Comparing Media Systems
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CEU Political Science Journal
Vol. 6, No. 2 May 2011 CEU Political Science Journal Department of Political Science Central European University CEU Political Science Journal Department of Political Science Central European University, Budapest May 2011 Advisory Board S.M. Amadae, Ohio State University Carol Harrington, Victoria University of Wellington Karen Henderson, University of Leicester Herbert Kitschelt, Duke University Levente Littvay, CEU Budapest Cristian Pirvulescu, SNSPA Bucharest Phillippe C. Schmitter, EUI Florence Carsten Q. Schneider, CEU Budapest Jan Zielonka, University of Oxford Managing Editors Sergiu Gherghina, University of Leiden Arpad Todor, European University Institute, Florence Editorial Board Dorothee Bohle, CEU Budapest Andras Bozoki, CEU Budapest Mihail Chiru, CEU Budapest Anil Duman, CEU Budapest Zsolt Enyedi, CEU Budapest Stela Garaz, CEU Budapest Dylan Kissane, CEFAM Lyon Robert Sata, CEU Budapest Daniela Sirinic, CEU Budapest Fouad Touzani, CEU Budapest Editorial Assistants Gabriela Borz, University of Aberdeen Oana Lup, CEU Budapest ISSN: 1818-7668 CONTENTS ARTICLES Davor Marko The role of opinion leaders in the dissemination of media messages during the pre-election period: The case of Bosnia and Herzegovinia 167 Nicole Gallina Challenging the East-West divide: Insights from a comparison of Ukraine and Italy 192 J. Shola Omotola A cabalised regime: neopatrimonialism, president Yar’adua’s health crisis and Nigeria’s democracy 222 Victoria Makulilo Access denied? examining the loans board facility for higher learning students in Tanzania 254 BOOK REVIEWS Mabel Berezin, Illiberal Politics in Neoliberal Times. Culture, Security and Populism in the New Europe (New York, Cambridge University Press, 2009). Reviewed by: Adriana Marinescu 286 Fred I. Greenstein, Inventing the Job of President: Leadership Style from George Washington to Andrew Jackson (Princeton, New Jersey: Princeton University Press, 2009). -
The Central and Eastern European Online Library
You have downloaded a document from The Central and Eastern European Online Library The joined archive of hundreds of Central-, East- and South-East-European publishers, research institutes, and various content providers Source: CM Komunikacija i mediji CM Communication and Media Location: Serbia Author(s): Hans J. Kleinsteuber, Barbara Thomass Title: Comparing Media Systems: The European Dimension Comparing Media Systems: The European Dimension Issue: 16/2010 Citation Hans J. Kleinsteuber, Barbara Thomass. "Comparing Media Systems: The European style: Dimension". CM Komunikacija i mediji 16:5-20. https://www.ceeol.com/search/article-detail?id=547527 CEEOL copyright 2019 Comparing media systems: The European Dimension Hans J. Kleinsteuber1 Barbara Thomass2 UDC 316.774 : 659.3(4) Summary: Comparative media studies have become a central research area within academic media research. International comparison of media systems has undergone an impressive development in the last five decades. This article is about the classic contri- bution to the study of comparative media systems and what this means for Europe. The authors present short description of the major contributions and after that relate them to the European experience. Starting point of comparative media analysis was the question “Why is the press as it is?” as Siebert, Peterson, and Schramm put it in 1956, when they published their famous comparative study which claimed, not only to explain what the press does and why, but, as the subtitle claimed, What the Press Should Be and Do. Key words: media systems, globalization, internationalization Media systems are embedded in their social environment which is both culturally and nationally shaped environment. -
Class Code ITAL-UA9513/MCC-UE9452001 Instructor Details
ITAL-UA9513/MCC-UE9452001 Class code Name: Cristian Vaccari Instructor Details NYUHome Email Address: [email protected] Office Hours: By appointment only, Wednesdays, 6pm-7pm Villa Ulivi Office Location: Borgo de’ Greci Villa Ulivi Office Extension: 313 For fieldtrips refer to the email with trip instructions and trip assistant’s cell phone number Semester: Spring 2013 Class Details Full Title of Course: Global Media Seminar: Television and Democracy in Italy Meeting Days and Times: Wednesdays, 3:00pm - 5:45pm Classroom Location: Montughi None Prerequisites The goal of this course is to present a comparative perspective on media and politics in Class Description Western democracies and a thorough historical survey of political communication in Italy, with a special emphasis on the relation between television and democratic politics and an eye towards the evolving role of digital media. Students who take the course will be able to comprehend the most recent developments in political communication across Western democracies as well as to understand the complex media-politics relationships in Italy. The first part of the course will enable students to contextualize the Italian case within global trends in political communication that affect most Western democracies. Students will learn how to evaluate the ways in which the media contribute to democracy from a normative standpoint and to appreciate how different types of media systems affect citizens’ levels of information and political participation. Moreover, they will learn about parties, party systems, and party identification, which will allow them to better understand the dynamics of elections and vote choice. Building on this groundwork, the second part of the course will deal with the history of political communication in Italy from the post-War era until present-day developments. -
Transnational Comparative Framing: a Model for an Emerging Framing Approach
International Journal of Communication 6 (2012), 1918–1941 1932–8036/20120005 Transnational Comparative Framing: A Model for an Emerging Framing Approach LEI GUO AVERY HOLTON SUN HO JEONG University of Texas at Austin In light of continuing trends of globalization, media scholars are increasingly examining and comparing transnational issues. This study argues that although such research is timely and necessary, it requires a more structured approach. By analyzing existing cross-national framing studies, this study exposes gaps in the literature that a new model of approach proposed here could help fill. This transnational comparative framing model provides a framing pool for collecting generic, domestic, and issue-specific frames and proposes a three-dimensional framing matrix as a systematic framing codebook. Discussion of the model centers on its possible application to the analyzed cross-national framing studies to illustrate its ability to provide a more unified approach in this emerging area of research. Recent critical events across the globe, including the tsunami and earthquakes in Japan and various protests in the Arab world, serve as reminders of how issues and events can connect societies and countries. Immediately following the natural disasters in Japan, global stocks fell and the world economy registered dips in numerous industries (Powell, 2011). Unrest in the Arab world brought spiking fuel prices and similarly affected some areas of the collective global stock market (Cummins & Sudeep, 2011). Not surprisingly, news media worldwide—from CNN to Al Jazeera—covered these events extensively while various countries’ citizens participated in discourse on these transnational topics via digital communication tools such as social network sites. -
This May Be the Author's Version of a Work That Was Submitted/Accepted
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Flew, Terry & Waisbord, Silvio (2015) The ongoing significance of national media systems in the context of media globalization. Media, Culture and Society, 37(4), pp. 620-636. This file was downloaded from: https://eprints.qut.edu.au/84088/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https://doi.org/10.1177/0163443714566903 The ongoing significance of national media systems in the context of media globalization Comparative studies and media systems Cross-national comparative research in media studies has gained much needed attention in recent years (Esser and Hanitzsch 2012). -
Challenging Selective Exposure. Do Online News Users Choose Sites That
UvA-DARE (Digital Academic Repository) Challenging selective exposure: do online news users choose sites that match their interests and preferences? Trilling, D.; Schoenbach, K. DOI 10.1080/21670811.2014.899749 Publication date 2015 Document Version Final published version Published in Digital Journalism Link to publication Citation for published version (APA): Trilling, D., & Schoenbach, K. (2015). Challenging selective exposure: do online news users choose sites that match their interests and preferences? Digital Journalism, 3(2), 140-157. https://doi.org/10.1080/21670811.2014.899749 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:01 Oct 2021 CHALLENGING SELECTIVE EXPOSURE Do online news users choose sites that match their interests and preferences? Damian Trilling and Klaus Schoenbach Today’s online news environment has made it easy to select outlets covering the topics one is interested in and the political viewpoints one shares. -
Warporn Warpunk! Autonomous Videopoesis in Wartime Matteo Pasquinelli
492 / Sarai Reader 2005: Bare Acts Warporn Warpunk! Autonomous Videopoesis in Wartime Matteo Pasquinelli Grinning Monkeys How do you think you can stop war without weapons? Anti-war opinion that fills public squares around the world stands as powerless in front of the raging US military as the cosmetic democracy of International Courts. Reason cannot prevail against the animal instincts of a superpower: a homicidal force can be arrested only by another, stronger force. Every day we witness such a Darwinian show: history repeating itself through a cruel confrontation of forces, while “freedom of speech” plays itself out as an ineffectual drawing room exercise. Pacifists too are accomplices of instinctive forces, because animal aggressiveness is within us all. How do we express that bestiality for which we condemn armies? Contrary to the self- censored exterior of the radical left (not only that of the conformist majority), it should be admitted publicly that watching Abu Ghraib pictures of pornographic tortures does not scandalise us. On the contrary, it excites us in exactly the same way as the obsessive voyeurism that draws us to 9/11 videos. Through such images we feel the expression of repressed instincts, the pleasure rising again after its narcotisation by consumerism, technologies, goods and images. We show our teeth, as monkeys do, when their aggressive grin looks dreadfully like the human smile. Contemporary thinkers like Baudrillard and Zizek acknowledge the dark side of Western culture. If 9/11 has been a shock for Western consciousness, Baudrillard puts forward a more shocking thesis: we Westerners had an active desire for 9/11, the death drive of a superpower that, having reached its natural limits, knows and desires nothing more than self-destruction and war. -
Conceptual Challanges to the Paradigms of Comparative Media Systems in a Globalized World by B
Conceptual Challanges to the Paradigms of Comparative Media Systems in a Globalized World by B. Pfetsch & F. Esser To cite this article: Pfetsch, B. & F. Esser. (2008). Conceptual Challanges to the Paradigms of Comparative Media Systems in a Globalized World. Journal of Global Mass Communication, 1(3/4), 118-131. Published in: Journal of Global Mass Communication (Link to article) Copyright: The Authors, 2008 DOI: http://dx.doi.org/10.5167/uzh-76133 JOURNAL OF GLOBAL MASS COMMUNICATION Volume 1, Numbers 3/4 Summer/Fall 2008 SPECIAL ISSUE ON COMPARING MEDIA SYSTEMS RECONSIDERED 111 Thomas Hanitzsch Comparing Media Systems Reconsidered: Recent Development and Directions for Future Research 118 Barbara Pfetsch and Frank Esser Conceptual Challenges to the Paradigms of Comparative Media Systems in a Globalized World 132 Hallvard Moe and Helle Sjøvaag The Challenges of Comparing Media Systems — An Interview with Daniel C. Hallin 142 John A. Hatcher News Media and Their State: A Comparative Analysis of Press Systems in 36 Democracies 165 Hartmut Wessler, Malgorzata Skorek, Katharina Kleinen-von Königslöw, Maximilian Held, Mihaela Dobreva and Manuel Adolphsen Comparing Media Systems and Media Content: Online Newspapers in Ten Eastern and Western European Countries 190 Jo Bardoel and Leen d’Haenens Converging PSB Policies in Western Europe: The Netherlands and Flanders Compared 210 Juraj Kittler Paris and Philadelphia: A Comparative Structural Analysis of the Early Roots of the French and U.S. Communication Systems 235 Tal Samuel-Azran The Advent of Counter-Hegemonic Contra-Flow OTHER ARTICLES 251 Hun Shik Kim, Seow Ting Lee and Crispin C. Maslog Peacemakers or Warmongers? Asian News Media Coverage of Conflicts 271 Ronald R. -
THE BROTHER's SPRING the Evolution of the Muslim Brotherhood
! THE BROTHER’S SPRING The evolution of the Muslim Brotherhood: towards a new populist Islam? By Sergio Bianchi Arabist and Journalist ! ! !!!!1118:$VJ`Q`IVR1:8HQI....!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!V]Q`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`Q`IVR1:8HQI....!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!V]Q` -
VIDEOCRACY VIDEOKRACIE a Time Based Visual Experience of Our Times — Artists to Aspire to the Commercial Art Gallery Scene
VIDEOCRACY VIDEOKRACIE A TIME BASED VISUAL EXPERIENCE OF OUR TIMES — artists to aspire to the commercial art gallery scene. More pramenech zpracovávajících tuto dobu neměla většina z toho importantly they sought a wider audience - a place in the mála umělců, kteří se tímto médiem zabývali, zjevnou touhu VIZUÁlně čASOVÁ ZKUšENOST NAší DOBY broader cultural context…” 1. proniknout na scénu komerčních galerií. Důležitější je, že hle- dali širší publikum – místo v širším kulturním kontextu...“ 1 Video projects can be immediately appreciated and absorbed by a wide audience that hasn’t any specific expertise or filter. Videoprojekty mohou být bezprostředně ohodnoceny a vstřebány It was therefore an interesting challenge to construct an širokým publikem, které nemusí mít specifické odborné znalosti CURATED by Micaela Giovannotti KURÁTORKA Micaela Giovannotti exhibition of this sort for the diverse and versatile audience či vytříbený smysl pro kulturu. Proto bylo zajímavou výzvou ses- of a festival; one that bears the title ’Forms of Engagement’. tavit výstavu tohoto typu pro různorodé a všestranné návštěvníky n a recent conversation with one of the artists invited to be V nedávném rozhovoru s jedním z umělců pozvaných k účasti festivalu, jehož titul zní „Formy angažovanosti“. in this exhibition, the dialog focused on probing questions na této výstavě jsme se v našem dialogu zaměřili na zkoumavé Viewers, unaware, are becoming increasingly ‘trained,’ regarding the essential nature of video art and how best to otázky týkající se základní podstaty videoartu a toho, jak jej a consequence of widespread technology pervading the Aniž by si toho byli vědomi, stávají se diváci stále více „vyškolenými“, present it. -
Comparative Research, System Change, and the Complexity of Media Systems
International Journal of Communication 14(2020), Feature 5775–5786 1932–8036/2020FEA0002 Comparative Research, System Change, and the Complexity of Media Systems DANIEL C. HALLIN University of California, San Diego, USA This commentary reflects on the implications of new media and change in media systems for comparative analysis, focusing particularly on the question of whether increased complexity and fluidity mean that the concept of media systems is no longer relevant to comparative research or that a national media system as a unit of analysis is no longer relevant. It considers the nature of systems theory in general and the place of complexity and variation in the systems perspective. It then goes on to reflect on how to think about new media in relation to existing national media systems, drawing on the concept of path dependence. It closes with reflections on methodology in comparative analysis. Keywords: comparative analysis, digital media, media system We find ourselves today in a period when the existing scholarship on media is challenged by what seems to be a rapid pace of change in media systems and an increased level of complexity. This is driven by the rise of new media and by related crises that in many places have arisen in the institutional basis of established media institutions. It is also, in many cases, driven by change in political systems, which may be related but is no doubt not reducible to the rise of new media, as in much of the West, for example, where established political party systems have to a significant extent broken down. -
Contribution to the Universal Periodic Review Mechanism Seventh Session of the Working Group of the Universal Periodic Review
6o Farringdon Road, London EC1R 3GA T: 020 7324 2522 Contribution to the Universal Periodic Review Mechanism Seventh session of the Working Group of the Universal Periodic Review A submission on the Republic of Italy by Index on Censorship 30 August 2009 Introduction Index on Censorship welcomes the opportunity provided by the Office of the High Commissioner on Human Rights to comment on the situation for freedom of expression in the Republic of Italy, with which it has been concerned for a number of years. In comparison with other western states, the Italian media role as ‘fourth estate’ and watchdog of political authority has declined since the late 1970s and the Lockheed scandal when press exposés forced the resignation of then President Giovanni Leone. A monolithic political structure and an established system of state influence over the broadcast media in the years that followed, cleared the way for what Index on Censorship believes is today’s failure to regulate a well documented conflict of interest between the media and current prime minister Silvio Berlusconi. Prime minister Berlusconi’s political authority over public broadcasting, matched by his corporate authority over most of Italy’s major private media, gives him unprecedented governmental, political and economic control over the nation’s media. As may be expected, it is disputed whether this control is overtly applied by himself, or via members of the ruling People of Freedom political party, or covertly through his various alleged past and present private associations, including the outlawed P2 Masonic lodge, or indeed at all. Again the advantages may or may not be applied in his interest or in the interests of his many business associates.