Nadine Weissmann Mezzo Soprano

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Nadine Weissmann Mezzo Soprano Current and future plans of Nadine Weissmann include WALTRAUTE Götterdämmerung MüPa Budapest, Wesendoncklieder Zuger Sinfonietta, Missa solemnis Katowice, LEOKADJA BEGBICK Aufstieg und Fall der Stadt Mahagonny Komische Oper Berlin, ERDA Siegfried Bregenzer Festspiele, CUPIDON Orphée aux enfers Salzburger Festspiele and Komische Oper Berlin, DRITTE DAME Die Zauberflöte Royal Opera House Covent Garden, Mahler Symphonie Nr 2 Düsseldorfer Symphoniker (Adam Fischer) and Bournemouth Symphony Orchestra (Kirill Karabits), ERDA Das Rheingold/Siegfried, SCHWERTLEITE Die Walküre, MARY Der fliegende Holländer Bayreuther Festspiele (Kirill Petrenko, Marek Janowski), QUICKLY Falstaff Opéra National de Paris Bastille, ERDA Das Rheingold Seoul Arts Center, Elbphilharmonie Hamburg, Festspielhaus Baden-Baden, Konzerthaus Dortmund, GORA Medea and GENEVIÈVE Pelléas at Mélisande Komische Oper Berlin, Important past engagements have included SCHWERTLEITE Semperoper Dresden (Christian Thielemann), DRITTE DAME on tour with Komische Oper Berlin at Liceu Barcelona, Edinburgh Festival, Opéra Comique Paris, Teatro Real Madrid and in Tokyo, Hiroshima, Osaka, Perth, Adelaide, Auckland, ULRICA Un Ballo in Maschera Deutsches Nationaltheater Weimar and DALILA Samson et Dalila Staatskapelle Weimar, LAURA La Gioconda Musiktheater im Revier, Gelsenkirchen, QUICKLY Opéra Marseille, concerts with the Concertgebouw Orchestra, and NDR Sinfonieorchester, JEZIBABA Rusalka Komische Oper Berlin and DRITTE DAME Opéra Bastille. Other past highlights include SCHWERTLEITE Palau de les Arts, Valencia, ERDA/FLOSSHILDE Das Rheingold Liceu Barcelona, BRIGITTA Die tote Stadt Frankfurt Opera, Opéra national de Lorraine Nancy, Teatro Real Madrid, BABA THE TURK The Rake’s Progress Opéra Théâtre de Saint-Étienne, Theater Hagen, Theater Lübeck, MARY Der fliegende Holländer Teatro Real Madrid, EMILIA Otello Opéra de Monte-Carlo, Carmen (title role) Mecklenburgisches Staatstheater Schwerin, Theater Osnabrück, Landestheater Bregenz, QUICKLY Finnish National Opera, MARTHE Faust and FILIPYEVNA Eugene Onegin Bilbao, Mathis der Maler Paris Bastille, HERODIAS Salome Gulbenkian Orchestra and DNT Weimar, and FLORENCE PIKE Albert Herring Theater Lübeck. Nadine appeared in concerts at venues such as Berlin Konzerthaus, Concertgebouw Amsterdam and Auditori Barcelona with the Berlin Philharmonic, DSO Berlin, NDR Elbphilharmonieorchester, Staatskapelle Weimar and others. Nadine studied at the Royal Academy of Music in London and at Indiana University School of Music, Bloomington. Athole Still Artists Foresters Hall T 020 8771 5271 Company No. 06612644 25-27 Westow Street F 020 8771 8172 London SE19 3RY E [email protected] www.atholestill.com Powered by TCPDF (www.tcpdf.org).

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A Midsummer Night's Dream
Monday 25, Wednesday 27 February, Friday 1, Monday 4 March, 7pm Silk Street Theatre A Midsummer Night’s Dream by Benjamin Britten Dominic Wheeler conductor Martin Lloyd-Evans director Ruari Murchison designer Mark Jonathan lighting designer Guildhall School of Music & Drama Guildhall School Movement Founded in 1880 by the Opera Course and Dance City of London Corporation Victoria Newlyn Head of Opera Caitlin Fretwell Chairman of the Board of Governors Studies Walsh Vivienne Littlechild Dominic Wheeler Combat Principal Resident Producer Jonathan Leverett Lynne Williams Martin Lloyd-Evans Language Coaches Vice-Principal and Director of Music Coaches Emma Abbate Jonathan Vaughan Lionel Friend Florence Daguerre Alex Ingram de Hureaux Anthony Legge Matteo Dalle Fratte Please visit our website at gsmd.ac.uk (guest) Aurelia Jonvaux Michael Lloyd Johanna Mayr Elizabeth Marcus Norbert Meyn Linnhe Robertson Emanuele Moris Peter Robinson Lada Valešova Stephen Rose Elizabeth Rowe Opera Department Susanna Stranders Manager Jonathan Papp (guest) Steven Gietzen Drama Guildhall School Martin Lloyd-Evans Vocal Studies Victoria Newlyn Department Simon Cole Head of Vocal Studies Armin Zanner Deputy Head of The Guildhall School Vocal Studies is part of Culture Mile: culturemile.london Samantha Malk The Guildhall School is provided by the City of London Corporation as part of its contribution to the cultural life of London and the nation A Midsummer Night’s Dream Music by Benjamin Britten Libretto adapted from Shakespeare by Benjamin Britten and Peter Pears
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Download Program Notes
Notes on the Program By James M. Keller, Program Annotator, The Leni and Peter May Chair Ragtime (Well-Tempered), for Large Orchestra Symphony, Mathis der Maler Paul Hindemith aul Hindemith sowed plenty of wild oats his teaching position at the Hochschule für Pduring his apprentice years as a com- Musik in Berlin. poser. In 1921, the year of Ragtime (Well- By 1938 Hindemith’s situation had grown Tempered), he included a fire siren and a so dire that he left for Switzerland, and in canister of sand in the instrumentation for 1940 he proceeded to the United States. That his Kammermusik No. 1, and provoked scan- autumn he joined the faculty of Yale Univer- dal by parodying both the words and music sity, where he remained until 1953 as profes- of Wagner’s Tristan und Isolde in his lurid sor of music theory and director of the Yale comic opera Das Nusch-Nuschi. By 1929 he Collegium Musicum (the early-music ensem- had managed to spotlight an apparently ble). He became an American citizen in 1946, nude soprano at center-stage in his opera Neues vom Tage. During that decade he was also immersed in many other musical activ- In Short ities: playing viola in the Amar String Quar- Born: November 16, 1895, in Hanau, near tet, which championed new music along Frankfurt, Germany with the classics; serving on the program committee of the Donaueschingen Festival, Died: December 28, 1963, in Frankfurt a hotbed of the latest sounds; embarking on Works composed and premiered: Ragtime a lifelong fascination with early music (mas- (Well-Tempered), composed 1921, incorporating tering the Baroque-era viola d’amore); even a theme from Johann Sebastian Bach’s Fugue creating some of the first repertoire in the in C minor from the Well-Tempered Clavier, incipient field of electronic music.
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Schumann-Masters-Report
Copyright by Scott Charles Schumann 2011 The Report Committee for Scott Charles Schumann Certifies that this is the approved version of the following report: Interpreting the Mourning Process Through Hindemith’s Trauermusik APPROVED BY SUPERVISING COMMITTEE: Supervisor: David Neumeyer James Buhler Interpreting the Mourning Process Through Hindemith’s Trauermusik by Scott Charles Schumann, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2011 Abstract Interpreting the Mourning Process Through Hindemith’s Trauermusik Scott Charles Schumann, M.Music The University of Texas at Austin, 2011 Supervisor: David Neumeyer Paul Hindemith traveled to London in 1936 intending to give the British premiere of his concerto for viola and chamber orchestra titled Der Schwanendreher on 22 January. The premiere – and much else – was put into question a few minutes before midnight on 20 January 1936, however, when King George V passed away. The next day, Hindemith worked from 11:00 A.M. – 5:00 P.M. composing Trauermusik [Music of Mourning] for solo viola and string orchestra as a tribute to the recently deceased King of England. Thus, the circumstances surrounding the compositional origin of this piece invite a discussion of mourning in both a historical and musical context. In this paper, I will touch on issues such as how mourning defines us as humans and how emotions associated with mourning can be represented in music and experienced by the listener. I will illustrate how mourning helps us to understand the meaning of Trauermusik when it was written and first performed in 1936, following the death of iv King George V.
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HINDEMITH Symphonie ‘Mathis Der Maler’ Symphonie in Es
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Summary Provides an Overview of the Most Frequently Performed Composers and Works, and of U.S., Canadian, and Contemporary Composers and Works
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