Summer/Autumn 2004
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Norfolk Local Flood Risk Management Strategy
Appendix A Norfolk Local Flood Risk Management Strategy Consultation Draft March 2015 1 Blank 2 Part One - Flooding and Flood Risk Management Contents PART ONE – FLOODING AND FLOOD RISK MANAGEMENT ..................... 5 1. Introduction ..................................................................................... 5 2 What Is Flooding? ........................................................................... 8 3. What is Flood Risk? ...................................................................... 10 4. What are the sources of flooding? ................................................ 13 5. Sources of Local Flood Risk ......................................................... 14 6. Sources of Strategic Flood Risk .................................................... 17 7. Flood Risk Management ............................................................... 19 8. Flood Risk Management Authorities ............................................. 22 PART TWO – FLOOD RISK IN NORFOLK .................................................. 30 9. Flood Risk in Norfolk ..................................................................... 30 Flood Risk in Your Area ................................................................ 39 10. Broadland District .......................................................................... 39 11. Breckland District .......................................................................... 45 12. Great Yarmouth Borough .............................................................. 51 13. Borough of King’s -
THE RIVER NAR a Water Framework Directive Local Catchment Plan
THE RIVER NAR A WATER FRAMEWORK DIRECTIVE LOCAL CATCHMENT PLAN DEVELOPED IN PARTNERSHIP WITH WORKING TOGETHER TO CONSERVE AND PROTECT ENGLISH RIVERS WITH SUPPORT FROM THE RIVER NAR A WATER FRAMEWORK DIRECTIVE LOCAL CATCHMENT PLAN | PAGE 1 CONTENTS Introduction and Acknowledgements 2 The Catchment Plan in Brief 3 THE CATCHMENT The River Nar and its Catchment 4 Geomorphology 6 Land Use 7 Ecology 9 Conservation Designations 11 Archaeology and Hydrology 12 The 2009 WFD classification 14 THE PROBLEMS AND SOLUTIONS Overview of Limiting Factors 16 Overview of Restoration Measures 17 Canalisation and Connectivity 18 Restoring Connectivity Upper River 20 Restoring Connectivity Lower River 24 Abstraction 26 Impoundments 30 Diffuse Pollution 31 Sediment Pollution 32 Notes on the River Nar Drinking Water 34 Protected Areas and Safeguard Zone Designation Overshading 36 Invasive Plants 37 AN ACTION PLAN Restoration Units 38 Time-Tabled Costs and Actions 44 Works Delivered 46 Partners and Contacts 48 Further Reading 48 ACKNOWLEDGEMENTS The Norfolk Rivers Trust would like to acknowledge that the following organisations and individuals have already dedicated This plan has been prepared by the Norfolk Rivers Trust in a lot of time and research towards planning restoration initiatives consultation with the other members of the River Nar Partnership: on the river. This Local Catchment Plan would not have been the Norfolk Rivers Drainage Board, the Environment Agency, possible without their work: Natural England, the River Restoration Centre and WWF-UK. The Environment Agency, Natural England, Norfolk Rivers Its findings are based on catchment walks and surveys, historical Drainage Board, The River Restoration Centre, D. -
Primary Music Previously Played
THE AUSTRALIAN SCHOOL BAND & ORCHESTRA FESTIVAL MUSIC PREVIOUSLY PLAYED HELD ANNUALLY THROUGH JULY, AUGUST & SEPTEMBER A non-competitive, inspirational and educational event Primary School Concert and Big Bands WARNING: Music Directors are advised that this is a guide only. You should consult the Festival conditions of entry for more specific information as to the level of music required in each event. These information on these lists was entered by participating bands and may contain errors. Some of the music listed here may be regarded as too easy or too difficult for the section in which it is listed. Playing music which is not suitable for the section you have entered may result in you being awarded a lower rating or potentially ineligible for an award. For any further advice, please feel free to contact the General Manager of the Festival at [email protected], visit our website at www.asbof.org.au or contact one of the ASBOF Advisory Panel Members. www.asbof.org.au www.asbof.org.au I [email protected] I PO Box 833 Kensington 1465 I M 0417 664 472 Lithgow Music Previously Played Title Composer Arranger Aust A L'Eglise Gabriel Pierne Kenneth Henderson A Night On Bald Mountain Modest Moussorgsky John Higgins Above the World Rob GRICE Abracadabra Frank Tichelli Accolade William Himes William Himes Aerostar Eric Osterling Air for Band Frank Erickson Ancient Dialogue Patrick J. Burns Ancient Voices Michael Sweeney Ancient Voices Angelic Celebrations Randall D. Standridge Astron (A New Horizon) David Shaffer Aussie Hoedown Ralph Hultgren -
Bolderboulder 2005 - Bolderboulder 10K - Results Onlineraceresults.Com
BolderBOULDER 2005 - BolderBOULDER 10K - results OnlineRaceResults.com NAME DIV TIME ---------------------- ------- ----------- Michael Aish M28 30:29 Jesus Solis M21 30:45 Nelson Laux M26 30:58 Kristian Agnew M32 31:10 Art Seimers M32 31:51 Joshua Glaab M22 31:56 Paul DiGrappa M24 32:14 Aaron Carrizales M27 32:23 Greg Augspurger M27 32:26 Colby Wissel M20 32:36 Luke Garringer M22 32:39 John McGuire M18 32:42 Kris Gemmell M27 32:44 Jason Robbie M28 32:47 Jordan Jones M23 32:51 Carl David Kinney M23 32:51 Scott Goff M28 32:55 Adam Bergquist M26 32:59 trent r morrell M35 33:02 Peter Vail M30 33:06 JOHN HONERKAMP M29 33:10 Bucky Schafer M23 33:12 Jason Hill M26 33:15 Avi Bershof Kramer M23 33:17 Seth James DeMoor M19 33:20 Tate Behning M23 33:22 Brandon Jessop M26 33:23 Gregory Winter M26 33:25 Chester G Kurtz M30 33:27 Aaron Clark M18 33:28 Kevin Gallagher M25 33:30 Dan Ferguson M23 33:34 James Johnson M36 33:38 Drew Tonniges M21 33:41 Peter Remien M25 33:45 Lance Denning M43 33:48 Matt Hill M24 33:51 Jason Holt M18 33:54 David Liebowitz M28 33:57 John Peeters M26 34:01 Humberto Zelaya M30 34:05 Craig A. Greenslit M35 34:08 Galen Burrell M25 34:09 Darren De Reuck M40 34:11 Grant Scott M22 34:12 Mike Callor M26 34:14 Ryan Price M27 34:15 Cameron Widoff M35 34:16 John Tribbia M23 34:18 Rob Gilbert M39 34:19 Matthew Douglas Kascak M24 34:21 J.D. -
Wider. Bigger. Greater
WIDER. BIGGER. GREATER. Neo-Palladian Country Houses as Representations of Power Struggle, Globalization and “Britishness” in the United Kingdom of the 1750s Stefanie Leitner s1782088 - [email protected] Supervisor: Dr. J.G. Roding Second reader: Dr. E. den Hartog MA Arts and Culture 2016/2017 Specialization: Architecture TABLE OF CONTENT 1. Introduction ................................................................................................. 1 1.1. Theoretical Framework ......................................................................... 2 1.2. Literature Review ................................................................................. 4 2. Node I – Architecture .................................................................................. 8 2.1. General developments compared to the 1720s .................................... 8 2.2. Introduction of the Case Studies .......................................................... 9 2.2.1. Holkham Hall (1734-1764) ........................................................... 11 2.2.2. Hagley Hall (1754-1760)............................................................... 20 2.2.3. Kedleston Hall (1759) ................................................................... 28 3. Node II – Globalization ............................................................................. 38 3.1. Colonization and the British Empire ................................................. 38 3.2. Connection with continental Europe .................................................. 39 3.3. -
The Lookout Our New Visitor Facility on the Holkham National Nature Reserve First Words
Holkham Gazette Issue 28 Autumn 2018 The Lookout Our new visitor facility on the Holkham National Nature Reserve First words Caring for the Holkham collection Maria de Peverelli is executive chairman of Stonehage Fleming Art Management, serving a client base that includes The Lookout, the new facility on Lady individuals, family offices, foundations, Anne’s Drive on the Holkham trusts and estates. She has recently taken up National Nature Reserve, is well the role of consultant on the collection at worth a visit. The interesting, very Holkham where she will oversee the informative and interactive conservation and preservation, and educational boards and media screens supervise the loan, of items from Holkham’s reward those who take time to study world-famous collection to other art them, offering new insights as to how galleries and museums around the world. the reserve’s precious and precarious Maria is also a Trustee of the Yorkshire landscape is managed and what Sculpture Park and of the Estorick visitors can do to help. Its exciting Collection and serves as a member of the design seems destined for board of Advisers of the Fondazione Palazzo commendation by architects from Strozzi, Florence. She established OmniArt in 2005 and prior to that, Maria was around the country and the ‘green’ gallery director of the Villa Favorita in Lugano (Thyssen-Bornemisza message is very thoughtfully and collection). She has organised exhibitions for the Museum of Applied Arts in effectively conveyed. All that and Frankfurt and taught museum management at the University of Genoa. lavatories too – go and see! Sara Phillips, Editor Contents First words ........................................................ -
Job Description
Job Description Title PA to The Countess of Leicester – maternity cover Location: Holkham Hall, Wells-next-the-Sea, Norfolk Reporting to The Countess of Leicester Lateral relationships PA to The Earl of Leicester, Hall team, PA to the Managing Director The Holkham Estate The Holkham Estate extends over 25,000 acres and has an annual turnover of over £19m. The land and property-based enterprises include residential lettings, commercial lettings, property maintenance and development, farming, forestry, country sports, an inn, a holiday park, beach and car parks. The operations centred on Holkham Hall include day visitors, catering, filming, corporate indoor and outdoor events and concerts. See www.holkham.co.uk for more information. Estate Policy Our vision is to see Holkham as the UK’s leading rural estate against which others will measure their own success. Our purpose is to manage Holkham as a progressive commercial operation set within a thriving local community where rural values are upheld. The aim is to ensure the long-term prosperity of the Estate and of those who live and work on it. Overall Job Purpose The role of the Personal Assistant to Lady Leicester is to enable Lord and Lady Leicester and their family to maintain a happy and balanced family life within the context of a home that is open to visitors, in the middle of a thriving collection of rural businesses. The purpose of this role is to provide flexible, timely and focused support to Lady Leicester so that she can effectively balance the varied and intense demands of her involvement in various local charities and family life while maintaining her preferred level of control and privacy. -
Benedetto Luti
BENEDETTO LUTI (Florence 1666 - Rome 1724) Portrait of a Young Girl oil on canvas 41 x 31.8 cm (16¼ x 12½ in) HIS DELIGHTFUL PORTRAIT SHOWS A YOUNG GIRL gazing outside the picture plane to her right. Her porcelain skin is creamy and radiant and her cheeks shimmer with a hint of pink. She wears a simple blue and ochre gown, accessorised with a delicate gold chain necklace and a single drop earring, while Ther hair is loosely tied in a chignon. There is a great sense of simplicity and charm in Benedetto Luti’s Portrait of a Young Girl. The artist has evidently taken great enjoyment in capturing the innocence and youth of this pretty young girl whose attentions are directed elsewhere. Luti was a master of suave portraiture. He was one of the greatest colourists in eighteenth-century Rome and his chalk and pastel studies of single heads, bust-length apostles, saints, angels and children are charming in their polished freshness and elegance. An excellent example of Luti’s refined portraiture is held in theH ermitage (fig. 1).A Boy with a Flute shows a young boy in almost exactly the same pose as the girl in the present work. In his hand he holds a flute though he appears Benedetto to have been distracted by something unknown to the viewer. As in the Luti, present portrait, Luti has applied skilful colouring and flowing brushwork Head of a Girl, to achieve a subtle luminosity that is particularly lustrous in the boy’s curled Holkham Hall, hair and rosy cheeks. -
Biodiversity Action Plan
BIODIVERSITY ACTION PLAN April 2018 BROADS IDB – BIODIVERSITY ACTION PLAN Front cover images (L-R) Marsh Harrier ©Artur Rydzewski; Norfolk Hawker © Milo Bostock; Water Soldier; Water Vole; Berney Marshes ©Mike Page; BIDB Digger BROADS IDB – BIODIVERSITY ACTION PLAN FOREWORD This Biodiversity Action Plan (Second Edition) has been prepared by the Broads Internal Drainage Board in accordance with the commitment in the Implementation Plan of the DEFRA Internal Drainage Board Review for IDB’s, to produce their own Biodiversity Action Plans by April 2010. As such, the original version was published in January 2010. This revised version aims to continue to align the Broads IDB with biodiversity policy and more specifically, the Biodiversity document for England, “Biodiversity 2020: A strategy for Englands’ Wildlife and Ecosystem Services” and build on the Government’s 25 Year Environmental Plan; A Green Future. In doing so, the document strives to demonstrate the Board’s commitment to fulfilling its duty as a public body under the Natural Environment and Rural Communities Act 2006 to conserve biodiversity. Many of the Board’s activities have benefits and opportunities for biodiversity, not least its water level management and watercourse maintenance work. It is hoped that this Biodiversity Action Plan will help the Board to maximise the biodiversity benefits from its activities and demonstrate its contribution to the targets as part of the Biodiversity 2020 strategy and achieve wider environmental improvement within its catchments. The Board has adopted the Biodiversity Action Plan as one of its policies and subject to available resources is committed to its implementation. It will review the plan periodically and update it as appropriate. -
Winter/Spring 2005 ● Issue No.9
Winter/Spring 2005 ● Issue No.9 HOLKHAM NEWSLETTER HERE might be a perception that all the changes we have seen at Holkham have taken place only in the last five or six years.This process might have been more rapid in that time, but that only Treflects the speed of change in the world in general. Change has always been with us. Mick Thompson, recently retired from the Hall, recalls how he helped to modernise four milking parlours on the Estate.Well, how many have we now? None: this is change brought on by economic circumstances. I started farming at Burnham Norton, 36 years ago, with 11 men. By the time the Holkham Farming Company took over, that was down to only three, again a reflection of changed economic circumstances, and a necessary adaptation to new farming practices. Now, seven men look after 5,000 acres. A good example of adaptation is the transformation of the 18th century Triumphal Arch into a chic annexe of The Victoria Hotel, thus turning a long-standing liability to economic advantage, and moreover, making use of a perfectly sound building. I never see the point of new build if existing buildings can be satisfactorily adapted without compromising their character. But with change, it is important to retain and value the best of the past. Nicholas Hills writes about the restoration of the family monuments at Tittleshall Church, to which the Estate contributed a large part of the £70,000 costs.We could have saved our money, but then part of the history of this great Estate would have been lost. -
The 5Th Earl of Leicester
Looking back at the Leicesters he Earls of Leicester have lived in SO MANY LEICESTERS! Holkham Hall since the middle of he earldom of Leicester was first Tcreated in 1107, but whenever an the 18th century. Thomas Coke, earl dies without a son to inherit the T title it lapses and can then be granted who built the hall and created the park, is to an entirely unrelated family. Over the starting point for this exhibition, which the centuries this happened three times before Thomas was created earl in illustrates succeeding generations as far as the 1744. Previous Earls of Leicester had 7th and present Earl of Leicester. included Simon de Montfort, champion of the barons against the crown in the Their story would not exist, however, without the 13th century, and Queen Elizabeth I’s century of family ambition that paved the way for favourite, Robert Dudley. Thomas Coke’s achievements. The Coke family has no connection with any of these earlier Earls of Leicester. fortune made in the law. Sir Edward Coke, Attorney homas Coke’s only son died before AGeneral and Chief Justice under Queen Elizabeth Thim so the peerage once again fell and James I, used his wealth to endow all his sons with into abeyance when he died in 1759. The hall and estate passed to his great-nephew, property. He bought one of three manors at Holkham in 1609 a commoner, who was always known as in order to bequeath it to his fourth son, John. ‘Coke of Norfolk’. In 1837, when he was 83, the title was re-created for him. -
Weddings YOUR PERFECT WEDDING
Weddings YOUR PERFECT WEDDING Holkham Hall on the north Norfolk coast, home to the Earls of Leicester, is one of the grandest and most beautiful wedding venues in the country. This fine Palladian house, surrounded by a romantic deer park with a lake, temple and woodland, could be yours for the day. Our friendly and experienced team will help you plan your special day, offering flexibility, support and guidance. We know the best suppliers to help you find stunning marquees, delicious food, perfect flowers and memorable photography. You are free to design your day as you wish, safe in the knowledge that we will be there to provide the support you need. TO HAVE Four of the state rooms in the hall are perfect for civil ceremonies and partnerships. With its breathtaking ceiling, inspired by the Pantheon in Rome, the Marble Hall rises to a height of over fifty feet. One of the grandest entrance halls in Europe, it can comfortably seat 142 people on the ground floor and 170 people if the side balconies are used. The opulent Saloon can accommodate up to 80 seated guests for a wedding ceremony. The North State Dining Room offers a classical and beautiful space for a wedding ceremony with up to 50 guests. The Statue Gallery contains perhaps the most complete collection of classical statuary in a private home in Britain and can seat up to 100 people. TO HOLD In the park you can have a civil ceremony at the Temple or a traditional service at St Withburga’s church. The Temple is tucked away in the woods within Holkham park, giving it a very special intimacy.