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Podcasting with Garageband the Simple Guide to Making Your Own Podcast
Podcasting with GarageBand The simple guide to making your own podcast Create a podcast using technologies in the Gaskill Learning Technologies Center: - iMac computer - Snowball microphone - GarageBand software Table of Contents Introduction 1 What tools are used in this documentation? Who should use this documentation? What information is included? Essential Podcasting Information 2 What’s a podcast? Why would I make a podcast? Is it easy and fun to make a podcast? Who would listen to my podcast? How do I make my podcast available to the world? Getting to Know the Equipment 3 !e Hardware !e Software GarageBand Overview 4 Creating a New Podcast Episode 6 Recording Your Voice 7 Putting it All Together 8 Creating another recording on the same track Deleting a portion of a recording Using the Track Editor / Cut method Using the Split method Joining separate recordings Adding loops and jingles Ducking and unducking a loop Exporting and Saving Your Podcast 14 Saving your podcast to an audio file Converting the M4A file to MP3 using iTunes Making Your Podcast Available to the World 15 Creating a world-wide readable folder on your Miami disk space Uploading your podcast to your own website disk space Using the iTunes store to freely distribute your podcast Configuring the Snowball Microphone 16 Hardware Setup Software Configuration Configuring Mac OS X Configuring GarageBand Table of Contents Introduction If you are thinking about making a podcast or are interested in learning more about how to make a podcast, you’ve come to the right place! !is set of documentation will take you through the necessary steps to make your own podcast with the equipment here in the Gaskill Learning Technologies Center. -
Logic (1.0): Introduction for Garageband Users (Manual)
42747TUT Page 1 Tuesday, September 7, 2004 2:05 PM 1 Introduction to Logic for GarageBand Users Using GarageBand, you’ve discovered how easy it can be to create your own musical masterpieces. Now you’re ready to take the next step and move up to one of the professional-level music applications from Apple, Logic Pro 7 or Logic Express 7. This tutorial is designed to help users familiar with GarageBand start using Logic (either Logic Pro or Logic Express). After completing the tutorial, you’ll understand the similarities and differences between GarageBand and Logic, know how to perform basic tasks in Logic, and be ready to start creating and editing songs. Note: The content of this tutorial applies to both Logic Pro 7 and Logic Express 7, except where differences between the two are specifically noted. 1 42747TUT Page 2 Tuesday, September 7, 2004 2:05 PM Contents “Learning the Logic Interface” on page 3 “Opening a GarageBand Song in Logic” on page 3 “GarageBand Main Window / Logic Arrange Window” on page 5 “Track Header / Track Header and Arrange Channel Strip” on page 8 “Transport Controls and Time Display / Transport Window” on page 10 “Editor Windows” on page 12 “Volume Curves / Track Automation” on page 15 “Track Info Window” on page 16 “Parameter Boxes and Toolbox” on page 19 “Audio Window” on page 20 “Performing Basic Tasks in Logic” on page 20 “Getting Started” on page 20 “Working With Tracks” on page 22 “Recording Audio” on page 24 “Recording Software Instruments” on page 25 “Recording MIDI” on page 25 “Working With Regions” on page 26 “Using the Grid” on page 26 “Working With Effects” on page 27 “Working With Automation” on page 28 “Exporting to an Audio File” on page 28 “Keyboard Shortcuts” on page 29 “Screensets” on page 30 2 42747TUT Page 3 Tuesday, September 7, 2004 2:05 PM Learning the Logic Interface In this section, you’ll open a GarageBand song in Logic and learn how the main features of the Logic interface compare with those of GarageBand. -
Cryogen // Credits
CRYOGEN // CREDITS SOFTWARE DEVELOPMENT: Thomas Hennebert : www.ineardisplay.com Ivo Ivanov : www.ivanovsound.com SOUND DESIGN & BETA TESTING: (II) Ivo Ivanov : www.ivanovsound.com (TH) Thomas Hennebert : www.ineardisplay.com (NY) Nicholas Yochum : https://soundcloud.com/nicholasyochumsounddesign (IL) Daed : www.soundcloud.com/daed (AR) Alex Retsis : www.alexretsis.com AUDIO DEMOS AND TUTORIAL VIDEOS: Ivo Ivanov : www.ivanovsound.com PRODUCT GRAPHICS: Nicholas Yochum : https://www.behance.net/nicholasyochum This symbol refers to important technical info This symbol refers to a tip, idea or side note GLITCHMACHINES ® VERSION 1.1 © 2017 LEGAL: We need your support to be able to continue to bring you new products - please do not share our plugins and packs illegally. Piracy directly affects all of the creative people whom work hard to bring you new tools to work with! For full Terms & Conditions, please refer to the EULA (End User License Agreement) located in the DOCS folder with this product or visit the Legal page on our website. Glitchmachines ® www.glitchmachines.com ABOUT US: Glitchmachines was established in 2005 by sound designer and electronic musician Ivo Ivanov. For the first 5 years of our brand’s existence, we were focused on building handcrafted circuit-bent hardware instruments. We sold a limited number of units through boutique synthesizer retailers Analogue Haven and Robotspeak in California and we custom made instruments for numerous high-profile artists and sound designers. In 2010, we shifted our focus toward creative software plugins and sound effects packs. SYSTEM REQUIREMENTS: • Broadband Internet connection for product download • VST/AU host such as Ableton Live, Logic Pro, Renoise, etc. -
Wing Daw-Control
WING DAW-CONTROL V 1.0 2 WING DAW-CONTROL Table of Contents DAW-Setup ...................................................................... 3 Settings WING .............................................................................. 3 Settings DAW ............................................................................... 3 CUBASE/NUENDO .................................................................... 4 ABLETON LIVE ........................................................................... 5 LOGIC ........................................................................................... 5 STUDIO ONE .............................................................................. 6 REAPER ......................................................................................... 7 PRO TOOLS ................................................................................. 8 Custom Control Section ................................................. 9 Overview........................................................................................ 9 Assign Function to CC-Section............................................... 9 Store Preset ................................................................................ 10 Share Preset ................................................................................ 10 MCU – Implementation ................................................ 11 Layer Buttons ............................................................................. 11 Upper CC-Section .................................................................... -
Nanokontrol2 Control Surface Plug-In for Garageband/Logic
nanoKONTROL2 Control Surface plug-in for GarageBand/Logic About this plug-in: Complicated settings are not needed to use the nanoKONTROL2. Just istall this plug-in on your Mac and you are ready to go! Hardware requirements GarageBand ‘09 or later, Logic Pro/Express 8 or later Apple Macintosh computer running Mac OS X Before Installation Before you start using the nanoKONTROL2 Control Surface plug-in for GarageBand/Logic, you must install the Korg USB-MIDI driver. Download the driver from the Korg website and install it as directed in the included documentation. (http://www.korg.com/) Installation steps If GarageBand or Logic Pro/Express is running, quit the application. Start-up the Installer (nanoKONTROL2-CSPlugIn. pkg), and follow the instructions as directed. Uninstalling The plug-in can be uninstalled by following the instructions below. GarageBand Delete the following files and folder. /Applications/KORG/nanoKONTROL2 Control Surface plug-in ~/Library/Preferences/com.apple.garageband.cs /Library/Application Support/MIDI Device Plug-ins/nanoKONTROL2.bundle Logic Pro/Express From the Logic pro/Express menu, select “Logic Pro/Express”-“Preferences”-“Control Surfaces”-“Setup...”, and open the control surfaces setup window. Click and select the nanoKONTROL2 icon, push [delete] key on keyboard to delete nanoKONTROL2 information. After deleting the nanoKONTROL2 information, quit Logic Pro/Express and delete the following file and folder. /Applications/KORG/nanoKONTROL2 Control Surface plug-in /Library/Application Support/MIDI Device Plug-ins/nanoKONTROL2. bundle nanoKONTROL2 Control Surface plug-in for GarageBand/Logic Owner's manual 1 GarageBand Transport Function REW * Rewind PREV TRACK Previous Fader Bank FF Forward NEXT TRACK Next Fader Bank STOP * Stop SET MARKER PLAY Play or Stop PREV MARKER - Not Assigned - REC Record NEXT MARKER CYCLE Cycle Mode * By pushing the REW button while also pushing the STOP button, the playback position will be moved to the beginning of the song. -
Getting Started a Guide for Your Apple Mobile Learning Lab Contents
Getting Started A guide for your Apple Mobile Learning Lab Contents Introduction 1 Setting Up and Working with Your Mobile Lab 3 Setting Up Your Mobile Lab 3 Daily Setup 6 Sharing the Mobile Lab 9 Creating and Managing User Accounts 9 Installing Software 11 Sharing and Storing Files 14 Apple Remote Desktop: Managing Student Computers from One Computer 15 Using Parental Controls to Provide Extra Security 16 Maintaining Your Mobile Lab 17 Using the Tools That Come with Your Mobile Lab 20 Using iChat AV to Communicate and Collaborate with Video, Audio, and Text 20 Having Instant Access to Information with Widgets 22 Finding Files in a Flash with Spotlight 23 Crunching Numbers with Calculator and Grapher 24 Browsing the Internet with Safari 25 Staying Up to Date with iCal 27 Producing Digital Media Projects with iLife 28 Creating Digital Stories with iMovie 29 Creating Digital Music and Recording Audio with GarageBand 30 Organizing, Editing, and Sharing Digital Photos with iPhoto 32 Building Websites with Photos, Movies, Podcasts, and Text with iWeb 34 Organizing and Playing Music and Audio with iTunes 36 Reaching All Learners with Built-in Accessibility Features 37 Communicating via Email with Mail 38 Supporting Writing with Dictionary and TextEdit 39 Getting Started: A guide for your Apple Mobile Learning Lab II Contents More Tools to Use with Your Mobile Lab 40 Increasing Student Achievement with the Apple Digital Learning Series 40 Using the iPod as a Portable Learning Tool 44 Creating, Presenting, and Publishing Work with iWork 45 Additional Resources 47 Apple Learning Interchange 47 Apple Education 47 Apple Professional Development 48 Apple Support 48 Mobile Lab Teacher Sign-Up Sheet 49 Mobile Lab Student Checkout Sheet 50 Mobile Lab Teacher Checkout Sheet 51 © 2007 Apple Inc. -
Performing with Gestural Interfaces
Proceedings of the International Conference on New Interfaces for Musical Expression Body as Instrument – Performing with Gestural Interfaces Mary Mainsbridge Dr. Kirsty Beilharz University of Technology Sydney HammondCare PO Box 123 Pallister House, 97-115 River Road Broadway NSW 2007 Greenwich Hospital NSW 2065 [email protected] [email protected] ABSTRACT maintaining sole responsibility over vocal signal processing, a role This paper explores the challenge of achieving nuanced control and usually relegated to a sound engineer, attracts vocalists who prefer physical engagement with gestural interfaces in performance. independent control over their overall sound. The ever-shifting Performances with a prototype gestural performance system, Gestate, dynamics of body movement provide a rich source of control provide the basis for insights into the application of gestural systems in information, fuelling exploration by bypassing conscious approaches live contexts. These reflections stem from a performer's perspective, to creative decision-making and any form of artificiality. This added summarising the experience of prototyping and performing with physical engagement could deliver potentially varied and augmented instruments that extend vocal or instrumental technique unpredictable sonic outcomes, transcending the influence of the mind through gestural control. and ego on live music-making. The innate movement styles of Successful implementation of rapidly evolving gestural technologies individual performers can also colour sound in unexpected ways. in real-time performance calls for new approaches to performing and The creative potential of gestural control will be explored through musicianship, centred on a growing understanding of the body's reflections on prototyping and performance experiences that stem physical and creative potential. -
Free Rap Sample Packs Fl Studio
Free Rap Sample Packs Fl Studio Ryan is vagrant and accrue instructively as spoiled Lonny bereave stragglingly and forspeaks wonderfully. Dreamless Lester unpenned much. Ginger Kelwin phones, his cookout affords purchase sanctifyingly. 60 Royalty Free Female Vocal Samples featuring dry and 4 different effect. Get to fl studio, rap and get free rap sample packs fl studio! This raises an extremely important point. His new free rap sample packs fl studio channel presets among others via your shopping cart. But there are still quite a few gems to be found. These Trap samples are perfect for rally Trap or just Hop off that fund are fabulous on. You will find the date with these were recorded live in deep twin guitars pack out there to free fl studio. The last in this list is more than a Free Trap Sample Pack. This soundkit includes downsweeps, impacts, risers, arcade sounds, dj scratches and more! Why sonics empire drum kit. The air and free fl studio for a whole lot of radio drum kit first glance, and audio file limit amount of content from staples to! For this icon that does everyone who is not been kindly uploaded by clicking on a video player. Mld usd then you are fl studio and rap acapellas are countless recordings, photos and free rap sample packs fl studio! Share these mints with members of your congregation. Hip hop samples free Swe-Tech. The sound packs is updated daily feedback thread you want people spend more construction kits be toggled by no singles are fl studio channel presets! Hop loops, samples, and sounds listed here have been kindly uploaded by other users and are free to use in your project. -
Quick Start Guide for Ableton Live Lite
Live 9 Lite Quick Start Guide We do not support Ableton Live 9 Lite. For how to use, refer to the help About trademarks menu of Live 9 Lite. • TASCAM is a trademark of TEAC CORPORATION, registered in the U.S. Contents and other countries. • Microsoft, Windows, Windows 7 and Windows 8 are either registered trademarks or trademarks of Microsoft Corporation in the United States and/or other countries. Notations in this manual ..........................................................................................1 • Apple, Macintosh, Mac OS, Mac OS X and Lightning are trademarks of About trademarks ......................................................................................................1 Apple Inc. How to install ...............................................................................................................2 • Ableton and the Ableton logo are trademarks of Ableton AG. Downloading Live 9 Lite .....................................................................................2 • Other company names, product names and logos in this document Installing Live 9 Lite ..............................................................................................2 are the trademarks or registered trademarks of their respective owners. How to authorize ........................................................................................................3 Authorizing Live 9 Lite .........................................................................................3 How to record ..............................................................................................................4 -
Schwachstellen Der Kostenfreien Digital Audio Workstations (Daws)
Schwachstellen der kostenfreien Digital Audio Workstations (DAWs) BACHELORARBEIT zur Erlangung des akademischen Grades Bachelor of Science im Rahmen des Studiums Medieninformatik und Visual Computing eingereicht von Filip Petkoski Matrikelnummer 0727881 an der Fakultät für Informatik der Technischen Universität Wien Betreuung: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Mitwirkung: Univ.Lektor Dipl.-Mus. Gerald Golka Wien, 14. April 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Disadvantages of using free Digital Audio Workstations (DAWs) BACHELOR’S THESIS submitted in partial fulfillment of the requirements for the degree of Bachelor of Science in Media Informatics and Visual Computing by Filip Petkoski Registration Number 0727881 to the Faculty of Informatics at the Vienna University of Technology Advisor: Associate Prof. Dipl.-Ing. Dr.techn Hilda Tellioglu Assistance: Univ.Lektor Dipl.-Mus. Gerald Golka Vienna, 14th April, 2016 Filip Petkoski Hilda Tellioglu Technische Universität Wien A-1040 Wien Karlsplatz 13 Tel. +43-1-58801-0 www.tuwien.ac.at Erklärung zur Verfassung der Arbeit Filip Petkoski Wienerbergstrasse 16-20/33/18 , 1120 Wien Hiermit erkläre ich, dass ich diese Arbeit selbständig verfasst habe, dass ich die verwen- deten Quellen und Hilfsmittel vollständig angegeben habe und dass ich die Stellen der Arbeit – einschließlich Tabellen, Karten und Abbildungen –, die anderen Werken oder dem Internet im Wortlaut oder dem Sinn nach entnommen sind, auf jeden Fall unter Angabe der Quelle als Entlehnung kenntlich gemacht habe. Wien, 14. April 2016 Filip Petkoski v Kurzfassung Die heutzutage moderne professionelle Musikproduktion ist undenkbar ohne Ver- wendung von Digital Audio Workstations (DAWs). -
Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual
Renoise 3.1 User Manual Renoise 3.1 User Manual Table of Contents 1 Welcome to the Renoise User Manual.......................................................1 2 Introduction To Renoise...........................................................................2 2.1 Main Screen Overview.....................................................................................2 2.1.1 Upper Status Bar.....................................................................................3 2.1.2 Global Song Control................................................................................3 2.1.3 Song Visualisation...................................................................................3 2.1.4 Loading & Saving Files............................................................................3 2.1.5 Selecting Instruments.............................................................................4 2.1.6 Creating & Editing Instruments...............................................................4 2.1.7 GUI presets.............................................................................................5 2.1.8 Sequencing Patterns...............................................................................5 2.1.9 Creating Patterns....................................................................................5 2.1.10 Applying Effects....................................................................................6 2.1.11 Lower Status Bar...................................................................................6 2.2 Guide -
Ableton Live Manual
Ableton Reference Manual Version 8 Live Version 8.0.5 for Windows and Mac OS September, 2009 Created by Bernd Roggendorf, Gerhard Behles, Robert Henke, Awi, Reiner Rudolph, Stefan Haller, Stefan Franke, Frank Hoffmann, Andreas Zapf, Ralf Suckow, Gregor Klinke, Matthias Mayrock, Friedemann Schautz, Ingo Koehne, Jakob Rang, Pablo Sara, Nicholas Allen, Henrik Lafrenz, Jan Buchholz, Kevin Haywood, Dominik Wilms, Christian Kleine, Amaury Groc, Daniel Büttner, Alex Koch, Henrik Hahn, Simon Frontzek, Torsten Wendland, Torsten Slama, Eduard Müller, Jeremy Bernstein, Bernard Chavonnet, Carl Seleborg, Claes Johanson, Bernhard Bockelbrink, Nico Starke, Jörg Kluÿmann, Stefan Brunner, Tobias Hahn, Stefan von der Mark, Carsten Henÿinger, Stephan Diehl, David Talbot, Robert Feldbinder, Diez Roggisch, Justine Lera, Dennis DeSantis, Ian Gallagher, Philipp Gries, Marie Hoffmann, Marian Kalus, Stephan Krohn, Michael Dühr, Dennis Fischer. Reference Manual by Dennis DeSantis, Ian Gallagher, Kevin Haywood, Rose Knudsen, Gerhard Behles, Jakob Rang, Robert Henke, Torsten Slama. Content provided by: SONiVOX www.sonivoxrocks.com Chocolate Audio www.chocolateaudio.com Puremagnetik www.puremagnetik.com Cycling '74 www.cycling74.com SonArte www.sonarte.ca e-instruments www.e-instruments.com Zero-G www.zero-g.co.uk Physical Modeling technology provided by: Applied Acoustics Systems www.applied-acoustics.com Copyright 2009 Ableton AG. All rights reserved. Made in Germany. This manual, as well as the software described in it, is furnished under license and may be used or copied only in accordance with the terms of such license. The content of this manual is furnished for informational use only, is subject to change without notice, and should not be construed as a commitment by Ableton.