Miroslaw Balka Biography
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Apskates Objekti Muzeji Skatu Laukumi Iepirkšanās
24 ANNAS IELA GRODŅAS IELA BRĪVĪBAS IELA SPORTA IELA DAGMĀRAS IELA VIĻŅAS IELA 3 11 PALĪDZĪBAS IELA VIESTURA DĀRZS ARISTIDA BRIĀNA IELA 16 HANZAS IELA 3 TALLINAS IELA HANZAS IELA ŠARLOTES IELA 1 BUĻĻU IELA VIĻŅAS IELA HANZAS IELA 19 EMBŪTES IELA ANDREJSALA VALKAS IELA VAŠINGTONA ZAUBES IELA LAUKUMS 24 VESETAS IELA 5 LENČU IELA MAIZNĪCAS IELA RŪPNIECĪBAS IELA VERU IELA MATROŽU IELA DZEGUŽKALNS VIDUS IELA GANU IELA HANZAS IELA SALDUS IELA LOČU IELA 16 BUĻĻU IELA SAKARU IELA MEDNIEKU IELA 3 STRĒLNIEKU IELA 1 MIERA IELA DAUGAVGRĪVAS IELA EMIĻA MELNGAIĻA IELA STABU IELA BRUŅINIEKU IELA DZEGUŽU IELA DZIRNAVU IELA KR. BARONA IELA APSKATES OBJEKTI 36 Kristus Piedzimšanas 31 Rīgas Jūgendstila muzejs SKOLAS IELA SIGHTSEEING pareizticīgo katedrāle Art Nouveau Museum 1 TĒRBATAS IELA TALLINAS IELA ДОСТОПРИМЕЧАТЕЛЬНОСТИ Nativity of Christ Cathedral Рижский музей югендстиля IELA AUSEKĻA 11 Кафедральный собор Jugendstilmuseum Riga VĪLANDES IELA SEHENSWÜRDIGKEITEN 31 ĢERTRŪDES IELA CENTRS ĢIPŠA IELA Рождества Христова ELIZABETES IELA RŪPNIECĪBAS IELA 32 33 P. Stradiņa Medicīnas vēstures EKSPORTA IELA ALBERTA IELA CENTER 1 Rīgas pils Christi-Geburt-Kathedrale muzejs PULKVEŽA BRIEŽA IELA Riga Castle ЦЕНТР Vecā Sv. Ģertrūdes baznīca P. Stradins Museum of the STRĒLNIEKU IELA Рижский замок 38 Old St. Gertrude’s Church History of Medicine ANTONIJAS IELA ZAĻĀ IELA ZENTRUM Rigaer Schloss A.ČAKA IELA Старая Гертрудинская Музей истории медицины RĪGABAZNĪCAS IELA ELIZABETES IELA 2 Lielais Kristaps церковь им. П. Страдыня 39 Great Kristaps ENKURU IELA Alte St. Gertrude-Kirche -
Experience the Flemish Masters Programme 2018 - 2020
EXPERIENCE THE FLEMISH MASTERS PROGRAMME 2018 - 2020 1 The contents of this brochure may be subject to change. For up-to-date information: check www.visitflanders.com/flemishmasters. 2 THE FLEMISH MASTERS 2018-2020 AT THE PINNACLE OF ARTISTIC INVENTION FROM THE MIDDLE AGES ONWARDS, FLANDERS WAS THE INSPIRATION BEHIND THE FAMOUS ART MOVEMENTS OF THE TIME: PRIMITIVE, RENAISSANCE AND BAROQUE. FOR A PERIOD OF SOME 250 YEARS, IT WAS THE PLACE TO MEET AND EXPERIENCE SOME OF THE MOST ADMIRED ARTISTS IN WESTERN EUROPE. THREE PRACTITIONERS IN PARTICULAR, VAN EYCK, BRUEGEL AND RUBENS ROSE TO PROMINENCE DURING THIS TIME AND CEMENTED THEIR PLACE IN THE PANTHEON OF ALL-TIME GREATEST MASTERS. 3 FLANDERS WAS THEN A MELTING POT OF ART AND CREATIVITY, SCIENCE AND INVENTION, AND STILL TODAY IS A REGION THAT BUSTLES WITH VITALITY AND INNOVATION. The “Flemish Masters” project has THE FLEMISH MASTERS been established for the inquisitive PROJECT 2018-2020 traveller who enjoys learning about others as much as about him or The Flemish Masters project focuses Significant infrastructure herself. It is intended for those on the life and legacies of van Eyck, investments in tourism and culture who, like the Flemish Masters in Bruegel and Rubens active during are being made throughout their time, are looking to immerse th th th the 15 , 16 and 17 centuries, as well Flanders in order to deliver an themselves in new cultures and new as many other notable artists of the optimal visitor experience. In insights. time. addition, a programme of high- quality events and exhibitions From 2018 through to 2020, Many of the works by these original with international appeal will be VISITFLANDERS is hosting an Flemish Masters can be admired all organised throughout 2018, 2019 abundance of activities and events over the world but there is no doubt and 2020. -
Abakanowicz, Magdalena CV 08 08 19
Marlborough MAGDALENA ABAKANOWICZ 1930— Born in Falenty, Poland. 2017— Died in Warsaw, Poland on April 20th. EDUCATION 1950— Studied at the Academy of Fine Arts, Poznań, Poland (through 1954) SOLO EXHIBITIONS 2019— Into the Space of Magdalena Abakanowicz: Textile and Sculpture, The Museum of Decorative Arts and Design,Riga, Latvia 2018— Presence, Essence, Identity, The Old Mine Center for Science and Art, Wałbrzych, Poland Magdalena Abakanowicz: Embodied Forms, Marlborough Gallery, New York, New York 2017— Metamorfizm/Metamorphim, Central Museum of Textiles, Lodz, Poland (through 2018) Effigies of Life: A Tribute to Magdalena Abakanowicz (1930-2017), Dworcowa Public Gallery, Wroclaw, Poland. 2016— Magdalena Abakanowicz, Galeria Marlborough Barcelona, Barcelon, Spain Mutations, Richard Gray Gallery, Chicago, Illinois 2015— Unrepeatability: from Abakan to Crowd, Marlborough Gallery, New York, New York Magdalena Abakanowicz: In Honour of Her 85th Birthday, Beck & Eggling, Düsseldorf, Germany Abakany/Abakans, Galeria Starmach, Krakow, Poland 2014— Magdalena Abakanowicz: New York Avenue Sculpture Project, National Museum of Women in the Arts,Washington, D.C. (through September 27, 2015) Magdalena Abakanowicz, Galeria Winda, Kielce, Poland 2013— Magdalena Abakanowicz: A Survey 1987-2009, Marlborough Gallery, New York, New York Abakanowicz? Abakanowicz!, The House of the Visual Artist, Warsaw, Poland Magdalena Abakanowicz: Retrospective, Centrum Rzeźby Polskiej, Orońsko, Poland !Marlborough Magdalena Abakanowicz: Opus et Fabulas, Miejsca Galeria -
Visits4u Itineraries: History and Heritage Route Riga, Latvia
visits4u itineraries : History and Heritage Route Riga, Latvia visits4u is co-funded by the COSME Programme of the European Union Riga, Latvia: History and Heritage Route Description of the town Riga, capital of Latvia is located on the shore of Baltic Sea, on the creek of Daugava river and with almost 700,000 inhabitants and 18 different districts is the biggest metropolis in the Baltics. Riga was founded in 1201 and is a former Hanseatic League member. Riga's historical center is a UNESCO World Heritage Site, noted for its Art Nouveau/Jugendstil architecture and 19th century wooden architecture. Over the centuries, the city has developed as a center for trade, transit and later became an industrial center. Riga is also known for being a green and blooming city – large and well- kept parks, romantic squares, beautiful gardens. Already since the 18 th century, Regan’s have taken great interest in the art of gardening, creating lush public parks and picturesque squares. Unhurried walks, colourful flowerbeds, leisurely sitting in benches or lawns in a park, bird songs and leaves rustling in the wind – this is Riga where city meets Nature. Landscape of Old Riga featuring Dome Cathedral in the center www.visits4u.eu Project No: 699484 | Call: COS – TOUR – 2015 – 3 – 04 – 1 Page 1 The content of this document represents the views of the author only and is his/her sole responsibility; it cannot be considered to reflect the views of the European Commission and/or the Executive Agency for Small and Medium-sized Enterprises or any other body of the European Union. -
Janmatejko Folder
Collector’s Coins Collector’s Coins National Bank of Poland Collector’sCollector’s CoinsCoins face value 20 z∏ face value 2 z∏ metal 925/1000 Ag and paints: metal CuAl5Zn5Sn1 alloy red, yellow, green and blue finish standard finish proof diameter 27.00 mm dimensions length: 40.00 mm weight 8.15 g width: 28,00 mm mintage 700,000 pcs weight 28.28 g mintage 57,000 pcs Obverse: An image of the Eagle as the state Emblem of the Republic of Poland, on the left side a palette and two Obverse: Stylised image of Jan Matejko’s picture "Staƒczyk" paintbrushes. Below an inscription: 2 Z¸, at the top in ("Staƒczyk during a ball at the queen Bona’s court after having a semicircular inscription: RZECZPOSPOLITA POLSKA 2002. Under m heard about the loss of Smoleƒsk"). In the right angle below an the left talon of the Eagle, the Mint mark:––w . image of the Eagle as the state Emblem of the Republic of On 11 December, 2002 the National Poland. Around the Eagle, an inscription: RZECZPOSPOLITA Reverse: Jan Matejko’s self-portrait, higher up, on the left side Staƒczyk from the painting "Ho∏d pruski" („The ceremony of Bank of Poland puts into circulation POLSKA and 20 z∏. Under the left talon of the Eagle, the Mint collectors’ coins depicting a person- m the Grand Master of the Teutonic Order swearing allegiance to mark:––w . age of Jan Matejko, of the following King Sigismund the Old of Poland"). Above in a rim an face values: inscription: JAN MATEJKO, below in a rim dates: 1838-1893. -
Wroblewski Andrzej to the Ma
Courtesy of the Van Abbemuseum and Andrzej Wroblewski Foundation / www.andrzejwroblewski.pl ANDRZEJ WRÓBLEWSKI TO THE MARGIN AND BACK EDITED BY Magdalena Ziółkowska Van abbeMUseUM, EindHOVen, 2010 Courtesy of the Van Abbemuseum and Andrzej Wroblewski Foundation / www.andrzejwroblewski.pl Courtesy of the Van Abbemuseum and Andrzej Wroblewski Foundation / www.andrzejwroblewski.pl [1] Museum, 1956 Courtesy of the Van Abbemuseum and Andrzej Wroblewski Foundation / www.andrzejwroblewski.pl CONTENTS FILE UNDER SEMI-ACTIVE Charles Esche 9 TO THE MARGIN AND BACK Magdalena Ziółkowska 11 1 [Spring in January…] 15 COMMENTARY ON THE 1ST EXHIBITION OF MODERN ART Andrzej Wróblewski 18 REMarks ON MODERN ART Zbigniew Dłubak 24 STATEMENT ON THE 1ST EXHIBITION OF MODERN ART Andrzej Wróblewski 30 [A man does not consist…] 38 FROM STUDIES ON THE ŒUVRE OF Andrzej Wróblewski. THE PERIOD BEFORE 1949 Andrzej Kostołowski 42 2 [New realism] 69 ONE MORE WORD ON THE ART SCHOOLS Andrzej Wróblewski 72 [The artistic ideology of the group…] 75 Courtesy of the Van Abbemuseum and Andrzej Wroblewski Foundation / www.andrzejwroblewski.pl VISUAL ARTISTS IN SEARCH OF THE CORRECT PATH Andrzej Wróblewski 76 [Social contrasts — divisions] 80 [Satisfying specific social commissions…] 82 TO BE OR NOT TO BE IN THE POLISH UNITED WORKERS‘ PARTY Andrzej Wróblewski 86 CONFESSIONS OF A DISCREDITED ‘FoRMER COMMUNIST’ Andrzej Wróblewski 90 3 [We should settle the date for a MULTIARTISTIC EXHIBITION] 97 BODY AND MelanCHOLY. THE LATE WOrks OF Andrzej Wróblewski Joanna Kordjak-Piotrowska -
Matejko, Jan Jan Alojzy Matejko (1848–1893) Was a Polish Painter, Draughtsman, Portraitist, and Representa- Tive of Historicism and Academism in European Painting
47 Mastema 48 Matejko, Jan Jan Alojzy Matejko (1848–1893) was a Polish painter, draughtsman, portraitist, and representa- tive of historicism and academism in European painting. He created numerous religious and sacred paintings, and was the originator of the national Polish school of historical painting. Matejko initially wanted to become a religious painter and considered sacred painting his calling. However, after the defeat of the Polish January Up- rising (1863/4), he turned more towards historical painting – a move significantly influenced by Józef Szujski, co-founder of the so-called Kraków School of History. Matejko made numerous artistic journeys, visit- ing the following art centers in Europe: Paris (in 1867, 1870, 1878, 1880), Vienna (in 1866, 1867, 1870, 1872, 1873, 1882, 1888), Istanbul/I˙stanbul (1872), Prague and Budapest (1873), and Venice, Rome, and Florence (1878/1879 and 1883). He suc- cessfully exhibited his paintings many times at pub- lic exhibitions outside Poland, in major cities of Eu- rope, including Paris, Vienna, Berlin, London, Prague, Budapest, and St. Petersburg. Matejko’s “religious” paintings can be divided into three groups. Firstly, he composed several dozen historical paintings (including large format Encyclopedia of the Bible and Its Reception vol. 18 Marek Mariusz Tytko - 10.1515/ebr.matejkojan © WalterDownloaded de Gruyter, from Berlin/Boston, De Gruyter Online 2020 at 10/05/2020 10:54:34AM by [email protected] via Gary Helft 49 Matejko, Jan 50 paintings) with interwoven historical and philo- -
Luc Tuymans in the Dark Regions of The
Luc Tuymans In the Dark Regions of the My project is an effort to avert the critical gaze from the racial object to the racial World subject; from the described and the imagined to the describers and imaginers; from the serving to the served. - Toni Morrison" "Mwana Kitoko, The beautiful White Man." Thus did the people of the In Tuymans' oeuvre, a painting often acquires additional layers of Congo address their sovereign, Baudouin, king of the Belgians. Luc meaning through the precisely devised context of its first exhibition, Tuymans painted him descending the narrow stairs of his airplane in the frequently involving spaces that require a certain number and mid-fifties, wearing an immaculate white Navy uniform, looking just a combination of works. Even while painting, Tuymans often has a little too stiff for the elegance of his slim figure, one hand firmly precise notion of how the picture is to operate alone, together with grasping his sword, his eyes hidden behind sunglasses to protect them others, and in the room where it is first to be presented. In his most from the sun and the intrusive gaze of others. The painting of Baudouin, recent cycle for the David Zwirner Gallery in New York, the full- MWANA KITOKO (2000), shows a grand entrance in bright light that length portrait of the monarch is placed— among others—opposite a oscillates between the dazzling effect of a media event and the light of slightly smaller three-quarter portrait of a black man titled STATUE the tropics. The dark lens gives the figure an insect-like appearance. -
The Collection of Polish Art | 1 Right from the Start Artymowska Worked on Abstract Paintings, and Created Monotypes and Ceramics
KunstmThe Bochumuseum Art Bochum Museum – Die– the Sammlung Collection of Polish Art polnischerSelection and texts: Axel Kunst Feuß Multiplied Space IX, 1981 Artymowska, Zofia (1923 Kraków - 2000 Warsaw): Multiplied Space IX, 1981. Serigraphy, Collage, 60.8 x 49.7 cm (41.6 x 41.1 cm); Inv. no. 2149 The Bochum Art Museum Zofia Artymowska, born 1923 in Kraków, died 2000 in Warsaw. She was married to the painter and graphic artist Roman Artymowski (1919-1993). Studies: 1945-50 Academy of Visual Arts, Kraków (under Eugeniusz Eibisch, diploma in painting). 1950/51 Assistant. Lived in Warsaw from 1951; in Łowicz from 1980. 1953-56 works on murals during the reconstruction of Warsaw. 1954 Golden Cross of Merit. 1960-68 Professor at the University of Baghdad. 1971-83 Lecturer at the University of Visual Arts, Breslau/Wrocław. Solo exhibitions since 1959 in Warsaw, Beirut, Baghdad, Łódź, Breslau, Stettin/Szczecin, New York. Works in museums in Baghdad, Bochum, Bogota, Breslau, Bydgoszcz, Dresden, Łódź, New York, Warsaw. The Bochum Art Museum – the Collection of Polish Art | 1 Right from the start Artymowska worked on abstract paintings, and created monotypes and ceramics. During her time in Baghdad she turned to oil painting. At the university there she taught mural painting at Tahreer College as well as painting, drawing and composition at the College of Engineering in the faculty of architecture. From the 1970s onwards she explored the potential forms of expression inherent in a single geometric form, the cylinder (derived from machine parts) that she used as a constantly duplicated module for creating images. -
Events in Riga April / May / June 2015 Planeta 210X100mm PRINT.Pdf 1 09.12.2014 10:09:28 EVENTS in RIGA APRIL / MAY / JUNE 2015
Events in Riga April / May / June 2015 planeta 210x100mm _ PRINT.pdf 1 09.12.2014 10:09:28 EVENTS IN RIGA APRIL / MAY / JUNE 2015 CONTENTS 2 April Events 21 May Events 37 June Events 48 List of venue addresses RIGA TOURIST INFORMATION CENTRES At the Riga Tourist Information Centre (Rātslaukums 6), you can receive more information, as well as tickets to most of the events mentioned. Rātslaukums 6. Phone: +371 67037900 Kaļķu iela 16. Phone: +371 67227444 Riga International Coach Terminal Prāgas iela 1. Phone: +371 67220555 Working hours: April: 10:00–18:00 May, June : 9:00–19:00 [email protected] www.LiveRiga.com in cooperation with: This information has been prepared on 25.02.2015. The Riga Tourism Development Bureau is not responsible for any changes made by event organisers. On national holidays (03.-06.04., 01.-04.05., 22.-24.06.2015), certain locations may be closed or have shortened working hours. EVENT CALENDAR Date Time Event Venue Pg. 01.04.- 9:00-19:00 Egle's Crafts Fair Egle's Crafts Fair 8 31.12. 10:00- Two Centuries of Italian Art Museum Riga 01.-19.04. 18:00 Portrait Painting. 1580-1780: 8 Bourse (II-VII) An Exhibition 10:00- Jewellery artist Emmanuel 18:00 (I-V), 01.-11.04. Lacoste`s exhibition: "The Art gallery Putti 8 11:00-17:00 Seven Deadly Sins" (VI) 10:00- 04.03.- Exhibition "Gem of Art Riga Art Nouveau 18:00 8 24.05. Nouveau: Riga Synagogue" Museum (II-VII) The Pauls Stradins 01.04.- 11:00-17:00 Exhibition "Anatomist: The museum of 8 16.05. -
Luc Tuymans Good Luck
Luc Tuymans Good Luck October 27 – December 19, 2020 5–6/F, H Queen’s, 80 Queen’s Road Central Hong Kong Luc Tuymans, Still, 2019 © Luc Tuymans Courtesy the artist and David Zwirner David Zwirner is pleased to present an exhibition of new work by the renowned Belgian artist Luc Tuymans (b. 1958) at the gallery’s Hong Kong location—his first solo presentation in Greater China. On view will be a selection of recent paintings and a new single-channel animated video that are drawn from a range of historical and contemporary images. Together the works share an undercurrent, as suggested by the exhibition’s title, of paradox and uncertainty. Tuymans has become known for a distinctive style of painting that demonstrates the power of images to simultaneously communicate and withhold. Emerging in the 1980s, Tuymans pioneered a decidedly non-narrative approach to figurative painting, instead exploring how information can be layered and embedded within certain scenes and signifiers. Based on preexisting imagery culled from a variety of sources, his works are rendered in a muted palette that is suggestive of a blurry recollection or a fading memory. Their quiet and restrained appearance, however, belies an underlying moral complexity, and they engage equally with questions of history and its representation as they do with quotidian subject matter. Tuymans’s canvases both undermine and reinvent traditional notions of monumentality through their insistence on the ambiguity of meaning. The present exhibition brings together a wide range of global, historical, and contemporary references that reflect ongoing themes of interest for the artist. -
A Spatial History of Independent Art Spaces in Krakow from the 1970S to 2019
arts Article A Spatial History of Independent Art Spaces in Krakow from the 1970s to 2019 Jarosław Działek Institute of Geography and Spatial Management, Faculty of Geography and Geology, Jagiellonian University, ul. Gronostajowa 7, 30-387 Krakow, Poland; [email protected] Abstract: Independent art spaces not only play an important role in exploring frontiers in the visual arts but are often also pioneers discovering new artistic territories within cities. Due to their subordinate position in the field of art, they often occupy marginal spaces in terms of their location within the urban structure and/or in terms of their physical visibility within the built environment. Their location outside the established artistic cores reflects, at the same time, their weaker economic standing and wish to distinguish themselves from previous generations of cultural producers. Post- socialist cities offer the opportunity to study the spatial history of independent art spaces under different political and economic systems. In this paper, I have used a detailed database of private art galleries in the period from the 1970s to 2019 and content analysis of press and internet texts about them to uncover the stages of development of independent art venues in Krakow, Poland, an example of a post-socialist city with a rich cultural heritage. They included periods of dispersion within the wider inner-city followed by cycles of concentration in rather neglected quarters that were emerging as epicentres of alternative artistic life only to dissipate due to unfavourable economic conditions and the appearance of the next generations of artists who wanted to mark their distinctive presence both in the art world and in the urban space.