of Dieticians. At the sug-1 i Blue Room Concert. Th v Selections from "The Heart v. theme of the Peace Pope's Peace Plan. gestion of Nora Jean Stephens. Jo f the Symphony." Thursday, November 19— Next year the group will Senior members planned to enroll Lecture—Baron Van Der Elst. Jwas concerned in the Red Cross canteen course. A Selections from "Porgy and Wednesday, November 25— !*ftiean• th e Four Freedoms, their meet as the guests of Villa Bess," Gershwin. Thanksgiving vacation begins! i n£ and thei r preserva- Maria College, Erie, Penna. (Continued on page three)| Novemh lb Page 2 THE MERCIAD SUCCESSES RELATIVE Published semi-monthly by the students of Mercyhurst College. Effort changes slowly to strength l „n ha railed the dream mind, of judgment, of character Success may very well be caiieoi lfi „„„ w. JSfxSV Assistant Editors wlt scale of values an "85" *~~— Editor P&$u*ti*r\ which youth pursues S,-tl » Smile. Cer-rf frequently rep» T,r ±x '*• TT * I fSflTfliw I Anne Johnson which old age remembers with a.
Recommended publications
  • The Yeomen of the Guard
    THE YEOMEN OF THE GUARD or The Merryman and His Maid Written by W.S. GILBERT Composed by ARTHUR SULLIVAN First produced at the Savoy Theatre, 3rd October 1888. DRAMATIS PERSONÆ SIR RICHARD CHOLMONDELEY ( Lieutenant of the Tower ) COLONEL FAIRFAX ( under sentence of death ) SERGEANT MERYLL (of the Yeomen of the Guard ) LEONARD MERYLL (his son ) JACK POINT ( a Strolling Jester ) WILFRED SHADBOLT . (Head Jailer and Assistant Tormentor ) THE HEADSMAN FIRST YEOMAN SECOND YEOMAN FIRST CITIZEN SECOND CITIZEN ELSIE MAYNARD (a Strolling Singer ) PHŒBE MERYLL (Sergeant Meryll's Daughter ) DAME CARRUTHERS (Housekeeper to the Tower ) KATE (her Niece ) Chorus of YEOMEN OF THE GUARD , GENTLEMEN , C ITIZENS , etc. SCENE : Tower Green TIME : 16th Century ACT I SCENE . – Tower Green. Phœbe discovered spinning . SONG – PHŒBE When maiden loves, she sits and sighs, She wanders to and fro; Unbidden tear-drops fill her eyes, And to all questions she replies, With a sad ‘heighho!’ ’Tis but a little word – ‘heighho!’ So soft, ’tis scarcely heard – ‘heighho!’ An idle breath – Yet life and death May hang upon a maid’s ‘heighho!’ When maiden loves, she mopes apart, As owl mopes on a tree; Although she keenly feels the smart, She cannot tell what ails her heart, With its sad ‘Ah, me!’ ’Tis but a foolish sigh – ‘Ah, me!’ Born but to droop and die – ‘Ah, me!’ Yet all the sense Of eloquence Lies hidden in a maid’s ‘Ah, me!’ ( weeps ) Enter WILFRED . WILFRED . Mistress Meryll! PHŒBE . (looking up ) Eh! Oh! It’s you, is it? You may go away, if you like.
    [Show full text]
  • Poetry Volume 1.Qxd
    The Poems of Frithjof Schuon (1995-1998) The Poems of Frithjof Schuon (1995-1998) Volume 1 Adastra Stella Maris Autumn Leaves The Ring Translated from the German by William Stoddart This is a private edition printed by request only, and is not intended for sale to the general public. © World Wisdom, Inc., all rights reserved. This private edition of the poetry of Frithjof Schuon represents a first translation of the poems written during the last years of his life, as they were created in twenty-three separate volumes. For purposes of economy and space, it comprises the English translation only, without the original German. This translation is the work of William Stoddart, and is largely based on the author's dictated translations, as revised by Catherine Schuon. The order of the books follows the chronology in which they were created, rather than a grouping by collection. www.worldwisdom.com Contents Adastra 9 Stella Maris 81 Autumn Leaves 153 The Ring 237 Notes 306 Index of titles 308 Adastra A Garland of Songs Adastra As an Entry Out of my heart flowed many a song; I sought them not, they were inspired in me — O may the sound of the God-given harp Purify the soul and raise us to Heaven! May the light of wisdom unite With love to accompany our effort; And may our souls find grace: The Path from God to God, eternally. Adastra Ad astra — to the stars — the soul is striving, Called by an unstilled longing. O path of Truth and Beauty that I choose — Of God-remembrance which pervades the soul! Thou art the song that stills all longing — The light of grace; O shine into my heart! The Lord is our Refuge and our Shield — Be thou with Him and He will be with thee.
    [Show full text]
  • Witty Songs ©Ted Schaar 2011
    Witty Songs ©Ted Schaar 2011 Several years ago through eBay I bought colored-vinyl versions of The Beatles 1962-1966 (The Red Album) and The Beatles 1967-1970 (The Blue Album) from a major fan named Ed. After I paid, he asked if I would be interested in some bootlegs he had that featured sessions recorded while The Beatles were working on their amazing albums—he was willing to transfer them to CD free of charge. I mentioned in my thank you e-mail that I was old enough to have seen the Beatles when they first appeared on The Ed Sullivan Show in 1964. He replied it was "an honor" to meet someone who saw the Beatles live (Ed was born in 1966). This made me think that although those who watched The Beatles that night were part of a huge television audience—almost 74 million1—it's a set whose numbers have decreased tremendously in the 45 years that have passed. That realization, Ed's comment and generous offer to send the CDs, and the about-the-same-time coincidence of having dinner with a man named Bill who saw the Beatles perform in Milwaukee in the fall of 1964 started a chain of events that led me to write two articles. The first, "A Day in the Center of Beatlemania," is about the band's September 4, 1964, appearance at the Arena in Milwaukee. The seed for the second—this one—was planted after Ed's CDs arrived. These were interesting for their roughness and for the insights they provided into the experimentation that produced musical passages such as the unusual Paul McCartney organ part that opens and becomes the backbone of "Lucy in the Sky With Diamonds." On one I was hearing works in progress ranging from the acoustic beginning of "All Together Now" to John Lennon performing an early version of "Good Morning, Good Morning" when out of the blue comes Pete Drake, his talking guitar, and the sliding-steel-words: "I'm just a guitar, everybody picks on me." The track is from the bootleg Through Many Years that focuses on George Harrison and Ringo Starr.2 Ed had combined various bootlegs on each of the CDs he sent.
    [Show full text]
  • Lent I March 1, 2020 9:15 Am
    Lent I March 1, 2020 9:15 a.m. (pages 2-6) 11:00 a.m. (pages 7-10) A Place for Life 9:15 ORDER OF SERVICE Please turn off all electronic devices. Nursery care is available. These services are live streamed (a live video presentation) PRELUDE “Lifeline” Hillsong Young & Free Chorus: You took me from the wayside called me Your own Throwing me Your lifeline You carried me home Jesus You’re all I want You’re all I want Over the horizon is where I look beyond You’re the silver lining breaking through the storm Jesus You’re all I want You’re all I want A castaway lost in a violent sea Drifting away ‘til You rescued me You set my feet on solid ground When I lost my grip love held on tight Even my worst didn’t change Your mind My guilt and shame lost in Your grace Repeat Chorus A runaway heart in a distant land I wandered so far still to find You there There’s no escaping Your embrace With my hope locked in and future sure My life has a cause worth fighting for My soul exists to know Your Name Bridge And oh You are my hope Jesus forever You’ve forgiven my failures You are my hope You never let go Jesus forever You’ve forgiven my failures You are my hope WELCOME & ANNOUNCEMENTS CONGREGATIONAL SONG PLEASE STAND SING TOGETHER “How Deep the Father’s Love For Us” Townend How deep the Father’s love for us How vast beyond all measure That He should give His only Son To make a wretch His treasure How great the pain of searing loss The Father turns His face away As wounds which mar the Chosen One Bring many sons to glory 2 Behold the man upon a cross
    [Show full text]
  • Footloose” (Rusty, Wendy Jo, Urleen, & Company) “On Any Sunday” (Rev
    presents Directed Choreographed by by Lucas Rau Cynthia Parise Technical Direction by Jim Schofield CAST (in alphabetical order) Lulu………………………….…..Julia Alexander Ren McCormick……………..James Cartwright Bickle…………………………….Raymond Case Travis……………………………..Nick Culmone Principal Clark………………….Aaron Dranoff Willard Hewitt………………….Godfrey Fenton Ethel…………………………..Christina Galarza Rusty……………………………..Jacie Gonzalez Vi Moore……………………...Melanie Guerrero Coach Dunbar………………...Samuel Johnson Wendy Jo………………………….Arielle Knapp Reverend Shaw Moore…………..Shavon Lloyd Chuck Cranston…....Richard Nevarez-Guevara Cowboy Bob; Cop……………...Brandon Pierre Irene…………………….......Christina Polichetti Wes Warnicker………………………….Ian Ritter Garvin…………………………….Kevin Romero Betty Blast……………………….Kaliyah Rucker Jeter…………………………………...Justin Ruiz Eleanor………………………….Amber Sanchez Ariel Moore………………………Jewel Sanchez Urleen…………………………..Raelyn Santiago Kyle………………………………...Luke St. John COMPANY (in alphabetical order) Wanda Cheeks, Helena Eason, Patricia Genoski, Ashley Gonzalez, Nicolas Haines, Kane Huslinger, Tapply Mann, Natalie Mirville, Rose Alicea Oliveras, Jayden Santiago, Kelly Simmons, Sydney Taylor, Caroline Woodward CREW Director/Musical Director: Lucas Rau Choreographer: Cynthia Parise Technical Director: Jim Schofield Stage Manager: Nailah Airall Assistant Stage Manager: Tess Costello Set Design: Lucas Rau, Jim Schofield Light Design: Steven Thompson Soundboard operators: Jennifer Staudenmayer, Emma Trosterud Lightboard operators: Ladonna Hudson, Daniel Mulick Deck Manager: Sheema Moore
    [Show full text]
  • Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases
    11/28/2018 Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases SOMEDAY AT CHRISTMAS Oliver Richman, Grandson of Famed Songwriter, Ron Miller, Releases SOMEDAY AT CHRISTMAS by BWW News Desk Nov. 27, 2018 Multi-talented 18-year-old singer/actor Oliver Richman Tweet Share (https://oliverrichman.com/) releases a stunning rendition of his late grandfather, Ron Miller's holiday classic, "Someday at Christmas." The song is available on iTunes, Spotify, Amazon and YouTube. The powerful, piano-only ballad was written by Oliver's late iconic grandfather, Ron Miller, who penned standards such as, "For Once in My Life," "Touch Me in the Morning," "A Place in the Sun," "Yester-me, Yester-you, Yesterday," "Heaven Help Us All," "I've Never Been to Me," "If I Could," "Everyone's a Kid at Christmas Time" (co-written by Oliver's maternal grandmother, Aurora Miller), and many more. Originally recorded by Stevie Wonder in 1967 for his one and only same-titled Christmas album, "Someday at Christmas" has also been covered by numerous other artists such as The Jackson 5, LeAnn Rimes, Mary J. Blige, Pearl Jam, Mario, Jackie Evancho, and Justin Bieber. "Someday at Christmas" was also featured as the "Best Christmas song of all time" in the recent film release, "Love, Simon," and was chosen by Apple in recent years for its holiday message to the world which included a 90-second ad starring Andra Day and Stevie Wonder. The new recording was produced by Oliver's mother, singer/songwriter/producer Lisa Dawn Miller (https://lisadawnmiller.com/) and is the first release from her new record label, LDM Music.
    [Show full text]
  • The Adventure of Charles Augustus Milverton
    The Adventure of Charles Augustus Milverton Arthur Conan Doyle This text is provided to you “as-is” without any warranty. No warranties of any kind, expressed or implied, are made to you as to the text or any medium it may be on, including but not limited to warranties of merchantablity or fitness for a particular purpose. This text was formatted from various free ASCII and HTML variants. See http://sherlock-holm.esfor an electronic form of this text and additional information about it. This text comes from the collection’s version 3.1. t is years since the incidents of which I speak wealth or position. He receives these wares not only took place, and yet it is with diffidence that from treacherous valets or maids, but frequently from I allude to them. For a long time, even genteel ruffians who have gained the confidence and I with the utmost discretion and reticence, it affection of trusting women. He deals with no nig- would have been impossible to make the facts public; gard hand. I happen to know that he paid seven but now the principal person concerned is beyond hundred pounds to a footman for a note two lines the reach of human law, and with due suppression in length, and that the ruin of a noble family was the story may be told in such fashion as to injure no the result. Everything which is in the market goes to one. It records an absolutely unique experience in Milverton, and there are hundreds in this great city the career both of Mr.
    [Show full text]
  • Title "Stand by Your Man/There Ain't No Future In
    TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.
    [Show full text]
  • Music for Guitar
    So Long Marianne Leonard Cohen A Bm Come over to the window, my little darling D A Your letters they all say that you're beside me now I'd like to try to read your palm then why do I feel so alone G D I'm standing on a ledge and your fine spider web I used to think I was some sort of gypsy boy is fastening my ankle to a stone F#m E E4 E E7 before I let you take me home [Chorus] For now I need your hidden love A I'm cold as a new razor blade Now so long, Marianne, You left when I told you I was curious F#m I never said that I was brave It's time that we began E E4 E E7 [Chorus] to laugh and cry E E4 E E7 Oh, you are really such a pretty one and cry and laugh I see you've gone and changed your name again A A4 A And just when I climbed this whole mountainside about it all again to wash my eyelids in the rain [Chorus] Well you know that I love to live with you but you make me forget so very much Oh, your eyes, well, I forget your eyes I forget to pray for the angels your body's at home in every sea and then the angels forget to pray for us How come you gave away your news to everyone that you said was a secret to me [Chorus] We met when we were almost young deep in the green lilac park You held on to me like I was a crucifix as we went kneeling through the dark [Chorus] Stronger Kelly Clarkson Intro: Em C G D Em C G D Em C You heard that I was starting over with someone new You know the bed feels warmer Em C G D G D But told you I was moving on over you Sleeping here alone Em Em C You didn't think that I'd come back You know I dream in colour
    [Show full text]
  • 15Th Biennial Convention, National Federation of Republican
    The original documents are located in Box D27, folder “15th Biennial Convention, National Federation of Republican Women, Washington, DC, September 27, 1969” of the Ford Congressional Papers: Press Secretary and Speech File at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. The Council donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box D27 of The Ford Congressional Papers: Press Secretary and Speech File at the Gerald R. Ford Presidential Library BEFORE THE 15TH BIENNIAL CONVENTION OF THE NATIONAL FEDERATION OF REPUBLICAN WOMEN, WASHINGTON HILTON HOTEL, WASHINGTON, D.C., 7 P.M. SATURDAY, SEPTEMBER 27, 1969. ,.....~ MRS. NIXON, MAMIE, TRICIA, JULIE, DAVID, MADAM PRESIDENT, OFFICERS AND MEMBERS OF THE BOARD OF DIRECTORS OF THE NATIONAL FEDERATION OF REPUBLICAN WOMEN, HONORED GUESTS, AND LEADERS OF THE WORLD: I CALL YOU LEADERS OF THE WORLD BECAUSE I HAVE LONG FELT THAT IT IS REALLY THE WOMEN WHO ARE RUNNING THE SHOW. MAYBE IT 1S A BEHIND-THE-SCENES SORT OF OPERATION IN MANY CASES, BUT THERE'S NO QUESTION ' THAT THE WOMEN OF THE WORLD ••• AND PARTICULARLY WOMEN IN AMERICA ••• WIELD TREMENDOUS POWER.
    [Show full text]
  • Platinum Duo Song List
    Platinum Duo Song List Aussie Calendar Girl - Neil Sedaka California Girls - Beach Boys Almost With You - The Church Da Doo Ron Ron - The Crystals April Sun In Cuba - Dragon Happy Together - The Turtles Before Too Long - Paul Kelly Heatwave - Martha & The Vandellas Better - The Screaming Jets Higher & Higher - Jackie Wilson Better Be Home Soon - Crowded House Hooked On A Feeling - BJ Thomas Boys From The Bush - Lee Kernaghan Hound Dog - Elvis Presley By My Side - INXS I Saw Her Standing There - The Beatles Chained To The Wheel - The Black Sorrows I'm A Believer - The Monkees Chains - Tina Arena It's So Easy - Buddy Holly Cool Change - Little River Band Jailhouse Rock - Elvis Presley Don't Change - INXS Down Under - Men At Work Knock On Wood - Eddie Floyd Dumb Things - Paul Kelly Let's Twist Again - Chubby Checker Little Sister - Elvis Presley Flame Trees - Cold Chisel Love Potion No. 9 - The Searchers Forever Now - Cold Chisel Oh Boy - Buddy Holly Girls On The Avenue - Richard Clapton Old Time Rock & Roll - Bob Seger Good Times - INXS/Jimmy Barnes Mustang Sally - Wilson Pickett Green Limousine - The Badloves My Girl - The Temptations Heaven Help My Heart - Tina Arena My Guy - Mary Wells Horses - Daryl Braithwaite Needle & Pins - The Searchers It's A Long Way To The Top - ACDC Peggy Sue - Buddy Holly Khe Sahn - Cold Chisel Pretty Woman - Roy Orbison Love Is In The Air - John Paul Young Proud Mary - CCR Never Tear Us Apart - INXS River Deep Mountain High - Ike & Tina No Secrets - The Angels Rock Around The Clock - Bill Haley Riptide - Vance
    [Show full text]
  • An Assessment of Psychoacoustical Models in The
    Abstract A simple system for recognizing music is presented, based on various musical descriptors, num- bers that describe some aspect of the music. Various descriptors are discussed; in particular, a novel descriptor, the floor-1 cepstral coefficient (F1CC) measure, a refinement of MFCCs based on the Vorbis psychoacoustical model is presented and evaluated. Also, various forms of statistical dimensionality reduction, among them PCA and LDA, are considered in the present context. Finally, a few directions for future work are discussed. vii viii Acknowledgments First of all, I would like to thank my advisor Jan Tro, who patiently provided feedback and guidance over the course of the entire semester. However, several other people have played important roles: Greg Maxwell originally proposed the idea that eventually led to the develop- ment of F1CCs, and Chris Montgomery provided helpful guidance on the internals of the Vorbis encoder. Mette Langaas helped with various insights on statistics, in particular dimensionality reduction. H˚avard Midtkil provided his entire music collection in FLAC format as data mate- rial, saving countless hours of ripping labor. Finally, Rune Holm and Magne Mæhre proofread the manuscript at various stages, providing invaluable feedback, corrections and suggestions. ix x Contents Abstract vii Acknowledgments ix Contents xi 1 Introduction 1 1.1 MusicInformationRetrieval . ....... 1 1.2 Aimofstudy ...................................... 2 1.3 Structure ....................................... 2 1.4 Previouswork.................................... 2 2 Audio descriptors 5 2.1 Motivation ...................................... 5 2.2 Formaldescription ............................... .... 5 2.3 Desiredproperties ............................... .... 6 2.4 Distortionandnoise .............................. .... 7 2.5 Choiceofsourcefragment . ..... 9 2.6 Basicmusicaldescriptors . ...... 9 2.7 Humandescriptors ................................ 13 3 Mel frequency cepstral coefficients (MFCC) 15 3.1 Psychoacoustical motivation .
    [Show full text]