Prince Rogers Nelson
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The Van Trump Report 5-22-20 8/10/20, 9:58 AM
Farm Direction Mail - GOOD MORNING: The Van Trump Report 5-22-20 8/10/20, 9:58 AM Jordan Van Trump <[email protected]> GOOD MORNING: The Van Trump Report 5-22-20 1 message The Van Trump Report <[email protected]> Fri, May 22, 2020 at 5:30 AM Reply-To: Jordan <reply-febf117670670d79-1180_HTML-40325470-100003450-9@vantrumpreport-email.com> To: [email protected] “In the end these things matter most: How well did you love? How fully did you live? How deeply did you let go?” ― Jack Kornfield Friday, May 22, 2020 Printable Copy or Audio Version Morning Summary: Investors could become a bit uncertain into the extended Memorial Day weekend as China moves to tighten its grip on Hong Kong reigniting concerns over trade tensions and mass protests. Here at home, the number of unemployed Americans surpasses +38 million yet the Nasdaq is in positive territory for the year. Bulls continue to argue that as each day passes we are one step closer to treatment and a vaccine. At the same time, central banks around the world are offering up even greater economic stimulus. The most recent Fed "minutes" and rhetoric suggest even more QE will be coming in the days and weeks ahead. Most inside the trade suspect money will remain cheap with interest rates near record lows for the next couple of years. Oil prices have gone from being a serious headwind to more of a tailwind as they rally to levels not seen in a couple of months. The sharp supply cuts and improving demand is helping the overall crude oil landscape. -
Guidance on the Use of Royal Arms, Names and Images
GUIDANCE ON THE USE OF ROYAL ARMS, NAMES AND IMAGES 1 The following booklet summarises the legal position governing the use, for commercial purposes, of the Royal Arms, Royal Devices, Emblems and Titles and of photographs, portraits, engravings, effigies and busts of The Queen and Members of the Royal Family. Guidance on advertising in which reference is made to a Member of the Royal Family, and on the use of images of Members of the Royal Family on articles for sale, is also provided. The Lord Chamberlain’s Office will be pleased to provide guidance when it is unclear as to whether the use of “Arms” etc., may give the impression that there is a Royal connection. 2 TRADE MARKS Section 4 (1) of the Trade Marks Act 1994 states: “A trade mark which consists of or contains – (a) the Royal arms, or any of the principal armorial bearings of the Royal arms, or any insignia or device so nearly resembling the Royal arms or any such armorial bearing as to be likely to be mistaken for them or it, (b) a representation of the Royal crown or any of the Royal flags, (c) a representation of Her Majesty or any Member of the Royal Family, or any colourable imitation thereof, or (d) words, letters or devices likely to lead persons to think that the applicant either has or recently has had Royal patronage or authorisation, shall not be registered unless it appears to the registrar that consent has been given by or on behalf of Her Majesty or, as the case may be, the relevant Member of the Royal Family.” The Lord Chamberlain's Office is empowered to grant the consent referred to in Section 4(1) on behalf of Her Majesty The Queen. -
Purple Passion and the Press: an Analysis of Front Page Coverage in Selected U.S
Purple Passion and the Press: An analysis of front page coverage in selected U.S. dailies of the death of Prince Rogers Nelson Ernest L. Wiggins University of South Carolina School of Journalism and Mass Communications Popular Culture in the South & American Culture in the South Nashville, Tennessee Oct. 13-15, 2016 The sudden death of Prince Rogers Nelson on April 21 inspired American newspapers to create front pages that not only marked the musician’s cultural significance as an innovative songwriter and performer but reflected his unique style and sensibility. For this paper, I analyzed the display of news stories announcing his death on the front pages of a dozen U.S. daily newspapers for April 22 and found an abundance of purple, the performer’s signature color, in both graphic presentation and in prose and other treatment that reflected the diminutive musician’s outsized persona. When Prince died on April 21 at the age of 57, the media used language like “legendary,” “iconic,” “innovative,” “genius,” “controversial,” and “prolific” to describe the performer.* His career, which spanned the 40 years from 1976 to 2016, was marked by high productivity (39 releases and nearly yearly national and international touring), fierce creative independence (he waged war against Warner Bros. and other industry giants for control of his music), genre-busting (his songs incorporated R&B, rock, electronica, dance music, jazz and pop) and gender-bending (he presented a highly sexualized, androgynous public persona). At 57, Prince was a familiar and enormously popular part of the musical history of the Baby Boomer generation – many of whom were writing, editing and designing newspapers across the country. -
Prince (From the 1984 Album PURPLE RAIN) Transcribed by Isaias Garcia Words and Music by Prince (Texasfury( Arranged by Prince
WHEN DOVES CRY As recorded by Prince (From the 1984 Album PURPLE RAIN) Transcribed by Isaias Garcia Words and Music by Prince (TexasFury( Arranged by Prince A Intro = 125 P 8va VfV fV 1 V V V V V V V } } g 4 j 3 V V } V V V V U V j I g 4 3 V } V V 3 3 } } } Gtr I 1/2 P.M. 14 M (14) (14) T 12 15 13 12 13 12 12 x O (x) 0 0 14 14 12 Gx (x) x A 14 12 Kx B 14 K x x x H P P P sl. sl. 3 3 5 g V V V V V V V V V I g V V V V V V V V V V V V V 3 3 3 T 7 0 0 10 0 0 5 7 5 5 5 7 0 0 0 0 5 7 0 4 4 4 A freely B V 3 6 g V V V V V V V V V V V V I g V l V fV V V V 3 3 3 7 0 0 T 0 5 7 5 5 5 7 5 5 7 5 A 7 5 0 5 0 B H H H P H P 7 g c I g V V V V } j j j j j k V V V V V V V 1/4 1/4 1/4 1/4 1/4 1/4 1/4 [[ M M M M M M M T 4 A x B 12 12 5 5 5 5 5 sl. -
Track 1 Juke Box Jury
CD1: 1959-1965 CD4: 1971-1977 Track 1 Juke Box Jury Tracks 1-6 Mary, Queen Of Scots Track 2 Beat Girl Track 7 The Persuaders Track 3 Never Let Go Track 8 They Might Be Giants Track 4 Beat for Beatniks Track 9 Alice’s Adventures In Wonderland Track 5 The Girl With The Sun In Her Hair Tracks 10-11 The Man With The Golden Gun Track 6 Dr. No Track 12 The Dove Track 7 From Russia With Love Track 13 The Tamarind Seed Tracks 8-9 Goldfinger Track 14 Love Among The Ruins Tracks 10-17 Zulu Tracks 15-19 Robin And Marian Track 18 Séance On A Wet Afternoon Track 20 King Kong Tracks 19-20 Thunderball Track 21 Eleanor And Franklin Track 21 The Ipcress File Track 22 The Deep Track 22 The Knack... And How To Get It CD5: 1978-1983 CD2: 1965-1969 Track 1 The Betsy Track 1 King Rat Tracks 2-3 Moonraker Track 2 Mister Moses Track 4 The Black Hole Track 3 Born Free Track 5 Hanover Street Track 4 The Wrong Box Track 6 The Corn Is Green Track 5 The Chase Tracks 7-12 Raise The Titanic Track 6 The Quiller Memorandum Track 13 Somewhere In Time Track 7-8 You Only Live Twice Track 14 Body Heat Tracks 9-14 The Lion In Winter Track 15 Frances Track 15 Deadfall Track 16 Hammett Tracks 16-17 On Her Majesty’s Secret Service Tracks 17-18 Octopussy CD3: 1969-1971 CD6: 1983-2001 Track 1 Midnight Cowboy Track 1 High Road To China Track 2 The Appointment Track 2 The Cotton Club Tracks 3-9 The Last Valley Track 3 Until September Track 10 Monte Walsh Track 4 A View To A Kill Tracks 11-12 Diamonds Are Forever Track 5 Out Of Africa Tracks 13-21 Walkabout Track 6 My Sister’s Keeper -
Lsnv's Pro Bono Handbook
LSNV’S PRO BONO HANDBOOK Help Close the Justice Gap, Unleash the Power of Pro Bono. LSNV and Volunteers Volunteers play an important role at Legal Services of Northern Virginia. LSNV has limited resources and we often rely on the generous donation of time and effort by members of the community, both attorney and non-attorney alike. Volunteer resources are used to support existing case work and allow us to expand and to help those who would otherwise be turned away due to capacity limitations. Jennifer Fulmer [email protected] TABLE OF CONTENTS LSNV and the Justice Gap .......................................................................................................................................... 2 Becoming a Pro Bono Attorney with LSNV .............................................................................................................. 3 Pro Bono Case Referral Program............................................................................................................................... 4 Questions? .................................................................................................................................................................... 9 Ten Facts About Virginia’s Justice Gap .................................................................................................................. 10 “EQUAL JUSTICE UNDER THE LAW IS NOT MERELY A CAPTION ON THE FACE OF THE SUPREME COURT BUILDING. IT IS PERHAPS THE MOST INSPIRING IDEAL OF OUR SOCIETY…IT IS FUNDAMENTAL THAT JUSTICE SHOULD BE THE SAME, -
Julien's Auctions Announces Property from the Life And
For Immediate Release JULIEN’S AUCTIONS ANNOUNCES PROPERTY FROM THE LIFE AND CAREER OF PRINCE Music Legend’s Iconic Wardrobe, Guitars, Memorabilia and More to Rock the Auction Stage at Hard Rock Cafe New York FRIDAY, MAY 18, 2018 Los Angeles, California – (February 5, 2018) –Coming off another record breaking season that witnessed achieving the world record for a guitar played by Prince sold at auction ($700,000), Julien’s Auctions has announced — PROPERTY FROM THE LIFE AND CAREER OF PRINCE. Julien’s will pay tribute to one of the greatest music legends of all time in this exclusive presentation of the titanic seven-time, Grammy-winning singer/songwriter’s personal collection of signature wardrobe, guitars, memorabilia and more items related to his iconography as part of their two day MUSIC ICONS auction taking place on May 18 with Prince and historical items by other music legends (to be announced later) on May 19 live in New York at the Hard Rock Cafe and online. (photo top left: Prince’s Schecter "White Cloud" electric guitar, bottom left: Under the Cherry Moon ensemble and bottom right: red jumpsuit) Born Prince Rogers Nelson in 1958 in Minneapolis, Minnesota and known around the world by his first name and later only a symbol, the one and only Prince’s music career and extraordinary, unique gifts as a recording artist have immortalized him into the ranks of Elvis Presley, Michael Jackson, Madonna and The Beatles as one of pop music’s greatest icons. A musical prodigy and multi-instrumentalist by his early teens, an 18-year-old Prince signed his first record deal with Warner Bros. -
Marie Antoinette
Louis XVII - CHILD PRISONER 0. Louis XVII - CHILD PRISONER - Story Preface 1. A ROYAL CHILDHOOD 2. THE YOUNG ANTOINETTE 3. WEDDING at the PALACE of VERSAILLES 4. DEATH of LOUIS XV 5. A GROWING RESENTMENT 6. CHILDREN of MARIE ANTOINETTE 7. THE DIAMOND NECKLACE AFFAIR 8. THE FRENCH REVOLUTION 9. EXECUTION of LOUIS XVI 10. THE GUILLOTINE 11. TRIAL of MARIE ANTOINETTE 12. MARIE ANTOINETTE and the GUILLOTINE 13. Louis XVII - CHILD PRISONER 14. DNA EVIDENCE and LOUIS XVII Jean-Louis Prieur (1759-1795) created this illustration of Louis-Charles, the French Dauphin, depicting his treatment in prison. The title of this 1794 work is: Simon le cordonnier et Louis XVII au Temple (“Simon the Shoemaker and Louis XVII at the Temple”). Once his father was executed, royalists referred to the Dauphin as King Louis XVII. The illustration is maintained at the BnF and is online via Gallica (the BnF’s digitized gallery). Louis-Charles, the orphaned son of a king and—to royalists—a king (Louis XVII) himself, would have been better off had his captors simply killed him. Instead, he endured unimaginable conditions in Temple prison, existing in a room above his sister. When first imprisoned, he was a bright, good-looking child: ...his blue eyes, aquiline nose, elevated nostrils, well-defined mouth, pouting lips, chestnut hair parted in the middle and falling in thick curls on his shoulders, resembled his mother before her years of tears and torture. All the beauty of his race, by both descents, seemed to reappear in him. (Campan, Memoirs of Marie Antoinette, Supplement to Chapter IX - scroll down 60%.) An acquaintance of Robespierre, Antoine Simon (often called "Simon the shoemaker"), was charged with caring for the young prince. -
`` `` Le Testament De M. Le Prince Mit Un Feu Dans Sa Famille
“ “ Le testament de M. Le prince mit un feu dans sa famille ”, Brouilles, procès et tentatives de conciliation autour de la succession d’Henri-Jules de Bourbon-Condé (1709-1727) ”, Aurélie Chatenet-Calyste To cite this version: Aurélie Chatenet-Calyste. “ “ Le testament de M. Le prince mit un feu dans sa famille ”, Brouilles, procès et tentatives de conciliation autour de la succession d’Henri-Jules de Bourbon-Condé (1709- 1727) ”,. Jérôme VIRET (dir.), Le gouvernement domestique, actes du colloque du 28 avril 2017, Presses Historiques de l’Est, Metz, 2018., 2018. hal-01958788 HAL Id: hal-01958788 https://hal.archives-ouvertes.fr/hal-01958788 Submitted on 18 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. « Le testament de M. le Prince mit un feu dans sa famille », Brouilles, procès et tentatives de conciliation autour de la succession d’Henri-Jules de Bourbon-Condé (1709-1727) Aurélie Chatenet-Calyste, Université de Lorraine, Metz, CRULH, EA 345 Version avant publication « Le testament de M. le Prince mit un feu dans sa famille »1, c’est par cette formule qu’en avril 1709 le marquis de Dangeau débute la relation des conflits qui ont secoué la famille de Bourbon après la mort d’Henri-Jules de Bourbon, prince de Condé. -
MTO 23.3: De Clercq, Embracing Ambiguity in Pop/Rock Form
Embracing Ambiguity in the Analysis of Form in Pop/Rock Music, 1982–1991 Trevor de Clercq KEYWORDS: Form, popular music, rock music, verse, chorus, bridge ABSTRACT: A central concern for theories of form in pop/rock music is the division of a song into sections and, consequently, the categorization of these sections according to a standard set of section labels. Psychological research on categorization shows that it is inherently a perceptual process, one that involves graded membership and fuzzy boundaries. Thus in contrast to prior theorists, who often a2empt to minimi/e ambiguity in the analysis of form in pop/rock music, I confront ambiguity directly, organi/ing and describing many of the common types encountered. I focus e4clusively on the time period 198 –1991, 1hen verse5chorus form can be considered to have achieved 1idespread currency. After providing an illustrative e4emplar, I discuss three types of ambiguity common to this decade, each based on the main section role involved: 16 verse ambiguity, 1hich typically derives from 1eak section di7erentiation8 6 chorus ambiguity, 1hich usually involves a blend of more than one section role8 and 36 bridge ambiguity, 1hich often results from di7erent hierarchical meanings of the bridge label. Received December 2016 :olume 23, Number 3, September 2017 Copyright © 2017 Society for Music Theory Introduction ?1.1] ,he analysis of form in pop/rock music traditionally involves partitioning a song into various discrete sections, such as verse, chorus, and bridge. Perhaps unsurprisingly, this process is not al1ays straightfor1ard, since t1o di7erent analysts sometimes provide t1o di7erent interpretations of the same song. -
Counterclaims and Disputes WG Meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM)
PUBCD07-1264 CISAC/ICMP/IMPA Working Groups Montreal, 13/11/2007-15/11/2007 Source language: English 06/12/2007 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Anders ZETTERLUND (STIM) Status: Counterclaims and Disputes working group (Brussels, 11/06/2008 - 12/06/2008) (PUBCD08-2698) Date: 11/06/2008 1/8 Minutes : Counterclaims and Disputes WG meeting (Montreal, 15/11/2007) Present: Fabio Geovane, ABRAMUS [email protected] Mairy Beam, ASCAP [email protected] Michael Tortora, BMI [email protected] Warren Adler, Harry Fox Agency [email protected] Alan Balchin, MCPS-PRS [email protected] Bart De Bock, SABAM [email protected] Oliver le Covec, SACEM [email protected] Christine Tarquinio, SESAC [email protected] Sheila Tozak, SOCAN [email protected] Guylaine Theroux, SODRAC [email protected] Joël Martin, SODRAC [email protected] Jean-Philippe Prince, SODRAC [email protected] Brigitte Küng, SUISA [email protected] Anders Zetterlund, Stim (chair) [email protected] Gustavo Gonzalez, UBC [email protected] Sylvain Piat, CISAC [email protected] Ron Porter, CMRRA [email protected] Audrey J Ashby, EMI [email protected] Ron Cabiltes, EMI [email protected] Richard Thompson, Kobalt/ICMP [email protected] Kevin O’Byrne, Sony/ATV [email protected] Sabine Sachar, Sony/ATV [email protected] Dee Hale, Sony/ATV [email protected] Mike Donegan, Universal [email protected] Fred Buhrs, Universal [email protected] Jeremy Blietz, WCM (co-chair) [email protected] Bobby Robertson, WCM [email protected] ••••• Action items from this meeting # What Who When 1 Letter of recommendation for big societies JB, SC (KOB) January (send to AZ and SP) 2 Communication to these societies AZ, SP February (“good example”) 3 Questionnaire to all societies AZ, SP March 1 - Opening of the meeting and miscellaneous announcements Jeremy Blietz acted as co-chair in this meeting. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You)