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Queens of the Stone Age ‘The Lost Art of Keeping a Secret’

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Queens of the Stone Age ‘The Lost Art of Keeping a Secret’ Queens Of The Stone Age ‘The Lost Art Of Keeping A Secret’ Queens Of The Stone Age SONG TITLE: THE LOST ART OF KEEPING A SECRET ALBUM: RATED R RELEASED: 2000 GENRE: ROCK (‘STONER ROCK’) PERSONNEL: JOSH HOMME (GTR+VOX) NICK OLIVERI (BASS) DAVE CATCHING (GTR) GENE TRAUTMANN (DRUMS) NICK LUCERO (DRUMS) VARIOUS OTHER MEMBERS LABEL: INTERSCOPE UK CHART PEAK: N/A US CHART PEAK: 21 BACKGROUND INFO NOTES ‘The Lost Art of Keeping a Secret’ is a single from QOTSA have had a succession of drummers since the album Rated R. Co-written by Josh Homme and the band’s foundation, including former Nirvana bassplayer Nick Oliveri, the song is a brooding groove sticksman and Foo Fighters frontman Dave Grohl. that delves into the dark world of loyalty and betrayal More recently the band has fixed on the groove talents (‘whatever you do, don’t tell anyone...’). The album of Californian Joey Castillo. Before joining QOTSA cemented the band’s reputation and won several he played with Danzig and The Eagles Of Death awards, including album of the year from Metal Metal. On this particular album, drumming duties Hammer and NME in 2000. were split between Gene Trautmann (pictured above) and Nick Lucero. THE BIGGER PICTURE RECOMMENDED LISTENING Queens Of The Stone Age (QOTSA) is a band with a highly fluid membership. Essentially the QOTSA’s reputation as one of the coolest bands on creative vehicle for songwriter/guitarist/bassist Josh the planet is founded on five studio albums, starting Homme since 1996, the band specialises in powerful with their self-titled first record in 1998 (released on riff based rock with more than a nod towards the Loose Records). This was followed by Rated R (2000), blues (they reject the term ‘stoner rock’). The band Songs for the Deaf (2002), and En Vulgaris (2007). became Queens of The Stone Age after a quip from their studio engineer when they had to give up their original name Gamma Ray. Rockschool 2 Classics Drums Grade 13 The Lost Art Of Keeping A Secret Queens Of The Stone Age Words & Music by Josh Homme & Nick Oliveri 112 q = y 5 5 y 5y y y y 5y y y y 5y y y y 5y y ã 4 ‰ 5 5 5 5 5 5 5 5 y y y y y y y y y y y y y y y y y y y y y y y 5 5 y 5 5 5 5 3 ã 5 5 5 5 5 5 5 5 5 5 5 5 5 y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y y 5y 5y y 6 ã 5 5 5 5 5 5 5 5 5 5 5 5 y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y 9 ã 5 5 5 5 5 5 5 5 5 5 5 y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y 12ã 5 5 5 5 5 5 5 5 5 5 5 5 5 Rockschool 2 Classics Drums Grade © Copyright 2000 Board Stiff Music/Natural Light Music. 14 Kobalt MusicHR_Drums_G2_LostArt_Ex_v02.musx Publishing Limited/Universal Music Publishing : page 1 Limited. All Rights Reserved. International Copyright Secured. The Clash ‘Should I Stay Or Should I Go?’ The Clash SONG TITLE: SHOULD I STAY OR SHOULD I GO? ALBUM: COMBAT ROCK RELEASED: SEPTEMBER 1982 & MARCH 1991 GENRE: PUNK ROCK PERSONNEL: JOE STRUMMER (GTR+VOX) MICK JONES (GTR+VOX) PAUL SIMONON (BASS+VOX) NICKY HEADON (DRUMS) LABEL: CBS/COLUMBIA UK CHART PEAK: 17 (1982)/1 (1991) US CHART PEAK: N/A BACKGROUND INFO ‘Should I Stay or Should I Go?’ was one of the last singles released by The Clash before the band collapsed in 1984. The song shot back into the consciousness of the nation some nine yeas later when it was the soundtrack for a Levi’s jeans advertisement. This propelled it to the number 1 spot in the UK charts. THE BIGGER PICTURE as piano and bass – was central to The Clash’s subsequent success and he was well liked in an The Clash is one of the seminal bands of the punk outfit where tension between band members was era in the UK and one of the few from that time never far below the surface. His dismissal from the to achieve lasting success in America. Formed by band for continued substance abuse in 1982 marked west Londoners Strummer (John Mellor), Jones and the beginning of the end, both of The Clash and, Simonon in 1976, they locked onto the punk vibe of regrettably, of Topper’s drumming career. fast, aggressive rock, fused with the then fashionable reggae sound. RECOMMENDED LISTENING NOTES Topper Headon’s work is at the heart of most of the Clash’s best songs. The four Clash albums on The first drummer to grace a Clash record was which he plays are: Give ‘Em Enough Rope (1978); Terry Chimes in 1976–77, but he was quickly London Calling (1979), Sandinista! (1980) and replaced by Nicky ‘Topper’ Headon. Headon’s Combat Rock (1982). versatility – he could play reggae, rock, funk and jazz drums with equal skill and conviction as well Rockschool 2 Classics Drums Grade 21 Should I Stay Or Should I Go? The Clash Words & Music by Mick Jones & Joe Strummer 113 q = y y y y y y y y ã 4 Œ Œ Œ Œ Œ Œ Œ Œ y ∑ 5 y y y y y y y y y y y y y y A y y y y y y y y Ó Œ J 5 5 5 5 5 5 5 5 ã 5 5 5 5 5 5 5 5 5 5 y y y y y y y y y y y y y y y y y y y y y y y y . 5 5 5 5 5 5 9 ã . 5 5 5 5 5 5 5 5 5 y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y y y 5y y 12ã 5 5 5 5 5 5 5 5 5 5 5 y y 5y y y y 5y y y y 5y y y y 5y A y y 5y y y y 5y y 15ã 5 5 5 5 5 5 5 5 5 5 Rockschool 2 Classics Drums Grade © Copyright 1982 Nineden Limited. 22 HR_Drums_G2_ShouldI_Ex_v02.musxUniversal Music Publishing Limited. : page 1 All Rights Reserved. International Copyright Secured..
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