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Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12
Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis. -
Surrender and Accountability
Surrender and Accountability Keys to Recovery March 2004 by Roy K. Copyright © Libera Publishing 2004 All rights reserved Self-surrender has been and always must be regarded as the vital turning point of the religious life, so far as the religious life is spiritual and no affair of outer works and ritual and sacraments. William James, The Varieties of Religious Experience Abandon yourself to God . Admit your faults to Him and to your fellows. Clear away the wreckage of your past. “A Vision for You” Some of us tried to hold on to our old ideas and the result was nil until we let go absolutely. We asked His protection and care with complete abandon. “How It Works” From the White Book: We surrender. We win by giving up. (p.66) There seems to be no such thing as surrender in the abstract. Surrender is a giving up of something specific. (p.80) Surrender as an attitude becomes the key to this spiritual program and the summary of its very essence. Once this initial turnaround is made, it gives us faith in the surrender process. Surrender is not only the key to the Twelve Step program and sexual sobriety, but to a joyous and purposeful life with others. (p. 81) “The Third Option” Both options [expressing the obsession or suppressing it] made it worse . We never knew there was another option—surrender. What a beautiful liberating word it has become to those of us who do it! (p. 84) iii iv Preface This booklet is a follow-on of two papers presented to the fellowship in the ESSAY newsletter titled A New Look at Lust Recovery. -
June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge
Centre for Research in the Arts, Social Sciences and Humanities Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge Invited speakers CHARLOTTE BRUNSDON (Film Studies, University of Warwick) TERESA CASTRO (Universite Sorbonne Nouvelle - Paris 3) RICHARD COYNE (Architectural Computing, Edinburgh College of Art), ROLAND-FRANÇOIS LACK and (French Studies, UCL) STEVE PILE (Human Geography, The Open University) ANDREW PRESCOTT (Digital Humanities, King’s College London) MARK SHIEL (Film Studies, King’s College London) PETER VON BAGH (Film Historian and Director, Helsinki) Conveners FRANÇOIS PENZ (University of Cambridge) RICHARD KOECK (University of Liverpool) ANDREW SAINT (English Heritage) CHRIS SPEED (Edinburgh College of Art) www.crassh.cam.ac.uk/events/2473 Battersea Power Station and Nine Elms, 1966, Aerofilms Collection, English Heritatge 1966, Aerofilms and Nine Station Elms, Power Battersea Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) Acknowledgements Supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), the Architecture Department, both at the University of Cambridge and the Arts and Humanities Research Council (AHRC). Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) | Alison Richard Building | 7 West Road Cambridge CB3 9DT | UK | www.crassh.cam.ac.uk Cinematic Urban Geographies Cinematic Urban Geographies 3 & 4 October 2013 at CRASSH (SG1&2) Conveners François Penz (Architecture Department, University of Cambridge) Co-Conveners Richard Koeck (School of Architecture, University of Liverpool) Chris Speed (Edinburgh College of Art) Andrew Saint (English Heritage) Summary The Cinematic Urban Geographies conference aims to explore the di!erent facets by which cinema and the moving image contribute to our understanding of cities and their topographies. -
A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact
CHRISTIAN CROSS-OVER SONGWRITING 1 A Survey of Christian Cross-Over Songwriting Core Principles and Potential for Impact Paul Malhotra A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2013 CHRISTIAN CROSS-OVER SONGWRITING 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ John D. Kinchen III, D.M.A. Thesis Chair ______________________________ Michael Babcock, Ph.D. Committee Member ______________________________ Mr. Don Marsh, M.S. Committee Member ______________________________ Marilyn Gadomski, Ph.D. Assistant Honors Director ______________________________ Date CHRISTIAN CROSS-OVER SONGWRITING 3 Abstract A cross-over song has been defined as a song written by a Christian artist aimed at a mainstream audience. An understanding of the core principles of cross-over songs and their relevance in contemporary culture is essential for Christian songwriters. Six albums marked by spiritual overtones or undertones, representing a broad spectrum of contemporary cross-over music, were examined. Selected songs were critiqued by analyzing the album of origin, lyrical content, author’s expressed worldview, and level of commercial success. Renaissance art also provided a historical parallel to modern day songwriting. Recommendations were developed for Christian songwriters to craft songs with greater effectiveness to impact the culture while adhering to a biblical worldview. CHRISTIAN CROSS-OVER SONGWRITING 4 A Survey of Christian Cross-Over Songwriting An exploration of Christian cross-over music can provide an objective framework for evaluating songs and developing guidelines for Christian songwriters so they can enhance their effectiveness in communicating with their audiences. -
Living Clean the Journey Continues
Living Clean The Journey Continues Approval Draft for Decision @ WSC 2012 Living Clean Approval Draft Copyright © 2011 by Narcotics Anonymous World Services, Inc. All rights reserved World Service Office PO Box 9999 Van Nuys, CA 91409 T 1/818.773.9999 F 1/818.700.0700 www.na.org WSO Catalog Item No. 9146 Living Clean Approval Draft for Decision @ WSC 2012 Table of Contents Preface ......................................................................................................................... 7 Chapter One Living Clean .................................................................................................................. 9 NA offers us a path, a process, and a way of life. The work and rewards of recovery are never-ending. We continue to grow and learn no matter where we are on the journey, and more is revealed to us as we go forward. Finding the spark that makes our recovery an ongoing, rewarding, and exciting journey requires active change in our ideas and attitudes. For many of us, this is a shift from desperation to passion. Keys to Freedom ......................................................................................................................... 10 Growing Pains .............................................................................................................................. 12 A Vision of Hope ......................................................................................................................... 15 Desperation to Passion .............................................................................................................. -
Copeland Bio 2014
Copeland - IXORA Aaron Marsh Bryan Laurenson Jonathan Bucklew Stephen Laurenson Copeland has reunited to release their sixth album after calling it quits in 2009. Here’s what you need to know: • Copeland formed in Lakeland, Florida in 2001. The band’s first album, Beneath Medicine Tree, came out in 2003 on indie label The Militia Group. The album’s layered melodies, combined with Marsh’s thoughtful, emotive croon, immediately engaged music fans, offering a nuanced take on the emo music of the early ‘00s. The group unveiled four subsequent albums between 2005 and 2008, including Eat, Sleep, Repeat on Columbia Records in 2006. Copeland signed with Tooth & Nail in 2008 and have partnered with the label to release their long awaited sixth album, Ixora. • In their heyday, the band played over 200 shows a year. They’ve toured with Brand New, Sparta, Goo Goo Dolls, The Rentals, Bob Mould, Switchfoot, Motion City Soundtrack and Guster. Copeland has also historically supported new artists and Paramore’s first ever show was opening for Copeland in Nashville in 2004. • Copeland officially broke up in October of 2009 after nine years as a band. They wrote on their website, “We have come to an extremely difficult decision. It has come time for us to move on from Copeland and follow other paths in our lives. To put your minds at ease, we assure you this is not a bitter break up. We all individually feel Copeland has run its course in our lives and it’s time for us to pursue what is next.” The band members added, “It has been discussed and we are not ruling out the possibility of recording one more album sometime in the future.” • The band members have pursued other musical endeavors over the past few years. -
Cedars, November 2012 Cedarville University
Masthead Logo Cedarville University DigitalCommons@Cedarville Cedars 11-2012 Cedars, November 2012 Cedarville University Follow this and additional works at: https://digitalcommons.cedarville.edu/cedars Part of the Journalism Studies Commons, and the Organizational Communication Commons DigitalCommons@Cedarville provides a platform for archiving the scholarly, creative, and historical record of Cedarville University. The views, opinions, and sentiments expressed in the articles published in the university’s student newspaper, Cedars (formerly Whispering Cedars), do not necessarily indicate the endorsement or reflect the views of DigitalCommons@Cedarville, the Centennial Library, or Cedarville University and its employees. The uthora s of, and those interviewed for, the articles in this paper are solely responsible for the content of those articles. Please address questions to [email protected]. Recommended Citation Cedarville University, "Cedars, November 2012" (2012). Cedars. 25. https://digitalcommons.cedarville.edu/cedars/25 This Issue is brought to you for free and open access by Footer Logo DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in Cedars by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. The Student News Publication of Cedarville University November 2012 Dr. Brown: Not a Quick Decision ‘I’m just glad it’s a long goodbye.’ T ble of Contents November 2012 Vol. 65, No. 4 Just Sayin’ ... Page 3 Hypocritical Hallelujahs November Calendar e’ve all heard the ing myself that I’m following Christ when my Pages 4-8 countless stories actions don’t match up, or convincing myself Cover Story: Dr. Brown Resigns about hypocriti- that I would never be one of those hypocritical Page 9 W cal Christians, those who Christians frequently talked about in the media American Dream Conference claim to love Christ but or in conversations. -
NIC and VIV's COMPULSORY COURTSHIP Will Mcintosh
NIC AND VIV'S COMPULSORY COURTSHIP Will McIntosh Will McIntosh (@willmcintoshSF and http://www.willmcin - tosh.net) lives in Williamsburg, Virginia, with his wife and their twins. The author was a psychology professor before turning to writ ing full time. He is a Hugo award winner and finalist for the Nebula and other SF/F awards. Will has published eight novels and around fifty short stories—in Asimov’s (where he won Reader’s Awards in 2010 and 2013), Lightspeed, Science Fiction and Fantasy: Best of the Year, and elsewhere. In his new story, Will explores the complications that may arise as humans and AIs learn to live together. One From across Viv’s dining table on the thirty-ninth floor of Lavender Tower, Ferruki raised his wine glass and said, “Here’s to living in one of the best places on Earth, during one of the best times, and sharing it with the perfect woman.” Viv clinked his glass and took a sip. “I love that you add those qualifiers. One of the best places. It drives me crazy when people say things like, ‘She’s the greatest singer who ever lived.’ Really? The greatest who ever lived? And you listened to recordings of every singer in the history of the world to reach that conclusion?” Viv raised a finger. “Except you didn’t qualify me . You should have said ‘sharing it with one of the best women,’ or something like that.” “That’s true,” Ferruki said. “I love how clear-eyed you are in approaching this rela - tionship. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Te Awamutu Courier
REAL ESTATE BUYING, SELLING OR MARKET APPRAISALS Contact: Garry Maughan Ph: 871 7247 or 0274 725 602 WAIPA PROPERTY LINK REAL ESTATE AGENTS [email protected] MREINZ Published Tuesday and Thursday TUESDAY, AUGUST 4, 2009 6981735AA Circulated FREE to all households throughout Te Awamutu and surrounding districts. Extra copies 40c. BRIEFLY Students ‘walk the talk’ Business@10 on Thursday BY GRANT JOHNSTON This month’s Business at Ten Te Awamutu Intermedi- will take place on Thursday, ate School students are used August 6 in a change to the to being part of the tangata regular Tuesday slot. whenua (hosts) at powhiri, This month’s speaker is but last week they experi- Cathie Fleming from Rothbury enced being among the Insurance with a ‘snapshot’ manuhiri (visitors). All 450 Intermediate presentation on what to look for School students and their when comparing insurance teachers visited Otawhao deals. Marae at Te Awamutu Col- She will cover the options lege and Te Wananga o available for businesses to Aotearoa for Te Wiki o Te protect their assets in the most Reo (Maori Language Week). efficient manner. Formanyofthemitwas Business at Ten is a regular their first time being part of networking and information the visiting party to a marae. event for Te Awamutu Chamber They experienced the full of Commerce members — non- protocol of a powhiri — kara- members are also welcome. nga (calling on), karakia Thursday’s event is being (prayer) waiata (song) — by held at Central Cafe´, 10 am — hosts and visitors, whaiko- 11am. Complimentary hot drinks rero (speeches) by hosts and and morning tea will be visitors’ representatives and available.