When Doves Cry
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©2017 SCW Fitness Education 1 Waterinmotion® Statement
©2017 SCW Fitness Education www.waterinmotion.com 1 WATERinMOTION® Statement WATERinMOTION® Platinum is a shallow-water, low-impact aqua exercise experience that offers active aging adults and deconditioned participants a fun workout improving cardiovascular endurance, agility, balance, strength and flexibility. Our vcertified instructors can gently share the pure joy of exercise through this buoyant, heart-healthy program. TRACK TITLE ORIGINAL ARTIST* TYPE TIME 1 My Boyfriend’s Back The Angels Warm Up 5:29 2 Good Vibrations Beach Boys Linear 5:20 3 I Can See Clearly Now Johnny Nash Balance 5:21 4 I Believe I Can Fly R Kelly Group 5:21 5 Candy Girl Wilson Picket Anchored 5:20 6 Get Ready The Temptations Toning 4:50 7 Raspberry Beret Prince Core 4:49 8 Red Red Wine Ub40 Flexibility 4:59 9 Ain’t No Mountain High Enough Marvin Gaye Bonus (Flotation) 5:15 *Songs not performed by the original artist ©2017 SCW Fitness Education www.waterinmotion.com 1 Changing the Tide in Water Exercise Choreographer: Ann Gilbert Eleven diverse segments, Education Author: Ann Gilbert with a specific song track for each, will utilize fresh, Education Presenter: Ann Gilbert yet simple movement Music: Yes! Fitness Music® patterns to invigorate Presenters: Chris Henry participants regardless Minda Kjar of age, skill or fitness Sara Kooperman, JD Cheri Kulp level Instructors will Bryan Miller learn to use every inch Robin Taylor Manuel Velazquez of the pool with well Amy Weisenmiller planned transitions and carefully organized Support Team: Claudio Cornejo sequencing for workouts Shawn Hamilton Karl Mendoza you’ve dreamed of, that are a cinch to integrate. -
Purple Passion and the Press: an Analysis of Front Page Coverage in Selected U.S
Purple Passion and the Press: An analysis of front page coverage in selected U.S. dailies of the death of Prince Rogers Nelson Ernest L. Wiggins University of South Carolina School of Journalism and Mass Communications Popular Culture in the South & American Culture in the South Nashville, Tennessee Oct. 13-15, 2016 The sudden death of Prince Rogers Nelson on April 21 inspired American newspapers to create front pages that not only marked the musician’s cultural significance as an innovative songwriter and performer but reflected his unique style and sensibility. For this paper, I analyzed the display of news stories announcing his death on the front pages of a dozen U.S. daily newspapers for April 22 and found an abundance of purple, the performer’s signature color, in both graphic presentation and in prose and other treatment that reflected the diminutive musician’s outsized persona. When Prince died on April 21 at the age of 57, the media used language like “legendary,” “iconic,” “innovative,” “genius,” “controversial,” and “prolific” to describe the performer.* His career, which spanned the 40 years from 1976 to 2016, was marked by high productivity (39 releases and nearly yearly national and international touring), fierce creative independence (he waged war against Warner Bros. and other industry giants for control of his music), genre-busting (his songs incorporated R&B, rock, electronica, dance music, jazz and pop) and gender-bending (he presented a highly sexualized, androgynous public persona). At 57, Prince was a familiar and enormously popular part of the musical history of the Baby Boomer generation – many of whom were writing, editing and designing newspapers across the country. -
Prince (From the 1984 Album PURPLE RAIN) Transcribed by Isaias Garcia Words and Music by Prince (Texasfury( Arranged by Prince
WHEN DOVES CRY As recorded by Prince (From the 1984 Album PURPLE RAIN) Transcribed by Isaias Garcia Words and Music by Prince (TexasFury( Arranged by Prince A Intro = 125 P 8va VfV fV 1 V V V V V V V } } g 4 j 3 V V } V V V V U V j I g 4 3 V } V V 3 3 } } } Gtr I 1/2 P.M. 14 M (14) (14) T 12 15 13 12 13 12 12 x O (x) 0 0 14 14 12 Gx (x) x A 14 12 Kx B 14 K x x x H P P P sl. sl. 3 3 5 g V V V V V V V V V I g V V V V V V V V V V V V V 3 3 3 T 7 0 0 10 0 0 5 7 5 5 5 7 0 0 0 0 5 7 0 4 4 4 A freely B V 3 6 g V V V V V V V V V V V V I g V l V fV V V V 3 3 3 7 0 0 T 0 5 7 5 5 5 7 5 5 7 5 A 7 5 0 5 0 B H H H P H P 7 g c I g V V V V } j j j j j k V V V V V V V 1/4 1/4 1/4 1/4 1/4 1/4 1/4 [[ M M M M M M M T 4 A x B 12 12 5 5 5 5 5 sl. -
MTO 23.3: De Clercq, Embracing Ambiguity in Pop/Rock Form
Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991 Trevor de Clercq KEYWORDS: Form, popular music, rock music, verse, chorus, bridge ABSTRACT: A central concern for theories of form in pop/rock music is the division of a song into sections and, consequently, the categorization of these sections according to a standard set of section labels. Psychological research on categorization shows that it is inherently a perceptual process, one that involves graded membership and fuzzy boundaries. Thus in contrast to prior theorists, who often a2empt to minimi/e ambiguity in the analysis of form in pop/rock music, I confront ambiguity directly, organi/ing and describing many of the common types encountered. I focus e4clusively on the time period 198 –1991, 1hen verse5chorus form can be considered to have achieved 1idespread currency. After providing an illustrative e4emplar, I discuss three types of ambiguity common to this decade, each based on the main section role involved: 16 verse ambiguity, 1hich typically derives from 1eak section di7erentiation8 6 chorus ambiguity, 1hich usually involves a blend of more than one section role8 and 36 bridge ambiguity, 1hich often results from di7erent hierarchical meanings of the bridge label. Received December 2016 :olume 23, Number 3, September 2017 Copyright © 2017 Society for Music Theory Introduction ?1.1] ,he analysis of form in pop/rock music traditionally involves partitioning a song into various discrete sections, such as verse, chorus, and bridge. Perhaps unsurprisingly, this process is not al1ays straightfor1ard, since t1o di7erent analysts sometimes provide t1o di7erent interpretations of the same song. -
Prince Glam Slam Mp3, Flac, Wma
Prince Glam Slam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Glam Slam Country: US Released: 1988 MP3 version RAR size: 1456 mb FLAC version RAR size: 1655 mb WMA version RAR size: 1239 mb Rating: 4.9 Votes: 710 Other Formats: WAV DMF ADX MPC MP2 ASF RA Tracklist A Glam Slam (Edit) 3:28 B Escape (Edit) 3:31 Companies, etc. Manufactured By – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Pressed By – Specialty Records Corporation Notes Comes in a transparent plastic sleeve with a sticker reading 'Prince - Glam Slam.' Track A from the Paisley Park LP "LOVESEXY" (1-25720). Barcode and Other Identifiers Barcode: 0 7599-27806-7 4 Matrix / Runout (Side A): [SRC logo] 7-27806-A SR1 1-1 Matrix / Runout (Side B): [SRC logo] 7-27806-B-RE1 SR1 1-2 Other versions Category Artist Title (Format) Label Category Country Year 927 806-7 Prince Glam Slam (7", Single, PVC) Paisley Park 927 806-7 Europe 1988 Prince = プリ Prince = プリンス* - Glam Slam = 10P3-6007 Paisley Park 10P3-6007 Japan 1988 ンス* グラム・スラム (CD, Mini, Single) 921 005-0 Prince Glam Slam (12", Single) Paisley Park 921 005-0 Europe 1988 Glam Slam (7", Single, Promo, Paisley Park 07P7-6007 Prince 07P7-6007 Japan 1988 Tra) Records Glam Slam (12", Single, 921 005-0 Prince Paisley Park 921 005-0 Europe 1988 M/Print) Related Music albums to Glam Slam by Prince Prince And The New Power Generation - Cream Prince And The Revolution - Pop Life Prince And The New Power Generation - Gett Off Prince And The Revolution - Paisley Park Prince And The New Power Generation - Love Symbol Prince & The Revolution - Paisley Park Prince And The Revolution - Raspberry Beret Prince - I Wish U Heaven Prince And The New Power Generation - My Name Is Prince Prince - Alphabet St. -
Let's Go Crazy CLASSIC ALBUMS LIVE: PRINCE PURPLE RAIN
November 7, 2016 Media Contact: Savannah Whaley Pierson Grant Public Relations 954-776-1999 ext. 225 Jan Goodheart, Broward Center 954-765-5814 Let’s Go Crazy CLASSIC ALBUMS LIVE: PRINCE PURPLE RAIN ROCKS PARKER PLAYHOUSE FORT LAUDERDALE – Classic Albums Live: Prince Purple Rain features world-class musicians performing all the release’s hits including “When Doves Cry,” “Let’s Go Crazy” and “I Would Die 4 U” at Parker Playhouse on Saturday, November 19 at 8 p.m. Without gimmicks, the band plays one of the most exciting rock & roll albums ever recorded note for note, and cut for cut. In an appreciation published in 2014, Billboard magazine gave the late superstar’s blockbuster album a place in history stating, “When Purple Rain arrived 30 years ago on June 25, 1984, a few weeks had passed since Bruce Springsteen dropped Born In the USA. Five months later, Madonna would release Like a Virgin. Of those three monumental ’84 albums, only Purple Rain doesn’t suffer from dated production, and with its mix of sexy dance-pop and rugged all-American rock ‘n’ roll—not to mention funk, soul, psychedelia, and gospel balladry—it embodies a lot of what people loved about the other two…Purple Rain is that rare critical and commercial success that justifies every scrap of hyperbolic praise.” Tickets are $21–$38. Ticketmaster is the only official ticketing service of the Broward Center, Parker Playhouse and affiliated venues. Buy tickets online at www.BrowardCenter.org, www.ParkerPlayhouse.com, www.Ticketmaster.com; by phone at 954-462-0222; in person at Ticketmaster outlets or the Broward Center’s AutoNation Box Office. -
Repertoirelijst
Shetlandpad 13 2721 HM Zoetermeer [email protected] www.jewelste.nl 06 - 21886450 REPERTOIRELIJST Adventure of a lifetime Coldplay All of me John Legend All star Smash Mouth Alles is liefde Bløf Baby one more time Britney Spears Bend and break Keane Black Betty Ram Jam Blurred lines Robin Thicke Bohemian rhapsody Queen Breakfast in America Supertramp Bye bye love The Everly Brothers Cake by the ocean DNCE Can't buy me love The Beatles Chariot Gavin DeGraw Chelsea Dagger The Fratellis Counting Stars OneRepublic Dance with somebody Mando Diao Dani California Red Hot Chili Peppers Don't look back in anger Oasis Don't stop me now Queen Every little thing she does is magic The Police Everytime I think of you The Babys Firework Katy Perry Forever man Eric Clapton FourFiveSeconds Rihanna, Kanye West & Paul McCartney Geronimo Sheppard Get lucky Daft Punk Go your own way Fleetwood Mac Happy Pharrell Williams Here I go again Whitesnake Hey ya Outkast Highway to hell AC/DC I don't want to be Gavin DeGraw I follow rivers Lykke Li / Triggerfinger I saw her standing there The Beatles I want it all Queen I'm a believer The Monkees / Smash Mouth Shetlandpad 13 2721 HM Zoetermeer [email protected] www.jewelste.nl 06 - 21886450 In the shadows The Rasmus It's my life Bon Jovi Iedereen is van de wereld The Scene Jesus He knows me Genesis Jump Van Halen Land of confusion Genesis Locked out of heaven Bruno Mars Narcotic Liquido Papa was a rollin' stone The Temptations Rain down on me Kane Raspberry beret Prince Royals Lorde Ruby Kaiser Chiefs Sex on fire Kings of Leon Shut up and dance Walk the Moon Slow down Douwe Bob Smooth criminal Michael Jackson / Alien Ant Farm Somebody to love Queen Stitches Shawn Mendes Thinking out loud Ed Sheeran This is what it feels like Armin van Buuren Uptown Funk Mark Ronson ft. -
Prince Rogers Nelson
Prince Rogers Nelson By Elizabeth Ting, Hosam Alkhatib, Cody Komorouski, and Hannah Gibson Our Interests In We decided to create a presentation on Prince because has Prince left an absolutely incredible legacy behind in music. With the tragedy of his recent death, Prince has again been in the headlines and the impacts he made in music are being appreciated. Prince was a highly innovative pop, contemporary R&B, and rock artist, so we wanted to uncover the aspects of his music and style that made him such an influential artist. Prince, A Short Biography... The musical icon known as Prince was born on June 7, 1958 as Prince Rogers Nelson, in Minneapolis, Minnesota. Prince became interested in music at a young age, perhaps due to the fact that both of his parents were musicians. He taught himself to play the piano, guitar and the drums. After his parents split up when he was ten, he and his sister divided their time among their parents. Eventually Prince ran away, moving in with “The Anderson Family,” his next door neighbors. In high school Prince formed his band, known as Grand Central. Not until late in his musical career did Prince reveal that as a child he suffered from epilepsy, which he went on to claim was cured by an angel. Biography, cont…. In 1978 Prince signed with Warner Bros and released his first album, in which he played almost every instrument on. He would go on to make numerous albums, and in 1984 Prince would win an Academy Award for best original song score for his hit Purple Rain. -
Right Outside This Lazy Summer Home You Ain't Got Time to Call Your Soul a Critic No
Petra Daher’s Song List: Includes (in this order): Eyes of the World I Go To Sleep Watching the Cloths Go Round Concrete Jungle Helpless Wild Horses Take Me To The River Don’t it make my Brown eyes Blue DAY AFTER DAY MESSAGE OF LOVE THIN LINE BETWEEN LOVE AND HATE Yellow Moon Let's stay together Crazy Long Ride Home Stolen Car Tomorrow Night Don’t Give Up Take Me With U Raspberry Beret What I Am Graceland Walking in your Footsteps One World High Time Don’t Know Why Come Away With Me Don’t Pass Me By Golden Slumbers Let it Be Across the Universe Overpowered by Funk I’ll Fly away Ship of fools Six Months in a Leaky Boat New Soul Eyes of the World Right outside this lazy summer home You ain't got time to call your soul a critic no. Right outside the lazy gate of winter's summer home, Wond'rin' where the nut-thatch winters, Wings a mile long just carried the bird away. Wake up to find out that you are the eyes of the world, The heart has it's beaches, it's homeland and thoughts of it's own. Wake now, discover that you are the song that the mornin' brings, But the heart has it's seasons, it's evenin's and songs of it's own. There comes a redeemer, and he slowly too fades away, And there follows his wagon behind him that's loaded with clay. And the seeds that were silent all burst into bloom, and decay, And night comes so quiet, it's close on the heels of the day. -
“When Doves Cry” of One Crucial Ele- Him As One of the Most Infl Uential Pop Ment: a Bass Part
LISTENING GUIDE An appreciation of infl uential and current popular music that discusses and defi nes a song’s elements in real time. BY ROB KEMP HEAR THE MUSIC Listen to “Why Doves Cry” at musicalive.com/hear-the-music-october-2016 PRINCE’S URING A 38-YEAR CAREER that request of director Albert Magnoli to match the fi lm’s concluded with his death this past April, themes of parental drama and romantic struggle. And, Prince Rogers Nelson produced count- in a highly uncharacteristic decision for any pop song, “When less hits that have since established Prince stripped “When Doves Cry” of one crucial ele- him as one of the most infl uential pop ment: a bass part. Like many of his songs, each sound Dartists of our time. His 1984 album Purple Rain—the was recorded and produced by Prince himself, and Doves Cry” soundtrack to the fi lm by the same name—contained originally, a bass part was created for the track. But in several of his best-known hits, including the No. 1 lead a move that worked out in his favor, it ended up on the Avant-Garde Meets Pop single, “When Doves Cry.” The song was created at the cutting room fl oor. in the Biggest Hit of 1984 PHOTO: RICHARDPHOTO: AARON/REDFERNS E. 2:04 The second chorus repeats 0:00 4:53 An aggressive, heavily 0:18 0:56 the instrumentation of the 1:34 3:20 The syncopated kick distorted guitar solo A snare sound At the end of the fi rst. -
Dig If You Will the Picture
Barrelhouse Magazine Dig if You Will the Picture Writers Reflect on Prince First published by Barrelhouse Magazine in 2016. Copyright © Barrelhouse Magazine, 2016. All rights reserved. No part of this publication may be reproduced, stored, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise without written permission from the publisher. It is illegal to copy this book, post it to a website, or distribute it by any others means without permission. This book was professionally typeset on Reedsy. Find out more at reedsy.com Contents Prince Rogers Nelson v The Beautiful Ones 7 The Birthday Suit 9 Freak 13 When the Cicadas Were Out of Their Fucking Minds 16 Two Poems After Prince 19 Try to Imagine What Silence Looks Like 24 And This Brings Us Back to Pharoah 27 Chant for a New Poet Generation 29 Trickster 31 Let's Go Crazy 36 Seventeen in '84 39 Elegy 41 Could Have Sworn It Was Judgement Day 43 Prince Called Me Up Onstage at the Pontiac Silverdome 47 Backing Up 49 The King of Purple 54 What It Is 55 I Shall Grow Purple 59 Group Therapy: Writers Remember Prince 61 Anthem for Paisley Park 77 Liner Notes 78 Nothing Compares 2 U 83 3 Because They Was Purple 88 Reign 90 Contributors 91 About Barrelhouse 101 Barrelhouse Editors 103 Prince Rogers Nelson June 7, 1958 – April 21, 2016 (art by Shannon Wright) In this life, things are much harder than in the afterworld. In this life, you're on your own. v 1 The Beautiful Ones by Sheila Squillante We used to buy roasted chickens at the Grand Union after school and take them back to Jen’s house. -
Starr-Waterman American Popular Music Chapter 13: the 1980S: Digital Technology, MTV, and the Popular Mainstream Student Study Outline
Starr-Waterman American Popular Music Chapter 13: The 1980s: Digital Technology, MTV, and the Popular Mainstream Student Study Outline I. 1980s: recession in the record industry a. MTV: Music Television b. Corporate consolidation II. Digital Technology and Popular Music a. Analog recording b. Digital recording c. Synthesizers i. 1980s: completely digital synthesizers 1. Digital sampler 2. Digital sequencers 3. Drum machines III. The Pop Mainstream of the 1980s: Some Representative Hits a. “Lady,” written by Lionel Ritchie; performed by Kenny Rogers (released 1980) i. Kenny Rogers (b. 1938) ii. Lionel Ritchie (b. 1949) b. “What’s Love Got to Do With It,” written by Terry Britten and Graham Lye; performed by Tina Turner (released 1984) i. Tina Turner (b. 1939) c. “Sweet Dreams (Are Made of This),” written and performed by Eurythmics (released 1983) i. Eurythmics: consisted of a core of only two musicians: 1. Annie Lennox (b. 1954) 2. Dave Stewart (b. 1952) ii. Synth-pop d. “Jump,” written by Eddie Van Halen, Alex Van Halen, Michael Anthony, and David Lee Roth’ performed by Van Halen (released 1984) i. Van Halen IV. Box 13.1: “Sledgehammer,” written and performed by Peter Gabriel (released 1986) i. Peter Gabriel (b. 1950) ii. Success in part due to massive exposure on MTV—video was eye-catching, witty, technically innovative work that pushed the frontiers of the medium V. A Tale of Three Albums a. Thriller (Michael Jackson, 1982) i. Michael Jackson (19 8 2009) b. Born in the U.S.A. (Bruce Springsteen, 1984) i. Bruce Springsteen (b. 1949) c. Graceland (Paul Simon, 1986) i.