On the Semiosphere, Revisited
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Biosemiotic Medicine: from an Effect-Based Medicine to a Process-Based Medicine
Special article Arch Argent Pediatr 2020;118(5):e449-e453 / e449 Biosemiotic medicine: From an effect-based medicine to a process-based medicine Carlos G. Musso, M.D., Ph.D.a,b ABSTRACT Such knowledge evidences the Contemporary medicine is characterized by an existence of a large and intricate increasing subspecialization and the acquisition of a greater knowledge about the interaction among interconnected network among the the different body structures (biosemiotics), different body structures, which both in health and disease. This article proposes accounts for a sort of “communication a new conceptualization of the body based on channel” among its elements, a true considering it as a biological space (cells, tissues, and organs) and a biosemiotic space (exchange of “dialogic or semiotic space” that is signs among them). Its development would lead conceptually abstract but experientially to a new subspecialty focused on the study and real, through which normal and interference of disease biosemiotics (biosemiotic pathological intra- and inter- medicine), which would trigger a process- based medicine centered on early diagnosis and parenchymal dialogs (sign exchange) management of disease. occur. Such dialogs determine a Key words: medicine, biosemiotics, diagnosis, balanced functioning of organ systems therapy. or the onset and establishment of http://dx.doi.org/10.5546/aap.2020.eng.e449 disease, respectively. The investigation and analysis of such phenomenon is the subject of a relative new discipline: To cite: Musso CG. Biosemiotic medicine: From an biosemiotics, which deals with the effect-based medicine to a process-based medicine. 1 Arch Argent Pediatr 2020;118(5):e449-e453. study of the natural world’s language. -
Peirce's Theory of Communication and Its Contemporary Relevance
Ahti-Veikko Pietarinen Peirce’s Theory of Communication and Its Contemporary Relevance Introduction The mobile era of electronic communication has created a huge semi- otic system, constructed out of triadic components envisaged by the American scientist and philosopher Charles S. Peirce (1839–1914), such as icons, indices and symbols, and signs, objects and interpretants. Iconic signs bear a physical resemblance to what they represent. Indices point at something and say “there!”, and symbols signify objects by conven- tions of a community.1 All signs give rise to interpretants in the minds of the interpreters. It is nonetheless regrettable that the somewhat simplistic triadic ex- posé of Peirce’s theory of signs has persisted in semiotics as the some- how exhaustive and final description of what Peirce intended. The more fascinating and richer structure of signs emerging from their intimate relation to intercommunication and interaction (Peirce’s terms) has been noted much less frequently. Despite this shortcoming, the full Peircean road to inquiry – per- formed by the dynamic community of learning inquirers, or the com- 1 In fact, according to Peirce (2.278 [1895]): “The only way of directly communi- cating an idea is by means of an icon; and every indirect method of communicating an idea must depend for its establishment upon the use of an icon.” Peirce’s chef d’œuvre came shortly after these remarks into being as his diagrammatic system of existential graphs, a thoroughly iconic representation of and a way of reasoning about “moving pictures of thought”, which encompassed not only propositional and predicate logic, but also modalities, higher-order notions, abstraction and category-theoretic notions. -
Semiowild.Pdf
SEMIOTICS IN THE WILD ESYS A S IN HONOUR OF KALEVI KULL ON THE OCCASION OF HIS 60TH BIRTHDAY Semiotics in the Wild Essays in Honour of Kalevi Kull on the Occasion of His 60th Birthday Edited by Timo Maran, Kati Lindström, Riin Magnus and Morten Tønnessen Illustrations: Aleksei Turovski Cover: Kalle Paalits Layout: Kairi Kullasepp ISBN 978–9949–32–041–7 © Department of Semiotics at the University of Tartu © Tartu University Press © authors Tartu 2012 CONTENTS 7 Kalevi Kull and the rewilding of biosemiotics. Introduction Kati Lindström, Riin Magnus, Timo Maran and Morten Tønnessen 15 Introducing a new scientific term for the study of biosemiosis Donald Favareau 25 Are we cryptos? Anton Markoš 31 Trolling and strolling through ecosemiotic realms Myrdene Anderson 39 Long live the homunculus! Some thoughts on knowing Yair Neuman 47 Introducing semetics Morten Tønnessen 55 Peirce’s ten classes of signs: Modeling biosemiotic processes and systems João Queiroz 36 The origin of mind Alexei A. Sharov 71 Is semiosis one of Darwin’s “several powers”? Terrence W. Deacon 79 Dicent symbols in mimicry João Queiroz, Frederik Stjernfelt and Charbel Niño El-Hani 87 A contribution to theoretical ecology: The biosemiotic perspective Almo Farina 95 Ecological anthropology, Actor Network Theory and the concepts of nature in a biosemiotics based on Jakob von Uexküll’s Umweltlehre Søren Brier 103 Life, lives: Mikhail Bakhtin, Ivan Kanaev, Hans Driesch, Jakob von Uexküll Susan Petrilli and Augusto Ponzio 117 Smiling snails: on semiotics and poetics of academic -
A Biosemiotic Framework for Artificial Autonomous Sign Users
A Biosemiotic Framework for Artificial Autonomous Sign Users Erich Prem Austrian Research Institute for Artificial Intelligence Freyung 6/2/2 A-1010 Vienna, Austria [email protected] Abstract It is all the more surprising that recent publications in this In this paper we critically analyse fundamental assumptions area rarely address foundational is-sues concerning the underlying approaches to symbol anchoring and symbol semantics of system-environment interactions or other grounding. A conceptual framework inspired by problems related to biosemiotics (a notable exception is biosemiotics is developed for the study of signs in (Cangelosi 01)). As we will discuss below, the approaches autonomous artificial sign users. Our theory of reference make little or no reference to specifically life-like or even uses an ethological analysis of animal-environment robotic characteristics such as goal-directedness, interaction. We first discuss semiotics with respect to the purposiveness, or the dynamics of system-environment meaning of signals taken up from the environment of an interaction. These features are, however, central to much autonomous agent. We then show how semantic issues arise of robotics and ALife. It is highly questionable, however, in a similar way in the study of adaptive artificial sign us- ers. Anticipation and adaptation play the important role of whether technical approaches to symbol anchoring should defining purpose which is a neces-sary concept in the be developed devoid of any sound theoretical foundation semiotics of learning robots. The proposed focus on sign for concepts such as “meaning” or “reference”. Until now, acts leads to a se-mantics in which meaning and reference simplistic versions of Fregean or Peircean semiotics seem are based on the anticipated outcome of sign-based in- to have motivated existing technical symbol anchoring and teraction. -
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Psychosemiotics: communication as psychological action Marko Mili Doctor of Philosophy (Psychology) University of Western Sydney November 2008 ACKNOWLEDGEMENTS I would like to express my gratitude to my wife Juliana Payne for her patience, accessibility for debate on all issues, practical assistance, and help in avoiding clichés like the plague. My parents Petar and Nediljka Mili shared their enthusiasm for learning and balanced their encouragement with flexibility about the direction that their influence took. My sister, Angela Mili, provided moral and practical support. To my extended family—Ante, Maria, Mirko, Lina, Kristina, Anthony, and Nikolas Mili; and Steve and Veronica Harwood—thank you for your support for this project. Thanks to Megan McDonald for helpful grammatical-stylistic suggestions and to Domagoj Veli, who has been an enthusiastic supporter of this project from the beginning. Professor Philip Bell, Professor Theo van Leeuwen, Dr Scott Mann and Dr Phillip Staines provided me with valuable opportunities to assist in teaching their courses in mass media, semiotics, social theory and the philosophy of language. This experience has significantly enhanced the present work. My supervisor, Dr Agnes Petocz, consistently provided detailed and incisive feedback throughout the conception and execution of this work. Her vision of a richer science of psychology has been inspirational for me. As co-supervisor, Professor Philip Bell has been an exemplary mentor and model for post- disciplinary research. ii STATEMENT OF AUTHENTICATION The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in whole or in part, for a degree at this or any other institution. -
Picasso's Cubism: Politics And/Or Semiosis
MIT 4.602, Modern Art and Mass Culture (HASS-D+CI) Spring 2012 Professor Caroline A. Jones Notes History, Theory and Criticism Section. Department of Architecture Lecture 10 SERIALISM & SEMIOSIS: Lecture 10: Picasso's Cubism: Politics and/or Semiosis 1990: Picasso's primitivism is part of a cultural discourse in which "Africa" conveyed widely accepted meanings that cannot be extricated from allusions to its art and people. - Patricia Leighton, 'The White Peril and I 'art m?gre ... " 1981 /'98: The extraordinary contribution of collage is that it is the first instance within the pictorial arts of anything like a systematic exploration of the conditions of representability entailed by the sign. - Rosalind Krauss, "In the Name of Picasso" I. Picasso's escape via Paris: from paternal academy, and provincialism A. The international "Youth Style" (Jugendstil, Joven Tut, Arte Joven magazines) B. Impressionist modes and motives, Barcelona -> Paris C. "Blue period" 1) the depressed fliineur (harlequin) 2) a "Moorish" Spaniard in France II. Picasso's escape from Paris: The Demoiselles d' A vignon A. Picasso's self-described "exorcism" - of what? B. The way modem abstraction works 1) African sculpture as "raisonnable ,. (conceptual) 2) towards a system of visual signs (away from representing towards signifying) C. Colonialist critique through performing the primitive (how different from Gauguin?) III. Cubism- hermetic language, or popular culture? A. "Braque, c 'est ma femme" - the codes of a private language 1) Georges Braque - wit, conceptualism, pattern, (French) fancypaint traditions 2) Pablo Picasso - weight, sculptural concerns, "modeling," oscillations between depth! surface B. The force of caricature in the portraits C. -
Marketing Semiotics
Marketing Semiotics Professor Christian Pinson Semiosis, i.e. the process by which things and events come to be recognized as signs, is of particular relevance to marketing scholars and practitioners. The term marketing encompasses those activities involved in identifying the needs and wants of target markets and delivering the desired satisfactions more effectively and efficiently than competitors. Whereas early definitions of marketing focused on the performance of business activities that direct the flow of goods and services from producer to consumer or user, modern definitions stress that marketing activities involve interaction between seller and buyer and not a one- way flow from producer to consumer. As a consequence, the majority of marketers now view marketing in terms of exchange relationships. These relationships entail physical, financial, psychological and social meanings. The broad objective of the semiotics of marketing is to make explicit the conditions under which these meanings are produced and apprehended. Although semioticians have been actively working in the field of marketing since the 1960s, it is only recently that semiotic concepts and approaches have received international attention and recognition (for an overview, see Larsen et al. 1991, Mick, 1986, 1997 Umiker- Sebeok, 1988, Pinson, 1988). Diffusion of semiotic research in marketing has been made difficult by cultural and linguistic barriers as well as by divergence of thought. Whereas Anglo-Saxon researchers base their conceptual framework on Charles Pierce's ideas, Continental scholars tend to refer to the sign theory in Ferdinand de Saussure and to its interpretation by Hjelmslev. 1. The symbolic nature of consumption. Consumer researchers and critics of marketing have long recognized the symbolic nature of consumption and the importance of studying the meanings attached by consumers to the various linguistic and non-linguistic signs available to them in the marketplace. -
A Semiotic Theory of Music: According to a Peircean Rationale
A SEMIOTIC THEORY OF MUSIC: ACCORDING TO A PEIRCEAN RATIONALE The Sixth International Conference on Musical Signification University of Helsinki Université de Provence (Aix-Marselle I) Aix-en-Provence, December 1-5, 1998 José Luiz Martinez (Ph.D.) [1] The recent growth of musical applications of Peirce’s general theory of signs, such as in the works of David Lidov (1986), Robert Hatten (1994), William Dougherty (1993, 1994), shows that this approach, once set properly in both musical and semiotic contexts, has great analytical power on questions of musical signification. In this paper I will present the structure of a semiotic theory of music, as demonstrated in my doctoral dissertation, Semiosis in Hindustani Music (Imatra: International Semiotics Institute), submitted and approved by the University of Helsinki in 1997. [2] Peirce, in his studies of semiotics, concluded that thought is only possible by means of signs (vide CP 1.538, 4.551, 5.253). Music is a species of thought; and thus, the idea that music is sign and depends on significative processes, or semiosis, is obviously true. A musical sign can be a system, a composition or its performance, a musical form, a style, a composer, a musician, hers or his instrument, and so on. According to Peirce, signification occurs in a triadic relation of a sign and the object it stands for to an interpretant (CP 6.347), which - in music - is another sign developed in the mind of a listener, musician, composer, analyst or critic. [3] In Peirce’s classification of the sciences, semiotics (or semeiotic) has three branches: Speculative Grammar, Critic and Methodeutic (or Speculative Rhetoric) (CP 1.192). -
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View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Journals from University of Tartu 452 Kalevi Kull Sign Systems Studies 46(4), 2018, 452–466 Choosing and learning: Semiosis means choice Kalevi Kull Department of Semiotics University of Tartu, Jakobi 2, 51005 Tartu, Estonia e-mail: [email protected] Abstract. We examine the possibility of shift ing the concept of choice to the centre of the semiotic theory of learning. Th us, we defi ne sign process (meaning-making) through the concept of choice: semiosis is the process of making choices between simultaneously provided options. We defi ne semiotic learning as leaving traces by choices, while these traces infl uence further choices. We term such traces of choices memory. Further modifi cation of these traces (constraints) will be called habituation. Organic needs are homeostatic mechanisms coupled with choice-making. Needs and habits result in motivatedness. Semiosis as choice-making can be seen as a complementary description of the Peircean triadic model of semiosis; however, this can fi t also the models of meaning-making worked out in other shools of semiotics. We also provide a sketch for a joint typology of semiosis and learning. Keywords: biosemiotics; decision-making; free choice; general semiotics; homeostasis; need; non-algorithmicity; nowness; post-Darwinism; semiotic quanta; sign typology; types of learning Der Lebensvorgang ist nicht eine Sukzession von Ursache und Wirkung, sondern eine Entscheidung.1 Viktor von Weizsäcker (1940: 126) It would be foolish to claim that one can tackle this topic and expect to be satisfi ed. -
Review: Marcello Barbieri (Ed) (2007) Introduction to Biosemiotics. the New Biological Synthesis
tripleC 5(3): 104-109, 2007 ISSN 1726-670X http://tripleC.uti.at Review: Marcello Barbieri (Ed) (2007) Introduction to Biosemiotics. The new biological synthesis. Dordrecht: Springer Günther Witzany telos – Philosophische Praxis Vogelsangstr. 18c A-5111-Buermoos/Salzburg Austria E-mail: [email protected] 1 Thematic background without utterances we act as non-uttering indi- viduals being dependent on the discourse de- Maybe it is no chance that the discovery of the rived meaning processes of a linguistic (e.g. sci- genetic code occurred during the hot phase of entific) community. philosophy of science discourse about the role of This position marks the primary difference to language in generating models of scientific ex- the subject of knowledge of Kantian knowledge planation. The code-metaphor was introduced theories wherein one subject alone in principle parallel to other linguistic terms to denote lan- could be able to generate sentences in which it guage like features of the nucleic acid sequence generates knowledge. This abstractive fallacy molecules such as “code without commas” was ruled out in the early 50s of the last century (Francis Crick). At the same time the 30 years of being replaced by the “community of investiga- trying to establish an exact scientific language to tors” (Peirce) represented by the scientific com- delimit objective sentences from non-objective munity in which every single scientist is able the ones derived one of his peaks in the linguistic place his utterance looking for being integrated turn. in the discourse community in which his utter- ances will be proven whether they are good ar- 1.1 Changing subjects of knowledge guments or not. -
Relational Categories
Gentner, D., & Kurtz, K. (2005). Learning and using relational categories. In W. K. Ahn, R. L. Goldstone, B. C. Love, A. B. Markman & P. W. Wolff (Eds.), Categorization inside and outside the laboratory. Washington, DC: APA. Relational Categories Dedre Gentner and Kenneth J Kurtz Relational Categories This chapter is concerned with the acquisition and use of relational categories. By relational category, we mean a category whose membership is determined by a common relational structure rather than by common properties. For instance, for X to be a bridge, X must connect two other entities or points; for X to be a carnivore, X must eat animals. Relational categories contrast with entity categories such as tulip or camel, whose members share many intrinsic properties. Relational categories cohere on the basis of a core relationship ful- filled by all members. This relation may be situation-specific (e.g., passenger or accident) or enduring (e.g., carnivore or ratio). Relational categories abound in ordinary language. Some are restricted in their arguments: For example, car- nivores are animals who eat other animals. But for many relational catego- ries, the arguments can range widely: for example, a bridge can connect two concrete locations, or two generations, or two abstract ideas. As with bridge, the instances of a relational category can have few or no intrinsic properties in common with one another. Research on categories has mostly ignored relational categories, focusing instead on entity categories-categories that can be characterized in terms of intrinsic similarity among members, like those shown in Figure 9.1. Further, as Moos and Sloutsky (2004) point out, theories of categorization have often oper- ated under the assumption that all concepts are fundamentally alike. -
Qualia NICHOLAS HARKNESS Harvard University, USA
Qualia NICHOLAS HARKNESS Harvard University, USA Qualia (singular, quale) are cultural emergents that manifest phenomenally as sensuous features or qualities. The anthropological challenge presented by qualia is to theorize elements of experience that are semiotically generated but apperceived as non-signs. Qualia are not reducible to a psychology of individual perceptions of sensory data, to a cultural ontology of “materiality,” or to philosophical intuitions about the subjective properties of consciousness. The analytical solution to the challenge of qualia is to con- sider tone in relation to the familiar linguistic anthropological categories of token and type. This solution has been made methodologically practical by conceptualizing qualia, in Peircean terms, as “facts of firstness” or firstness “under its form of secondness.” Inthephilosophyofmind,theterm“qualia”hasbeenusedtodescribetheineffable, intrinsic, private, and directly or immediately apprehensible experiences of “the way things seem,” which have been taken to constitute the atomic subjective properties of consciousness. This concept was challenged in an influential paper by Daniel Dennett, who argued that qualia “is a philosophers’ term which fosters nothing but confusion, and refers in the end to no properties or features at all” (Dennett 1988, 387). Dennett concluded, correctly, that these diverse elements of feeling, made sensuously present atvariouslevelsofattention,wereactuallyidiosyncraticresponsestoapperceptions of “public, relational” qualities. Qualia were, in effect,