The Papers of Ueen Victoria on Foreign Affairs
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Catalogue of the Earl Marshal's Papers at Arundel
CONTENTS CONTENTS v FOREWORD by Sir Anthony Wagner, K.C.V.O., Garter King of Arms vii PREFACE ix LIST OF REFERENCES xi NUMERICAL KEY xiii COURT OF CHIVALRY Dated Cases 1 Undated Cases 26 Extracts from, or copies of, records relating to the Court; miscellaneous records concerning the Court or its officers 40 EARL MARSHAL Office and Jurisdiction 41 Precedence 48 Deputies 50 Dispute between Thomas, 8th Duke of Norfolk and Henry, Earl of Berkshire, 1719-1725/6 52 Secretaries and Clerks 54 COLLEGE OF ARMS General Administration 55 Commissions, appointments, promotions, suspensions, and deaths of Officers of Arms; applications for appointments as Officers of Arms; lists of Officers; miscellanea relating to Officers of Arms 62 Office of Garter King of Arms 69 Officers of Arms Extraordinary 74 Behaviour of Officers of Arms 75 Insignia and dress 81 Fees 83 Irregularities contrary to the rules of honour and arms 88 ACCESSIONS AND CORONATIONS Coronation of King James II 90 Coronation of King George III 90 Coronation of King George IV 90 Coronation of Queen Victoria 90 Coronation of King Edward VII and Queen Alexandra 90 Accession and Coronation of King George V and Queen Mary 96 Royal Accession and Coronation Oaths 97 Court of Claims 99 FUNERALS General 102 King George II 102 Augusta, Dowager Princess of Wales 102 King George III 102 King William IV 102 William Ewart Gladstone 103 Queen Victoria 103 King Edward VII 104 CEREMONIAL Precedence 106 Court Ceremonial; regulations; appointments; foreign titles and decorations 107 Opening of Parliament -
History of Russia(1855-1953)
E-content for B.A Third Year (History Honours) Paper VIII (C) History of Russia(1855-1953) TOPIC NO. 2- CZAR ALEXANDER II: REFORMS By Dr. Divya Kumar Assistant Professor Department of History B.D College Patliputra University Patna [email protected] Dr Divya Kumar, B D College, Patliputra University, Patna. 1 Czar Alexander II : Reforms LESSON PLAN Introduction Alexander II- A Brief Profile Condition of Russia at the Time of His Accession His Reforms His Foreign Policy An Assessment of His Reforms INTRODUCTION Czar Alexander II of Russia, the successor of Czar Nicholas I is known in history for the numerous reforms he introduced in his country since the days of Peter the Great. Interestingly, his reign from 1855 and 1881, that is, till his death, can be divided into two phases. His progressive policies on the domestic front found expression only in the first decade of his reign, the reformist zeal unfortunately being cut short after an assassination bid on him in 1866. Thereafter, following his father’s footsteps, Alexander II reverted to suppression. Likewise, his foreign policy too showed a combination of liberalism and conservatism, depending on the countries and circumstances. ALEXANDER II- A BRIEF PROFILE Alexander II was born in Moscow on 29th of April, 1818. He was the eldest son of Czar Nicholas I and Charlotte, the daughter of Frederick William III of Prussia. His earlier name was Alexander Nikolaevich. Belonging to the Dr Divya Kumar, B D College, Patliputra University, Patna. 2 Holstein-Gottorp-Romanov House,he became the heir apparent from 1825 onwards. -
Fact Sheet Form the Worldwide Incidents Team
UNCLASSIFIED A Fact Sheet form the Worldwide Incidents Team National Counterterrorism Center 12 December 2007 Did you know the first suicide bombing may have occurred in 1881? On 13 March 1881 (NS)1, near the Winter Palace, St. Petersburg, Russia, an assailant threw an improvised explosive device (IED) under the armored carriage of the Tsar where it exploded, killing one bodyguard, injuring the driver, and several civilian bystanders, and damaging the carriage. The assailant was arrested immediately by other guards. While Tsar Alexander II inspected the site of the explosion, a suicide bomber approached and threw another IED at the Tsar’s feet where it exploded, fatally wounding the Tsar and critically injuring 20 others. On the same day at 3:30 PM, the Tsar died from his wounds. Members of the People’s Will, a Russian revolutionary organization, were arrested, tried and executed for the assassination. Tsar Alexander II of Russia and his assassin, Ignacy Hryniewiecki. The second bomb severed one of Alexander’s legs and shattered the other.2 He was taken to the nearby Winter Palace where he bled to death. He was alive long enough to receive communion, and for family to be with him in his last moments.3 At his side were Alexander III and Nicholas II who would become future Tsars. Scarred by what they had witnessed, it is believed they suppressed civil liberties to prevent befalling the same fate. It was later learned that a third assailant was waiting within the crowd and prepared to detonate a bomb had the first two bombings failed.4 Some credit this attack as the first recorded suicide bombing in history. -
From the Euphrates to the Thames and The
Symposium From the Euphrates to the Thames and the Mur 200 years of Middle Eastern Studies and Middle Eastern Collections 10 and 11 November 2011 Austrian Cultural Forum London A two day conference at the Austrian Cultural Forum London celebrating the 200 th anniversary of the founding of the Museum Joanneum in Graz Organisers: Austrian Cultural Forum London Universalmuseum Joanneum Graz Institut für Iranistik, Akademie der Wissenschaften Karl Franzens Universität Graz Urania Graz Sponsor: Styrian Chamber of Commerce Programme 10 November 2011 10am Welcome Peter Mikl, Director, Austrian Cultural Forum London The Archduke, The Museum Joanneum and the University 10.30am Gerhard M. Dienes, Universalmuseum Joanneum Josef Herk, President, Styrian Chamber of Commerce Archduke John of Austria (1782-1859), an innovative-minded Habsburg Prince 11am Coffee break 11.15am Wolfgang Muchitsch, Director Universalmuseum Joanneum The Joanneum, Austria‘s Universalmuseum 11.45am Helmut Konrad, Dean, Faculty of Humanities, Karl Franzens-Universität Graz The Graz University – bulwark and bridge to the southeast 12.15pm Lunch break From Graz to the Orient, from the Orient to Graz 2pm Karl Peitler, Universalmuseum Joanneum, Graz Anton Prokesch-Osten and his donations to the Joanneum 2.45pm Heinz Trenczak, Graz Film presentation: „Djavidan - Queen for a Day”by Heinz Trenczak and Arthur Summereder 3.30pm Coffee break Joseph von Hammer-Purgstall, Influential Literary Translator 4pm Hammer-Purgstall’s translations from Persian Nima Mina, SOAS, University of London 4.30pm Gerhard M. Dienes, Universalmuseum Joanneum, Graz Joseph von Hammer-Purgstall, Hafez and Goethe 5pm End Evening Concert 7pm West-East Divan Liederabend Goethe-Lieder von Franz Schubert and Hugo Wolf Jennifer France, Soprano Katie Bray, Mezzo-soprano Gareth John, Baritone Sanaz Sotoudeh, Piano 11 November 2011 Joseph von Hammer-Purgstall and James Claudius Rich: The Dawn of Middle Eastern Studies in Austria and England 10am Hannes D. -
Visualising Victoria: Gender, Genre and History in the Young Victoria (2009)
Visualising Victoria: Gender, Genre and History in The Young Victoria (2009) Julia Kinzler (Friedrich-Alexander-University Erlangen-Nuremberg, Germany) Abstract This article explores the ambivalent re-imagination of Queen Victoria in Jean-Marc Vallée’s The Young Victoria (2009). Due to the almost obsessive current interest in Victorian sexuality and gender roles that still seem to frame contemporary debates, this article interrogates the ambiguous depiction of gender relations in this most recent portrayal of Victoria, especially as constructed through the visual imagery of actual artworks incorporated into the film. In its self-conscious (mis)representation of Victorian (royal) history, this essay argues, The Young Victoria addresses the problems and implications of discussing the film as a royal biopic within the generic conventions of heritage cinema. Keywords: biopic, film, gender, genre, iconography, neo-Victorianism, Queen Victoria, royalty, Jean-Marc Vallée. ***** In her influential monograph Victoriana, Cora Kaplan describes the huge popularity of neo-Victorian texts and the “fascination with things Victorian” as a “British postwar vogue which shows no signs of exhaustion” (Kaplan 2007: 2). Yet, from this “rich afterlife of Victorianism” cinematic representations of the eponymous monarch are strangely absent (Johnston and Waters 2008: 8). The recovery of Queen Victoria on film in John Madden’s visualisation of the delicate John-Brown-episode in the Queen’s later life in Mrs Brown (1997) coincided with the academic revival of interest in the monarch reflected by Margaret Homans and Adrienne Munich in Remaking Queen Victoria (1997). Academia and the film industry brought the Queen back to “the centre of Victorian cultures around the globe”, where Homans and Munich believe “she always was” (Homans and Munich 1997: 1). -
Mitteilungen Für Die Presse
Read the speech online: www.bundespraesident.de Page 1 of 6 Federal President Frank-Walter Steinmeier at the inauguration of the Robert-Blum-Saal with artworks depicting Germany’s history of democracy at Schloss Bellevue on 9 November 2020 According to legend, the last words of Robert Blum were “I die for freedom, may my country remember me.” He was executed – shot – by imperial military forces on 9 November 1848, one day before his 41st birthday. The German democrat and champion for freedom, one of the most well-known members of the Frankfurt National Assembly, thus died on a heap of sand in Brigittenau, a Viennese suburb. The bullets ended the life of a man who had fought tirelessly for a Germany unified in justice and in freedom – as a political publicist, publisher and founder of the Schillerverein in Leipzig, as a parliamentarian in the Paulskirche in Frankfurt, and finally with a gun in his hand on the barricades in Vienna. To the very last, Robert Blum fought for a German nation-state in the republican mould, legitimised by parliamentary structures. He campaigned for a brand of democracy in which civil liberties and human rights were accorded to one and all. And he fought for a Europe in which free peoples should live together in peace, from France to Poland and to Hungary. His death on 9 November 1848 marked one of the many turning points in our history. By executing the parliamentarian Robert Blum, the princes and military commanders of the Ancien Régime demonstrated their power and sent an unequivocal message to the Paulskirche National Assembly. -
Genevieve O'reilly
Genevieve O'Reilly Agents Dallas Smith Associate Agent Sarah Roberts [email protected] +44 (0) 20 3214 0800 Assistant Alexandra Rae [email protected] +44 (0) 20 3214 0800 Sophie Austin Assistant [email protected] Emma Collier [email protected] Roles Film Production Character Director Company THE DRY Gretchen Robert Connolly Pacific Standard TOLKIEN Mrs Smith Dome Karukoski Fox Searchlight Pictures THE SNOWMAN Birte Becker Tomas Alfredson Drapsmann Films ROGUE ONE: A STAR WARS Mon Mothma Gareth Edwards Lucasfilms STORY THE LEGEND OF TARZAN Tarzan's Mother David Yates Dark Horse Entertainment FORGET ME NOT Eve Lance Roehrig and Quicksilver Films Alex Holt United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company SURVIVOR Lisa James McTeigue Nu Image / Millennium Films THE YOUNG VICTORIA Lady Flora Jean-Marc Vallée JK Films Hastings RIGHT HERE, RIGHT NOW Matthew Newton STAR WARS EPISODE III Mon Mothma George Lucas Jak Australia THE MATRIX REVOLUNTIONS Officer Wirtz Andy and Larry The Burly Man Wachowski Productions THE MATRIX RELOADED Officer Wirtz Andy and Larry The Burly Man Wachowski Productions AVATAR Dash Jian Hong Kuo Exile Productions Television Production Character Director Company TIN STAR S.1, S.2 & S.3 Angela Worth Various Kudos for Amazon THE FALL - S3 Joan Kinkhead Various BBC THE SECRET Hazel Nick Murphy Hat Trick/ ITV ENDEAVOUR Annette Bryn Higgins ITV Richardson GLITCH Elishia -
Russian Art, Icons + Antiques
RUSSIAN ART, ICONS + ANTIQUES International auction 872 1401 - 1580 RUSSIAN ART, ICONS + ANTIQUES Including The Commercial Attaché Richard Zeiner-Henriksen Russian Collection International auction 872 AUCTION Friday 9 June 2017, 2 pm PREVIEW Wednesday 24 May 3 pm - 6 pm Thursday 25 May Public Holiday Friday 26 May 11 am - 5 pm Saturday 27 May 11 am - 4 pm Sunday 28 May 11 am - 4 pm Monday 29 May 11 am - 5 pm or by appointment Bredgade 33 · DK-1260 Copenhagen K · Tel +45 8818 1111 · Fax +45 8818 1112 [email protected] · bruun-rasmussen.com 872_russisk_s001-188.indd 1 28/04/17 16.28 Коллекция коммерческого атташе Ричарда Зейнера-Хенриксена и другие русские шедевры В течение 19 века Россия переживала стремительную трансформацию - бушевала индустриализация, модернизировалось сельское хозяйство, расширялась инфраструктура и создавалась обширная телеграфная система. Это представило новые возможности для международных деловых отношений, и известные компании, такие как датская Бурмэйстер энд Вэйн (В&W), Восточно-Азиатская Компания (EAC) и Компания Грэйт Норсерн Телеграф (GNT) открыли офисы в России и внесли свой вклад в развитие страны. Большое количество скандинавов выехало на Восток в поисках своей удачи в растущей деловой жизни и промышленности России. Среди многочисленных путешественников возникало сильное увлечение культурой страны, что привело к созданию высококачественных коллекций русского искусства. Именно по этой причине сегодня в Скандинавии так много предметов русского антиквариата, некоторые из которых будут выставлены на этом аукционе. Самые значимые из них будут ещё до аукциона выставлены в посольстве Дании в Лондоне во время «Недели Русского Искусства». Для более подробной информации смотри страницу 9. Изюминкой аукциона, без сомнения, станет Русская коллекция Ричарда Зейнера-Хенриксена, норвежского коммерческого атташе. -
|FREE| Alexander II: the Last Great Tsar
ALEXANDER II: THE LAST GREAT TSAR EBOOK Author: Edvard Radzinsky, Vice President Antonina W Bouis Number of Pages: 462 pages Published Date: 14 Nov 2006 Publisher: SIMON & SCHUSTER Publication Country: New York, NY, United States Language: English ISBN: 9780743284264 Download Link: CLICK HERE Alexander II: The Last Great Tsar Online Read London: Longman, Radzinsky also supported the hypotesis by Viktor Suvorov that Stalin had prepared a preemptive strike against Nazi Germany Retrieved 19 March This combination led to Alexander being well-prepared and more liberal than his father. Felt like it wandered. My first baptism into Russian history of this time period, and Alexander II: The Last Great Tsar may never recover. When they abducted The dying emperor was given Communion and Last Rites. From Wikipedia, the free encyclopedia. What if they had just once followed the parable of the prodigal Alexander II: The Last Great Tsar, which Dostoevsky had entreated his children to remember. The assassination triggered major suppression of civil liberties in Russia, and police brutality burst back in full force after experiencing some restraint under the reign of Alexander II, whose death was witnessed first-hand by his son, Alexander IIIand his grandson, Nicholas IIboth future emperors who vowed not to have the same fate befall them. Peter III of Russia 4. Reviews Alexander II: The Last Great Tsar Wikisource has original works written by or about: Alexander II of Russia. A Hollywood Story. Alexander Nevsky Recipients of the Order of St. A host of new reforms followed in diverse areas. Wikisource has original text related to this article: An intimate glimpse into the family life of Alexander II Jan 31, Rithun Regi rated it really liked it. -
Downloaded from Manchesterhive.Com at 10/02/2021 09:03:16PM Via Free Access Andrew Higson
1 5 From political power to the power of the image: contemporary ‘British’ cinema and the nation’s monarchs Andrew Higson INTRODUCTION: THE HERITAGE OF MONARCHY AND THE ROYALS ON FILM From Kenneth Branagh’s Henry V Shakespeare adaptation in 1989 to the story of the fi nal years of the former Princess of Wales, inDiana in 2013, at least twenty-six English-language feature fi lms dealt in some way with the British monarchy. 1 All of these fi lms (the dates and directors of which will be indi- cated below) retell more or less familiar stories about past and present kings and queens, princes and princesses. This is just one indication that the institution of monarchy remains one of the most enduring aspects of the British national heritage: these stories and characters, their iconic settings and their splendid mise-en-scène still play a vital role in the historical and contemporary experience and projection of British national identity and ideas of nationhood. These stories and characters are also of course endlessly recycled in the pre- sent period in other media as well as through the heritage industry. The mon- archy, its history and its present manifestation, is clearly highly marketable, whether in terms of tourism, the trade in royal memorabilia or artefacts, or images of the monarchy – in paintings, prints, fi lms, books, magazines, televi- sion programmes, on the Internet and so on. The public image of the monarchy is not consistent across the period being explored here, however, and it is worth noting that there was a waning of support for the contemporary royal family in the 1990s, not least because of how it was perceived to have treated Diana. -
The Young Victoria Production Notes
THE YOUNG VICTORIA PRODUCTION NOTES GK Films Presents THE YOUNG VICTORIA Emily Blunt Rupert Friend Paul Bettany Miranda Richardson Jim Broadbent Thomas Kretschmann Mark Strong Jesper Christensen Harriet Walter Directed by Jean-Marc Vallée Screenplay By Julian Fellowes Produced by Graham King Martin Scorsese Tim Headington Sarah Ferguson, The Duchess of York 2 SHORT SYNOPSIS The Young Victoria chronicles Queen Victoria's ascension to the throne, focusing on the early turbulent years of her reign and her legendary romance and marriage to Prince Albert. SYNOPSIS 1837. VICTORIA (17) (Emily Blunt) is the object of a royal power struggle. Her uncle, KING WILLIAM (Jim Broadbent), is dying and Victoria is in line for the throne. Everyone is vying to win her favor. However Victoria is kept from the court by her overbearing mother, THE DUCHESS OF KENT (Miranda Richardson), and her ambitious advisor, CONROY (Mark Strong). Victoria hates them both. Her only friend is her doting governess, LEHZEN (Jeanette Hain), who is seemingly as untrustworthy as the rest. Victoria’s handsome cousin, ALBERT (Rupert Friend) is invited to visit by her mother. He's also the nephew of her Uncle, KING LEOPOLD OF BELGIUM (Thomas Kretschmann). It's obvious that Albert has been coached to win her hand. At first she's annoyed as she has no intention of being married. She never wants to be controlled again. However Albert is also tired of being manipulated by his relatives. Victoria and Albert talk openly and sincerely and become friends. When he returns home she grants him permission to write to her. -
The Gallantry Gazette January 2015 the Magazine for Victoria Cross Collectors Issue 6
The Gallantry Gazette January 2015 The magazine for Victoria Cross collectors Issue 6 VCP034 £395 Our choice of handwritten letter with address of Sandringham, Norfolk signed by Sir Dighton Probyn VC. General Sir Dighton Macnaughton Probyn VC, VCP034A £495 GCB, GCSI, Envelope addressed to Mr. Bathe, has GCVO, ISO signature of Dighton Probyn VC. (21 January 1833 - 20 June Probyn was 24 years old, and a captain in the 2nd in credit at the bank. Probyn had difficulty hiding the 1924) Punjab Cavalry, Bengal Army during the Indian Mutiny King’s extravagance; and which the minister Charles when the following deeds took place for which he was Hobhouse refused to defend in the Commons. awarded the VC: Probyn continued in this role throughout the King’s rule Probyn was “Has been distinguished for gallantry and daring and right up to his death. throughout this campaign. At the battle of Agra, when Probyn was totally devoted to the Princess, then Queen- an English his squadron charged the rebel infantry, he was some Empress, building gardens for her at Windsor Castle and time separated from his men, and surrounded by five or Sandringham House. The Queen returned the devotion, recipient of the six sepoys. He defended himself from the various cuts carrying round a knife with her to cut open his collar made at him, and before his own men had joined him when he occasionally had seizures. Victoria Cross, had cut down two of his assailants. At another time, Sir Dighton had an impressive appearance in old age the highest and in single combat with a sepoy, he was wounded in the with a very long white beard reaching down to his navel wrist, by the bayonet, and his horse also was slightly which concealed his VC on ceremonial occasions.