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Music and the American Civil War
“LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans. -
Isles of Tranquility J Paintings of Bermuda by Clark Greenwood Voorhees
Isles of Tranquility J Paintings of Bermuda by Clark Greenwood Voorhees 1871-1933 i fig. 2. Looking Toward the Dockyard from Somerset, Oil on canvas, 28 x 36 inches, Estate stamp verso Isles of Tranquility J Paintings of Bermuda by Clark Greenwood Voorhees 1871-1933 December 8, 2012—January 18, 2013 introduction by jennifer c. krieger essay by caroline l. gillaspie Manhattan Showroom, 74 East 79th Street, Suite 9B, New York, NY 10075 (by appointment) P.O. Box 140, Irvington, NY 10533 (mailing address) 212.731.0550 * [email protected] * www.hawthornefineart.com 1 fig. 3. Church Bay, Oil on canvas, 28 x 36 /8 inches, Signed lower center Introduction J jennifer c. krieger HROUGH HIS ART, Clark Greenwood Voorhees fully celebrated the rich natural beauty of T Bermuda, as well as the graceful way it was inhabited by its citizens. Each painting in this exhi- bition instantly becomes a portal into the sub-tropic archipelago Voorhees encountered in the early twentieth century with an eye attuned to both science and beauty. Voorhees depicted the isles in a variety of moods and in an abundance of views. Some images allude to the presence of man (figural or architectural) and others are simple meditations on the interaction between the land and sea and the physical wonders they have produced over thousands of years. In each work, Voorhees delivers forth a felt sensation of the area, whether it is the soft whisper of a noc- turne with air perfumed by bougainvillea and enshrouded by dark cedars, or the calls of sea birds echo- ing over an extension of lush rocky cliffs and pink sand beach saturated by the brightest of sunlight. -
Griswold Family
1 A Short Introduction to the Griswold Family The Griswold family first appears in Warwickshire, England in the 13th century. The name was spelled various ways. Most early Griswolds spelled their name Greswolde. Since spelling was casual at that time, some forms ran rather far afield, most notably Grissel. So common is this one that when I come across it doing genealogical work, I automatically click in on a Griswold and search farther. So far it’s paid off 100% of the time. How could you get such aberrant spellings? My hunch is that we pronounce all the letters clearly, but that the English did not. English history is full of surnames pronounced totally differently from the way they look. I’ve often wondered if these mangled pronunciations were some sort of secret password that let those around you know that you were a bona fide member of the appropriate social group, much as today people name drop by only using first names and expect you to know exactly whom they are talking about. Thus we have names like Chalmondeley pronounced “Chumley”, Beauchamp pronounced “Beecham”, and Bohun pronounced “Boone”. Why not, then might the original pronunciation of Greswolde been “Gresold” or “Grissel”? The origin of the Griswold or Greswolde name is given in several ways. The family name appeared at a time when Norman French and English were commonly intermixed. “Grès” is “sandstone” in French. “Gris” is grey; griser is to give a grey tint to. “Wold”, however is clearly English, most likely from a Saxon form and is understood to mean “wood” or “forest”. -
Visitor Guide
VISITOR GUIDE “ The variety in the landscape would drive an artist to distraction. It is a sin- gular mixture of the wild and the tame, of the austere and the cheerful . .” —Martha Lamb, 1876 s you use this guide to explore the Florence Griswold Museum, you will walk the grounds enjoyed by Miss Florence Griswold A(1850–1937) and the painters of the Lyme Art Colony who took up residence in her house beginning in 1899. Experience first-hand the environment of one of the largest Impressionist art colonies in America, including the Robert F. Schumann Artists’ Trail. This new addition to the Museum, opened in 2019, offers an opportunity to take in the natural, artistic, and historic highlights of our site via a half-mile, ADA-accessible pathway that links the fragments of the original Griswold estate for the first time since 1936. Inside this guide, you will find a detailed map with points of interest around the Museum and along the trail. F A Robert & Nancy Krieble Gallery: Designed by Centerbrook Architects and opened in 2002, this award-winning gallery houses the admissions desk, changing E John & Kelly Bill Hartman Education Center: The hub of hands-on creative exhibitions, the Museum’s art and archival collections, a brief orientation film, The Shop, programs for visitors and school groups. Open to the public on Sundays for art projects, and visitor amenities. A research archive is also available by appointment. The Robert F. including the opportunity to paint your own canvas indoors or out (open Sundays, April- Schumann Artists’ Trail starts at the Krieble Gallery’s side entrance. -
Scottsdale Art Auction Seeking Consignments for April 6 Western Art Sale SCOTTSDALE, ARIZ
THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY ANTIQUES AND THE ARTS WEEKLY ț 5 CHURCH HILL RD ț BOX 5503 ț NEWTOWN, CONNECTICUT, 06470 ț FALL 2018 2 — THE GALLERY October 12, 2018 — Antiques and The Arts Weekly THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY • THE GALLERY Tel. 203-426-8036 or 203-426-3141 or Fax 203-426-1394 www.AntiquesAndTheArts.com contact: Barb Ruscoe email - [email protected] Published by The Bee Publishing Company, Box 5503, Newtown Connecticut 06470 New Acquisitions & Brimming Fair Schedule Propel Edward T. Pollack Fine Arts BRUNSWICK, MAINE — Edward T. 1,” “Nudo 2” and “Nudo 3”; prints by Ynez Pollack Fine Arts has a busy fall and winter Johnston, Jacques Hnizdovsky; several im- season planned for 2018–19. Following a portant Whistler lithographs; and a brilliant successful show at the Brooklyn Book and example of the now rare exhibition poster Print Fair at the Brooklyn Expo in Green- for the famous 1985 exhibition of paintings point early September, Ed Pollack will by Warhol and Basquiat. exhibit at the New York Satellite Print Fair Recent sales have included books illus- at Mercantile Annex 37. The show is held trated and signed by Thomas Hart Benton October 25–28, the same dates as the In- and Keith Haring, a lithograph by Yasuo ternational Fine Print Dealers Association’s Kuniyoshi, several woodcuts by Carol Fine Art Print Fair, in a venue very close Summers, two watercolor drawings by the to the Javits Center. During January and Monhegan Island painter Lynne Drexler, an February, the firm participates in print fairs early and rare Stow Wengenroth lithograph in Portland, Ore., Los Angeles/Pasadena and of Eastport, Maine, a lithograph by Robert San Francisco/Berkeley, Calif. -
Family Genealogy SURNAME INDEX to Date 12312015 A
Family Genealogy SURNAME INDEX to date 12312015 A A A) Misc, VF Abbey A) Abbey 1, VF Abbott A) Abbott 2, VF A) Abbott, Benj. & Augustine 1, VF W) Woodruff Genealogy (Abbott), HC* Abell A) Abell 1, VF Acker C) Descendants of Henry C. Clark (Acker), SC* Adair A) Ancestral History of Thelma D. Adair (Gander), HC Adams A) Adams 1, VF A) Adams, Abner, Zerviah 3, VF A) Adams and Griswold (Riggins), HC A) Adams Family (Adams), HC* A) Adams, Frank 2, VF H) Early Connecticut Holcomb's in Ashtabula Co., Trumbull Co., OH and PA (Holcomb), HC* R) RootAdamsMcDonaldHotling; RootHallamAtwaterGuest Genealogy (Dubach), SC W) Wright Genealogy, Moses Wright (Adams), SC Addicott A) Addicott, Beer 1, VF A) Addicott, Hersel 2, VF Addicott, James Henry Early Settler 1850, An/Cert #078, An/Cert #079 Addington Grantham & Skinner Genealogy MFM #1513336, Mfm Btm Drw Grantham & Skinner Genealogy MFM #1513337, Mfm Btm Drw Addison S) Peter Simpkins Family Genealogy (Simpkins), HC* Adset A) Adset 1, VF Aho A) Aho 1, VF G) Desendants of Casper Goodiel (Aho), SC* Aiken A) Aiken 1, VF L) Linkswilers of Louisiana (Martin), HC S) Seegar/Sager and Delp Genealogy (Williams), SC Ainger A) Ainger 1, VF Akeley A) Akeley 1, VF 1 Family Genealogy SURNAME INDEX to date 12312015 Alanko Berry, Gloucester Richard Heritage 1908, An/Cert #105 Brainard, David Pioneer 1820, An/Cert #109 Iloranta, Heikki Nestori Heritage 1919, An/Cert #106 I) The Iloranta and Soukka Families in America (Alanko), SC K) Klingman Family History (Alanko), SC* Albert A) Albert 1, VF Alden A) Alden, David 1, VF Alderman A) Alderman 1, VF A) Alderman 2, VF A) Alderman 3, VF A) Aldermans in America (Parker), SC A) Descendants of William Alderman. -
Windsor Historical Society Family Genealogy Books Inventory.Xlsx
Windsor Historical Society Family Genealogy Books Inventory.xlsx Surname Title Author/Editor Pub. Year Alderman The Descendants of William Alderman V1 (1671-2002) Verne Spear 1996 Alderman The Descendants of William Alderman V2 (1671-2002) Verne Spear 1996 Alexander The Alexanders of Mendon Massachusetts Rev. Victor Alexander 1938 Alford Some Descendants of Sgt. Benedictus Alford Edwin Strickland 1993 Allen Genealogy of Samuel Allen and Some of His Descendants Willard S. Allen 1876 Allen Obsession; Mother's New England Ancestors Allen Brownlee 1987 Allen Some Descendants of Samuel Allen Edwin Strickland 1993 Allen The Allen Memorial - Second Series (1640-1907) Orrin Peer Allen 1907 Allyn Life & Ancestry of William Noah Allyn Helen Rutledge Allyn 1960 Allyn Matthew Allyn and His Descendants to 1884 John Allyn 1884 New Beginnings The Genealogy and Union of the Allyn & Allyn Stephen Allyn Redshaw 2006 Redshaw Families Alvord A Genealogy of the Descendants of Alexander Alvord (1645-1908) Samuel Morgan Alvord 1908 Austin The Ancestors of M. Arlene Austin Arthur M. Sikes Jr. 2003 Barber Descendants of Thomas Barber (1614-1662) Maurice B. Wilson 1992 Barber Some Descendants of Thomas Barber Edwin Strickland 2003 The Connecticut Barbers - A Genealogy of the Descendants of Barber Donald S. Barber 2001 Thomas Barber of Windsor Connecticut The Connecticut Barbers - A Genealogy of the Descendants of Barber Donald S. Barber 1992 Thomas Barber of Windsor Connecticut Barber The Connecticut Barbers - Supplement Donald S. Barber 1992 Letters to My Own -
Table of Contents Section 1
PLAN OF CONSERVATION AND DEVELOPMENT 2017– 2027 GRISWOLD, CONNECTICUT PLAN OF CONSERVATION AND DEVELOPMENT 2017 - 2027 Town of Griswold, Connecticut Borough of Jewett City, Connecticut Plan Contents Introduction History and Population Demographics Inventory and Analysis Goals and Recommendations Implementation Conclusion Consistency with State Plan of Conservation and Development Plan Maintenance and Amendments This plan was adopted at a legally convened meeting of the Griswold Planning and Zoning Commission Adoption Date 2017 TABLE OF CONTENTS SECTION 1. INTRODUCTION 1.A INTRODUCTION ......................................................................................................................... 1 1.B STATUTORY AUTHORITY & CONTENT ....................................................................................... 1 1.C PLAN PHILOSOPHY..................................................................................................................... 2 SECTION 2. HISTORY AND POPULATION DEMOGRAPHICS 2.A HISTORY OF GRISWOLD ............................................................................................................. 3 2.B POPULATION TRENDS ................................................................................................................ 5 SECTION 3. INVENTORY AND ANALYSIS 3.A TRANSPORTATION ................................................................................................................... 11 3.B HOUSING ................................................................................................................................ -
The Artist in the Connecticut Landscape October 2, 2015–January 31, 2016
Annual Report Issue SUMMER 2015 A Special Invitation to Florence Griswold Museum Members Please join us for the 69th Annual Meeting and the Members’ Reception for the Opening of All the Sea Knows: Marine Art from the Museum of the City of New York. Friday, June 5, 2015 at 5:30pm and trustees. At 6:30pm, we’ll enjoy Florence Griswold Museum a festive reception for the opening of 96 Lyme Street All the Sea Knows: Marine Art from the Museum of the City of New York. Old Lyme, Connecticut The 69th Annual Meeting of the This is your invitation to the Florence Griswold Museum takes place Members’ Reception. We hope on Friday, June 5, 2015 at 5:30pm under you can join us. Kindly RSVP a tent on the Adrian P. Moore Garden (acceptances only) to 860-434-5542 Terrace. We will share brief reports on ext. 122 or [email protected]. the activities of the Museum and invite James Edward Buttersworth (1817–1894), Yacht Race off Fort Wadsworth, ca. 1870. Oil on board, 9 1/4 x 12 1/4 members to elect a new slate of officers inches. Museum of the City of New York All the Sea Knows–a New Exhibition BEFORE MISS FLORENCE Sea Knows reveals the diverse ways the helped introduce the world to American sea has been depicted in American art Impressionism, her father, Captain and its connections to the Connecticut Robert Griswold, made his mark as a shore. A special gallery will unite, for respected sea captain. For 25 years he the first time, paintings from MCNY’s sailed the Atlantic between New York collection with selections from the and London on packet ships of the Black Museum’s collection that depict ships X Line. -
First Congregational Church
F foH- Of FIRST CONGREGATIONAL CHURCH » (Fifth Meeting House) * The Marvin House (see page 6) i The McCurdy House (see page 6) Hi!! !!!niFI!I!!lll lllllllllllllf illlPllllliliiilllliilllll Landmarks of OLD LYME THE BEGINNINGS OF THE TOWN LD LYME was originally part of Saybrook when the latter Owas founded in 1635. However in the years following quite a number of Saybrook settlers acquired land and established homes east of the Connecticut River; amongst them were the Lay, Noyes, Champion, Griswold, Marvin, DeWolf, Lord and Ely families. On February 13, 1665, at a ceremony known as "The Loving Parting," the friendly separation of Saybrook and Lyme took place, and Lyme became an independent "plantation"; two years later, on May 9, 1667, a decree of the General Court at Hartford authorized the change of name to that of Lyme. There is a tra dition that Lyme was named after Lyme Regis in Dorset, Eng land, based on an unconfirmed legend that the Griswolds and/or the Sills came from that town. Others believe that the fact that the Lees of Lyme came from Lyme, Cheshire, England, may have had something to do with this town being so named. Lyme originally comprised an area of 80 square miles. In 1835 the eastern section became an independent town known as East Lyme; and in 1855 the south-west portion withdrew and became legally Old Lyme. In connection with setting the boundaries of Lyme, the story runs that there was much controversy about a strip of land be tween Bride Brook and the Niantic Rive*, also claimed by New London. -
Download 2017 Annual Report
Annual Report Issue SUMMER 2018 Please Join Us for the 72nd Annual Meeting and the Members’ Reception for Art and the New England Farm. Friday, June 1, 2018 at 5:30PM Florence Griswold Museum 96 Lyme Street Old Lyme, Connecticut The Annual Meeting takes place on Friday, June 1, 2018 at 5:30pm under a tent on the Adrian P. Moore Garden Terrace. We will share brief reports on the activities of the Museum and invite members to elect a new slate of officers and trustees. Afterwards, we’ll enjoy a festive reception for the exhibition Art and the New England Farm. This is your invitation to the Annual Meeting and Members’ Reception. We hope you can join us. Kindly RSVP (acceptances only) to 860-434-5542 ext. 122 or DeeDee@fl gris.org. Thomas Nason, Midsummer, 1954. Florence Griswold Museum, Gift of Janet Eltinge Art and the New England Farm – the Perils and Pleasures of Farming The Florence Griswold Museum is uniquely positioned to tell the story of Art and the New England Farm, on view May 11 through September 16. This exhibition delves into the agricultural heritage of Florence Griswold’s family estate, the Lyme region and beyond, to examine the complex history and character of New England’s farms. Paintings, drawings, and photographs by artists from the 1830s to the present day will trace the unique challenges of farming in New England. The Museum’s property is itself a case study of family farms in New England. Purchased by the Griswolds in 1841, these grounds became a country estate with barns, an orchard, gardens, and riverfront pastures where the family practiced small-scale farming during Florence’s childhood. -
Download the Absentee Bid Form Here
Florence Griswold Museum Home of American Impressionism 96 Lyme Street Old Lyme, Connecticut 06371 tel 860. 434. 5542 fax 434. 9778 www.FlorenceGriswoldMuseum.org In Coral Seas Benefit Auction & Dinner Dance Florence Griswold Museum Saturday, September 21, 2019 ABSENTEE BID FORM Please execute the enclosed bid on my behalf. I understand and agree to the terms and Conditions of Sale that follow. 1. The Florence Griswold Museum is hereby authorized to bid on the following lot up to the maximum price stated. The Museum executes bids as a convenience for guests and assumes no responsibility for failure to execute these bids or for errors relating to their execution for any reason whatsoever. 2. Successful bidders with a sealed bid will be notified as soon as possible in the days following the conclusion of the auction by phone and arrange for immediate payment and for removal of merchandise. Please allow one day after auction before calling. 3. I understand that if my bid is successful, the final purchase price must be paid within one week of notification. All bids will be treated as offers made under the Conditions of Sale. ITEM # __________________________________________________________________ BID AMOUNT ______________ EMAIL ADDRESS ___________________________ NAME ___________________________________________________________________ MAILING ADDRESS ______________________________________________________ CITY, STATE, ZIP _________________________________________________________ PHONE NUMBER (S) ______________________________________________________ By providing the credit card information below, if I am the successful bidder on the lot(s) submitted for bidding, I authorize the Florence Griswold Museum to charge my credit card for the full amount required. The Museum accepts Visa, Mastercard, American Express & Discover. CARD TYPE _______________ EXP. DATE _________ SEC.