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An introduction to the world of 21st Century Media On-Demand Š Podcasting is simply a way to syndicate audio or video programs so people can listen to or watch it at their convenience. Š Anything can be in a podcast. It can range from: ƒ Talk Programming ƒ Programming ƒ Technical Information ƒ A how-to class Š A podcast can be anything that you would like others to be able to have on-demand. Š No! ƒ You can listen to podcast on an iPod, an mp3 player, or on a computer. Š MP3 is an shortened reference to MPEG-1 Audio Layer 3. Š It is an audio file that is compressed to save file space. Š It has the nearly the same sound quality as a .wav file (used for creation of audio CDs), but takes much less file space, allowing it to be more easily shared over the web. Š Yes. ƒ You can hear an mp3 on pretty much any media format. Computers and both play mp3’s. Š But. . . Š If you download a sound file from iTunes, it can only be heard on an iPod. Š It is becoming one of the biggest forms of media today in the U.S. Š Because of the popularity of podcasting, mainstream radio and television stations have started making their content available on- demand. Š There are many industry-specific in just about every industry, including agriculture.

Š Entertainment Š Information Š Education Š Interests Š There’s plenty of reasons to start your own podcast. ƒ 1. You can become an information resource within your industry. Š There’s plenty of reasons to start your own podcast. ƒ 2. It can become a place for discourse amongst your fellow industry-specific communicators. Š There’s plenty of reasons to start your own podcast. ƒ 3. It can be used as a marketing tool for your Extension office or academic program. Š There’s plenty of reasons to start your own podcast. ƒ 4. It’s good for your image (you’re on the “cutting edge”). Š A computer Š Sound editing ƒ There are many programs: we’ll be going over . Š A microphone Š A proper microphone cord Š There are other electronic components that you can add to make the podcast sound better, but they are not necessary. Š Dynamic

Shure SM57 and Beta57a, courtesy Iain Fergusson and Wikipedia

Š Dynamic ƒ Generally very good for voice recording ƒ Generally pretty cheap ƒ Durable ƒ Easy to buy Š Dynamic ƒ The sound produced usually needs amplification ƒ Distorts particularly high-pitch sounds Š Capacitor (also known as Condenser) Š Capacitor (Also known as Condenser) ƒ Wide range of sound can be acquired ƒ Design allows full voice range representation ƒ Can easily be attached to a table using a boom Š Capacitor (Also known as Condenser) ƒ Generally more expensive ƒ Sound needs to be amplified Š Lavalier

Courtesy www.equipmentemporium.com/Lavarticle.htm Š Lavalier ƒ Compact ƒ Easy to store ƒ Good sound quality ƒ Can be worn on clothing Š Lavalier ƒ Movement of clothing can cause distortion ƒ Not as durable as larger microphones Š Computer Mics

Courtesy www.logitech.com Š Computer Mics ƒ Generally cheap ƒ Easy interface with computers Š Computer Mics ƒ Sound quality may not be as good as with professional microphones ƒ May not be as durable as professional mics Š Headsets

Courtesy www.headsets.com Š Headsets ƒ Convenient ƒ Provide very good sound quality ƒ Headphones built in ƒ Portable Š Headsets ƒ Can break easily ƒ More expensive Š If you use a Mac, you get off easy ƒ Mac provides a good sound program called “GarageBand” in its iLife software package. Š For PC users, you will either have to download a software program, or buy one. Š Acid Express Š (formally known as CoolEdit Pro) Š ProTools Š Š Audacity Š It’s easy to use and is free to download ƒ Download is available at http://audacity.sourceforge.net Š Before you think about recording, you should optimize your system to improve the recordings. Š Some of these optimizations include: ƒ Turning off unnecessary applications ƒ Shutting off unnecessary services ƒ Disable indexing ƒ Constantly defragment your hard drive ƒ Turn off system sound ƒ Control sound card latency ƒ Use a second drive for media storage Š After the program is downloaded, you can start using it immediately. Š You have the option to create a desktop shortcut when you install the program, which you should do. It will allow you to open the program more easily. Audacity is a trademark of Dominic Mazzoni ® Š When you open Audacity, the window will look like this: Š The first step is to make sure that your recording device selector reads “Microphone.” Š The first step is to make sure that your recording device selector reads “Microphone.” Š The first step is to make sure that your recording device selector reads “Microphone.” Š Next, you will want to make sure your preferences are set correctly. Š Go to the “Edit” menu and find Preferences at the bottom of the menu. Š Go to the “Edit” menu and find Preferences at the bottom of the menu. Š You will see this: Š Make sure that both your playback and recording audio devices are the sound card that your computer uses. Š Keep the “Channels” setting in the “Recordings” box set to “1 (Mono).” ƒ Even though you may think Stereo will sound better, it won’t. ƒ Recording in stereo will simply duplicate your track and make it sound like an echo chamber. ƒ If you are going to with two microphones, then switch the “Channels” setting to “2 (Stereo).” Š Now, switch to the “Quality” tab in the “Audacity Preferences” window. You will see this: Š The only setting in this tab that should be changed is your “Default Sample Format.” Change it from “32-bit float” to “16-bit.” Š The only setting in this tab that should be changed is your “Default Sample Format.” Change it from “32-bit float” to “16-bit.” Š The only setting in this tab that should be changed is your “Default Sample Format.” Change it from “32-bit float” to “16-bit.” Š Next, move to the “File Formats” tab. Š Make sure that the “Uncompressed Export Format” shows “WAV (Microsoft 16 bit PCM).” Š Now you’re set up to record audio! Š First, you will need to turn on microphone monitoring. Š To do this, simply click on the microphone icon in the toolbar. Š To start recording, all you have to do is click the “Record Button”, which is the one with the Red Circle on toolbar. When you start recording, a new sound track will appear on the screen. It will look like this: Š Once you’ve got your audio recorded, simply hit the “Stop” button in the toolbar, which is the one with the yellow square. Š Once you’ve got your audio recorded, simply hit the “Stop” button in the toolbar, which is the one with the yellow square. Š Once you’re done recording, you can edit the sound file. Š You can click and drag across any part of the sound file to edit. Š You can click and drag across any part of the sound file to edit. Š To delete a section, you can do it a few different ways: Š You can use the Edit menu to select “Cut.”

Š You can use the keyboard shortcut “Control + X” Š Or, you can simply hit the “Delete” button on the keyboard. Š Finally, you can use the “Cut” button in the middle of the tool bar, which has a picture of scissors on it.

Š Just like most other programs, there are two or three ways to do just about everything. Š There is a keyboard shortcut to just about operation. Š List of Keyboard Shortcuts: ƒ Menu Shortcuts (Press “Alt” key) à File = F à Edit = E à View = V à Generate = G à Effect = C à Analyze = A à Help = H Š List of Keyboard Shortcuts: ƒ In File Menu à New = “Ctrl + N” à Open = “Ctrl + O” à Close = “Ctrl + W” à Save Project = “Ctrl + S” Š List of Keyboard Shortcuts: ƒ In Edit Menu à Undo = “Ctrl + Z” à Redo = “Ctrl +Y” à Cut = “Ctrl + X” à Copy = “Ctrl + C” à Paste = “Ctrl + V” à Trim = “Ctrl + T” à Delete = “Ctrl + D” à Preferences = “Ctrl + P” Š List of Keyboard Shortcuts: ƒ In View Menu à Zoom In = “Ctrl + 1” à Zoom Normal = “Ctrl + 2” à Zoom Out = “Ctrl + 3” à Fit in Window = “Ctrl + F” à Fit Vertically = “Ctrl + Shift + F” à Zoom to Selection = “Ctrl + E” Š List of Keyboard Shortcuts: ƒ In Project Menu à Import Audio = “Ctrl + I” à Add Label at Selection = “Ctrl + B” Š There are six different icons in the top left corner of the window. Here’s what they do: Š Selection Tool: Allows you to click on any point of your window and set a mark. ƒ Once you set a mark an icon with a finger pointing to the mark will appear. ƒ You can use this tool to then create a region by clicking and dragging. Š Next is the Envelope Tool, which will create various kinds of fades in your sound file. Š The last one on the top is called the “Draw Tool.” ƒ With this feature, you can change the sound level of any piece of audio in you file. ƒ You do have to zoom in as close as you can to the waveform to use the tool.

Š The first tool of the bottom row is the “Zoom Tool.” Š The next tool is called the “Time Shift Tool.” ƒ It allows you to move the entire track. ƒ It should mostly be used in the editing process when an area is already highlighted. Š The final tool is called “Multi-Tool Mode.” ƒ In this mode, you can use all five tools when you as you need. Š One other important feature is the ability to use multiple tracks. ƒ If you are going to record all of your tracks yourself, simply hit record, and Audacity automatically creates a new track. ƒ If you need to import a track, you can create a new track by selecting “New Audio Track” from the “Project” menu.

Š To Import a file, choose “Import Audio” from the “Project” menu. ƒ Once you’ve done that, select the file you want to import from the dialog menu. Š Many of the options in the “Effects” menu are not going to be necessary for you, as most of them are for mastering music, but some will be of use: ƒ Amplify: Bumps up the audio level ƒ Equalization: Can make sound file louder or softer using your command ƒ Fade In/Fade Out ƒ Noise Reduction: This will partially remove any background hissing or noise you don’t want ƒ Normalize: Will make the sound a uniform volume Š To save the project, use the “File” menu and choose “Save Project.” Š To save the project, use the “File” menu and choose “Save Project.” Š Before you record, you should do three things: ƒ Test your recording gear à Make any adjustments that you need to make ƒ Write a script ƒ Practice the script a few teams Š During the Editing Process ƒ Think about what music you would like to use as background. à If you have the ability to digitally compose music, that is perfectly acceptable. à If you want to use music that is already produced, you need to be very careful!  Copyright laws are very strict, and music companies WILL come after you if you use music without permission. Š During the Editing Process ƒ There are, however, places you can find “Podsafe Music:” à The Free Sound Project: à freesound.iua.upf.edu à www.soundsnap.com à www.flashkit.com/soundfx à www.bumpermusic.blogspot.com à www.fourbees.com/fourbees/audelm.asp à www.podsafeaudio.com à www.acidplanet.com/tools/8packs à en.wikipedia.org/wiki/Wikipedia:Sound/list Š There are three steps to finalizing your podcast: ƒ Evening the audio level throughout the podcast ƒ Saving the file as an mp3 ƒ Putting the podcast in RSS code for internet distribution Š To make it easier to make all sound levels even, there is a free program called Levelator that can be downloaded. ƒ http://gigavox.com/levelator ƒ From Audacity, you will choose “Export as an mp3” from the “File” menu. ƒ Once that is done, you can drag and drop your file into Levalator and it will make all the sound uniform. You can then export the file back into Audacity. Š To save the file as an mp3, Audacity users must export the file to a component program called LAME mp3 encoder. ƒ It can be downloaded from the Audacity website ƒ To export, choose “Export as an mp3” from the “File” menu. ƒ Once the file is saved an mp3, it can imported back to Audacity and is now ready to be published on the internet. Š The final step is to generate RSS code for the podcast Š RSS stands for Really Simple Syndication Š It is feed that users can subscribe to that alerts them when new content is published Š Many news sites now use RSS, including our site: cahnrsnews.wsu.edu Š If you already know how to write internet code, writing this isn’t much different. Š If you don’t, there are programs available online that will write the code for you Š Once the code is written, it should be validated. Š Any mistake in this code will render it useless on the web. Š There are a number of websites that will tell you if your RSS code is valid. Š Once it is validated, you may post it to the web! Š Now that you have a podcast, how to get people to listen to it? Š You’ll need to know your audience: where are they likely to look for the kind of content you’re producing? Š If you have a website, promote it there. Š Be sure you write a clear and concise description of each podcast – this will help search engines properly categorize your content Š Use a graphical icon so that the visitor instantly recognizes you’ve got podcasts available Š Alert Podcast listing websites to your podcast. Š It’s always been considered the best advertising: WORD OF MOUTH! Š Post on blogs in your area of expertise. Š One of the best ways to create buzz in the new world of the internet: Get a blogger interested in your podcast. Š Find blogs in your interest area (try using the blog search engine Technorati) Š Contact the blogger by email and let them know you’ve developed content that might interest them Š Post comments on blogs that link back to your content Š Jeff Mannix, Radio Relations Coordinator, WSU CAHNRS & Extension News & Marketing Service Š Office: 219 Hulbert Hall on Pullman Campus Š Office Phone: (509) 335-8169 Š E-mail: [email protected]