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Arte Moderna E Contemporanea ARTE MODERNA E CONTEMPORANEA Milano, 11 giugno 2019 1 4 5 FRONTESPIZIO.qxp_Layout 1 14/05/19 14:21 Pagina 1 Asta Martedì 11 Giugno 2019 ore 15.30 dal lotto 1 al lotto 100 Esposizione 7, 8, 9 Giugno 2019 ore 10.00-13.00 / 14.30-18.30 Private viewing su appuntamento 4, 5, 6 Giugno 2019 ore 10.00-13.00 / 14.00-18.00 Arte Moderna e Contemporanea IL PONTE CASA D’ASTE S.R.L. - PALAZZO CRIVELLI Via Pontaccio, 12 20121 Milano Tel. +39 02 86 31 41 Fax +39 02 72 02 20 83 [email protected] www.ponteonline.com P.iva 01481220133 Iniziali 453.qxp_Layout 1 14/05/19 16:24 Pagina 3 IL PONTE CASA D’ASTE IL PONTE CASA D’ASTE DIPARTIMENTI CENTRALINO 02 86314.1 ARREDI, MOBILI, SCULTURE, MAIOLICHE, CERAMICHE E ARGENTI Valeria Agosto Tel. 02 8631418 [email protected] AMMINISTRATORE UNICO Stefano Redaelli Marco Redaelli Tel. 02 8631468 Tel. 02 8631419 [email protected] Assistenti Claudia Miceli Tel. 02 8631439 DIRETTORE GENERALE Rossella Novarini [email protected] Tel. 02 8631419 Sara Milone Tel. 02 8631494 [email protected] [email protected] [email protected] Gemma Fontana Tel. 02 8631480 ASSISTENTE DI DIREZIONE Francesca Conte [email protected] Tel. 02 8631452 DISEGNI Mattia Jona [email protected] Assistente Giulia Leonardi Tel. 02 8631453 [email protected] Laura Pucci ARTE ORIENTALE Eleonora Mazzeo Tel. 02 8631452 Assistente Federica Sampietro Tel. 02 8631421 [email protected] [email protected] DIPINTI DEL XIX E XX SECOLO Matteo Gardonio AMMINISTRAZIONE/ Fiammetta Saliu Assistente Marina Sala Tel. 02 8631412 CONTABILITÀ CLIENTI E FORNITORI Tel. 02 8631414 [email protected] [email protected] DIPINTI ANTICHI Roberto Caiati Assistente Giulia Leonardi Tel. 02 8631453 Federica Matera [email protected] Tel. 02 8631415 ARTE MODERNA E CONTEMPORANEA Freddy Battino [email protected] Assistenti Elena Pasqualini Tel. 02 8631496 Junior Specialist Lorena Massè [email protected] Tel. 02 8631465 Erica Risso Tel. 02 8631497 Junior Specialist [email protected] [email protected] Serena Marchi Tel. 02 8631422 Linzy Hu Junior Specialist [email protected] Tel. 02 8631482 Camilla Aghilar Tel. 02 8631410 [email protected] Junior Specialist [email protected] Francesca Boffetti Tel. 02 8631411 Bernadette Cornes Junior Assistant [email protected] Tel. 02 8631451 [email protected] GIOIELLI Luca Ghirondi Assistenti Claudia Vanotti Tel. 02 8631420 CONDITION REPORT / COMMISSIONI Per questa asta n. 453 [email protected] Eleonora Pecori Giraldi Tel. 02.8631462 Vedi dipartimenti evidenziati [email protected] nella pagina a fianco Claudia Terranova Tel. 02 8631420 [email protected] PUBBLICHE RELAZIONI / UFFICIO STAMPA Paola Colombo LIBRI E INCISIONI Stefania Pandakovic Assistenti Assistente Riccardo Crippa Tel. 02 8631474 Ester Mistò [email protected] Tel. 02 8631444 [email protected] FASHION VINTAGE Luca Ghirondi Assistente Cristiana Gani Tel. 02 8631442 [email protected] Bianca Frizzoni Tel. 02 8631413 OROLOGI E PENDOLERIA, STRUMENTI MECCANICI E AUTOMI Martino Lurani Cernuschi Assistente Claudia Vanotti Tel. 02 8631420 [email protected] [email protected] OROLOGI DA POLSO Giorgio Gregato Assistente Claudia Vanotti Tel. 02 8631420 EVENTI E LOCATION Tel. 02 8631444 [email protected] [email protected] ARTI DECORATIVE DEL ‘900 E DESIGN Stefano Poli Assistenti Gaia Barbieri Tel. 02 8631425 Lorenza Scubla [email protected] LICENZE DI ESPORTAZIONE / TRASPORTI ESTERI Valeria Agosto Tel. 02 8631418 TAPPETI E TESSUTI Giacomo Manoukian [email protected] Assistente Gemma Fontana Tel. 02 8631471 [email protected] ASSISTENZA CLIENTI ESTERI Cristiana Gani STRUMENTI MUSICALI Claudio Amighetti Tel. 02 8631442 Assistente Gemma Fontana Tel. 02 8631480 [email protected] [email protected] FILATELIA, CARTOLINE E NUMISMATICA Alberto Coda Canati RITIRI ACQUISTI D’ASTA Graziella Ferrara Assistente Cristiana Gani Tel. 02 8631442 Tel. 02 8631424 [email protected] [email protected] HISTORICA Umberto Campi [email protected] Assistente Anja Petrucci Tel. 02 8631490 [email protected] FOTOGRAFIA Silvia Berselli Beatrice Rapetti Assistente Anja Petrucci Tel. 02 8631490 Tel. 02 8631424 [email protected] [email protected] Referente per Torino e il Piemonte Carola Bianco Di San Secondo Via Bricherasio 7 - Torino MAGAZZINO Mihalache Ionut (Gianni) Tel. 011 541170 / 347 2331123 Hossny El Shahed [email protected] Daniel Dumitru (Florin) Referente per Modena ed Emilia Chiara Ferrari Marco Brighi Rua del Muro 60 - Modena Tel. 373 8724888 Gheorghe Dumitru [email protected] GRAFICA / IMMAGINI Valeria Agosto IL PONTE - Casa d’Aste s.r.l. Palazzo Crivelli Via Pontaccio 12 - 20121 Milano [email protected] Tel. +39 02 863 141 Fax +39 02 720 220 83 [email protected] www.ponteonline.com CORDINAMENTO SERVIZI DI SECURITY Alessandro Taverna Cap. soc. €34.320,00 10 11 12 13 1 Fortunato Depero 2 (Malosco 1892 - Rovereto 1960) Esposizioni Fortunato Depero “Riesumazioni veneziane” 1926 “XVIII Biennale Internazionale d’Arte” (Malosco 1892 - Rovereto 1960) tecnica mista su carta, cm 31x35 Venezia, 1932, p.172 n.36a in catalogo “New York” 1928 ca. Firmato, titolato e datato “Venezia 1926” “XXXVI Biennale Internazionale d’Arte” tenica mista su carta in alto a sinistra Venezia, 1972, p.149 in catalogo cm 43,5x31,5 Firmato in basso a destra Provenienza € 7.000 - 9.000 Timbro “Museo Depero Rovereto” Collezione Gianni Mattioli Opera donata da Gianni Mattioli € 4.000 - 6.000 14 15 3 4 Fortunato Depero Fortunato Depero (Malosco 1892 - Rovereto 1960) (Malosco 1892 - Rovereto 1960) "Il gallo" 1952 "Automaschera" 1952 tecnica mista su carta tecnica mista su carta cm 16x13,5 cm 16,5x13,5 Firmato in alto a sinistra Firmato in basso a sinistra Provenienza Provenienza Collezione Gianni Mattioli Collezione Gianni Mattioli Opera donata da Gianni Mattioli Opera donata da Gianni Mattioli € 2.500 - 3.500 € 2.000 - 3.000 16 17 5 Roberto Marcello Baldessari (Innsbruck 1894 - Roma 1965) due motivi: in primo luogo perché Baldessari si “Dinamismo di forme (Forme dinamiche 10°)” muoveva continuamente e non portava nulla con 1915 sé... nemmeno i pennelli. Quindi molte di queste olio su cartone opere furono in pratica abbandonate nello studio a cm 59,5x47 Firenze. E, secondariamente, rimasero sconosciuti Siglato “R.M.B.” in basso a destra proprio perché una volta che l'artista ebbe definito il Titolato, firmato e datato 1915 al retro suo personale stile futurista, in un certo qual modo lui le rifiutò, proprio come opere giovanili senza Provenienza importanza. Ed è per questo che mai furono viste Collezione privata, Milano alle mostre... ed è per questo che per lungo tempo fu considerata come la sua prima opera futurista un olio Opera accompagnata da certificato di del 1916 titolato “Donna+finestra”, che già nel titolo autenticità rilasciato dall’Archivio Unico per denuncia il suo rientro nella figurazione. Ed appunto il Catalogo delle Opere Futuriste di Roberto quel dipinto apriva anche il mio primo volume del Marcello Baldessari, Rovereto, a cura di catalogo generale dell'artista, uscito nel 1989. Ma, Maurizio Scudiero, con il n. B15-53 avvertivo, nel mio testo, che quella era un'opera già matura, compiuta, e che non era possibile che da € 15.000 - 25.000 un giorno all'altro Baldessari divenisse futurista realizzando come prima opera un dipinto così bello... insomma, che ci doveva essere una sua “vita precedente”. E grazie a quel primo volume, che sollecitò molte curiosità, questi dipinti astratti e Boccioniani un po' alla volta vennero alla luce, e ci fecero scoprire una stagione sperimentale forse Non è molto noto, ma i futuristi, e in particolare ancora più stimolante di quella già nota dell'artista, Balla, Depero, Baldessari e Prampolini, ebbero proprio perché la tensione della continua ricerca una breve ma intensa stagione astrattista, spesso l'aveva portato spesso a superare quei limiti che il autodefinita come “futur-astrattista”, che, per maestro non aveva superato, perché rimasto sempre Baldessari, è ristretta al 1915 e parte del 1916. E nell'alveo di una vaga figurazione. se il concittadino Depero è a Roma, sotto l'ala di Baldessari invece spezza la riconoscibilità sino alle Balla e del suo astrattismo analogico, Baldessari è sue componenti fondamentali di “forma” e “colore” invece a Firenze e guarda piuttosto a quello analitico e vi introduce il “dinamismo plastico” Boccioniano Boccioniano. Come ho già più volte affermato, sino alle sue conseguenze più estreme, dando Baldessari è il più Boccioniano dei futuristi, perché origine a composizioni, dove il fraseggio tra le forme così come gli studenti delle accademie “studiavano introduce anche una simultaneità di visione che è e copiavano” i maestri del Rinascimento, allo stesso appunto non-oggettiva. modo chi abbracciava il Futurismo, magari dopo In quest'opera, che si può collocare verso la fine di una “serata futurista”, e il giorno dopo non poteva quella stagione astratta, già s’intavvedono i primi già avere un suo stile futurista, doveva rifarsi ai segnali del cammino verso il suo stile personale,
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