Warren Ostergard

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WARREN OSTERGARD Producer/UPM www.vitaminafilms.com Directors Guild of America Warren Ostergard has worked on over thirty feature films in various Producer capacities. He is a Line Producer and an established DGA Unit Production Manager and well versed in film finance structures. He has managed film production, supervised Post-Production and film delivery and has overseen the tax credit audit and submission process on dozens of films. He has worked closely with Film offices in many different states and countries and has solid ties with top tier Sales Agents, Directors and Department Heads. These invaluable qualities have made Warren into one of the most prolific Independent Producers in the film business. Production Director / Production Company / Cast As Line Producer or DGA UPM (Partial List): AGENT GAME (Line Producer/UPM) Grant Johnson / Taylor & Dodge Mel Gibson, Jason Isaacs, Dermot Mulroney THE ROYAL (Line Producer/UPM) Marcel Sarmiento / Royal Film Co. NINE ELEVEN (UPM/ Producer) Martin Guigui / Twisted Pictures/ 20th Fox Whoopi Goldberg, Charlie Sheen, Gina Gershon LET THERE BE LIGHT Kevin Sorbo / Lionsgate Pictures THE BAG MAN (UPM/ Producer) David Grovic / Universal Pictures John Cusack & Robert DeNiro BREAKING AT THE EDGE (UPM / Producer) Peter Antonijevic / Wrekin Hill Ent. / Netflix Milo Ventimiglia, Andie MacDowell AT THE SINATRA CLUB (UPM / Producer) James Quattrochi / Universal Pictures STILETTO (UPM / Co-Producer) Nick Vallelonga / First Look Studios Tom Berenger, Michael Biehn, Tom Sizemore THE PRINCE & THE PAUPER (UPM / Co- Producer) James Quattrochi / Sony Pictures As Producer: SUPERCOOL (Co-Producer/Line Producer) Teppo Airaksinen / Yellow Film & TV Damon Wayans, Jr., Jake Short SOUND OF FREEDOM (Line Producer for U.S. Unit) Alejandro Monteverde / Santa Fe Films Jim Caviezel, Mira Sorvino FIND YOUR GROOVE Mike Kirk / Concourse Media Whoopi Goldberg, Kevin Bacon, Neve Campbell FACELESS Marcel Sarmiento / Producer Capital Fund ARBOR DEMON Patrick Rea / Gravitas Ventures SEVEN BELOW Kevin Carraway / Arc Entertainment Val Kilmer & Ving Rhames FREERUNNER Lawrence Silverstein / Image Entertainment SAVANNAH (Co- producer) Annette Hayward-Carter / Unclaimed Freight Jim Caviezel, Sam Shepard, Chiwetel Ejiofor THE WORLD MADE STRAIGHT (Co-producer) David Burris / Millenium Films Minka Kelly, Noah Wyle, Haley Joe Osment As Executive Producer: LIFE LIKE Josh Janowicz / Lionsgate Films EXTORTION Phil Volken / Lionsgate Films Danny Glover, Barkhad Abdi VOICE FROM THE STONE (Shot in Italy) Eric D. Hall / Momentum / EOne Emilia Clarke THE JOURNEY IS THE DESTINATION (Shot in S. Africa) Bronwen Hughes / Netflix Ben Schnetzer, Maria Bello CRIMINAL ACTIVITIES Jackie Earle Haley / RLJ Entertainment John Travolta, Michael Pitt, Jackie Earle Haley FEAR CLINIC Robert Hall / Anchor Bay Entertainment Robert England, Thomas Dekker MINE GAMES Richard Gray / Zero Gravity / Vitamin A Kirk Orlando Orlando Agency [email protected] 818.781.9233 www.orlando-agency.com .

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PRESS RELEASE Saffron Burrows, Oliver Chris and Belinda Stewart-Wilson join cast of Everything I Ever Wanted to Tell My Daughter About Men 29 January 2020 Shakespeare’s Globe is delighted to announce further casting for Everything I Ever Wanted to Tell My Daughter About Men, a new black comedy by actor and writer Lorien Haynes, directed by Tara Fitzgerald (Brassed Off, Game of Thrones), being hosted in the Sam Wanamaker Playhouse on Thursday 20 February. Everything I Ever Wanted to Tell My Daughter About Men traces a woman’s relationship history backwards, exploring the impact of sexual assault, addiction and teen pregnancy on her adult relationships. Presented in association with RISE and The Circle, all profits from this event will go towards supporting survivors of sexual violence. Thanks in huge part to RISE’s work, the event will also mark the planned introduction of the Worldwide Sexual Violence Survivor Rights United Nations Resolution later this year, which addresses the global issue of sexual violence and pens into existence the civil rights of millions of survivors. Nobel-Prize nominee and founder of Rise, Amanda Nguyen, will introduce the evening. A silent auction will also take place on the night to highlight and raise awareness for the support networks available to those in need. Audience members will be able to bid on props from the production as well as a selection of especially commissioned rotary phones, exclusively designed by acclaimed British artists including Harland Miller, Natasha Law, Bella Freud and Emma Sargeant. The money raised by each phone will go to a rape crisis helpline chosen by the artist.
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University of Southampton Research Repository Copyright © and Moral Rights for this thesis and, where applicable, any accompanying data are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis and the accompanying data cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content of the thesis and accompanying research data (where applicable) must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holder/s. When referring to this thesis and any accompanying data, full bibliographic details must be given, e.g. Thesis: Author (Year of Submission) "Full thesis title", University of Southampton, name of the University Faculty or School or Department, PhD Thesis, pagination. Data: Author (Year) Title. URI [dataset] University of Southampton Faculty of Arts and Humanities Film Studies Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. DOI: by Eliot W. Blades Thesis for the degree of Doctor of Philosophy May 2020 University of Southampton Abstract Faculty of Arts and Humanities Department of Film Studies Thesis for the degree of Doctor of Philosophy Complicated Views: Mainstream Cinema’s Representation of Non-Cinematic Audio/Visual Technologies after Television. by Eliot W. Blades This thesis examines a number of mainstream fiction feature films which incorporate imagery from non-cinematic moving image technologies. The period examined ranges from the era of the widespread success of television (i.e.
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