June Christy Gone for the Day Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

June Christy Gone For The Day mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gone For The Day Country: Canada Released: 1957 Style: Swing MP3 version RAR size: 1183 mb FLAC version RAR size: 1807 mb WMA version RAR size: 1685 mb Rating: 4.2 Votes: 178 Other Formats: FLAC AC3 AHX VQF WAV VOC XM Tracklist A1 It's So Peaceful In The Country A2 When The Sun Comes Out A3 It's A Most Unusual Day A4 Interlude A5 Love Turns Winter To Spring A6 When You Awake B1 Lazy Afternoon B2 When The World Was Young B3 Gone For The Day B4 Lost In A Summer Night B5 Give Me The Simple Life B6 (Love's Got Me In A) Lazy Mood Companies, etc. Manufactured By – Capitol Records Distributors Of Canada, Ltd. Credits Arranged By, Conductor – Pete Rugolo Other versions Category Artist Title (Format) Label Category Country Year Gone For The Day (LP, T902 June Christy Capitol Records T902 US 1957 Album, Mono) Gone For The Day (LP, T902 June Christy Capitol Records T902 US 1957 Album, Mono, Promo) Gone For The Day (LP, Capitol Records, T902, T 902 June Christy T902, T 902 UK 1957 Album) Capitol Records Related Music albums to Gone For The Day by June Christy Anita O'Day / June Christy - Easy Street June Christy, Bob Cooper / Jule Styne, Betty Comden, Adolph Green - Do-Re-Mi (A Modern Interpretation Of The Hit Broadway Musical) June Christy - Fair And Warmer! June Christy, Stan Kenton And His Orchestra - How High The Moon June Christy - Something Cool June Christy - Big Band Specials June Christy - The Misty Miss Christy June Christy - Something Broadway Something Latin With Ernie Freeman's Music.

Copy Link

Recommended publications

He Song Is Audrey! One of the Brightest Emerging Stars in Jazz
A Bio "..Wow! Audrey Shimkas, she can REALLY SING!" he song is Audrey! --Jules Broussard, S F Bay Area jazz One of the brightest emerging legend stars in jazz today. She’s a captivating performer with a singular sound and style, pioneering her own path as a uniquely placed artist. T Anyone who has ever heard Audrey sing responds to her warmth, her sensuality and her emotional expression. Audrey is a singer’s singer who takes risks. She surprises and thrills with notes that push a melody to new heights. Audrey’s choice of material is eclectic and fascinating; she improvises unique transformations inside familiar jazz tunes; introduces fresh interpretations of favorite pop tunes and melts into Brazilian rhythms as if she were inside the song itself. When Audrey interprets a song—whether it’s a ballad-story or an up-tempo romp; a blues lament or a Latin groove; a swing standard or a soul oldie--the experience is always fresh and exciting. Long before Audrey thought about being a vocal artist, she recalls that at a young age she was mesmerized by June Christy in concert. That experience remained a cameo, locked in her imagination, until music began to play a serious part of her life. A native of New York, Audrey was classically trained on piano; she played acoustic folk and electric rhythm guitar during the folk- rock generation of Dylan and the Beatles. She studied dance (ballet and jazz) and acting (ACT, Actor’s Workshop, etc.) and spent several years on stage in New York and in San Francisco.
[Show full text]
STAN KENTON “Eager Beaver”
120703bk Kenton 4 15/9/03 10:10 PM Page 2 1. Eager Beaver 3:02 13. You Betcha 3:25 (Stan Kenton) (Johnny Lange–Ralph Wolf) Also available in the Naxos Jazz Legends series 2. I’ll Remember April 3:07 Anita O'Day, vocal (Don Raye–Gene dePaul) 14. The Hour Of Parting 2:43 Gene Howard, vocal (Mischa Spoliansky–Gus Kahn) 3. Ride On 2:28 15. In A Little Spanish Town 1:59 (Skeets Tolbert) (Mabel Wayne–Sam Lewis–Joe Young) Anita O'Day, vocal Anita O'Day, vocal 4. Russian Lullaby 2:20 16. Begin The Beguine 3:12 (Irving Berlin) (Cole Porter) 1-4: MacGregor LB 34, mx MM0 584 13-16: MacGregor LB 37, mx MMO 587 Recorded 15 May 1944 Recorded 15 May 1944 5. Clair de lune 3:26 17. Blues 3:29 (Debussy, arr. Joe Rizzo) (Dave Matthews–Anita O'Day) 6. Build It Up And Tear It Down 3:21 Anita O'Day, vocal 8.120517* 8.120518* 8.120684* (Johnny Meyer–Al Jacobs) 18. Tico Tico 2:15 Anita O'Day, vocal (Zequinda Abreu–Aloysio Oliveira–Ervin 7. Moon Song 3:59 Drake) (Arthur Johnston–Sam Coslow) 19. Special Delivery 2:25 Gene Howard, vocal (Anita O'Day) 8. I Know That You Know 2:00 Anita O'Day, vocal (Vincent Youmans–Anne Caldwell) 20. Conversin’ With The Brain 2:36 5-8: MacGregor LB 35, mx MMO 585 (Boots Mussulli) Recorded 15 May 1944 17-20: MacGregor LB 128, mx MMO 671 9. Opus A Dollar Three Eighty 2:16 Recorded December 1944 (Pete Rugolo) All selections recorded at C.
[Show full text]
James R. and Susan Neumann Jazz Collection Series 3: Concert Programs, 1942-2009 and Undated
Oberlin Conservatory Library Special Collections James R. and Susan Neumann Jazz Collection Series 3: Concert Programs, 1942-2009 and undated P a g e | 1 Event Title or Performer Name Date Physical Extent AACM Festival 1985, 1990 Julian "Cannonball" Adderley All Star Musical Festival Oct 15 and 16, 1959 American Festival of Music 1959-1963, 1965 Ann Arbor Blues and Jazz Festival 1970, 1973 Antibes/Juan les Pins Festival 1966, 1967, 1969 Arbors Jazz 2 folders Louis Armstrong 3 folders Astrodome Jazz Festival Atlanta Jazz Festival Atlantic City Jazz Festival Atlantic Mutual Jazzfest Pearl Bailey Josephine Baker Banlieues Bleues Chris Barber Count Basie 2 folders Bay Area Jazz Festival 1972-1973 Beaulieu Jazz Festival 1960 Sidney Bechet Louis Bellson Belvedere Jazz Festival Tony Bennett Bergamo Jazz 1998 Berkley Jazz Festival 1976, 1984 Berkshire Music Barn 1958 Berliner Jazztage 1968 Berliner Jazz Tage 1970 Bill Berry and the L.A. Band Big Band Sounds 1942 Big Broadcast 1944 The Big Rhythm and Blues Show Oberlin Conservatory Library l 77 West College Street l Oberlin, Ohio 44074 l [email protected] l 440.775.5129 Oberlin Conservatory Library Special Collections James R. and Susan Neumann Jazz Collection Series 3: Concert Programs, 1942-2009 and undated P a g e | 2 The Big Show 1957, 1965 The Biggest Show of… 1951-1954 Birdland 1956 Birdland Stars of… 1955-1957 Art Blakey's Jazz Messengers Blue Note Boston Globe Jazz Festival Boston Jazz Festival Lester Bowie British Jazz Extravaganza Big Bill Broonzy Les Brown and His Band of Renown
[Show full text]
THE RECORDING Fellow Recording Artist
NCRA1 NATIONAL COMMITTEE FOR THE RECORDING ARTS STAN KENTON National Chairman February 14, 1968 CHARTER MEMBERS: LOUIS ARMSTRONG TONY BENNETT JUNE CHRISTY BOB COOPER KENNY DENNIS Fellow Recording Artist: ALFRED DRAKE PERCY FAITH SID FELLER While I try not to deluge you with correspondence, I am not JERRY FIELDING always successful. BROTHERS FOUR STAN GETZ BENNY GOODMAN This letter is a case in point. GOGI GRANT JIMMY HASKELL Our campaign to secure copyright legislation is, like all JOHNNY KEATING legislative matters, somewhat complex. FRANKIE LAINE PEGGY LEE GUY LOMBARDO The two enclosures make it simple. JULIE LONDON HENRY MANCINI I have two requests, both of which are simple and painless. JOHNNY MANN SHELLY MANNE FREDDY MARTIN Will you take time to read the enclosures and, having done that, BILLY MAY write a personal note to one or more of the Senators comprising MITCH MILLER the Subcommittee On Patents, Trademarks and Copyrights? These ALFRED NEWMAN are the men who will soon decree life or death for the legislation MINNIE PEARL we seek, specifically Amendment 131 BUDDY RICH to Senate Bill S. 597. Let MORT SAHL them know how you feel. SIMON & GARFUNKEL DICK STABILE They can be addressed thusly: APRIL STEVENS NINO TEMPO MEL TORME The Honorable John L. McClellan The Honorable Hiram L. Fong BOBBY TROUP Member of Senate Member of Senate FRED WARING 3241 New Senate Office Building 1107 New Senate Office Building MEREDITH WILLSON Washington, D.C. Washington, D.C. NANCY WILSON GERALD WILSON KAI WINDING The Honorable Philip A. Hart The Honorable Hugh Scott PETER YARROW Member of Senate Member of Senate 362 Old Senate Office Building 260 Old Senate Office Building Washington, D.C.
[Show full text]
The Legacy of S Ta N K E N to N
THE UNITED STATES ARMY FIELD BAND JAZZ AMBASSADORS The Legacy of S TA N K ENTON Washington, D.C. “The Musical Ambassadors of the Army” he Jazz Ambassadors is the Concerts, school assemblies, clinics, T United States Army’s premier music festivals, and radio and televi- touring jazz orchestra. As a component sion appearances are all part of the Jazz of The United States Army Field Band Ambassadors’ yearly schedule. of Washington, D.C., this internation- Many of the members are also com- ally acclaimed organization travels thou- posers and arrangers whose writing helps sands of miles each year to present jazz, create the band’s unique sound. Concert America’s national treasure, to enthusi- repertoire includes big band swing, be- astic audiences throughout the world. bop, contemporary jazz, popular tunes, The band has performed in all fifty and dixieland. states, Canada, Mexico, Europe, Ja- Whether performing in the United pan, and India. Notable performances States or representing our country over- include appearances at the Montreux, seas, the band entertains audiences of all Brussels, North Sea, Toronto, and New- ages and backgrounds by presenting the port jazz festivals. American art form, jazz. The Legacy of Stan Kenton About this recording The Jazz Ambassadors of The United States Army Field Band presents the first in a series of recordings honoring the lives and music of individuals who have made significant contri- butions to big band jazz. Designed primarily as educational resources, these record- ings are a means for young musicians to know and appreciate the best of the music and musicians of previous generations, and to understand the stylistic developments leading to today’s litera- ture in ensemble music.
[Show full text]
Members of the Stan Kenton Orchestra Salute Stan Kenton Mp3, Flac, Wma
Members Of The Stan Kenton Orchestra Members Of The Stan Kenton Orchestra Salute Stan Kenton mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Members Of The Stan Kenton Orchestra Salute Stan Kenton Country: US Style: Big Band MP3 version RAR size: 1920 mb FLAC version RAR size: 1450 mb WMA version RAR size: 1360 mb Rating: 4.3 Votes: 696 Other Formats: MP1 WMA RA AIFF AAC MPC MP3 Tracklist A1 Artistry In Rhythm 6:46 A2 Peanut Vendor 2:09 A3 Estrellita 2:59 B1 Intermision Riff 3:22 B2 Come Back To Sorrento 3:02 B3 Dark Eyes 2:13 B4 Martha 2:34 B5 Elegy 2:47 Notes Catalog number CLP 5093 is on the album jacket. Catalog number 5093 is on the center labels. Barcode and Other Identifiers Matrix / Runout (A Side Center Label And Runout): CLP 5093-1 Matrix / Runout (B Side Center Label And Runout): CLP 5093-2 Other versions Category Artist Title (Format) Label Category Country Year Members Of The Stan Members Of Crown Kenton Orchestra Salute CLP 5093, The Stan Records , CLP 5093, Stan Kenton (Artistry In US 1959 5093 Kenton Crown 5093 Rhythm) (LP, Album, Orchestra Records Mono) Members Of The Stereophonic Sound The Stan Bright X-BO-705 Of Stan Kenton (LP, X-BO-705 US Unknown Kenton Orange Album) Orchestra Members Of The Stan Members Of Crown Kenton Orchestra Salute CST 128, The Stan Records , CST 128, Stan Kenton (Artistry In US 1959 128 Kenton Crown 128 Rhythm) (LP, Album, Orchestra Records Red) Members Of The Stereophonic Sound The Stan Bright BOC-705 Of Stan Kenton (Cass, BOC-705 US Unknown Kenton Orange Album) Orchestra Members
[Show full text]
SEPTEMBER 1951 •Vol%9
SEPTEMBER 1951 • Vol%9 « Mo. 9 NEWS apitol N E W S PAGE 3 Bud Freem an's dissonance Kenton Launches Innovations II Stan Kenton's "Inn ova tions In Modern Music II," The strip of sidewalk that ran adjacent to the curb ,los been set to open a in front of the famous Palace Theatre in New York »■month tour of the called "th e b ea ch ." Some o f B roadw ay's unlikeliest ch» tountry on September 27th in acters sunned themselves in the exhausted atmospht,., Julias, Texas. Visiting firemen who entered their cars in Manhalfc * featured with the concert or- traffic derby customarily saw only the backs o f ' hestra will be June Christy, who beach's" stable gentlemen. They always faced the Pol« eaves her own successful career —like supplicants facing East—and watched the prophr the second time to accompany the agents and the bookers, who moved in and out o ff Temple of vaudeville. the tour. Since the firs t In n o va tions tour June has been w o rk in g There's a thinner, a Hollywood version, of "the bend cs a single in theaters and n ig h t It extends from ABC's studios on the west side of Vin ¡labs. Street dow n to Music C ity on the Sunset Boulevard collii Added to the re gu la r Kenton The West Coast "beach" is peopled chiefly by song writer aew for the concerts w ill be 18 pluggers, publishers, promotion and publicity guys off strings, four French horns and a ated with the music business and musicians thera* |ikia.
[Show full text]
Jazz Library (Song Listings)
Music 932 songs, 3.7 days, 10.39 GB Name Time Album Artist Afrodisia 5:06 Afro-Cuban Kenny Dorham Lotus Flower 4:17 Afro-Cuban Kenny Dorham Minor's Holiday 4:28 Afro-Cuban Kenny Dorham Basheer's Dream 5:03 Afro-Cuban Kenny Dorham K.D.'s Motion 5:29 Afro-Cuban Kenny Dorham The Villa 5:24 Afro-Cuban Kenny Dorham Venita's Dance 5:22 Afro-Cuban Kenny Dorham Echo Of Spring (a.k.a. K.D.'s Cab Ride) 6:12 Afro-Cuban Kenny Dorham Minor's Holiday [Alternate Take] 4:24 Afro-Cuban Kenny Dorham Bouncing With Bud 3:05 The Amazing Bud Powell, Vol. 1 Bud Powell Wail 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels 2:54 The Amazing Bud Powell, Vol. 1 Bud Powell 52nd Street Theme 2:50 The Amazing Bud Powell, Vol. 1 Bud Powell You Go To My Head 3:15 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology 2:23 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 1] 3:06 The Amazing Bud Powell, Vol. 1 Bud Powell Bouncing With Bud [Alternate Take 2] 3:16 The Amazing Bud Powell, Vol. 1 Bud Powell Wail [Alternate Take] 2:42 The Amazing Bud Powell, Vol. 1 Bud Powell Dance Of The Infidels [Alternate Take] 2:51 The Amazing Bud Powell, Vol. 1 Bud Powell Ornithology [Alternate Take] 3:12 The Amazing Bud Powell, Vol. 1 Bud Powell Un Poco Loco 4:46 The Amazing Bud Powell, Vol.
[Show full text]
October 25-28, 2018 Tickets 1-909-939-0777 Four Points by Sheraton at LAX 9750 Airport Boulevard Los Angeles, California 90045
Presents SOMETHING COOLCELEBRATING THE VOCALISTS AND ARRANGERS OF THE WEST COAST JAZZ ERA • 16 Concerts, rare films, panels and special presentations • The Four Freshmen • Tierney Sutton • Stephanie Nakasian • Veronica Swift • Mark Winkler • Pinky Winters • James Torme • Bonnie Bowden • Barbara Morrison • John Proulx • Kurt Reichenbach • Calabria Foti • Michael Dees • Ginger Berglund • Denise Donatelli • Diane Hubka • Michael Berkowitz Performing the Arrangements of • Bill Holman • Shorty Rogers • Johnny Mandel • Russ Freeman • Pete Rugolo • Marty Paich • Fred Katz • Bob Cooper • Buddy Bregman • Nelson Riddle • Billy May • Jimmy Giuffre October 25-28, 2018 Tickets 1-909-939-0777 Four Points by Sheraton at LAX 9750 Airport Boulevard www.lajazzinstitute.org Los Angeles, California 90045 THURSDAY, OCTOBER 25 FESTIVAL DETAILS Thursday, October 25 • 4:30-5:30pm • $20 Dates San Diego Room October 25-28, 2018 Pre-Festival Event Welcome Cocktail Reception Pre-Festival Event October 25 Place Remembering Four Points by Sheraton at LAX 9750 Airport Blvd. the King Cole Trio Los Angeles, CA 90045 Luther Hughes & Friends The special rate for festival attendees is $120 per night. How to purchase tickets There are three ticket choices to attend Thursday, October 25 • 8pm • $30 the festival Deadline to reserve rooms and get the California Ballroom Luther Hughes special rate is October 3, 2018 PLATINUM Pre-Festival Event Reserve your room now by calling: $450 VIP Registration ($425 for members) includes priority reserved seating 1-800-368-7764 and identify yourself as part of the GOLD L.A. Jazz Institute festival group. $425 ($400 for members) includes All-Star Tribute to Marty Paich reserved seating. The Sheraton has a free shuttle to and INDIVIDUAL EVENT TICKETS Celebrating the Dek-Tette Sound from LAX.
[Show full text]
OBITUARY: TERRY WILKINSON, 1931-2013 by Barry Morris ______
OBITUARY: TERRY WILKINSON, 1931-2013 by Barry Morris ____________________________________________________ [This obituary appeared in the Sydney Morning Herald on March 30, 2013] erry Wilkinson was one of the most gifted jazz pianists Australia has produced. He was still in short pants when he joined one of Sydney's leading big bands T and, by age 16, still at school, he was playing professionally six nights a week. He went on to become a key figure in a glittering era of jazz and popular musical entertainment spanning four decades. He played in ritzy nightclubs and restaurants where jazz, the popular music of the day, was in great demand. Among the places he played were the great Sydney venues Chequers, Andres, Princes, Romanos, the Roosevelt and Sammy Lee's. He worked with many of the world's top performers - Artie Shaw, Buddy Rich, Louis Armstrong, Johnnie Ray, the Mills Brothers, Frankie Laine, Billy Daniels, June Christy, the Platters, Sammy Davis, Jr, Jack Jones, Al Martino, Eartha Kitt, Mickey Rooney and Wayne Newton. A young Terry Wilkinson at the piano: at age 16, still at school, he was playing professionally six nights a week… PHOTO © RON FALSON ARCHIVE 1 And he rubbed shoulders with colourful characters - bookies, spivs and crims galore, he recalled in an interview with John Sharpe for his book I Wanted to be a Jazz Musician (2008). In the 1940s Wilkinson was one of the first Australian jazz musicians to embrace the new bebop sound. By the 50s he was backing US pop and jazz artists at the Sydney Stadium shows promoted by entrepreneur Lee Gordon.
[Show full text]
David Schildkraut “Dave” “Davey”
1 The ALTOSAX & TENORSAX of DAVID SCHILDKRAUT “DAVE” “DAVEY” Solographer: Jan Evensmo Last update: April 2, 2020 2 Born: NYC. Jan. 7, 1925 Died: Jan. 1, 1998 Introduction: Dave Schildkraut was one of the few white altosax players who played in the Charlie Parker tradition, and he does it with bravura. It is amazing how little his brilliant playing is known even to well informed jazz collectors. This solography aims to correct this flaw. I once had the pleasure to meet Dave in his apartment in New York City. He was such a nice man, and he played “Lover Man” for me on his altosax, beautiful! We called Bill Triglia, who said that “you are in the apartment of one of the greatest jazz altosax players”. I think he had a good point. Quotes from Endgame Records CD 005: “As far as I’m concerned, the two most original saxophonists after Charlie Parker were Lee Konitz and Dave Schildkraut” – Bill Evans “Dave Schildkraut was the only saxophonist to capture the rhythmic essence of Bird” – Dizzy Gillespie “Dave Schildkraut was one of the greatest saxophonists I ever heard” – Stan Getz History: Father played clarinet and bought him his first horn. Studied clarinet and altosax at high school. Professional debut with Louis Prima 1941. Off and on with Buddy Rich combos and bands from 1947, also with Anita O’Day 1947. In addition to free-lancing around NYC., worked as floor manager for Woolworth’s 1949, office job at Decca 1952. European tour with Stan Kenton summer 1953, Pete Rugulo 1954, George Handy combo 1955, rejoined Kenton summer 1959, then led own quartet at Café Bohemia, NYC.
[Show full text]
June Christy Big Band Specials Mp3, Flac, Wma
June Christy Big Band Specials mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Big Band Specials Country: UK Style: Big Band, Swing MP3 version RAR size: 1165 mb FLAC version RAR size: 1630 mb WMA version RAR size: 1413 mb Rating: 4.8 Votes: 196 Other Formats: FLAC MP4 AU AAC MMF ASF DTS Tracklist Hide Credits You Came A Long Way From St. Louis A1 2:16 Written-By – Bob Russell, John Benson Brooks Swingin' On Nothin' A2 2:23 Written-By – Moore*, Oliver* Is You Is, Or Is You Ain't My Baby A3 2:46 Written-By – Billy Austin, Louis Jordan Prelude To A Kiss A4 2:53 Written-By – Ellington*, Gordon*, Mills* Skyliner A5 2:57 Written-By – Dale Bennett* A Night In Tunisia A6 2:50 Written-By – Dizzy Gillespie, Jon Hendricks It Don't Mean A Thing B1 1:43 Written-By – Duke Ellington, Irving Mills Frenesi B2 2:19 Written-By – Dominguez*, Charles*, Russell* Stompin' At The Savoy B3 2:29 Written-By – Razaf*, Goodman*, Webb*, Sampson* Good-Bye B4 3:03 Written-By – Gordon Jenkins Time Was (Duerme) B5 2:52 Written-By – Luna*, Prado*, Russell* Until (The Mole) B6 2:46 Written-By – David*, James*, Holmes* Credits Arranged By, Conductor – Bill Holman, Bob Cooper, Shorty Rogers Bass – Joe Mondragon Drums – Mel Lewis Liner Notes – Peter J. Levinson Piano – Jimmy Rowles Producer – Bill Miller Saxophone – Bill Perkins, Bob Cooper, Bud Legge*, Charlie Kennedy, Jack Nimitz, Joe Maini Trombone – Dick Nash, Frank Rosolino, John Halliburton, Ken Shroyer*, Lew McCreary, Vern Friley Trumpet – Al Porcino, Conte Candoli, Lee Katzman, Ray Triscari Notes Pressed by EMI, Records Limited, Middlesex , england.
[Show full text]