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Bill's Guide to Week Two of the 47Th Annual Chicago International Film
Bill’s Guide to Week Two of the 47th Annual Chicago International Film Festival By Bill Stamets Special for Films for Two® My recommended films in Week Two (in “must see” order): 1.) Pina: German director Wim Wenders previously profiled Japanese film director Yasujiro Ozu, Japanese fashion designer Yohji Yamamoto and Cuban musicians. His latest documentary introduces cinefiles to the choreography of German avant-gardist Pina Bausch. In his first use of 3-D cinematography, Wenders evokes the volume of the stage, even for performances staged in non-theatrical settings, including a tramway and an escalator. Four different works are presented. Some are revisited via archival 2-D footage. Seeing various versions adds more figurative depth to our appreciation of Bausch's work than the 3-D adds literal depth to our onscreen perception. Bausch's death during the making of the film may have lent an elegiac note to the laudatory interviews with members of her international company Tanztheater Wuppertal. They do not speak on camera during looking-into-the lens portrait sessions. The soundtrack excerpts their comments, apparently recorded off- camera, to underscore their role as voiceless dancers. Wenders channels Bausch's tactile and theoretical grasp of the body as metaphysical material for art. 2.) The Descendants: Alexander Payne (Sideways, About Schmidt, Election, Citizen Ruth) directs George Clooney as Matt King, an Hawaiian lawyer dealing with his wife hospitalized in a coma and their 10-year-old and 17- year-old daughters. Payne and his co-writers start from Kaui Hart Hemmings' 2008 novel for a truly touching male melodrama, as Clooney's character reconciles his mixed emotions about his wife. -
Safe, Orderly, and Productive School Legal News Note
SAFE, ORDERLY, AND PRODUCTIVE SCHOOL LEGAL NEWS NOTE February 2004 School Leadership, Management, and Administration’s Safe, Orderly, and Productive School Initiative Jack Klotz, SLMA Coordinator **Johnny R. Purvis, Professor – School Leadership, Management, and Administration, UCA Shelly Albritton, Technology Coordinator Wm. Leewer, Jr., Editor, MSU Graduate School of School Leadership, Management, and Administration University of Central Arkansas 201 Donaghey Avenue Main Hall Room 104 Conway, Arkansas Phone: 501-450-5258 The Safe, Orderly, and Productive School Legal News Note is a monthly update of selected significant court cases pertaining to school safety-security and student management issues. It is written by Johnny R. Purvis for the Safe, Orderly, and Productive School Initiative, located in the Graduate School of Management, Leadership, and Administration at the University of Central Arkansas. If you have any questions or comments about these cases and their potential ramifications, please phone me at 501- 450-5258. In addition, feel free to contact me regarding school safety and security issues; student discipline/management issues; and issues pertaining to gangs, cults, and alternative beliefs. 1 “Student Kicked and Called Teacher Butthead” *Mulvey v. Jones (Va. App., 587 S.E. 2d 728), October 28, 2003 An eleven-year-old student was misbehaving and being disruptive in his teacher’s classroom. The teacher asked the student to leave the classroom three times and the student refused. The teacher placed the youngster’s book bag on a desk in the hallway. Thereupon, the student went into the hall, refused to sit, kicked the desk, and called his teacher a “butthead”. The teacher grabbed the student from behind with a strong grip on his shoulders and slammed him into the desk in a sitting position. -
Togetherness Pilot Review
Togetherness: “Family Day” Review January 2015 Static Age Online Airs Sundays at 10pm on HBO HBO’s latest dramedy offers yet another look at the mid-life crisis There are a number of topics that filmmakers tackle on Much like the rest of HBOʼs current Sunday night the big and small screen each and every year; to the lineup, Togetherness is a continuation of the point where one might wonder: what is left to say on the “mumblecore” movement popular amongst independent matter? The struggles of middle-age life and parenthood film festivals of recent years. Mumblecore makes a point is no doubt one of them. Yet, it seems each year, without to not put an emphasis on plot, but rather let characters fault, that a new bounce off one another in seemingly mundane perspective from a new conversations and, for lack of a better word, just be. voice comes along and breathes new life into Itʼs that commitment to conversation that will turn a the all-too trite subject. number of viewers off to Togetherness. And since the first Thatʼs exactly what the episodesʼ primary purpose is to introduce characters and Duplass brothers establish relationships, we donʼt have a clear idea of what attempt to do with the Duplass brothers will try to convey over the course of HBOʼs Togetherness. their eight episode run. If Girls combined the raunchiness and self-entitlement of millennial females, and Looking Viewers will most likely recognize Mark Duplass as one takes a subdued, post-modern look at the dating scene of the leads from FXʼs fantasy football comedy The for gay men, what will Togetherness do to distinguish League, and his recurring role as a holistic midwife on itself in the all-to-familiar look at the mid-life crisis. -
Gray Cottage, Sagamore Hill National Historic Site
National Park Service U.S. Department of the Interior Historic Architecture Program Northeast Region Gray Cottage Sagamore Hill National Historic Site Oyster Bay, New York Historic Structure Report This page was intentionally left blank. GRAY COTTAGE HISTORIC STRUCTURE REPORT Sagamore Hill National Historic Site Oyster Bay, New York By James J. Lee III Architectural Conservator Historic Architecture Program Northeast Region, National Park Service Lowell, Massachusetts 2009 Printed 2011 This page was intentionally left blank. CONTENTS LIST OF FIGURES AND CREDITS ................................................................................viii ACKNOWLEDGMENTS .................................................................................................. xiii INTRODUCTION ............................................................................................................1 EXECUTIVE SUMMARY .................................................................................................3 PURPOSE AND SCOPE ..................................................................................................3 HISTORICAL OVERVIEW ............................................................................................4 STATEMENT OF SIGNIFICANCE ..............................................................................6 RESEARCH CONDUCTED ...........................................................................................6 RESEARCH FINDINGS .................................................................................................7 -
'Radical' in As 1St Veep on Recount
EDITORS RESIGN IN DISGUST-NEVER TO RETURN Thirteen angry young editors l The 13 editors, who with stormed out of The Ubyssey Wayman comprise The Ubys office late Tuesday afternoon, sey's editorial board, left 20- vowing never to return. year-old Wayman and a few "We've had it. We can't take cub reporters to put out to it any more," assistant city day's edition. editor Dan Stoffman said. Typewriters and camera in "We thought we'd get a holi hand, 12 editors and photo day this week but (editor-in- chief Norm Betts stalked out chief) Tom Wayman said we aft or last-minute conciliation had to put out two papers in talks failed. two days." "I don't know who Wayman "It's just another example thinks he is,'' muttered city of Wayman's lying and dis editor Al Donald. "But he's torting," complained news not the only one who has editor Ron Riter. classes to attend and courses "He said we agreed earlier to pass." this year to put out two edi tions during the week of the "He's passing honors Eng mid-term break, but I don't lish and leaves us to do all recall any such agreement." the work 'here." The staff, nearing exhaus Chimed in associate editor tion, had been counting on a George Reamsbottom: "He week with only one paper to (Continued on Page 3) allow time for recuperation, ADAMANT EDITORS Riter said. 'we've had enough' SEE: WALK-OUT leave a sinking THEM ship? Vol. XLVIII, No. -
Representations of Masculinity in Contemporary Hollywood Comedies a Thesis Presented to the Facult
In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Nicholas D. Bambach August 2016 © 2016 Nicholas D. Bambach. All Rights Reserved. 2 This thesis titled In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies by NICHOLAS D. BAMBACH has been approved for the School of Film and the College of Fine Arts by Ofer Eliaz Assistant Professor of Film Elizabeth Sayrs Interim Dean, College of Fine Arts 3 ABSTRACT BAMBACH, NICHOLAS D., M.A., August 2016, Film In the Company of Modern Men: Representations of Masculinity in Contemporary Hollywood Comedies Director of Thesis: Ofer Eliaz This thesis discusses the increasing visibility of masculine identity in contemporary Hollywood comedies. I examine how shifting developments in economic, societal, cultural, and gender relations impacted the perception of cinematic masculinity. The men, more specifically white and heterosexual, in these films position themselves as victims and, as a result, turn to alternative outlets to ease their frustrations and anxieties. In order to broadly survey the genre of the past two decades, I focus on three consistently popular character tropes in Hollywood comedies: slackers, office workers, and bromantic friendships. All the male characters discussed throughout the thesis are plagued by their innermost anxieties and desires that compromise their gendered identities. However, these films resort to a regressive understanding of masculinity and functions within the dominant heteronormative structures. This thesis demonstrates how Hollywood comedies present a contradictory and multifaceted image of modern masculinity. -
HBO Introduces the Official Trailer of ROOM 104
HBO introduces the official trailer of ROOM 104 The Anthology Series Returns For Fourth And Final Season July 24 ROOM 104 returns for its fourth and final season FRIDAY, JULY 24, exclusively on HBO GO, one week before launch on the HBO channel on July 31. Likewise, all the episodes of the season will have a premiere on HBO GO, before the weekly programming on the channel. Created by Mark and Jay Duplass ( “Animals.” and “Togetherness”), the late-night, half-hour anthology series returns with 12 new episodes, each telling a unique and unexpected tale of the characters who pass through a single room of a typical American chain motel. While the setting stays the same, every episode of the series features a different story, with the tone, plot, characters, and even the time period, changing with each installment. Exploring a variety of genres, from dark comedy to sci-fi, to the series’ first ever animated episode and original songs, this season will continue to surprise viewers week to week. The premiere episode will be the first time in the series that Mark Duplass stars, writes, directs and performs original music. Stories and characters featured in season four include: an estranged performer giving a one-night-only performance; a woman battling her dark past with addiction; a dollhouse; transporting back in time; and more. Providing one last glimpse into the lives of the guests in ROOM 104, the final season of the genre bending, and risk-taking anthology proves to be another showcase of writing, performing and directing. The season four -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Especial Nuevo Ho Ywood
PLOT 24 CUADROS NÚMERO 34 - AGO 2020 ALGO NUEVO BAJO EL SOL Especial Nuevo Hoywood ESCRiBEN CASTAÑO / VALLARELLi / ACEVEDO / ELESGARAY / REAL / LEMA HUERGO / MiNEViTZ / MUJiCA / BiANCHi / DUARTE/ MAiDANA / SANABRiA / OSORiO / LiTTA PLOT REVISTA 24 CUADROS - AÑO 13 Nº 34 Revista 24 Cuadros - N° 34 - Fundada el 17 de Agosto de 2007 PLOT por Fabio Va l l a r e l l i arece mentira que mientras una haciendo esto. Al nal creo que gané la pandemia azota al mundo y discusión por un capricho o por el gran Pamenaza en convertirse en una serie afecto que profesa Castaño hacia mi distópica muy mala de Netix en La 24 persona. Es probable que sean las dos volvemos a sacar un número después de cosas. una muy larga ausencia. Esta revista es así, inexplicable. Nunca se va, nunca En todos estos años que llevo editando llega del todo. Pero sin embargo, siempre la revista solo logramos publicar dos estamos ahí. números. Hubiese sido paradójico que gracias a mí se terminaran los Varias son las razones de la demora en la especiales. No soy buen perdedor. publicación de este número. La principal es nuestra ambición desmedida. Nos Al nal del camino que estamos propusimos generar este especial hace intentando reconstruir se vislumbra un varios años sin prever la dicultad que nuevo horizonte. Quizá una mejor implicaba abordar el fenómeno de la organización haga posible que estemos manera en la que queríamos hacerlo. Al acá más seguido. Y quién dice, a lo mismo tiempo, la página web es una mejor mi delirio de trasnochado de que tentación. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
6 YEARS Written and Directed by Hannah Fidell
! 6 YEARS Written and Directed by Hannah Fidell ! Starring Taissa Farmiga and Ben Rosenfield 80 minutes, color, U.S.A. Sales Contact: ICM/ Jessica Lacy [email protected] / (310) 550-4316 SUBMARINE/ Josh Braun [email protected] / (212) 625-1410 Press Contact: BRIGADE / Gerilyn Shur [email protected] / 917-551-5838 SYNOPSIS A young couple in their early 20s, Dan and Melanie, have known each other since childhood. Now their 6-year romantic relationship is put to the test when Dan receives an attractive job offer from the record label with whom he interns, and he must choose between a move forward and a future with Mel. Growth and temptation happen – but will their relationship remain part of their future? Writer/director Hannah Fidell explores the struggles of young love as it begins to face the next steps into adulthood. Taissa Farmiga and Ben Rosenfield give warm, genuine performances as Mel and Dan, alongside Lindsay Burdge (star of Fidell’s A TEACHER) as a colleague of Dan’s who entices him in more ways than one. HANNAH FIDELL DISCUSSES 6 YEARS I wrote 6 Years focusing on the relationship of two young adults. Who hasn’t had a first love? And who hasn’t gone through a breakup with said first love? (for those of you who are married to that first person...please ignore…) More than anything though, I modeled Dan and Mel’s world on my group of friends in college. Although, the fighting and the physical violence, that was pure fiction. The script was in great hands with Taissa and Ben. -
April 17 2016 This Week.Pub
United Church of Chapel Hill Calendar of Events: May Worship & Events A Congregation of the United Church of Christ April 17 -23 Sunday, April 17 Highlights 8:45 & 11 am Worship - Sanctuary 9 am Children’s Musical Rehearsal - Music Room This Week - April 17, 2016 GOD IS STILL SPEAKING, 9 am Fellowship Board - Room 235 May 1: Confirmation Sunday. Confirmation 10 am Sunday School Classes for all ages Class 2016 will lead worship both services. Mu- - For Children sic: 8:45 Chancel Choir; Piano trio with Tim - - Pre K Room 104 Rinehart, double bass. 11:00 Youth Choir and Today at United Church Kindergarten - Room 124 soloists. Taize Worship Service (7 pm, Sanctuary) Taizé is a style of Christian First Grade - Room 123 Sunday School classes at 10 am. worship that originated in Second Grade - Room 119 May 8: Worship will include the Children’s See calendar on back page for more information. Taizé France some 75 years Third Grade - Room 122 Musical “The Tale of Three Trees,” by Allen Pote ago. It is woven with Chris- Fourth/Fifth Grades - Room 111 and Tom Lon tian song and chants, inter- For Adults Adult Forum sponsored by the Faith and - spersed with prayerful si- Spiritual Growth Conference Room May 15: Pentecost Sunday, Susan Steinberg Family Class (10 am, Family Parlor) - preaching at both 8:45 and 11 am services. Mu- lence, scripture reading, Young Adults Room 229 Today’s class will have a special guest, Sandy - sic: 8:45 - United Voices of Praise; Bronze Voic- more song, more prayer, and SCOR Room 235 Bisdee, whose love of children and of nature led – es Handbells.