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Finding Aid for the John Sloan Manuscript Collection
John Sloan Manuscript Collection A Finding Aid to the Collection in the Helen Farr Sloan Library & Archives, Delaware Art Museum The John Sloan Manuscript Collection is made possible in part through funding of the Henry Luce Foundation, Inc., 1998 Acquisition Information Gift of Helen Farr Sloan, 1978 Extent 238 linear feet Access Restrictions Unrestricted Processed Sarena Deglin and Eileen Myer Sklar, 2002 Contact Information Helen Farr Sloan Library & Archives Delaware Art Museum 2301 Kentmere Parkway Wilmington, DE 19806 (302) 571-9590 [email protected] Preferred Citation John Sloan Manuscript Collection, Helen Farr Sloan Library & Archives, Delaware Art Museum Related Materials Letters from John Sloan to Will and Selma Shuster, undated and 1921-1947 1 Table of Contents Chronology of John Sloan Scope and Contents Note Organization of the Collection Description of the Collection Chronology of John Sloan 1871 Born in Lock Haven, Pennsylvania on August 2nd to James Dixon and Henrietta Ireland Sloan. 1876 Family moved to Germantown, later to Philadelphia, Pennsylvania. 1884 Attended Philadelphia's Central High School where he was classmates with William Glackens and Albert C. Barnes. 1887 April: Left high school to work at Porter and Coates, dealer in books and fine prints. 1888 Taught himself to etch with The Etcher's Handbook by Philip Gilbert Hamerton. 1890 Began work for A. Edward Newton designing novelties, calendars, etc. Joined night freehand drawing class at the Spring Garden Institute. First painting, Self Portrait. 1891 Left Newton and began work as a free-lance artist doing novelties, advertisements, lettering certificates and diplomas. 1892 Began work in the art department of the Philadelphia Inquirer. -
Visitor Guide
VISITOR GUIDE “ The variety in the landscape would drive an artist to distraction. It is a sin- gular mixture of the wild and the tame, of the austere and the cheerful . .” —Martha Lamb, 1876 s you use this guide to explore the Florence Griswold Museum, you will walk the grounds enjoyed by Miss Florence Griswold A(1850–1937) and the painters of the Lyme Art Colony who took up residence in her house beginning in 1899. Experience first-hand the environment of one of the largest Impressionist art colonies in America, including the Robert F. Schumann Artists’ Trail. This new addition to the Museum, opened in 2019, offers an opportunity to take in the natural, artistic, and historic highlights of our site via a half-mile, ADA-accessible pathway that links the fragments of the original Griswold estate for the first time since 1936. Inside this guide, you will find a detailed map with points of interest around the Museum and along the trail. F A Robert & Nancy Krieble Gallery: Designed by Centerbrook Architects and opened in 2002, this award-winning gallery houses the admissions desk, changing E John & Kelly Bill Hartman Education Center: The hub of hands-on creative exhibitions, the Museum’s art and archival collections, a brief orientation film, The Shop, programs for visitors and school groups. Open to the public on Sundays for art projects, and visitor amenities. A research archive is also available by appointment. The Robert F. including the opportunity to paint your own canvas indoors or out (open Sundays, April- Schumann Artists’ Trail starts at the Krieble Gallery’s side entrance. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
2021-02-12 FY2021 Grant List by Region.Xlsx
New York State Council on the Arts ‐ FY2021 New Grant Awards Region Grantee Base County Program Category Project Title Grant Amount Western New African Cultural Center of Special Arts Erie General Support General $49,500 York Buffalo, Inc. Services Western New Experimental Project Residency: Alfred University Allegany Visual Arts Workspace $15,000 York Visual Arts Western New Alleyway Theatre, Inc. Erie Theatre General Support General Operating Support $8,000 York Western New Special Arts Instruction and Art Studio of WNY, Inc. Erie Jump Start $13,000 York Services Training Western New Arts Services Initiative of State & Local Erie General Support ASI General Operating Support $49,500 York Western NY, Inc. Partnership Western New Arts Services Initiative of State & Local Erie Regrants ASI SLP Decentralization $175,000 York Western NY, Inc. Partnership Western New Buffalo and Erie County Erie Museum General Support General Operating Support $20,000 York Historical Society Western New Buffalo Arts and Technology Community‐Based BCAT Youth Arts Summer Program Erie Arts Education $10,000 York Center Inc. Learning 2021 Western New BUFFALO INNER CITY BALLET Special Arts Erie General Support SAS $20,000 York CO Services Western New BUFFALO INTERNATIONAL Electronic Media & Film Festivals and Erie Buffalo International Film Festival $12,000 York FILM FESTIVAL, INC. Film Screenings Western New Buffalo Opera Unlimited Inc Erie Music Project Support 2021 Season $15,000 York Western New Buffalo Society of Natural Erie Museum General Support General Operating Support $20,000 York Sciences Western New Burchfield Penney Art Center Erie Museum General Support General Operating Support $35,000 York Western New Camerta di Sant'Antonio Chamber Camerata Buffalo, Inc. -
Biography [PDF]
B A R B A R A G R O S S G A L E R I E LOUISE BOURGEOIS 1911 Geboren in Paris, Frankreich (25. Dezember 1911) Born in Paris, France (December 25th, 1911) 2010 Gestorben in New York, USA (31. Mai 2010) Died in New York, USA (May 31, 2010) 1932 Sorbonne, University of Paris (Baccalauréate in Philosophy) 1934 Paul Colin 1936-1937 Atelier Roger Bissière dell'Académie Ranson Académie of D'Espagnat École du Louvre 1936-1938 École Nationale Supérieure des Beaux-Arts (studying with André Devambez) Académie de la Grande-Chaumière, as an assistant or massière to Yves Brayer 1937-1938 École Municipale de Dessin & d'Art Académie de la Grande-Chaumière, studying painting with Othon Friesz and sculpture with Robert Wlérick Docent at the Musée du Louvre 1938 Moved to New York, USA Académie Scandinavie with Charles Despiau Studied with Fernand Léger Marcel Gromaire and André Lhote 1938-1939 L'Académie Ranson 1939-1940 Vaclav Vytlacil 1946 Art Student's League of New York 1955 On October 5th, Louise Bourgeois becomes an American citizen Preise und Auszeichnungen / Awards and Distinctions 2009 Inducted into National Women’s Hall of Fame, Seneca Falls, New York NY 2008 Aragon-Goya Award, Goya Foundation, Aragon Government, Zaragoza, Spain French Legion of Honor medal presented by President Sarkozy to Louise Bourgeois, Artist’s Chelsea home, France 2007 The "Woman Award", The United Nations and Women Together, New York NY Österreichisches Ehrenzeichen für Wissenschaft und Kunst (Austrian Honour Medal for Science and Arts) 2002 Wolf Foundation Prize in the -
Shaker Museum Mount Lebanon to Present Lecture at National Arts Club
PO Box 630 202 Shaker Road New Lebanon, NY 12125 518-794-9100 Contact: Wyatt Erchak, ext 220, [email protected] FOR IMMEDIATE RELEASE │ Shaker Museum Mount Lebanon to present Lecture at National Arts Club │ (February 19, 2015) – On Thursday, March 19, the Shaker Museum Mount Lebanon will present a program at the National Arts Club in New York City. The program, titled “Mount Lebanon’s North House: The History and Legacy of a Shaker Masterpiece,” is part of a series of winter and spring programs sponsored by the museum in New York City prior to the museum’s annual June opening in New Lebanon, NY. The museum’s Director of Collections and Research, noted Shaker scholar Jerry Grant, will deliver an illustrated lecture focusing on one of Mount Lebanon Shaker Village’s best known structures. The North Family’s First Dwelling House, often called simply the “North House,” was constructed and raised in 1818 to house the North Family Shakers. The building was the home of the North Family Shakers until the last seven Shakers departed Mount Lebanon in 1947. In 1973, the structure was deemed to be a liability and was demolished. “The North Family Shakers, as the public face of the Mount Lebanon Shakers, made a great effort to present Shakers as progressive and modern,” noted Mr. Grant. “The North House was the physical manifestation of this effort.” │ The First Dwelling House, or “North House,” constructed 1818, Shaker Museum Mount Lebanon. A Retiring Room for Shaker Sisters was purchased, dismantled and removed from the North House before its deconstruction, and today is presented as a period room in the American Wing of the Metropolitan Museum of Art. -
Download 2017 Annual Report
Annual Report Issue SUMMER 2018 Please Join Us for the 72nd Annual Meeting and the Members’ Reception for Art and the New England Farm. Friday, June 1, 2018 at 5:30PM Florence Griswold Museum 96 Lyme Street Old Lyme, Connecticut The Annual Meeting takes place on Friday, June 1, 2018 at 5:30pm under a tent on the Adrian P. Moore Garden Terrace. We will share brief reports on the activities of the Museum and invite members to elect a new slate of officers and trustees. Afterwards, we’ll enjoy a festive reception for the exhibition Art and the New England Farm. This is your invitation to the Annual Meeting and Members’ Reception. We hope you can join us. Kindly RSVP (acceptances only) to 860-434-5542 ext. 122 or DeeDee@fl gris.org. Thomas Nason, Midsummer, 1954. Florence Griswold Museum, Gift of Janet Eltinge Art and the New England Farm – the Perils and Pleasures of Farming The Florence Griswold Museum is uniquely positioned to tell the story of Art and the New England Farm, on view May 11 through September 16. This exhibition delves into the agricultural heritage of Florence Griswold’s family estate, the Lyme region and beyond, to examine the complex history and character of New England’s farms. Paintings, drawings, and photographs by artists from the 1830s to the present day will trace the unique challenges of farming in New England. The Museum’s property is itself a case study of family farms in New England. Purchased by the Griswolds in 1841, these grounds became a country estate with barns, an orchard, gardens, and riverfront pastures where the family practiced small-scale farming during Florence’s childhood. -
Download the Absentee Bid Form Here
Florence Griswold Museum Home of American Impressionism 96 Lyme Street Old Lyme, Connecticut 06371 tel 860. 434. 5542 fax 434. 9778 www.FlorenceGriswoldMuseum.org In Coral Seas Benefit Auction & Dinner Dance Florence Griswold Museum Saturday, September 21, 2019 ABSENTEE BID FORM Please execute the enclosed bid on my behalf. I understand and agree to the terms and Conditions of Sale that follow. 1. The Florence Griswold Museum is hereby authorized to bid on the following lot up to the maximum price stated. The Museum executes bids as a convenience for guests and assumes no responsibility for failure to execute these bids or for errors relating to their execution for any reason whatsoever. 2. Successful bidders with a sealed bid will be notified as soon as possible in the days following the conclusion of the auction by phone and arrange for immediate payment and for removal of merchandise. Please allow one day after auction before calling. 3. I understand that if my bid is successful, the final purchase price must be paid within one week of notification. All bids will be treated as offers made under the Conditions of Sale. ITEM # __________________________________________________________________ BID AMOUNT ______________ EMAIL ADDRESS ___________________________ NAME ___________________________________________________________________ MAILING ADDRESS ______________________________________________________ CITY, STATE, ZIP _________________________________________________________ PHONE NUMBER (S) ______________________________________________________ By providing the credit card information below, if I am the successful bidder on the lot(s) submitted for bidding, I authorize the Florence Griswold Museum to charge my credit card for the full amount required. The Museum accepts Visa, Mastercard, American Express & Discover. CARD TYPE _______________ EXP. DATE _________ SEC. -
CHILDE HASSAM: Docent Notes
CHILDE HASSAM: Docent Notes The Childe Hassam oil painting in the Mint‟s holdings –“The Stone Cottage, Old Lyme”- has always been a favorite of our museum visitors, at least in my experience. This short survey and biographical note is followed by a brief timeline and some authoritative quotes from art historians. Hassam (born in Boston in 1859, died at the summer home East Hampton NY 1935), is widely known as America‟s foremost Impressionist. He is often described as “the American Monet”, and his works were collected and admired during his life by major collectors such as Freer, Whitney, Frick, and White -–no struggling, starving, misunderstood artist he! “Stone Cottage, Old Lyme” is obviously painted outdoors (en plein air to use the French term), with a very pleasing impressionist palette – pastel and deep blues, greens, and yellows. Note that he used no blacks or greys. The sun is to the left and behind the cottage, casting a chimney shadow on the roof and shadow on the ground. While there is a wisp of smoke from the chimney, the people seem warmed by the sun. The adult walker is effectively silhouetted against the tree trunks. Hassam used the quick, short brushstrokes of the impressionist –though he decried this term, and never acknowledged being influenced by the French Impressionists--to give the characteristic vibrant, shimmering light effect. Unlike the French, his works always had form and did not disintegrate into simply “vibrations of light”. The strokes seem loose but controlled. Note the different qualities of brushwork: quick vigorous horizontals for the roof, choppy impasto for the foliage, wide diagonals for the sky. -
S of the Shoreline™
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Louise Bourgeois / Biography
LOUISE BOURGEOIS • BIOGRAPHY 1911 Born in Paris, France 1938 Moved to New York 1921-1927 Lycée Fénelon and Collège Sévigné 1932 Lycée Fénelon (received Baccalauréat after private study) 1932 -1935 Sorbonne 1934 Paul Colin 1936-1937 Atelier Roger Bissière dell’Académie Ranson 1936-1937 Académie of D’Espagnat 1936-1937 École du Louvre 1936-1938 École Nationale Supérieure des Beaux-Arts (studying with André De vambez) 1936-1938 Académie de la Grande-Chaumière, as an assistant or massière to Yves Brayer 1937-1938 École Municipale de Dessin & d'Art, 1937-1938 Académie de la Grande-Chaumière, studying painting with Othon Friesz and sculpture with Robert Wlérick 1937-1938 Docent at the Musée du Louvre 1937 Académie Julian 1938 Académie Scandinavie with Charles Despiau 1938 Studied with Fernand Léger 1938 Marcel Gromaire and André Lhote 1938-1939 L’Académie Ranson 1939-1940 Vaclav Vytlacil 1938 Louise Bourgeois moves to New York City. 1946 Art Student’s League of New York 1955 On October 5th, Louise Bourgeois becomes an American citizen. INDIVIDUAL EXHIBITIONS 1945 Bertha Schaefer Gallery, New York, NY “Paintings by Louise Bourgeois” (opened 6/4/45) 1947 Norlyst Gallery, New York, NY “Louise Bourgeois: Paintings” (10/28/47-11/8/47) 1949 Peridot Gallery, New York, NY “Louise Bourgeois, Recent Work 1947-1949: Seventeen Standing Figures in Wood” (10/3/49-10/29/49) 1950 Peridot Gallery, New York, NY “Louise Bourgeois: Sculptures” (10/2/50- 10/28/50) 1953 Peridot Gallery, New York, NY “Louise Bourgeois: Drawings for Sculpture and Sculpture” (3/30/53-4/25/53) 1 1959 Andrew D. -
Nomination Form
VLR Listed: 12/4/1996 NRHP Listed: 4/28/1997 NFS Form 10-900 ! MAR * * I99T 0MB( No. 1024-0018 (Rev. 8-86) .^^oTT^Q CES United States Department of the Interior National Park Service NATIONAL REGISTER OF HISTORIC PLACES REGISTRATION FORM 1. Name of Property historic name: Skyline Drive Historic District other name/site number: N/A 2. Location street & number: Shenandoah National Park (SHEN) not for publication: __ city/town: Luray vicinity: x state: VA county: Albemarle code: VA003 zip code: 22835 Augusta VA015 Greene VA079 Madison VA113 Page VA139 Rappahannock VA157 Rockingham VA165 Warren VA187 3. Classification Ownership of Property: public-Federal Category of Property: district Number of Resources within Property: Contributing Noncontributing 9 8 buildings 8 3 sites 136 67 structures 22 1 objects 175 79 Total Number of contributing resources previously listed in the National Register: none Name of related multiple property listing: Historic Park Landscapes in National and State Parks 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this _x _ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property _x _ meets __^ does not meet the National Register Criteria. I recommend that this property be considered significant x nationally __ statewide __ locally. ( __ See continuation sheet for additional comments.) _____________ Signature of certifying of ficial Date _____ ly/,a,-K OAJ.