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A Guide for Creating Virtual Video/Audio Ensembles Written By
A guide for creating virtual video/audio ensembles Written by Ben Sellers With contributions from Wiltshire Music Connect Associate Luke Pickett, and Lee Hextall from Lincolnshire Music Service. This document guides you through the process of creating an audio or video ‘virtual ensemble’ performance. The process takes time and may require you to learn some new skills, but it is worth it: your pupils will develop their identities as musicians, a new audience will be reached, and the profile of the department and school will be raised. Get an idea of what is possible by watching this video from Wiltshire Young Musicians, created by Matt Thorpe. To create an audio recording you will need: • Sibelius, Musescore (free) or alternative sheet music software • Audio editing software (see below) • A Google Drive or Dropbox account. To create a music video you will also need: • Video editing software (see below) • A Youtube or Vimeo account to publish the videos online • Appropriate pupil filming consent. Each of the following steps is detailed below: 1. Choose your piece of music 2. Decide if you want to create an audio recording or a music video. 3. Create an arrangement 4. Send instructions, sheet music and backing track(s) to pupils 5. Edit together the recordings 6. Publish 1. Choose your piece of music Your chosen piece should be: a. Fairly easy to play, with no tricky rhythms b. Something popular that the musicians already know c. The same tempo throughout d. Less than 4 minutes in length Page 1 of 5 2. Decide if you want to create an audio recording or a music video. -
SCIS Boardman Labs User Manual Version5
SCIS Common Use Labs in Boardman Hall USER MANUAL Note: The instructions in this manual assume students walking into the labs are first-time users of the labs and are complete novices in using the machines. Table of Contents Page I. Access to Boardman Hall SCIS Labs for Computer Science and New Media Students A. Services Provided 2 B. Gaining Access to Lab Rooms and Computers 3 II. SCIS Common Use Lab (Room 138 Boardman) A. Services Provided 3 B. Use of iMacs on Tables 4 C. Use of Large Table Monitor for Sharing Among Table Group 4 D. Use of Overhead Projector 5 E. Use of Laser Printer (8 ½ by 11” Prints) 6 F. Use of Large Format Plotter 7 G. Software Available on Computers in Room 138 7 H. Equipment Available for Checkout from Room 138 Lab Monitors 8 III. Combined Focus Ring and Stillwater Labs (Rooms 127 and 129 Boardman) A. Services Provided 8 B. Use of iMacs on Tables 9 C. Use of Cybertron PC for AI and VR D. Use of … E. Software Available on Computers in Rooms 127 and 129 F. Equipment Checkout Procedure G. Equipment Available for Checkout from Rooms 127 and 129 Lab Monitors IV. SCIS Student Lounge and Project Work Room (Room 137 Boardman) A. Services Provided B. Use of Large Screen by Students APPENDICES Appendix A. Laptop Computer Recommendations for Computer Science Students Appendix B. Laptop Computer Recommendations for New Media Students Appendix C. Convenient Web Resources for Development of Computer Code Note: On SCIS web site all of the above topics will link to anchors at the same topics below. -
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Guitar Rig 5 Setup Guide Spanish
Guía de instalación Derechos de autor La información contenida en este documento está sujeta a cambios sin previo aviso y no representa compromiso alguno por parte de Native Instruments GmbH. El software descri- to en este documento está sujeto a un acuerdo de licencia y no puede ser copiado a otros medios. Ninguna parte de esta publicación puede ser copiada, reproducida, almacenada o transmitida de manera alguna ni por ningún medio y para ningún propósito sin el permiso escrito previo de Native Instruments GmbH, de aquí en más mencionado como Native Ins- truments. Todos los productos y nombres de compañías son marcas registradas de sus res- pectivos propietarios. Por lo demás, el hecho de que estés leyendo este texto significa que eres el propietario de una versión legal y no de una copia ilegal. Native Instruments GmbH puede seguir creando y desarrollando software de audio innovador sólo gracias a gente honesta y legal como tú. Muchas gracias en nombre de toda la empresa. “Native Instruments”, “NI” and associated logos are (registered) trademarks of Native Ins- truments GmbH. Mac, Mac OS, GarageBand, Logic, iTunes and iPod are registered trademarks of Apple Inc., registered in the U.S. and other countries. Windows, Windows Vista and DirectSound are registered trademarks of Microsoft Corpora- tion in the United States and/or other countries. All other trade marks are the property of their respective owners and use of them does not imply any affiliation with or endorsement by them. Documento escrito por: Native Instruments GmbH Versión del documento: 1.0 (07/2011) Un agradecimiento especial par el Beta Test Team, cuya valiosa colaboración no solo estu- vo en rastrear errores, sino en hacer de éste un mejor producto. -
Tworzenie Dokumentów, Prawo Autorskie
Zajęcia 7 - tworzenie dokumentów JANUSZ WRÓBEL Typy plików Tekstowe txt – najprostszy plik tekstowy np. z Notatnika doc, docx - dokumenty z WORDA lub WORDPADA odt – dokumenty z programu OPENOFFICE rtf – format tekstowy zawierający podstawowe formatowanie tekstu kompatybilny z wieloma edytorami tekstu Graficzne jpg – najpopularniejszy format plików graficznych png – format głównie wykorzystywany przez Internet gif – format graficzny umożliwiający przechowanie wielu obrazów tworzących np. animację Tiff – format kompresji bezstratnej Dźwiękowe Mp3 – najpopularniejszy, stratny zapis dźwięku Midi - standard dla przechowywania zapisu dźwięku zbliżonego do nutowego Wav – popularny standard dla Windowsa i internetu Wma – gównie pliki w Windowsie Wideo MPEG4 – najpopularniejszy standard kodowania umożliwiający rejestrowanie i przesyłanie na bieżąco wizji i fonii. MOV- kodowanie firmy Apple wymaga specjalnego odtwarzacza QuickTime Player Avi – format zapisu filmów zwykle przeznaczonych do dalszej obróbki WMV – format kompresji filmów firmy Microsoft FLV – format filmów wykorzystywany na stronach www Uruchamialne EXE – popularny dla Windowsa plik programu mogący zawierać różne zasoby np. okna, ikony, dźwięki BAT – program wykonywany przez komputer bez wpływu użytkownika na jego przebieg (tryb wsadowy) COM – dawniej popularny typ programów wykonywalnych w systemie DOS Skompresowane ZIP – format kompresji bezstratnej i archiwizacji na PC (Personal Computer) RAR – format kompresji bezstratnej i archiwizacji JPG, MPEG, MP3 – to -
KLOS March 30Th 2014 Denny Laine
1 1 2 2 3 9AM I’m sad to say that I’m dedicating this first couple of songs here to our dear friend Stan …you know him as Stan the Hot Sauce Man….whose Mom Marion passed away yesterday…Now we got to know Marion here on BWTB quite well…as she came hung out with us more than a few times She also made me that British Flag quilt blanket And BWTB pillow…that we often talked about…she came down to all the events at Capitol Records…Just Imagine shows…everyone loved her…and she will certainly be missed…and here is Marion’s favorite Beatles song. 3 4 The Beatles - If I Fell - A Hard Day’s Night (Lennon-McCartney) Lead vocal: John and Paul John Lennon’s stunning ballad “If I Fell” was by far the most complex song he had written to date. It could be considered a progression from “This Boy” with its similar chord structure and intricate harmonies by John and Paul, recorded – at their request – together on one microphone. Performed live on their world tour throughout the summer of 1964. Completed in 15 takes on February 27, 1964. Flip side of “And I Love Her” in the U.S. On U.S. album: A Hard Day’s Night - United Artists LP Something New - Capitol LP The Beatles - In My Life - Rubber Soul (Lennon-McCartney) Lead vocals: John with Paul Recorded October 18, 1965 and written primarily by John, who called it his “first real major piece of work.” Of all the Lennon-McCartney collaborations only two songs have really been disputed by John and Paul themselves -- “Eleanor Rigby” and “In My Life.” Both agree that the lyrics are 100% Lennon, but John says Paul helped on the musical bridge, while Paul recalls writing the entire melody on John’s Mellotron. -
Cryogen // Credits
CRYOGEN // CREDITS SOFTWARE DEVELOPMENT: Thomas Hennebert : www.ineardisplay.com Ivo Ivanov : www.ivanovsound.com SOUND DESIGN & BETA TESTING: (II) Ivo Ivanov : www.ivanovsound.com (TH) Thomas Hennebert : www.ineardisplay.com (NY) Nicholas Yochum : https://soundcloud.com/nicholasyochumsounddesign (IL) Daed : www.soundcloud.com/daed (AR) Alex Retsis : www.alexretsis.com AUDIO DEMOS AND TUTORIAL VIDEOS: Ivo Ivanov : www.ivanovsound.com PRODUCT GRAPHICS: Nicholas Yochum : https://www.behance.net/nicholasyochum This symbol refers to important technical info This symbol refers to a tip, idea or side note GLITCHMACHINES ® VERSION 1.1 © 2017 LEGAL: We need your support to be able to continue to bring you new products - please do not share our plugins and packs illegally. Piracy directly affects all of the creative people whom work hard to bring you new tools to work with! For full Terms & Conditions, please refer to the EULA (End User License Agreement) located in the DOCS folder with this product or visit the Legal page on our website. Glitchmachines ® www.glitchmachines.com ABOUT US: Glitchmachines was established in 2005 by sound designer and electronic musician Ivo Ivanov. For the first 5 years of our brand’s existence, we were focused on building handcrafted circuit-bent hardware instruments. We sold a limited number of units through boutique synthesizer retailers Analogue Haven and Robotspeak in California and we custom made instruments for numerous high-profile artists and sound designers. In 2010, we shifted our focus toward creative software plugins and sound effects packs. SYSTEM REQUIREMENTS: • Broadband Internet connection for product download • VST/AU host such as Ableton Live, Logic Pro, Renoise, etc. -
Vocals Syllabus
VOCALS SYLLABUS BEYONCÉ Qualification specifications for graded exams from 2018 AEROSMITH BLONDIE THE ROLLING STONES TAYLOR SWIFT RED HOT CHILI PEPPERS DUSTY SPRINGFIELD AMY WINEHOUSE QUEEN DAVID BOWIE THE XX OASIS SIA U2 WHAT’S CHANGED? This syllabus features the following changes from the 2015–2017 syllabus: New selection of songs at all levels, expertly arranged for the grade and in a wide range of styles Revised marking criteria, providing examiners, teachers and candidates with increased detail on how exams are marked (see pages 36–39) Revised parameters for own-choice songs (see pages 22–27) Revised requirements for using a microphone when performing songs Technical focus songs now feature two technical elements Band exams are no longer offered KEEP UP TO DATE WITH OUR SYLLABUSES Please check trinityrock.com to make sure you are using the current version of the syllabus and for the latest information about our Rock & Pop exams. You can also check out our syllabuses and graded songbooks for: Bass Drums Guitar Keyboards OVERLAP ARRANGEMENTS This syllabus is valid from 1 January 2018. The 2015–2017 syllabus will remain valid until 31 December 2018, giving a one year overlap. During this time, candidates may present songs from the 2015–2017 syllabus or the syllabus from 2018, but not both. Candidates should indicate which syllabus they are presenting on the appointment form handed to the examiner at the start of the exam. VOCALS SYLLABUS Qualification specifications for graded exams from 2018 Trinity College London trinitycollege.com -
Computer Music Products Guide 2010
Computer Music Products Guide 2010 Computer Music Products Guide 2010 V-STUDIO MIDI KEYBOARD CONTROLLERS AUDIO INTERFACES MICRO MONITORS Cakewalk is a registered trademark and SONAR, V-STUDIO 700, Active Controller Technology, Dimension Pro, Rapture and the Cakewalk logo are trademarks of Cakewalk, Inc. Roland, BOSS, COSM, EDIROL, SuperNATURAL, VariPhrase, V-LINK and V-Vocal are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries. Mac and Mac OS are trademarks of Apple Inc. ASIO and VST are trademarks of Steinberg Media Technologies AG. ReWire is a trademark of Propellerhead Software, AB. iZotope Radius copyright c 2005-2010 iZotope, Inc. Other trademarks mentioned are held by their respective owners. All specifications and appearances are subject to change without notice. All specifications and appearances are subject to change without notice. All trademarks are the property of their respective companies. MIDI INTERFACES MUSIC SOFTWARE www.cakewalk.com | (888) CAKEWALK | +1 (617) 423-9004 outside the US May. 2010 RAM-4594 GR-UPR-SS B1EC1 Made for Musicians By Musicians Cakewalk Computer Music Products These products are created by musicians who listen, understand, and respond to the needs of our customers, who include award-winning producers, engineers, composers, and musicians. Our mission is to inspire your creativity through the combination of superior sound quality, industry-leading technology, and unmatched ease of use. There are Cakewalk products that are right for you at every stage of your musical career and ability. Read on to learn more... V-STUDIO 04 MIDI INTERFACES 15 MICRO MONITORS 18 AUDIO INTERFACES 11 MIDI KEYBOARD CONTROLLERS 16 MUSIC SOFTWARE 19 visit us online at V-STUDIO www.cakewalk.com WDM VS-700R V-STUDIO I/O VS-700C V-STUDIO Console Windows® Windows® High-speed USB 2.0 audio interface that provides all the recording and routing The VS-700C Console offers broader ranging control and deeper editing and AUDIO AUDIO MIDI capabilities needed to handle any music production task. -
Pro Tools 10 Torrent Download Pro Tools 10 Torrent Download
pro tools 10 torrent download Pro tools 10 torrent download. These standard Pro Tools Essential drivers can be found inside of %%os%%, or available for download from Windows® update. While these Audio Controller drivers are basic, they support the primary hardware functions. Visit this link to learn how to install these M-AUDIO drivers. Optional Offer for DriverDoc by Solvusoft | EULA | Privacy Policy | Terms | Uninstall. How to Automatically Download and Update: Recommendation: Download DriverDoc [Download DriverDoc - Product by Solvusoft], a driver update tool that is recommended for Windows users who are inexperienced in manually updating M-AUDIO Audio Controller drivers. DriverDoc saves time and headaches by making sure that you are downloading and installing the correct Pro Tools Essential drivers. In addition, DriverDoc not only ensures your Audio Controller drivers stay updated, but with a database of over 2,150,000 drivers (database updated daily), it keeps all of your other PC's drivers updated as well. Optional Offer for DriverDoc by Solvusoft | EULA | Privacy Policy | Terms | Uninstall. Pro Tools Essential Update FAQ. Why Are Pro Tools Essential Driver Updates Avoided? Mainly, users avoid updating Pro Tools Essential drivers because they don't want to risk screwing up their hardware. What's the Process for Updating Pro Tools Essential Drivers? Device drivers for Pro Tools Essential can be updated manually using the Windows Device Manager, or automatically with a driver scan and update tool. Which Operating Systems Work with Pro Tools Essential Drivers? Currently, Pro Tools Essential has device drivers for Windows. What's the Role of M-AUDIO Audio Controller Drivers? Drivers are mini software programs created by M-AUDIO that allow your Pro Tools Essential hardware to communicate effectively with your operating system. -
AUTODESK NAVISWORKS MANAGE WIN64ISO Free Download
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January 2017
JAN17-cover-Final_Layout 1 1/13/17 2:14 PM Page 1 Art World News J A NUA RY 2017 THE INDEPENDENT NEWS SOURCE ATTORNEY’S FEES IN CUSTOM FRAMERS COPYRIGHT DISCUSS EFFECTIVE INFRINGEMENT CASES SOCIAL MEDIA POSTS Joshua Kaufman, a leading How does a frameshop attorney in art, copyright, make the most of social and licensing law, discusses media and how does that when a prevailing party in a translate into expanding Jack Rutberg Fine Arts, Los Angeles, in business 38 years. copyright infringement suit their marketing outreach may be entitled to attorney’s and sales? In an article fees. The Supreme Court beginning on page 22, IMPACT OF SHIFTS IN has provided some guide- we talk to custom framers lines in this area where the to see what strategies are waters have been muddy working for them. PURCHASING PATTERNS with conflicting standards. To begin the New Year, we invited leaders in the art and fram- Article begins on page 36. ing industry to identify what they see as the greatest business STEPPING IN TO DISNEY challenge for custom frameshops and galleries, as well as for ART WITH MATOUSEK suppliers, and where they see the path forward. They all agree DANIEL WINN’S NEW the industry is evolving and Ginger Hartford, key account man- WORK EXAMINES THE The decision for a gallery to ager at Larson-Juhl, says as the art and framing industry NATURE OF EXISTENCE add Disney Fine Art can be is changing, it’s important to understand how the current state made less challenging by of the business market is to purchase and why has Daniel Winn describes the introducing a Disney artist, challenged in three parts: greatly impacted art and philosophy that influences such as Tom Matousek, • Market is shifting.