Referendum Must Determine Blacks' Future
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Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Lenny Kravitz Greatest Hits Download Rar
1 / 2 Lenny Kravitz Greatest Hits Download Rar Lenny Kravitz Greatest Hits Download Rar >> http://ssurll.com/10mr87 22fda1de22 Find a Lenny Kravitz - Greatest Hits first pressing or reissue.. CD: - Lenny Kravitz - Greatest Hits CD1 01. Lenny Kravitz / Love Revolution [0:03:14.48] 02. Lenny Kravitz / Are you gonna go my way .... Lenny Kravitz – Greatest Hits (2000) ... feel of earlier eras, until Lenny Kravitz rediscovered the magic formula. ... download (mp3 @320 kbs):.. Lenny Kravitz - Black.... Download Lenny Kravitz greatest hits 320kbps rar zip mega mp3 ... esta maana estare publicando los grandes exitos de Lenny Kravitz .... Download Lenny Kravitz greatest hits 320kbps rar zip mega mp3. Hola amigos de la web, esta mañana estare publicando los grandes exitos .... Greatest Hits | Lenny Kravitz to stream in hi-fi, or to download in True CD Quality on Qobuz.com.. Download Via Magnet. ... (2008) Completo, Totalmente Gratis: Mediafire, Mega, 4shared y Más ... Download Lenny Kravitz - Greatest Hits 2CD (2008) 320.. Ace Of Base-Greatest Hits Classic Remixes cd2-14 - Beautiful Life [Lenny B's House ... Queen (1981) Greatest Hits (CD 2017 mp3-320 kHz 48) Bulgaria Disc.rar.. Nonstop 80s Greatest Hits Best Oldies Songs Of 1980s Greatest 80s Music Hits ... Tamil hits,Download 1980 Tamil mp3 songs in zip/rar format at MassTamilan. ... Kylie Minogue, Lauv, Lenny Kravitz, Mel C, Nile Rodgers listen and download .... Исполнитель : LENNY KRAVITZ Альбом: Greatest Hits Жанр : Rock Год : 2008. Формат : WAV,(image+.cue) Битрейт аудио : lossless. Размер : 1,62 ГБ Hits Unlimited collects all of the biggest hits from the dance outfit 2 Unlimited, ... Download Hungama Music app to get access to unlimited free mp3 songs, free .. -
Chrome Half Machine from the Sun, the Lost Tracks from '79-'80 Mp3, Flac, Wma
Chrome Half Machine From The Sun, The Lost Tracks From '79-'80 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Half Machine From The Sun, The Lost Tracks From '79-'80 Country: US Released: 2013 Style: Space Rock, Post-Punk, Experimental, Psychedelic Rock MP3 version RAR size: 1766 mb FLAC version RAR size: 1275 mb WMA version RAR size: 1226 mb Rating: 4.6 Votes: 181 Other Formats: MP4 RA AC3 MIDI FLAC VOX MP3 Tracklist Hide Credits Anything 1 Keyboards [Keys], Effects [Moog], Drums – Edge*Vocals, Guitar, Bass – Creed*Written-By – 3:13 Helios Creed Salt 2 3:30 Guitar, Bass – Creed*Vocals, Keyboards [Keys], Effects [Moog], Drum – Edge* Looking For Your Door 3 Keyboards [Keys], Effects [Moog], Drums – Edge*Vocals, Guitar, Bass – Creed*Written-By – 8:37 Helios Creed Tomorrow Yesterday 4 3:34 Guitar, Bass – Creed*Vocals, Keyboards [Keys], Effects [Moog], Drums – Edge* The Inevitable 5 5:42 Guitar, Bass, Keyboards [Keys] – Creed*Keyboards [Keys], Synthesizer, Drums – Edge* Fukishima (Nagasaki) 6 3:30 Synthesizer [Moog], Keyboards [Keys], Drum – Edge*Vocals, Guitar, Bass – Creed* Charlie's Little Problem 7 2:23 Effects [Moog], Synthesizer, Drums – Edge*Guitar, Bass – Creed* Ghost 8 2:11 Drums, Synthesizer – Edge*Guitar, Bass – Creed* Sound And Light 9 Synth, Drums – Edge*Vocals, Guitar, Bass, Keyboards [Keys] – Creed*Written-By – Helios 4:24 Creed Autobahn Brazil 10 6:22 Guitar, Bass – Creed*Synth, Drums – Edge* Sub Machine 11 Synth, Drums – Edge*Vocals, Guitar, Bass, Keyboards [Keys] – Creed*Written-By – Helios 6:21 -
Ahead of Their Time
NUMBER 2 2013 Ahead of Their Time About this Issue In the modern era, it seems preposterous that jazz music was once National Council on the Arts Joan Shigekawa, Acting Chair considered controversial, that stream-of-consciousness was a questionable Miguel Campaneria literary technique, or that photography was initially dismissed as an art Bruce Carter Aaron Dworkin form. As tastes have evolved and cultural norms have broadened, surely JoAnn Falletta Lee Greenwood we’ve learned to recognize art—no matter how novel—when we see it. Deepa Gupta Paul W. Hodes Or have we? When the NEA first awarded grants for the creation of video Joan Israelite Maria Rosario Jackson games about art or as works of art, critical reaction was strong—why was Emil Kang the NEA supporting something that was entertainment, not art? Yet in the Charlotte Kessler María López De León past 50 years, the public has debated the legitimacy of street art, graphic David “Mas” Masumoto Irvin Mayfield, Jr. novels, hip-hop, and punk rock, all of which are now firmly established in Barbara Ernst Prey the cultural canon. For other, older mediums, such as television, it has Frank Price taken us years to recognize their true artistic potential. Ex-officio Sen. Tammy Baldwin (D-WI) In this issue of NEA Arts, we’ll talk to some of the pioneers of art Sen. Sheldon Whitehouse (D-RI) Rep. Betty McCollum (D-MN) forms that have struggled to find acceptance by the mainstream. We’ll Rep. Patrick J. Tiberi (R-OH) hear from Ian MacKaye, the father of Washington, DC’s early punk scene; Appointment by Congressional leadership of the remaining ex-officio Lady Pink, one of the first female graffiti artists to rise to prominence in members to the council is pending. -
Lenny Kravitzln
Issue 51 JUNE 2018 ------------------------------------------------------------------------ LET LOVE RULE THIS SUMMER LENNY KRAVITZ LN ------------------------------------------------------------------------ NEW LENNY ALBUM & TOUR 2018 Let’s face it, you can’t get more ‘Rock God’ than Lenny Kravitz! Back with a new album ‘Raise Vibration’ which is due for release this September, Lenny is also taking to the road on a mammoth 35 date Arena tour across Europe and the US. LN Having smashed the charts in every continent Lenny has also scooped the Grammy Award for Best Male Rock Vocal Performance 4 years in a row from 1999-2002 breaking the record for most consecutive wins in one category. Considered one of the most successful and best-selling rock artists of his time, Kravitz has had sales of approximately 40 million albums alone worldwide (not including singles and video releases). ROSTER ALERT: LENNY KRAVITZ Contact: [email protected] ------------------------------------------------------------------------ ARE YOU GONNA GO MY WAY… We hope so! Go our way and check out the best in Lenny wear! LN ROSTER ALERT: LENNY KRAVITZ Contact: [email protected] ------------------------------------------------------------------------ THE NOW NOW: NEW GORILLAZ ALBUM & TOUR 2018 Gorillaz will return to North America this October promoting their hotly anticipated new album, ‘Now Now’ which is due for release this June. The album will feature collaborations with Snoop Dogg, Jamie Principle and the legend that is George Benson. The first single -
La Top 50 Di Kurt La Top 50 Di Kurt
Cobain e Novoselic fondano la prima band Pagina accanto: I Nirvana fotografati a Seattle sognando di fare cover dei Creedence nel maggio 1988. Da sinistra: il batterista Clearwater Revival. Chad Channing, Novoselic e Cobain. Charles Peterson/Retna Ltd./Corbis più ampio e, anche se nell’ordine delle decine di persone, è un pubblico costante. I Nirvana ampliano LA TOP il proprio territorio fino a Olympia e a qualche accordi lavorativi (è l’unico con un diploma di scuola concerto sporadico a Seattle. Jack Endino rimane superiore), ma questa volta si presenta tracannando 50 DI sufficientemente colpito dal loro demo tape da LA TOP una bottiglia di vino. Cobain è estremamente nervoso e darne una copia a un DJ della KCMU, la stazione chiuso. Poneman gli offre un contratto discografico, ma KURT radio dell’Università di Washington, che comincia a 50 DI per produrre un singolo e con un compenso che copre trasmettere una delle tracce. solo le spese di registrazione. Peggio ancora, Poneman è SCRATCH ACID Endino consegna una copia del demo anche a KURT interessato esclusivamente a “Love Buzz,” l’unica canzone Scratch Acid EP (Rabid Cat, 1984) Jonathan Poneman che, col socio Bruce Pavitt, ha in scaletta che non è stata critta da Cobain. Eppure, alla La band degli Scratch Acid (gran nome, qualsiasi fondato la Sub Pop Records. La scena musicale di SACCHARINE TRUST fine dell’incontro, i Nirvana accettano l’accordo, concluso cosa significhi) prende il suono dei colleghi texani EP (SST, 1981) Butthole Surfers, lo intreccia con un’intensa e Seattle è ancora dominata dalle cover band, ma la Sub Paganicons con una stretta di mano, e la band fissa una nuova sessione La nascita e lo sviluppo dell’hardcore tradizionale irritante affinità coi Birthday Party di Nick Cae Pop comincia ad avere un successo contenuto con le di registrazione con Endino. -
SEE the Glorium-Timeline
Glorium Gigography and Timeline This is a complete list of all Glorium performances, recording sessions and other notable dates. If there is something not listed or you catch any mistakes, please contact us. The bands that Glorium had the pleasure of playing with are also listed, and a set list, where a recording exists. The †(dagger) symbol designates shows that are recorded on standard eighth inch cassette tape. 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2004 2007 2008 2010 2011 2012 2016 MEDIA DATE CITY VENUE / EVENT NOTES SET LIST 1991 08.10.91 San Antonio, TX Ravenfield St. Glorium first gets together in San Antonio 08.28.91 San Antonio, TX Felix's Barber Record 5 songs Demos Shop, Chemical Angel 178 King's Ct. DiveBomb Believe In Nothing Burning Me Down Speed Read(instrum) 1992 † 01.03.92 San Antonio, TX TacoLand Glorium / Debris / Set included Gecko We're Desperate(X) Tatooed Love Boys(The Pretenders) 01.13.92 San Antonio, TX Robbie Dennis Recording Session for My Demolition Chemical Angel tape with Robbie Madonna Dennis Poncé Ground Floor DiveBomb Believe In Nothing Burning Me Down Collision Lost and Found † 01.16.92 San Antonio, TX TacoLand El Santo / Glorium 06.09.92 Austin, TX 946 E 50th St Recording Sessions Glorium begins practicing and recording at the house where Lino, Paul, and George lived in Austin. Demos for Ashes, Poisons, Iced the Swelling, Fearless, My Demolition, Sound Asleep and others were recorded that summer. † 06.10.92 San Antonio, TX TacoLand Glorium / Point of View 06.14.92 San Antonio, TX Wacky's Glorium / Shady Blades / Passage Temple / Peprhed † 07.19.92 Austin, TX Cavity Glorium / El Santo † 07.23.92 Austin, TX Cavity The Meices / Glorium Ryan Richardson of EV Records asks the band to do a single which is released in 1992, Divebomb bw Chemical Angel. -
Band Song-List
SONG LIST Modern Rock, Pop & Hip-Hop Adele Bruno Mars Love Song Just The Way You Are Rolling In The Deep Locked Out Of Heaven Someone Like You Treasure Make You Feel My Love Uptown Funk 24K Magic Alicia Keys Leave The Door Open Empire State of Mind Part II Finesse Feat. Cardi B Fallin' If I Ain't Got You BTS No One Dynamite This Girl Is On Fire Capital Cities Ariana Grande Safe and Sound No Tears Left To Cry Bang, Bang Cardi B I like it like that Amy Winhouse Valerie Calvin Harris Rehab Feel So Close Back To Black This is What You Came For Avicii Carly Rae Jepsen Wake Me Up Call Me Maybe Beyonce Cee-lo Green 1 Plus 1 Forget You Crazy In Love Drunk In Love Chainsmokers If I Were a Boy Closer Love On Top Single Ladies Christina Aguilera Lady Marmalade Billie Eilish Bad Guy Christina Perri 1000 Years Black-Eyed Peas I Gotta Feeling Clean Bandit A Little Party Never Killed Nobody Rather Be Bow Wow Wow Corinne Bailey Rae I Want Candy Put your Records On Daft Punk Get Lucky Lose Yourself To Dance Justin Timberlake Darius Rucker Suit & Tie Wagon Wheel Can’t Stop The Feeling Cry Me A River David Guetta Love You Like I Love You Titanium Feat. Sia Sexy Back Drake Jay-Z and Alicia Keys Hotline Bling Empire State of Mind One Dance In My Feelings Jess Glynne Hold One We’re Going Home Hold My Hand Too Good Controlla Jessie J Bang, Bang DNCE Domino Cake By The Ocean Kygo Disclosure Higher Love Latch Katy Perry Dua Lipa Chained To the Rhythm Don’t Start Now California Gurls Levitating Firework Teenage Dream Duffy Mercy Lady Gaga Bad Romance Ed Sheeran Just Dance Shape Of You Poker Face Thinking Out loud Perfect Duet Feat. -
The Blank Generation
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Blank Generation (These are excerpts from my book "A History of Rock and Dance Music") Akron 1976-80 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The "blank generation" came out of a moral vacuum. While punks roamed the suburban landscape, blue-collar workers were feeling the pinch of an economic revolution: human society had left the industrial age and entered the post-industrial age, the age in which services (such as software) prevail over manufacturing. Computers now rule the world, from Wall Street to Boeing. The assembly line took away a bit of the personality of the worker, but that was nothing: the new service- based economy takes away the worker completely, physically. In the post-industrial society the individual is even less of a "person". The individual is merely a cog in a huge organism of interconnected parts that works at the beat of a gigantic network of computers. This highly sophisticated economy treats the individual as a number, as a statistic. The goal is no longer to create a robot that behaves like a human being, but to create a human being that behaves like a robot: robots are efficient and lead to manageable and profitable businesses, whereas humans are inefficient and difficult to manage. -
Dischord Records 3819 BEECHER ST
FUGAZi "First Demo" dischord rEcords DIS181 DIS181CD 11-song CD DIS181V 11-song LP+MP3 Release Date: November 18, 2014 Ian MacKaye - vocals, guitar Guy Picciotto - vocals Joe Lally - bass Brendan Canty - drums In early January 1988 and after only ten shows, Fugazi decided to go into Inner Ear Studio to see what their music sounded like on tape. Despite the fact that Ian, Joe, and Brendan had been playing together for nearly a year, it was still early days for the band. Guy had only been a full member of Fugazi for a few months and only sang lead on one song ("Break In"). It would be nearly another year before he would start playing guitar with the band. At that time, the studio was still located in the basement of engineer Don Zientara's family house. It was a familiar space as almost all of the members of Fugazi had recorded there with their previous bands (Teen Idles, Minor Threat, Deadline, Insurrection, Rites of Spring, Skewbald, Embrace, and One Last Wish). Joey Picuri (aka Joey P), who would later become one of Fugazi's longtime sound engineers, joined the band for the initial tracking. The sessions only lasted a couple of days, but tour dates and indecision about the tape would delay the final mix for another two months. Though the band was at first pleased with the results, it soon became clear that this tape would remain a demo as new songs were being written and the older songs were evolving and changing shape while the band was out on tour. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.