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Routledge Handbook of Indian Cinemas the Indian New Wave
This article was downloaded by: 10.3.98.104 On: 28 Sep 2021 Access details: subscription number Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: 5 Howick Place, London SW1P 1WG, UK Routledge Handbook of Indian Cinemas K. Moti Gokulsing, Wimal Dissanayake, Rohit K. Dasgupta The Indian New Wave Publication details https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 Ira Bhaskar Published online on: 09 Apr 2013 How to cite :- Ira Bhaskar. 09 Apr 2013, The Indian New Wave from: Routledge Handbook of Indian Cinemas Routledge Accessed on: 28 Sep 2021 https://www.routledgehandbooks.com/doi/10.4324/9780203556054.ch3 PLEASE SCROLL DOWN FOR DOCUMENT Full terms and conditions of use: https://www.routledgehandbooks.com/legal-notices/terms This Document PDF may be used for research, teaching and private study purposes. Any substantial or systematic reproductions, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The publisher shall not be liable for an loss, actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. 3 THE INDIAN NEW WAVE Ira Bhaskar At a rare screening of Mani Kaul’s Ashad ka ek Din (1971), as the limpid, luminescent images of K.K. Mahajan’s camera unfolded and flowed past on the screen, and the grave tones of Mallika’s monologue communicated not only her deep pain and the emptiness of her life, but a weighing down of the self,1 a sense of the excitement that in the 1970s had been associated with a new cinematic practice communicated itself very strongly to some in the auditorium. -
Film Studies General Course 2014
St. Xavier’s College, Calcutta [The First Autonomous College in West Bengal under University of Calcutta] FILM STUDIES GENERAL COURSE, 2014 SEM I 1A1 (FS) FS21012 Historiography 100 Marks (70+30) SEM II 1A2 (FS) FS22022 Movements 100 Marks (70+30) SEM III 1A3 (FS) FS23032 Paradigms and Practices 100 Marks (70+30) 1 SEMESTER 1 ANCILLIARY FS 1 - FS21012 Historiography (Theory: 60+10, Practical: 30) i) The Developments of Narrative Cinema Fundamentals of Film Narrative ‘Cinema of Attraction’ – Early Paradigm Transitional Cinema – Griffith Cinema of Narrative Integration –‘Classical Hollywood Cinema’ ii) Indian Popular Cinema Early Indian Cinema – Historical Approaches The Studio Era Authorship – Major Directors and Styles Popular Forms in the Post Colonial era Practical Sound Slide Project: Constructing a Narrative with Still Images Suggested Readings: Monaco, James, et al. 2000. How to Read a Film: The Art, Technology, Language, History, and Theory of Film and Media. New York: Oxford University Press. Cook, David A. 1981. A History of Narrative Film. New York: Norton. Bordwell, David, and Kristin Thompson. 1996. Film Art: An Introduction. New York: The McGraw-Hill Companies. Hill, John, and Pamela Church Gibson. 1998. The Oxford Guide to Film Studies. Oxford: Oxford University Press. 2 Kabir, Nasreen Munni. 1996. Guru Dutt: A Life in Cinema. Delhi: Oxford University Press. Prasad, M. Madhava. 1998. Ideology of the Hindi Film: a Historical Construction. Delhi; New York: Oxford University Press. Rajadhyaksha, Ashish. Indian cinema in the time of celluloid: from Bollywood to the Emergency. Indiana University Press, 2010. SEMESTER 2 ANCILLIARY FS 2 - FS22022 Movements (Theory: 60+10, Practical: 30) i) German Expressionism Expressionist mise-en-scène: Robert Wiene’s The Cabinet of Dr. -
Probable Deletions (PDF
LIST OF PROBABLE ENTRIES IDENTIFIED TO BE DELETED FROM ELECTORAL ROLL DISTRICT NO & NAME :- 8 ERNAKULAM LAC NO & NAME :- 81 THRIPUNITHURA STATUS - S- SHIFT, E-EXPIRED , R- REPLICATION, M-MISSING, Q-DISQUALIFIED. LIST OF PROBABLE ENTRIES IDENTIFIED TO BE DELETED FROM ELECTORAL ROLL DISTRICT NO & NAME :- 8 ERNAKULAM LAC NO & NAME :- 81 THRIPUNITHURA PS NO & NAME :- 1 J.B.S Kundannoor (East side of Main Building) SL.NO NAME OF ELECTOR RLN RELATION NAME SEXAGEIDCARD_NO STATUS 3 Kevin J Pallan F Joyson M 22AFJ0317495 S 4 Lalitha H Purushan F 64KL/11/074/501616 S 5 Viju Kumar P P F Purushan M 40JGQ1509991 E 9 Mini H Surendran F 33JGQ1826536 R 23 Vimal N V F Varghese M 23AFJ0580050 R 41 Anilatmajan F Sivasankaran M 52KL/11/074/501064 S 42 Prameela H Anilatmajan F 45KL/11/074/501386 S 43 Akhil P A F Anilathmajan M 25AFJ0181446 S 44 Vanitha Babu F Babu Gopalan F 23AFJ0214544 R 76 Nalini H Sreedharan F 81KL/11/074/501463 E 104 Sanitha Sabu F Sabu F 24AFJ0279364 R 105 Chakkammu H Kocheetto F 84KL/11/074/501497 E 150 Karthikeyan F Ayichan M 79KL/11/074/501320 E 205Karuppan F Koran M 82KL/11/074/501618 E 225 ribin raj .P M regini.K.T M 25AFJ0193110 S 250 Mary Michael H Michael F 60AFJ0211797 S 280 Prabhakaran F Sankaran M 63KL/11/074/501101 S 281 Anandavalli H Prabhakaran F 57KL/11/074/501267 S 368 Govindharam K F Krishnan M 26AFJ0131110 S 382 Delish Raymond F Raymond M 24AFJ0181586 S 402Vimal F Viswanathan M 28JGQ1366806 S 403Vipin K.A. -
Hospital List for Medicare Under Health Insurance| Royal Sundaram
SL.N STD O. HOSPITAL NAME ADDRESS - 1 ADDRESS - 2 CITY PIN CODE STATE ZONE CODE TEL 1 TEL - 2 FAX - 1 SALUTATION FIRST NAME MIDDLE SURNAME E MAIL ID (NEAR PEERA 1 SHRI JIYALAL HOSPITAL & MATERNITY CENTRE 6, INDER ENCLAVE, ROHTAK ROAD GARHI CHOWK) DELHI 110 087 DELHI NORTH 011 2525 2420 2525 8885 MISS MAHIMA 2 SUNDERLAL JAIN HOSPITAL ASHOK VIHAR, PHASE II DELHI 110 052 DELHI NORTH 011 4703 0900 4703 0910 MR DINESH K KHANDELWAL 3 TIRUPATI STONE CENTRE & HOSPITAL 6,GAGAN VIHAR,NEW DELHI DELHI 110051 DELHI NORTH 011 22461691 22047065 MS MEENU # 2, R.B.L.ISHER DAS SAWHNEY MARG, RAJPUR 4 TIRATH RAM SHAH HOSPITAL ROAD, DELHI 110054 DELHI NORTH 011 23972425 23953952 MR SURESH KUMAR 5 INDRAPRASTHA APOLLO HOSPITALS SARITA VIHAR DELHI MATHURA ROAD DELHI 110044 DELHI NORTH 011 26925804 26825700 MS KIRAN 6 SATYAM HOSPITAL A4/64-65, SECTOR-16, ROHINI, DELHI 110 085 DELHI NORTH 011 27850990 27295587 DR VIJAY KOHLI CS / OCF - 6 (NEAR POPULAR APARTMENT AND SECTOR - 13, 7 BHAGWATI HOSPITAL MOTHER DIARY BOOTH) ROHINI DELHI 110 085 DELHI NORTH 011 27554179 27554179 DR NARESH PAMNANI NETRAYATAN DR. GROVER'S CENTER FOR EYE 8 CARE S 371, GREATER KAILASH 2 DELHI 110 048 DELHI NORTH 011 29212828 29212828 DR VISHAL GROVER 9 SHROFF EYE CENTRE A-9, KAILASH COLONY DELHI 110048 DELHI NORTH 011 29231296 29231296 DR KOCHAR MADHUBAN 10 SAROJ HOSPITAL & HEART INSTITUTE SEC-14, EXTN-2, INSTITUTIONAL AREA CHOWK DELHI 110 085 DELHI NORTH 011 27557201 2756 6683 MR AJAY SHARMA 11 ADITYA VARMA MEDICAL CENTRE 32, CHITRA VIHAR DELHI 110 092 DELHI NORTH 011 2244 8008 22043839 22440108 MR SANOJ GUPTA SWARN CINEMA 12 SHRI RAMSINGH HOSPTIAL AND HEART INSTITUTE B-26-26A, EAST KRISHNA NAGAR ROAD DELHI 110 051 DELHI NORTH 011 209 6964 246 7228 MS ARCHANA GUPTA BALAJI MEDICAL & DIAGNOSTIC RESEARCH 13 CENTRE 108-A, I.P. -
Date of AGM(DD-MON-YYYY) 09-AUG-2018
Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L24110MH1956PLC010806 Prefill Company/Bank Name CLARIANT CHEMICALS (INDIA) LIMITED Date Of AGM(DD-MON-YYYY) 09-AUG-2018 Sum of unpaid and unclaimed dividend 3803100.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) THOLUR P O PARAPPUR DIST CLAR000000000A00 Amount for unclaimed and A J DANIEL AJJOHN INDIA Kerala 680552 5932.50 02-Oct-2019 TRICHUR KERALA TRICHUR 3572 unpaid dividend INDAS SECURITIES LIMITED 101 CLAR000000000A00 Amount for unclaimed and A J SEBASTIAN AVJOSEPH PIONEER TOWERS MARINE DRIVE INDIA Kerala 682031 192.50 02-Oct-2019 3813 unpaid dividend COCHIN ERNAKULAM RAMACHANDRA 23/10 GANGADHARA CHETTY CLAR000000000A00 Amount for unclaimed and A K ACCHANNA INDIA Karnataka 560042 3500.00 02-Oct-2019 PRABHU -
Curriculum Vitae
Richard I. Suchenski Director, Center for Moving Image Arts Associate Professor, Film and Electronic Arts Bard College 55 Blithewood Avenue Annandale-on-Hudson, NY 12504 845-752-2406 [email protected] http://www.bard.edu/cmia Education Ph.D. Yale University, Film Studies and History of Art (Joint Ph.D.), with distinction, 2011 Master of Philosophy Yale University, Film Studies and History of Art, 2008 Master of Arts Yale University, History of Art, 2007 Bachelor of Arts Princeton University, 2005 (East Asian Studies, Phi Beta Kappa, magna cum laude) Positions Held Founder and Director, Center for Moving Image Arts (July 2013-Present), Bard College Associate Professor of Film and Electronic Arts (July 2016-Present), Bard College Assistant Professor of Film and Electronic Arts (July 2010-June 2016), Bard College Affiliate status in Art History and Asian Studies Books Cinema’s Symbolist Inheritance [Book manuscript in progress] Projections of Memory: Romanticism, Modernism, and the Aesthetics of Film (Oxford and New York: Oxford University Press, 2016) Projections of Memory is an exploration of a body of innovative cinematic works that utilize their extraordinary scope to construct monuments to the imagination that promise profound transformations of vision, selfhood, and experience. This form of 2 cinema acts as a nexus through which currents from the other arts can interpenetrate. By examining the strategies of these projects in relation to one another and to the larger historical forces that shape them--tracing the shifts and permutations of their forms and aspirations--Projections of Memory remaps film history around some of its most ambitious achievements and helps to clarify the stakes of cinema as a twentieth-century art form. -
EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P
UMATIC/DG Duration/ Col./ EVENT Year Lib. No. Name of the Film Director 35MM DCP BRD DVD/CD Sub-Title Language BETA/DVC Lenght B&W Gujrat Festival 553 ANDHA DIGANTHA (P. B.) Man Mohan Mahapatra 06Reels HST Col. Oriya I. P. 1982-83 73 APAROOPA Jahnu Barua 07Reels EST Col. Assamese I. P. 1985-86 201 AGNISNAAN DR. Bhabendra Nath Saikia 09Reels EST Col. Assamese I. P. 1986-87 242 PAPORI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 252 HALODHIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1988-89 294 KOLAHAL Dr. Bhabendra Nath Saikia 06Reels EST Col. Assamese F.O.I. 1985-86 429 AGANISNAAN Dr. Bhabendranath Saikia 09Reels EST Col. Assamese I. P. 1988-89 440 KOLAHAL Dr. Bhabendranath Saikia 06Reels SST Col. Assamese I. P. 1989-90 450 BANANI Jahnu Barua 06Reels EST Col. Assamese I. P. 1996-97 483 ADAJYA (P. B.) Satwana Bardoloi 05Reels EST Col. Assamese I. P. 1996-97 494 RAAG BIRAG (P. B.) Bidyut Chakravarty 06Reels EST Col. Assamese I. P. 1996-97 500 HASTIR KANYA(P. B.) Prabin Hazarika 03Reels EST Col. Assamese I. P. 1987-88 509 HALODHIA CHORYE BAODHAN KHAI Jahnu Barua 07Reels EST Col. Assamese I. P. 1987-88 522 HALODIA CHORAYE BAODHAN KHAI Jahnu Barua 07Reels FST Col. Assamese I. P. 1990-91 574 BANANI Jahnu Barua 12Reels HST Col. Assamese I. P. 1991-92 660 FIRINGOTI (P. B.) Jahnu Barua 06Reels EST Col. Assamese I. P. 1992-93 692 SAROTHI (P. B.) Dr. Bhabendranath Saikia 05Reels EST Col. -
NEET PG Rank Wise List of Candidates Who Studied MBBS in the State of Andhra Pradesh and Appeared for NEET PG -2019 Conducted by NBE
Dr.NTR UNIVERSITY OF HEALTH SCIENCES: ANDHRAPRADESH: VIJAYAWADA -8 As per the data received from the Ministry of Health, Government of India, the following is the NEET PG Rank wise list of candidates who studied MBBS in the State of Andhra Pradesh and appeared for NEET PG -2019 conducted by NBE. This is only for information of Students and Parents Note : The final merit position will be displayed only after submission of online application in response to the University Notification and after verification of original certificates /eligibility as per rules NEET - S.NO PG 2019 ROLLNO SCORE NAME OF THE CANDIDATE RANK 1 13 1966051550 946 MUGADA CHANDRASEKHAR 2 120 1966144183 890 PANUGANTI.HIMA BINDU 3 127 1966144828 889 VARIGONDA MAHIDHAR 4 132 1966080869 887 MASINENI RAGASUDHA 5 135 1966012765 886 ALLU RAMYA DEVI 6 214 1966119878 873 S SRINIVASA AKHIL ANIRUDH 7 235 1966143663 870 KAMBHAMPATI SREE LEKHA 8 265 1966048062 866 GADEKARI VAISHNAVI 9 267 1966144717 866 TANNERU RAGA SAI PRUDHVI RAJU 10 286 1966047421 864 DAMALAPATI VENKATESH 11 361 1966038453 857 LELLA AKHIL ROHAN 12 383 1966055987 854 TEJASWI VINJAM 13 397 1966038578 853 LAKSHMI SRUTHA KEERTHI MEDAGAM 14 401 1966055714 852 TUMPATI ANUJNA 15 443 1966147933 849 VOOSALA SANDESH 16 447 1966048173 849 GUNDREDDY SRAVANI 17 451 1966055455 848 T CHANDRA LEKHA 18 453 1966055035 848 DEEPAK GUPTA 19 464 1966039089 847 BHANU SRINIVAS YADLAPALLI 20 469 1966143769 846 KORLAKUNTA LAKSHMI BHARGAVI 21 492 1966047512 844 DESIRAJU YAJUSHI 22 496 1966038786 844 RM KEERTHANA 23 502 1966139362 843 DEVALLA -
The NEET PG Rank Wise List of Canidates Who Studied MBBS In
Dr. NTR UNIVERSITY OF HEALTH SCIENCES, VIJAYAWADA -8 As per the data received from the Ministry of Health , Government of India, the following is the NEET PG Rank wise list of canidates who studied MBBS in the State of Andhra Pradesh ( Based on the information provided by the candidates in the application form) and appeared for NEET PG 2020 conducted by NBE. Cut off Marks for Eligibility under General Category is 366 Marks, For PH category 342 Marks, for BC,SC,ST categories 319 Marks Note 1 : This is only for information of Students and Parents Note 2 : The final Merit position will be displayed only after submission of online application in response to the University Notification and after verification of original certificates/ eligibility as per rules NEET - S.No ROLL NO NAME OF THE CANDIDATE SCORE RANK 1 2066161932 CHAPPA PRAVALLIKA 938 41 2 2066015456 POTHIREDDY SHARANYA 931 56 3 2066090034 KOULALI SAI SAMARTH 931 61 4 2066153442 P SOWMYA 930 66 5 2066114879 PASUMARTHY SAI SRI HARSHA 926 79 6 2066056289 GUDIMETLA PRIYANKA 925 80 7 2066054521 ACHUTHA DATTATREYA 924 84 8 2066090718 SYED KHALEELULLAH 910 149 9 2066056746 DALLI SURESH 909 152 10 2066062929 TALASILA NAGA BHAVANI KRISHNA 903 190 11 2066090361 SANA ASFIYA 898 223 12 2066162715 NOUDURI VENKATA ABHISHEK 898 224 13 2066112146 N S L SUSMITHA 894 260 14 2066060592 SADHU KEERTHI 892 278 15 2066055410 CHEBOLU HARSHIKA 890 287 16 2066044484 BHAVANA CHANDA 888 314 17 2066062582 MANGALA THANMAYEE 887 319 18 2066044988 SHAIK MOHAMMAD KHASIM 887 325 19 2066056960 SAAHITI SUNKARA 885 -
To Get the File
The Indian Emergency 231 THE INDIAN EMERGENCY 9 Aesthetics of State Control A confirmed plagiarist speaks of some of the FFC’s significant produc- tions as third-rate copies of third-rate foreign films. A globe-trotting socialite whose sole claim to be a critic is her access to people and places (and who ecstacizes over Manoj Kumar’s Shor) aids the big sharks by her learned associations. A self-confessed amateur, applau- ded for his bold themes, speaks of films as ‘formal exercises’ when they are not in his own blundering idiom. Others disguise their con- cern for financial return (on both ‘public’ and ‘private’ money!) in terms of mass communication. Yet another old hand at bringing humanism to the box office in outrageous costumes advises the gov- ernment to nationalize cinema before it finances films which make an attempt at speaking a radical language. Utopian ideas always subvert their own declared purpose. Even in the unlikely event of nationalization, given the honesty of our bureaucrats and the social- ism of our system, one can visualize what new monsters will emerge. Some of these suggestions and comments may, indeed, be well inten- tioned, but it is becoming increasingly difficult to sift out the cinema’s enemies from its friends. – Kumar Shahani (1974) 1 Most of these stories featured the then Information and Broadcasting Minister, Vidya Charan Shukla. D.R. Mankekar The June 1975 declaration by Indira Gandhi’s government of a ‘grave and Kamala Mankekar (1977: 81) write: ‘With the vulnerable film emergency [whereby] the security of India . threatened by exter- industry [V.C.] Shukla played ducks and drakes. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai. -
Questions for Kumar Shahani- Interview
Questions for Kumar Shahani by Aparna Franki umar Shahani is an internationally renowned filmmaker, who studied under Ritwik Ghatak and apprenticed with Robert Bresson. He is a K recipient of the prestigious Prince Claus Award (1998). His films have won several Indian Filmfare Awards and his film ‘Khayal Gatha’ won the FIPRESCI Prize at the Rotterdam International Film Festival in 1990. Mr. Shahani’s essays have been published in the journals Framework and Social Scientist and he co-edited Cinema and Television: Fifty years of Reflection in France with Jacques Kermabon. Aparna Frank: In your many past interviews and essays, you have questioned simple definitions of “identity” and “culture”, including the term “multiculturalism”; hence, I am curious, what does a phrase like “Indian cinema” mean to you? Kumar Shahani: The question of identity and culture was, as you know, the product of fascism, Nazism and imperial constructs. Right up to 1961, I remember filling up forms, which asked me not only what my nationality was, but also what my race, caste, etcetera were. Therefore, I have rejected these notions totally, fundamentally and I do not ever wish to build any ideology including that of multiculturalism upon notions that have brutalised millions of people. Corporate multiculturalism and state terror are the greatest threat to humanity—they work against the very ethos of individuation. So, what does Indian cinema mean to me or to you, or to anyone else, who has fought for freedom, be it from one sort of hegemony or another? For me, and my gurus, Ritwik Ghatak, D.D Kosambiii, Jal Balaporiaiii and their gurus-Eisenstein, Einstein, Rahmat Khaniv, anything with a geographical name like “Indian” meant self- liberation.