Signs, Deixis, and the Emergence of Scientific Explanation
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Peirce's Theory of Communication and Its Contemporary Relevance
Ahti-Veikko Pietarinen Peirce’s Theory of Communication and Its Contemporary Relevance Introduction The mobile era of electronic communication has created a huge semi- otic system, constructed out of triadic components envisaged by the American scientist and philosopher Charles S. Peirce (1839–1914), such as icons, indices and symbols, and signs, objects and interpretants. Iconic signs bear a physical resemblance to what they represent. Indices point at something and say “there!”, and symbols signify objects by conven- tions of a community.1 All signs give rise to interpretants in the minds of the interpreters. It is nonetheless regrettable that the somewhat simplistic triadic ex- posé of Peirce’s theory of signs has persisted in semiotics as the some- how exhaustive and final description of what Peirce intended. The more fascinating and richer structure of signs emerging from their intimate relation to intercommunication and interaction (Peirce’s terms) has been noted much less frequently. Despite this shortcoming, the full Peircean road to inquiry – per- formed by the dynamic community of learning inquirers, or the com- 1 In fact, according to Peirce (2.278 [1895]): “The only way of directly communi- cating an idea is by means of an icon; and every indirect method of communicating an idea must depend for its establishment upon the use of an icon.” Peirce’s chef d’œuvre came shortly after these remarks into being as his diagrammatic system of existential graphs, a thoroughly iconic representation of and a way of reasoning about “moving pictures of thought”, which encompassed not only propositional and predicate logic, but also modalities, higher-order notions, abstraction and category-theoretic notions. -
The Semiotics of Images Photographic Conventions in Advertising NEDELJKOVIC Uros, Mag
The semiotics of Images Photographic conventions in advertising NEDELJKOVIC Uros, Mag. F. Arts – PUSKAREVIC Irma, MSc University of Novi Sad, Faculty of Technical Sciences, Novi Sad Serbia 1. INTRODUCTION 3. PHOTOGRAPHY IN ADVERTISING This presentation explores semiotic power of photography in advertising. > popular for distributing propaganda messages The photographic image has become the most preferable visual tool of the mass culture on the account of its correlation with reality and, conse- > has ability to attract and hold attention quently, its ability to visually transfer cultural and social conventions. > commercial photographers use well known and popular forms ENABLE EASIER codes&forms RECEPTION BY In the world of advertising where there is tendency to minimize the noise THE VIEWER between the meaning that sender is transmitting and the meaning that the receiver might understand, the sender predicts the visual and verbal resources that a typical receiver holds and uses them to compose the 4. PRODUCTION OF MEANING THROUGH message. This composition is made possible with conventions, estab- PHOTOGRAPHIC GENRE lished principles and norms by which meaning is formed. In our investi- gation we use photography as a carrier of these visual resources with an > connection of photographic content with specific conventions of the genre overview of social dimension within advertising discourse. > selection of genre triggers connotations that the viewer holds > photography in advertising employs various genres to direct the message 2. PHOTOGRAPHIC CONVENTIONS FOR EXAMPLE > if advertiser wants to call upon the truth and sincerity, he borrows the characteristics of the documentary photography genre. SOCIALLY 1. derived from art history & ESTABLISHED cultural heritage NORMS 2. -
A Diagrammatic Approach to Peirce's Classifications of Signs
A diagrammatic approach to Peirce’s classifications of signs1 Priscila Farias Graduate Program in Design (SENAC-SP & UFPE) [email protected] João Queiroz Graduate Studies Program on History, Philosophy, and Science Teaching (UFBA/UEFS) Dept. of Computer Engineering and Industrial Automation (DCA/FEEC/UNICAMP) [email protected] © This paper is not for reproduction without permission of the author(s). ABSTRACT Starting from an analysis of two diagrams for 10 classes of signs designed by Peirce in 1903 and 1908 (CP 2.264 and 8.376), this paper sets forth the basis for a diagrammatic understanding of all kinds of classifications based on his triadic model of a sign. Our main argument is that it is possible to observe a common pattern in the arrangement of Peirce’s diagrams of 3-trichotomic classes, and that this pattern should be extended for the design of diagrams for any n-trichotomic classification of signs. Once this is done, it is possible to diagrammatically compare the conflicting claims done by Peircean scholars re- garding the divisions of signs into 28, and specially into 66 classes. We believe that the most important aspect of this research is the proposal of a consolidated tool for the analysis of any kind of sign structure within the context of Peirce’s classifications of signs. Keywords: Peircean semiotics, classifications of signs, diagrammatic reasoning. 1. PEIRCE’S DIAGRAMS FOR 10 CLASSES OF SIGNS In a draft of a letter to Lady Welby composed by the end of December 1908 (dated 24-28 December, L463:132-146, CP 8.342-76, EP2:483-491; we will be referring to this diagram 1. -
Postmodernism: Theorising Fragmentation and Uncertainty
Chapter contents Friedrich Nietzsche 213 Bauman as postmodernist 234 `Gloss' and `disclaimers' in the What is a modern person? 237 writings of Jean-FrancËois The modern identity 238 Lyotard 217 Bauman: the critique of life Lyotard, The DiffeÂrend: in the postmodern condition 243 Phrases in Dispute (1988) 219 Deleuze and Guattari 244 Critique of Lyotard 221 Jean Baudrillard (1929± Richard Rorty 223 present) 259 Zygmunt Bauman 226 Gianni Vattimo (1936±present) 262 The creation of a Critiques of postmodernism 265 postmodernist 229 In conclusion: living in the Bauman as modernist 230 postmodern condition 270 Postmodernism: Theorising Fragmentation 6 and Uncertainty By the end of this chapter you should: · have a critical understanding of · be familiar with the key the notions of postmodernism and postmodern writers: Lyotard, postmodernity; Bauman, Baudrillard, Vattimo, · appreciate the signi®cance of Deleuze and Guattari, Rorty, and Nietzsche to postmodern Fish; theorising; · be aware of some of the central critiques of postmodernism: Sokal, Habermas, Giddens, Philo, Kellner. Friedrich Nietzsche riedrich Nietzsche (1844±1900) invented many of the central ideas and concepts which postmodern- F ism raises about the foundations of society. In particular, Nietzsche's anti-foundationalist ideas, built upon the assumption that `God is dead', together with his refusal to privilege his own position, have in¯uenced most of the postmodern writers that we shall review in this chapter. According to Anthony Giddens: `Nietzsche offers a refuge for those who have lost their modernist illusions without relapsing into complete cynicism or apathy' (Giddens, 1995: 261). Nietzsche attempted to undermine the foundations of truth, morality, science, identity and religion. -
Donna E. West Myrdene Anderson Editors Before and Beyond Consciousness
Studies in Applied Philosophy, Epistemology and Rational Ethics Donna E. West Myrdene Anderson Editors Consensus on Peirce’s Concept of Habit Before and Beyond Consciousness Studies in Applied Philosophy, Epistemology and Rational Ethics Volume 31 Series editor Lorenzo Magnani, University of Pavia, Pavia, Italy e-mail: [email protected] Editorial Board Atocha Aliseda Universidad Nacional Autónoma de México (UNAM), Coyoacan, Mexico Giuseppe Longo Centre Cavaillès, CNRS—Ecole Normale Supérieure, Paris, France Chris Sinha Lund University, Lund, Sweden Paul Thagard Waterloo University, Waterloo, ON, Canada John Woods University of British Columbia, Vancouver, BC, Canada About this Series Studies in Applied Philosophy, Epistemology and Rational Ethics (SAPERE) publishes new developments and advances in all the fields of philosophy, epistemology, and ethics, bringing them together with a cluster of scientific disciplines and technological outcomes: from computer science to life sciences, from economics, law, and education to engineering, logic, and mathematics, from medicine to physics, human sciences, and politics. It aims at covering all the challenging philosophical and ethical themes of contemporary society, making them appropriately applicable to contemporary theoretical, methodological, and practical problems, impasses, controversies, and conflicts. The series includes monographs, lecture notes, selected contributions from specialized conferences and workshops as well as selected Ph.D. theses. Advisory Board A. Abe, Chiba, Japan A. Pereira, São Paulo, Brazil H. Andersen, Copenhagen, Denmark L.M. Pereira, Caparica, Portugal O. Bueno, Coral Gables, USA A.-V. Pietarinen, Helsinki, Finland S. Chandrasekharan, Mumbai, India D. Portides, Nicosia, Cyprus M. Dascal, Tel Aviv, Israel D. Provijn, Ghent, Belgium G.D. Crnkovic, Västerås, Sweden J. Queiroz, Juiz de Fora, Brazil M. -
A Semiotic Theory of Music: According to a Peircean Rationale
A SEMIOTIC THEORY OF MUSIC: ACCORDING TO A PEIRCEAN RATIONALE The Sixth International Conference on Musical Signification University of Helsinki Université de Provence (Aix-Marselle I) Aix-en-Provence, December 1-5, 1998 José Luiz Martinez (Ph.D.) [1] The recent growth of musical applications of Peirce’s general theory of signs, such as in the works of David Lidov (1986), Robert Hatten (1994), William Dougherty (1993, 1994), shows that this approach, once set properly in both musical and semiotic contexts, has great analytical power on questions of musical signification. In this paper I will present the structure of a semiotic theory of music, as demonstrated in my doctoral dissertation, Semiosis in Hindustani Music (Imatra: International Semiotics Institute), submitted and approved by the University of Helsinki in 1997. [2] Peirce, in his studies of semiotics, concluded that thought is only possible by means of signs (vide CP 1.538, 4.551, 5.253). Music is a species of thought; and thus, the idea that music is sign and depends on significative processes, or semiosis, is obviously true. A musical sign can be a system, a composition or its performance, a musical form, a style, a composer, a musician, hers or his instrument, and so on. According to Peirce, signification occurs in a triadic relation of a sign and the object it stands for to an interpretant (CP 6.347), which - in music - is another sign developed in the mind of a listener, musician, composer, analyst or critic. [3] In Peirce’s classification of the sciences, semiotics (or semeiotic) has three branches: Speculative Grammar, Critic and Methodeutic (or Speculative Rhetoric) (CP 1.192). -
Power Structures, Change, and the Illusion of Democracy: a Semiotic Study of Leadership and Policy-Making
DOCUMENT RESUME ED 413 647 EA 028 734 AUTHOR Spielmann, Guy; Radnofsky, Mary L. TITLE Power Structures, Change, and the Illusion of Democracy: A Semiotic Study of Leadership and Policy-Making. PUB DATE 1997-03-00 NOTE 19p.; Paper presented at the Annual Meeting of the American Educational Research Association (Chicago, IL, March 24-28, 1997). PUB TYPE Reports Research (143) Speeches/Meeting Papers (150) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS Elementary Secondary Education; *Leadership; *Policy Formation; Power Structure; Professional Autonomy; Professional Development; School Restructuring; *Semiotics; *Teacher Empowerment; Teacher Influence; *Teaching (Occupation) ABSTRACT There is ample evidence that the success or failure of school reform lies not only in the soundness and appropriateness of the reform model chosen, but primarily in its perception, acceptance, and endorsement by teachers. This essay expresses the concept of power as it applies to school reform that focuses on teacher empowerment and professionalization. The paper is based on a grounded theory developed from a qualitative case study that assessed the impact of a newly implemented, districtwide staff-development program. The data are analyzed using an ethnosemiotic approach to explain how a fundamental ambivalence in the concepts of "power" and "professionalism" may prevent the reform from succeeding, even in the absence of overt crisis or resistance. Data were gathered through interviews with and observations of 80 teachers and administrators over 7 months. The paper defines power qualitatively in four different modalities--power ("being-able-to-do"), independence ("being-able-not-to-do"), powerlessness ("not-being-able-to-do"), and submission ("not-being-able-not-to-do"). -
Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory
Journal of Feminist Scholarship Volume 4 Issue 4 Spring 2013 Article 5 Spring 2013 Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann University of New Orleans Follow this and additional works at: https://digitalcommons.uri.edu/jfs Part of the Feminist, Gender, and Sexuality Studies Commons, Law and Gender Commons, and the Women's History Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Mann, Susan A.. 2018. "Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory." Journal of Feminist Scholarship 4 (Spring): 54-73. https://digitalcommons.uri.edu/jfs/vol4/iss4/5 This Viewpoint is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Journal of Feminist Scholarship by an authorized editor of DigitalCommons@URI. For more information, please contact [email protected]. Third Wave Feminism's Unhappy Marriage of Poststructuralism and Intersectionality Theory Cover Page Footnote The author wishes to thank Oxford University Press for giving her permission to draw from Chapters 1, 5, 6, 7, and the Conclusion of Doing Feminist Theory: From Modernity to Postmodernity (2012). This viewpoint is available in Journal of Feminist Scholarship: https://digitalcommons.uri.edu/jfs/vol4/iss4/5 Mann: Third Wave Feminism's Unhappy Marriage VIEWPOINT Third Wave Feminism’s Unhappy Marriage of Poststructuralism and Intersectionality Theory Susan Archer Mann, University of New Orleans Abstract: This article first traces the history of unhappy marriages of disparate theoretical perspectives in US feminism. In recent decades, US third-wave authors have arranged their own unhappy marriage in that their major publications reflect an attempt to wed poststructuralism with intersectionality theory. -
Qualia NICHOLAS HARKNESS Harvard University, USA
Qualia NICHOLAS HARKNESS Harvard University, USA Qualia (singular, quale) are cultural emergents that manifest phenomenally as sensuous features or qualities. The anthropological challenge presented by qualia is to theorize elements of experience that are semiotically generated but apperceived as non-signs. Qualia are not reducible to a psychology of individual perceptions of sensory data, to a cultural ontology of “materiality,” or to philosophical intuitions about the subjective properties of consciousness. The analytical solution to the challenge of qualia is to con- sider tone in relation to the familiar linguistic anthropological categories of token and type. This solution has been made methodologically practical by conceptualizing qualia, in Peircean terms, as “facts of firstness” or firstness “under its form of secondness.” Inthephilosophyofmind,theterm“qualia”hasbeenusedtodescribetheineffable, intrinsic, private, and directly or immediately apprehensible experiences of “the way things seem,” which have been taken to constitute the atomic subjective properties of consciousness. This concept was challenged in an influential paper by Daniel Dennett, who argued that qualia “is a philosophers’ term which fosters nothing but confusion, and refers in the end to no properties or features at all” (Dennett 1988, 387). Dennett concluded, correctly, that these diverse elements of feeling, made sensuously present atvariouslevelsofattention,wereactuallyidiosyncraticresponsestoapperceptions of “public, relational” qualities. Qualia were, in effect, -
Nudge-Ansätze Beim Nachhaltigen Konsum: Ermittlung Und Entwicklung Von Maßnahmen Zum „Anstoßen“ Nachhaltiger Konsummuster Abschlussbericht
TEXTE 69 /2017 Nudge-Ansätze beim nachhaltigen Konsum: Ermittlung und Entwicklung von Maßnahmen zum „Anstoßen“ nachhaltiger Konsummuster Abschlussbericht TEXTE 69/2017 Umweltforschungsplan des Bundesministeriums für Umwelt, Naturschutz, Bau und Reaktorsicherheit Forschungskennzahl 3714 93 303 0 UBA-FB 002451 Nudge-Ansätze beim nachhaltigen Konsum: Ermittlung und Entwicklung von Maßnahmen zum „Anstoßen“ nachhaltiger Konsummuster von Prof. Dr. Christian Thorun, Dr. Jana Diels und Dr. Max Vetter ConPolicy – Institut für Verbraucherpolitik, Berlin Prof. Dr. Lucia Reisch und Manuela Bernauer, M.A. Copenhagen Business School, Kopenhagen (DK) Zeppelin Universität, Friedrichshafen Prof. Dr. Hans-W. Micklitz Europäisches Hochschulinstitut, Florenz (I) und Prof. Dr. Kai Purnhagen Wageningen University, Wageningen (NL) Dr. Jan Rosenow und Daniel Forster Ricardo-AEA, Oxfordshire (UK) Mit freundlicher Unterstützung durch Prof. Dr. Cass R. Sunstein Harvard Law School, Cambridge (USA) Im Auftrag des Umweltbundesamtes Impressum Herausgeber: Umweltbundesamt Wörlitzer Platz 1 06844 Dessau-Roßlau Tel: +49 340-2103-0 Fax: +49 340-2103-2285 [email protected] Internet: www.umweltbundesamt.de /umweltbundesamt.de /umweltbundesamt Durchführung der Studie: ConPolicy – Institut für Verbraucherpolitik Crellestraße 37 10827 Berlin Abschlussdatum: August 2016 Redaktion: Fachgebiet III 1.1 Übergreifende Aspekte des Produktbezogenen Umweltschutzes, Nachhaltige Konsumstrukturen Lisa Kossolobow Publikationen als pdf: http://www.umweltbundesamt.de/publikationen ISSN 1862-4359 Dessau-Roßlau, August 2017 Das diesem Bericht zu Grunde liegende Vorhaben wurde mit Mitteln des Bundesministeriums für Umwelt, Naturschutz, Bau und Reaktorsicherheit unter der Forschungskennzahl 3714 93 303 0 finanziert. Die Verantwortung für den Inhalt dieser Veröffentlichung liegt bei den Autorinnen und Autoren. Kurzbeschreibung Im vorliegenden Forschungsvorhaben wird das Potential von Nudges für den Bereich des nachhaltigen Konsums mit Schwerpunkt auf ökologischen Konsum untersucht. -
Salience in Sociolinguistics
Salience in Sociolinguistics A quantitative approach Inaugural-Dissertation zur Erlangung der Doktorw¨urde der Philologischen Fakult¨at der Albert-Ludwigs-Universit¨at Freiburg i. Br. vorgelegt von P´eterR´acz aus Budapest Wintersemester 2012/2013 Indem wir vom Wahrscheinlichen sprechen, ist ja das Un- wahrscheinliche immer schon inbegriffen und zwar als Grenzfall des M¨oglichen, und wenn es einmal eintritt, das Unwahrschein- liche, so besteht f¨urunsereinen keinerlei Grund zur Verwunderung, zur Ersch¨utterung, zur Mystifikation. (Frisch: Homo Faber) Contents Foreword ix 1 Preliminaries 1 1.1 Aims and concepts . .2 1.1.1 On the notations . .5 1.1.2 Salience in sociolinguistics . .5 1.1.3 Salience as low probability . .9 1.2 Structure of the dissertation . 14 1.2.1 Methodology . 14 1.2.2 Chapter structure . 17 1.2.3 The case studies . 21 1.3 Concluding remarks . 28 2 Defining Salience 31 2.1 Salience as a general term . 32 2.1.1 Salience in sociolinguistics . 34 2.1.2 Salience in visual cognition . 43 2.1.3 Selective attention in hearing . 48 2.2 Operationalising sociolinguistic salience . 49 2.2.1 Preliminaries . 49 2.2.2 Defining salience . 50 2.2.3 Exemplars and transitional probabilities . 53 2.3 Concluding remarks . 59 v CONTENTS 3 Methodology 61 3.1 General considerations . 62 3.2 Step-by-step corpus editing . 65 3.3 Calculating transitional probabilities . 71 4 Definite Article Reduction 75 4.1 Background . 76 4.1.1 Details of the process . 76 4.1.2 DAR as a salient variable . 80 4.2 Analysis . -
Sociosemiotics and Metalanguage: the Case of Translanguaging Linguistic Frontiers
Linguistic Frontiers • 3(2) • 57—65 • 2020 DOI: 10.2478/lf-2020-0015 Linguistic Frontiers Sociosemiotics and Metalanguage: The Case of Translanguaging Original Study Anti Randviir Department of Semiotics, University of Tartu, Estonia. Received: July 2020 ; Accepted: September 2020 Abstract: The age of transdiscipinarity has brought along the fading of boundaries between disciplines. This has engaged both the fusion of metalanguages that are used for the description of cultures and sign-proce- sses, and the launch of novel proposals for metalinguistic vocabularies. In the case of the study of culture, communication and sign-processes, it is natural that all such developments are connected with the paradigm of semiotics. At times the relevant metalinguistic and methodological proposals challenge traditional semiotic vocabulary, methods and methodological truths. This has brought along the need to recall the semiotic roots of the study of semiosis and communication, and to review transdisciplinary metalanguage in order to avoid possible misinterpretations or unnecessary repetitions of the established agreements in the paradigm of se- miotics as a possible ground for transdisciplinary study of human interaction and cultural processes. Howe- ver, besides occasional theoretical confusion, the spread of the semiotic methodology and vocabulary across applied scholarship has enriched semiotics in its faculties of field studies. Keywords : sociosemiotics, metalanguage, transdisciplinarity, modality, multimodality, mediality, coding, semiosis, modelling, translanguaging. Contemporary scholarship has, both in the domain of studies were founded. Secondly, it is useful to recall the humanities and social sciences, as also in the so-called proximity of interdisciplinary studies and interdisciplinary hard sciences, passed a fairly clear transition from mono- education as proposed by American pragmatism.