Yes, We Can-Can
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Market-Leader-Winter-2007.Pdf
Looking for clear-sighted analysis of the fundamental issues driving change in marketing? Then subscribe to Market Leader, a genuinely thoughtful magazine which informs and challenges ideas about marketing and branding. Learn more Market Leader Winter 2007, Issue 39 www.warc.com Somewhere West of Laramie Jeremy Bullmore I've never forgotten the trailer for Alfred Hitchcock's Psycho. If you've never seen it, go to www.youtube.com/watch?v=EzAnE4zuYuA. Why don't they make trailers like that any more? All modern trailers seem to come out of a computerised trailer-maker that's been programmed not by a human being but by the last 1000 trailers to emerge from that very same trailer-maker. They use sound to indicate not the distinctive characteristic of any film but to bludgeon the senses as if in a disco. They use special effects indiscriminately. The pace of the editing is frenetic, irrespective of the pace of the film itself. Lines of dialogue are selected not to hint at the storyline – the film's premise, its narrative hook – but for their ability to shock. Sometimes the nature of that shock is totally out of sympathy with the mood of the movie. These trailers could be for any one of 50 quite different feature films. The Psycho trailer could be for no film other than Psycho. Hitchcock himself takes us on a guided tour of the scene of the crimes. At one point he opens a cupboard, the door swinging towards the camera so that we can't see inside. He looks in: then closes it again with just a flick of an expression in our direction. -
Procter & Gamble Co (Pg)
PROCTER & GAMBLE CO (PG) 10-K Annual report pursuant to section 13 and 15(d) Filed on 08/08/2012 Filed Period 06/30/2012 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 Form 10-K (Mark one) [x] ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended June 30, 2012 OR [ ] TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission File No. 1-434 THE PROCTER & GAMBLE COMPANY One Procter & Gamble Plaza, Cincinnati, Ohio 45202 Telephone (513) 983-1100 IRS Employer Identification No. 31-0411980 State of Incorporation: Ohio Securities registered pursuant to Section 12(b) of the Act: Title of each class Name of each exchange on which registered Common Stock, without Par Value New York Stock Exchange, NYSE Euronext-Paris Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes þ No o Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or 15(d) of the Act. Yes o No þ Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Scalable Bundling Via Dense Product Embeddings
Scalable bundling via dense product embeddings Madhav Kumar,* Dean Eckles, Sinan Aral Massachusetts Institute of Technology September 26, 2021 Abstract Bundling, the practice of jointly selling two or more products at a discount, is a widely used strategy in industry and a well-examined concept in academia. Scholars have largely focused on theoretical studies in the context of monopolistic firms and assumed product relationships (e.g., complementarity in usage). There is, however, little empirical guidance on how to actually create bundles, especially at the scale of thousands of products. We use a machine-learning-driven ap- proach for designing bundles in a large-scale, cross-category retail setting. We leverage historical purchases and consideration sets determined from clickstream data to generate dense represen- tations (embeddings) of products. We put minimal structure on these embeddings and develop heuristics for complementarity and substitutability among products. Subsequently, we use the heuristics to create multiple bundles for each of 4,500 focal products and test their performance using a field experiment with a large retailer. We use the experimental data to optimize the bun- dle design policy with offline policy learning. Our optimized policy is robust across product categories, generalizes well to the retailer’s entire assortment, and provides expected improve- ment of 35% (∼$5 per 100 visits) in revenue from bundles over a baseline policy using product co-purchase rates. *Corresponding author: [email protected] 1 1 Introduction Bundling is a widespread product and promotion strategy used in a variety of industries such as fast food (meal + drinks), telecommunications (voice + data plan), cable (TV + broadband), and insurance (car + home insurance). -
Copy UPDATED KAREOKE 2013
Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M. -
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: a Genealogy of “Yes We Can Can”
Selective Tradition and Structure of Feeling in the 2008 Presidential Election: A Genealogy of “Yes We Can Can” BRUCE CURTIS Abstract I examine Raymond Williams’s concepts “structure of feeling” and “selective tradition” in an engagement with the novel technical-musical-cultural politics of the 2008 Barack Obama presidential election campaign. Williams hoped structure of feeling could be used to reveal the existence of pre-emergent, counter-hegemonic cultural forces, forces marginalized through selective tradition. In a genealogy of the Allen Toussaint composition, “Yes We Can Can,” which echoed a key campaign slogan and chant, I detail Toussaint’s ambiguous role in the gentrification of music and dance that descended from New Orleans’s commerce in pleasure. I show that pleasure commerce and struggles against racial segregation were intimately connected. I argue that Toussaint defanged rough subaltern music, but he also promoted a shift in the denotative and connotative uses of language and in the assignments of bodily energy, which Williams held to be evidence of a change in structure of feeling. It is the question of the counter-hegemonic potential of subaltern musical practice that joins Raymond Williams’s theoretical concerns and the implication of Allen Toussaint’s musical work in cultural politics. My address to the question is suggestive and interrogative rather than declarative and definitive. Barack Obama’s 2008 American presidential election and the post-election celebrations were the first to be conducted under the conditions of “web 2.0,” whose rapid spread from the mid-2000s is a historic “cultural break” similar in magnitude and consequence to the earlier generalization of print culture.1 In Stuart Hall’s terms, such breaks are moments in which the cultural conditions of political hegemony change.2 They are underpinned by changes in technological forces, in relations of production and communication. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Copyrighted Material
INDEX Aaker, David, 80, 81 process for generating, 97 American Heart Association, 69 AARP, 11 tools for developing, 93–96 American Lung Association, 103 ABC, 5 and typeface selection, 54 American Red Cross, 134 Accuracy (term), 67 visual communication of, 20 American Skandia, 66 Adams, Chris, 184 Advertising message, 18 Americans with Disabilities Act (ADA), 197 adams&partners, 184–185 Advertising Week, 11, 136 American Urological Association, 133 The Ad Council, 3, 11, 12, 58, 81, 91, 98, 132, Adweek, 143 AMV BBDO, 218–219 134, 142 Aerial perspective, 37 Analogy, visual, 99 ADDigital Productions, 91 Aesop agency, 111 Anderson, Kilpatrick, 140 Adidas Originals case study, 120, 122–123 Aesthetic value (typefaces), 54–55 Andersson, Nils, 26, 56 Adkins, Doug, 66, 154 Afferent forces, 24 Andrews, Chris, 196 Adoption, of other visual arts forms, 140 Affleck, Ben, 213 Angeli, 25 Adventure, signifying, 84 Affordances, 201 Angelo, David, 176 Advertisements, 3 A42, 84 Anheuser-Busch, 143 deconstructing and categorizing, see Agassi, Andre, 94 Animation (animated cartoons), 64, 138, Deconstructing model formats Aimette, Michael, 59 172–174. See also Motion parts of, 18–20 Airbnb, 136 Anolik, Richy, 104 Advertising, 2–17 AKQA, 116, 117, 144, 180 Anomaly, 10 ad agencies, 10–11 Alach, Joanne, 96 Anonymous Content, 84 categories of, 3–4 Alejo, Laura, 131 Antfood, 131 creative brief sample, 13–14 Alexander, Shannon, 176 Anti-Defamation League, 11 “Creative Revolution” in, 6 Alice and Olivia, 142 APM Music, 176 creators of, 6, 9–10 Alignment, 34–36 Apps, -
Celebrate. Remember. Fight Back. Resource Guidebook Celebrate
AMERICAN CANCER SOCIETY RELAY FOR LIFE Celebrate. Remember. Fight Back. Celebrate. Remember. Fight Back. Resource Guidebook Celebrate. Remember. Fight Back. Table of Contents Section I ..........................................................................................................Page 3 What is Celebrate. Remember. Fight Back.? . Overview . Purpose . Roles and Responsibilities . Resources Section II .........................................................................................................Page 9 Celebrate . Opening Ceremony . Survivor/Caregiver Reception . Closing Ceremony . Sample Schedule of Events Section III ......................................................................................................Page 33 Remember . Luminaria Ceremony . Luminaria Lighting and Layout . Complementing Your Luminaria Ceremony Section IV .....................................................................................................Page 57 Fight Back . Fight Back Ceremony . Making the Pledge . Fight Back Activities Section V .......................................................................................................Page 71 Celebrate. Remember. Fight Back. Year-Round . RelayForLife.org . Team Captain and Committee Meetings . Kickoff and Open House Events . Event Communications and Local Media www.RelayForLife.org 1 007831 Deborah Mohlenhoff Deborah Mohlenhoff has been a Relay For Life The first time Mohlenhoff witnessed a team captain, event chair, and an American Luminaria Ceremony, she walked around the -
On Shaving: Barbershop Violence in American Literature Ben Yadon
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 On Shaving: Barbershop Violence in American Literature Ben Yadon Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES ON SHAVING: BARBERSHOP VIOLENCE IN AMERICAN LITERATURE By BEN YADON A Thesis submitted to the Program in American & Florida Studies in partial fulfillment of the requirements for the degree of Master of Arts Degree Awarded: Spring Semester, 2008 The members of the Committee approve the Thesis of Ben Yadon defended on March 24, 2008 Dennis Moore Professor Directing Thesis John Fenstermaker Committee Member Timothy Parrish Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS This thesis would not have been possible without the support of my family and friends. I would like to thank my Committee Chair Dennis Moore for shepherding this project through to a successful conclusion and for the thoughtful attention and invaluable criticisms he has provided me throughout the composition process. John Fenstermaker will forever have my sincerest gratitude for all he has done for me as mentor, teacher, committee member, employer, and friend. Thanks to Tim Parrish for lending his expertise as a member of my Committee. A special thanks to Cheryl Herr for the kind words and sophisticated example she provided me. Bruce Bickley’s wholehearted enthusiasm for my thesis and his exemplary model of scholarly generosity will not soon be forgotten. Thanks also to Carl Eby for showing interest in the project and offering encouragement. -
Sotheby's Announces 2008 Fourth Quarter and Full Year Results
Press Release New York For Immediate Release Press Office | +1 212 606 7176 | Diana Phillips | [email protected] Investor Relations | +1 212 894 1023 | [email protected] SOTHEBY’S ANNOUNCES 2008 FOURTH QUARTER AND FULL YEAR RESULTS • Full Year Revenues of $691.6 million and Net Income of $28.3 million February 26, 2009, New York -- Sotheby’s (NYSE: BID) today announced results for the fourth quarter and twelve months ended December 31, 2008. For the quarter ended December 31, 2008, the Company reported operating revenues of $166.2 million, a $179.6 million, or 52%, decrease from the fourth quarter of 2007. This deterioration is primarily due to a 46% decline in net auction sales from $1.9 billion to $1.0 billion, significant auction guarantee losses and inventory writedowns, all attributable to a downturn in the international art market that began in September 2008, and which resulted from a weakening global economy, as well as turbulence in the global financial and credit markets. For the fourth quarter ended December 31, 2008, the Company reported an operating loss of ($0.7) million and a net loss of ($8.5) million, or ($0.13) per share compared to operating income of $141.6 million and net income of $102.4 million, or $1.55 per diluted share for the fourth quarter of 2007. This decline is largely due to the aforementioned revenue decreases as well as a $13.2 million impairment loss in the Company’s Dealer segment related to goodwill and intangible assets and $4.3 million in restructuring charges. -
Flanagan's Running Club – Issue 36
Flanagan's Running Club – Issue 36 Introduction The first rule of Flanagan's Running Club is everyone should be telling everyone they know about Flanagan's Running Club! After all, sharing is caring. Details of how to sign up is in the epilogue. There is no need to panic, there is no actual running involved, it is not a running club in that sense. The title is made up from extending the title of my favourite book – Flanagan’s Run by Tom McNab. So enjoy the read. On This Day – 10th July 1212 - The most severe of several early fires of London burns most of the city to the ground. 1553 - Lady Jane Grey takes the throne of England. 1913 - The temperature in Death Valley, California, hits 134 -F (57 -C), the highest temperature ever to be recorded on Earth. 1962 - Telstar, the world's first communications satellite, is launched into orbit. 1985 - The Greenpeace vessel Rainbow Warrior is bombed and sunk in Auckland harbour by French DGSE agents, killing Fernando Pereira. It’s Nikola Tesla Day Statehood Day (Wyoming) 365 Reasons To Be Proud To Be A Londoner - Magical Moments in London's History Telstar, the first satellite to supply a live transatlantic television feed, and the first privately sponsored space launch, was blasted into orbit today in 1962. Although launched by NASA, it was actually co-designed by the General Post Office and internationally co-ordinated from the BBC Television Centre in London. It also successfully relayed through space the first telephone calls and fax images. Chuck D Presents This Day In Rap And Hip-Hop History N.W.A. -
Karaoke Catalog Updated On: 15/10/2018 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 15/10/2018 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry Someday You'll Want Me To Want You Voices Carry When You're Smiling (The Whole World Smiles With That Old Black Magic (Woman Voice) (H?D) Planet Earth 1930s Standards That Old Black Magic (Man Voice) Blackout Heartaches I Know Why (And So Do You) DUET Other Side Cheek to Cheek Aren't You Glad You're You 10 Years My Romance (I've Got A Gal In) Kalamazoo Through The Iris It's Time To Say Aloha No Love No Nothin' 10,000 Maniacs We Gather Together Personality Because The Night Kumbaya Sunday, Monday Or Always 10CC The Last Time I Saw Paris This Heart Of Mine Dreadlock Holiday All The Things You Are Mister Meadowlark I'm Not In Love Smoke Gets In Your Eyes 1950s Standards The Things We Do For Love Begin The Beguine Get Me To The Church On Time Rubber Bullets I Love A Parade Fly Me To The Moon Life Is A Minestrone I Love A Parade (short version) It's Beginning To Look A Lot Like Christmas 112 I'm Gonna Sit Right Down And Write Myself A Letter Crawdad Song Cupid Body And Soul Christmas In Killarney Peaches And Cream Man On The Flying Trapeze That's Amore 12 Gauge Pennies From Heaven My Own True Love (Tara's Theme) Dunkie Butt When My Ship Comes In Organ Grinder's Swing 12 Stones Yes Sir, That's My Baby Lullaby Of Birdland Far Away About A Quarter To Nine Rags To Riches Crash Did You Ever See A Dream Walking? Something's Gotta Give 1800s Standards I Thought About You I Saw Mommy Kissing Santa Claus (Man