Voice Works Fiddle Tunes Writers' Conference
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Germán López, Joel Savoy & Kelli Jones
MUSIC Germán López, Joel Savoy & SAVANNAH Kelli Jones Sat, March 25, 2017 12:30 pm – 1:40 pm Venue Charles H. Morris Center, 10 E Broad St, Savannah, GA 31401 View map Admission Buy tickets More information Savannah Music Festival Credits Presented by the Savannah Music Festival Germán López is a world-renowned ‘timple’ player from the Canary Islands, and is joined by Spanish guitarist Antonio Toledo at the 2017 Savannah Music Festival. Two acoustic duos from remarkably different traditions share this one- time-only double bill. Germán López is a world-renowned timple player from Spain, and is joined by Spanish guitarist Antonio Toledo. López has been performing since the age of 10, including collaborations with the symphony orchestra of Gran Canaria and festival appearances throughout Europe and the U.S. Pronounced “tim-play,” the timple is a diminutive 5-stringed instrument that resembles the 4-stringed ukulele, which López brings to life through a joyous sound that is similar to flamenco music but with a very Portuguese flair. Joel Savoy and Kelli Jones are from Eunice, Louisiana and specialize in Cajun music, honky-tonk and swing on guitar and fiddle. Savoy is the son of renowned Cajun musicians Mark & Ann Savoy, is owner/producer at the Grammy-winning label Valcour Records, and is also the Artistic Director of the Festival of American Fiddle Tunes. This is his third SMF appearance. Kelli Jones grew up playing old-time fiddle alongside her father Carl Jones in North Carolina, and has lived in Louisiana for the past decade. She also performs and tours with Feufollet and T’Monde, in addition to this compelling new project. -
MATTHEW B. POPOSKY Her Truck in the Drive Editor-In-Chief Way
In and would be ' home when MATTHEW B. POPOSKY her truck in the drive Editor-in-Chief way. We thought she was on she wanted," Lawrence the phone, and I remember ColdonSr., father, said. A University of Missouri stepping out on the porch, The police, it turns out, - St. Louis student, Phoenix seeing her silhouette in were not helpful to the Coldon, junior, undeclared, the truck. You can see past Coldons. The officer taking disappeared from her home the front 'windows to the the report offered to run the on Sunday, December 18, end of the truck from our plates of Phoenix's truck, 2011. Since then, searches house. 1 remember peep but reported turning up no have occurred, flyers have ing off the porch and seeing responses. He also did not been posted and lines have her. I came back inside, and file a missing person's re been tied up with inquiries Lawrence saw her leave." port, citing his earlier men regarding the young stu Lawrence contin- tion of Phoenix's age. The dent's condition, whether ued the day's tran next day, another officer did she has been heard from scription at this point. come out :lnd say she would or seen, etc. What follo'ws "I saw Phoenix back file a report, although her is the account of Phoenix's out of the driveway and check of the truck's tags also disappearance and the pro pull off. That was the last came up empty. According cess followed since that time we saw her, at about to Lawrence, it was later day by her parents, Goldia 3 p.m. -
2018 CA Banjo Extravaganza Banjo Mini-Camp
The 7th Annual California Banjo Extravaganza Banjo Mini-Camp Featuring 2018 IBMA Banjo Player of the Year Ned Luberecki Toronto clawhammer master Chris Coole & Bill Evans Saturday, November 10, 1 to 4:45 p.m., $70 for two 75-minute workshops of your choice and final all-group Q & A session Freight and Salvage Coffeehouse, 2020 Addison Street, Berkeley Sponsored by Deering Banjos, Peghead Nation, Homespun Tapes, EMG Pickups, Banjo Boy Coffee & Elderly Instruments For Mini-Camp registration, link to: https://www.thefreight.org/event/1773207-7th-annual-california-banjo- berkeley/ And catch the California Banjo Extravaganza in concert at the Freight, Saturday, November 10, 8 p.m.: https://www.thefreight.org/event/1722335-7th- annual-california-banjo-berkeley/ Instruction in both three-finger/bluegrass (Ned Luberecki & Bill Evans) and old- time/clawhammer styles (Chris Coole). For all levels of bluegrass and clawhammer banjo players, Ned Luberecki, Chris Coole & Bill Evans will teach two 75-minute small group sessions from 1 to 3:45 p.m. All participants will come together at 4 p.m. in the main performance hall for a final Q & A session. Your $70 admission is for the entire afternoon of workshop sessions. This is a hands-on, “bring your banjo and let’s pick” afternoon with topics appropriate for all levels of banjo players. Audio and videotaping of workshops are allowed and students can attend any banjo workshop of their choice. Tab examples will be provided at all sessions. Don’t miss this unique opportunity to learn up close from three of the best players and teachers in the world. -
It's All About the Music!
Musicians “It’s all about the music!” Wayne said to me the first time Courtbouillon played together. That makes sense on a lot of levels. Here are three guys, leaders of three of the most successful WAYNE TOUPS: ACCORDION AND VOCALS contemporary Cajun bands, drawn together by nostalgia for the music they grew up listening to. I hesitate to say “music of the past.” These aren’t old STEVE RILEY: ACCORDION, GUITAR AND VOCALS songs, these are their songs- our songs- they’re as timeless to the Cajuns as WILSON SAVOY: ACCORDION, FIDDLE, GUITAR AND VOCALS the Star-Spangled Banner is to Americans. Cajun music is folk music- it’s music by the people for the people, but most of you know Wayne, Steve ERIC FREY: BASS and Wilson as the great bandleaders they are, standing onstage in front of thousands giving themselves to their audience. Here’s a chance to have them in your living room as three friends playing for each other. What a treat! The record was made with that feeling in mind. I wanted to capture that additional information raw passion coming from these guys as they poured themselves into these beautiful songs and the job was easy enough! Standing around one day after Recorded, Mixed and Mastered by Joel Savoy at Studio SavoyFaire a session Wayne looked at us with tears in his eyes and thanked us for letting in Eunice, LA. him be a part of this. This music means so much to these guys. I hope you enjoy it! Photos by Lucius Fontenot. -
Here It Might, As Long As It’S Somewhere Worth Traveling
BRUCE ROBISON Bruce Robison has been making music professionally for decades. He still discusses his craft with so much enthusiasm he sounds almost like a kid raving about superheroes. That infectious energy is evident in every note of his new album, Bruce Robison & the Back Porch Band, as well as his new project, The Next Waltz, a blossoming community of artists, fans and friends gathering both virtually and at his recording studio in Lockhart, just outside of Austin. In both cases, the point is to celebrate country music’s rich traditions while giving creativity free rein to go where it might, as long as it’s somewhere worth traveling. It’s also about celebrating Robison’s “love of the craft of song.” “Writing is where it all starts for me,” he explains. “Whether it’s my writing, or songs I want to do with somebody else. I love the mechanics of it; how simple it can be.” Keeping it simple — and organic — was the guiding principle behind the latest album, a collection of Robison originals, co-writes and covers that capture country’s most beloved stylistic elements: good-time, lighthearted romps (“Rock and Roll Honky Tonk Ramblin’ Man”; “Paid My Dues”) and wistful, sometimes bittersweet ballads (“Long Time Coming”; “Still Doin’ Time”). But even the Who’s “Squeezebox” — which Robison calls “a great country song by some English dudes” — shows up, in a lively version dressed with cajun fiddle by Warren Hood and acoustic guitar and harmonies by Robison’s wife, Kelly Willis. Hood is one of a hand-picked crew of regulars tapped for Next Waltz recording sessions with Jerry Jeff Walker, Randy Rogers, Jack Ingram, Rodney Crowell, Willis, Hayes Carll, Turnpike Troubadours, Sunny Sweeney, Reckless Kelly and others. -
By Erik Jensen
UpstateLIVE July / August 2008 : Issue #2 Herby One : editor/ad rep Music Guide Erik Jensen : senior writer Jennifer Hofstra : photography Welcome to the UpstateLIVE Music Guide. It was created to help promote LIVE www.UpstateLIVE.net MUSIC and MUSICIANS in Upstate New www.myspace.com/upstatelivenet York. It gives fans a chance to see what is happening in different regions of the state, Upcoming issues and gives industry insiders some much Issue #3 : SEPT-OCT (*Aug 22) needed networking. Issue #4 : NOV-DEC (*Oct 24) *Deadline It is distributed to live music bars and ------------------------------------------------------------- theatres, music stores and shops, cafes and UpstateLIVE Music Guide restaurants, and circulated by staff, street is published by team members, bands and fans at concerts GOLDSTAR Entertainment and festivals throughout the Upstate New PO Box 565 - Baldwinsville, NY 13027 York Region. The goal of UpstateLIVE is to create a statewide Live Music Community, joining each of the state’s local music scenes into one regional network. We are on our way! UpstateLIVE’s main objective is to showcase all of the outstanding local, regional, and national bands playing Upstate New York. Festivals, concerts, music venues, music shops and sponsors are also highlighted. UpstateLIVE is published 6 times per year (every 2 months), and is an everlasting archive of the great music we share in Upstate NY. For more information visit us on the internet at www.upstatelive.net and at myspace.com/upstatelivenet. Feel free to contact us at [email protected] Hello Friends! Erik Jensen here. I have written a ton PORTISHEAD - “THIRD” of stuff about Upstate area bands, venues and events Straight up darkness. -
Fiction | Nonfiction | Poetry | Hybrid | Dramatic Writing
FICTION | NONFICTION | POETRY | HYBRID | DRAMATIC WRITING Join us for two weeks of seminars, parties, workshops, salons, agent consultations, readings, and more! There are 14 lines in a sonnet and nearly infinite ways of using those lines to impact your reader. There are 14 days in Lit Fest 2019 and more than infinite ways of experiencing it. Even though we may not be the best at math, we do have some impressive numbers for you: 20+ 100+ 13 visiting authors craft seminars public readings 12 9 informative business panels with nighttime salons (featuring live storytelling, authors, agents, and editors a movie night, and spirited conversations) Oh, plus parties, food trucks, and unofficial gatherings on the porch. Lit Fest 2019 contains multitudes. Whether you’re a veteran or a first-timer, we hope you’ll join us for two weeks of literary fun. TABLE OF CONTENTS SEE THE FULL CALENDAR OF EVENTS ON PAGE 32 Advanced Workshops ........................... 2 Salons and Parties ............................. 25 Weeklong and weekend advanced workshops in novel, poetry, Celebrate the kickoff and close of Lit Fest 2019 with parties that short story, memoir, narrative nonfiction, and dramatic writing are include a catered dinner, live music, games, and more. Salons are limited to 10 students each (12 in poetry) and participation is by informal, dynamic evening discussions or performances featuring application only. Weeklong advanced workshops meet five times three or more speakers with varying perspectives on a theme; (typically Monday through Friday) for sessions of about three hours audience participation is encouraged. The ticket price for salons and include an opportunity to meet one-on-one with the instructor. -
Voice Works Fiddle Tunes Writers' Conference Summer Festival Schedule
SUMMER FESTIVAL SCHEDULE creativity in community VOICE FIDDLE PORT TOWNSEND JULY 8–14 WORKS TUNES WRITERS’ High School CONFERENCE Writers JUNE 25-30 JULY 1–8 JULY 15–22 Pharis Romero, Joel Savoy, Sam Ligon, Writers’ Artistic Director Artistic Director Artistic Director Conference Dawn Pemberton FORT WORDEN STATE PARK, PORT TOWNSEND SUPPLEMENT TO THE JUNE 27, 2018 PORT TOWNSEND & JEFFERSON COUNTY LEADER SUMMER AT CENTRUM WELCOME TO CENTRUM’S 45TH SEASON! I INVITE YOU to join the Centrum community in the creation of art and honoring of diverse traditions. DISCOVER creative workshops, mainstage performances, nightclub events, literary readings, lectures, dances, artist residencies, youth programs, and more. CENTRUM PROGRAMS welcome participants from across the globe to historic Fort Worden State Park. Last year alone, Centrum served participants from 16 countries, all 50 states, and 77% of the counties in Washington State. Thirty percent of program participants are age 18 or younger! UNCLE BONSAI As always, we welcome youth age 18 and younger to all performances for free, with an advance FREE FRIDAYS AT THE FORT reservation. Free o erings at Centrum for everyone include our outdoor Free Fridays at the Fort series, all readings at the Writers’ Conference and most Centrum’s popular lunchtime concert and reading series takes workshop participant concerts throughout the place on the lawn of the Nora Porter Commons at Fort Worden summer. State Park. NEW THIS YEAR our Blues and Jazz in the Clubs Performances begin at noon, last until 1 p.m., and are free. In the concerts will appear in venues throughout Fort Worden. -
Sep/Oct 2008
Volume 28 • Number 5 INSIDE THIS ISSUE! September • October Music Theory & Matt Snook Tygh Valley BG Festival! 2008 Some Mando Madness! Bluegrass Expresswww.oregonbluegrass.org The World of Bluegrass According to Sharon Sharon Sandgren loves to paint, to helped Donna Erwin, owner of the There is a cheerful listener involvement carve; to act as well as stage design; Columbia River Gallery, organize the in bluegrass, blues and old-time music, poetry and all things creative. So the entire event. The last two years, she which makes it appeal to people of widely bluegrass community is just lucky that has trimmed her responsibilities down divergent interest. The type of people who Sharon’s promotional instincts settled to the still-huge job of producing the are drawn to play and listen to this true on this one form of roots music. entertainment. American music are social people--people With what appears to be limitless Roots Music Concert Series who like to be part of a community— energy, Sharon has created major new venues for bluegrass in East Like the old adage about saving people who like stories of humanity. It Multnomah County. As a result, she is someone’s life and being responsible represents the almost universal longing to exposing thousands of new listeners to for that person forever, Sharon has go back to a simpler time, a time of having the genre – and bringing new fans into resuscitated bluegrass in East County. your family and neighbors around you, the extended bluegrass family. She may be pumping life into it for enjoying each other’s company, working years to come. -
Ent-2003-09-12.Pdf (199.9Kb)
ENTERTAINMENTpage 17 Technique • Friday, September 12, 2003 • 17 Chop the Tomahawk! Stars with Guitars The Yellow Jackets head down to Celebrity-led southern California ENTERTAINMENT Florida State. Can Tech pull off band Rooney stops by to play the another upset victory? Page 25 Cotton Club. Page 20 Technique • Friday, September 12, 2003 Funny name, no nonsense music launch a fir-ju well By Vivian Vakili arenas. Maybe it is the massive suc- Senior Staff Writer cess of their first two albums, The Dangerous Life of An Insect and a fir- They’ve shared a stage with Ra- ju well. diohead (Radiohead opened for Maybe it is the fact that their them), toured Europe twice, found- soon-to-be-released album El Tore- ed a cancer research foundation, ro (aptly titled) will keep you as played for starving children in Ethi- interested as a matador in the pres- opia, performed duets with Paul ervation of his dear life. McCartney and Julio Iglesias, sere- Maybe it is the simple truth that naded more women than space and these guys are not 18-year-olds pissed decency permits one to recount, off at their suburban parents, col- brunched with the Queen of En- lege kids complaining about the es- gland and translated Latin for the tablishment they comprise or Pope. Fabio-looking With this sort New Kids on the of resume under Block wannabes their belts, you’d “What may seem trying to impress think local At- with their lanta band a fir- chaotic in theory ... starched white ju well consisting comes across quite silk suits. -
Swamp Romp Lyrics and Liner Notes
Swamp Romp, A Louisiana Dance Party for Children Johnette Downing with Scott Billington Liner Notes and Lyrics 1. Swamp Romp 2:02 2. Who Got the Baby in the King Cake? 2:07 3. Mudbug Boogie 3:45 4. It Wasn’t Me (The Possum Song) 2:35 5. Poor Worry Anna 3:01 6. J’ai Vu le Loup, le Renard et la Belette 2:35 7. Mississippi River 2:18 8. Bamboula Rhythm 3:21 9. Gather Something Sweet 1:57 10. Your Best Pair of Shoes 2:44 11. How to Dress a Po’ Boy 2:54 12. Crawfish Etouffée 1:46 13. Get Ready, Get Set, Let’s Groove 3:07 14. Our Oxcarts 2:41 15. Stand Up, Jump Up 2:40 16. Star in My Sky 2:08 JOHNETTE DOWNING with SCOTT BILLINGTON SWAMP ROMP JD-11 ℗ 2019 © 2019 Johnette Downing • www.johnettedowning.com • (504) 861-2682 All Rights Reserved. Duplication is strictly prohibited without prior written consent from Johnette Downing, Wiggle Worm Records. P.O. Box 13367, New Orleans, LA 70185, USA. Produced by Scott Billington and Johnette Downing Recorded by Steve Reynolds, Jake Eckert, and Joel Savoy Mixed by Steve Reynolds Mastered by Paul Blakemore Recorded at The Rhythm Shack, New Orleans, Louisiana; Studio SavoyFaire, Eunice, Louisiana (David Livingston, second engineer); and NOCCA Studio, New Orleans, Louisiana Design and Illustration by Heather Stanley Photograph of Johnette and Scott by Rick Olivier Studio photographs and liner notes by Johnette Downing and Scott Billington Beth Blenz-Clucas, Sugar Mountain PR For Beadle, the sweet Cajun prairie dog. -
Wavelength (January 1985)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 1-1985 Wavelength (January 1985) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (January 1985) 51 https://scholarworks.uno.edu/wavelength/51 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. NEW ORLEANS MUSIC MAGAZ, " ISSUE NO. 51 JANUARY • 1985 $1.50 S . s DrPT. IULK RATE US POSTAGE JAH ' · 5 PAID Hew Orleans. LA EARL K.LC~G Perm1t No. 532 UBRf\RYu C0550 EARL K LONG LIBRARY UNIV OF N. O. ACQUISITIONS DEPT N. O. I HNNY T L)e GO 1ST B T GOSP RO P E .NIE • THE C T ES • T 0 S & T ALTER MOUTON, , 0 T & BOUR E (C JU S) • OBER " UNI " 0 KWO • E ·Y AY • PLEASA T JOSE H AL BL ES N GHT) 1 Music Pfogramming M A ~ -----leans, 2120 Canal, New Orleans, LA-70112 WAVELENGTH ISSUE NO. 51 e JANUARY 1985 "I'm not sure, but I'm almost positive, that all music came from New Orleans." Ernie K-Doe, 1979 FEATURES Remembering the Beaconette ...... 14 The Line ........................ 22 An American Mother . ............. 24 1984 Band Guide ................. 27 DEPARTMENTS January News .................. ... 4 It's Music . 8 Radio ........................... 14 New Bands ...................... 13 Rhythmics. 10 January Listings . ................. 3 3 C/assijieds ......................