Curriculum Vitae PERSONAL INFORMATION Family Name, First Name: Hopkins, Andrew James Nationality: Australian/Italian Date Of

Curriculum vitae PERSONAL INFORMATION Family name, First name: Hopkins, Andrew James Nationality: Australian/Italian Date of birth: 26/09/1965 URL for web site: http://www.univaq.it/rubrica.php?id=650&docente=on http://univaq.academia.edu/AndrewHopkins

· EDUCATION 1995 PhD Courtauld Institute of Art, University of London, UK, 1995 1989 Bachelor of Arts, Fine Arts, University of Melbourne, Australia, 1989

· CURRENT POSITION 2004–present Tenured Associate Professor (Professore Associato) University of l’Aquila, Italy (with ‘Abilitazione Scientifico Nazionale’ for Full Professor 2014)

· PREVIOUS POSITIONS 2003 – 2004 Fellow, Harvard University, Villa I Tatti Florence, Italy 2002 – 2003 Editor, The Burlington Magazine, London, UK 1998 – 2002 Assistant Director, The British School at Rome, Italy (on secondment) 1995 – 2002 Lecturer in Architectural History, Mackintosh School of Architecture, Glasgow, UK

· FELLOWSHIPS AND AWARDS 2014 – St John’s College, Cambridge, UK, Overseas Visiting Scholar, Lent and Easter Terms 2013 – Getty Research Institute, Los Angeles, USA, Visiting Scholar 2012 – DAAD Deutscher Akademischer Austauschdienst, Research Fellow, Munich, Germany 2009 – Paul Mellon Senior Visiting Fellow, Center for Advanced Studies in the Visual Arts, National Gallery of Art, Washington D.C., USA 2004 – Visiting professor: University of Rome Tor Vergata, Italy 2003 – 2004 Harvard University, Villa I Tatti, Florence, Italy, Fellow 1996 – Society of Architectural Historians of Great Britain, Essay Medal 1996 – Royal Institute of British Architects research award 1993 – 1995 Harold Hyam Wingate Foundation Scholarship 1994 – The British School at Rome grant in aid of research 1993 – 1994 Gladys Krieble Delmas Foundation research award 1992 – 1995 Universities UK (then Committee of Vice Chancellors and Principals) overseas research students awards scheme for PhD

· SUPERVISION OF GRADUATE STUDENTS AND POSTDOCTORAL FELLOWS 2004–present 35 Graduate Students, Dipartimento di Scienze Umane, University of L’Aquila

· TEACHING ACTIVITIES 2004–present Associate Professor, Architectural History, University of L’Aquila, Italy 1995 – 2002 Lecturer, Architectural History, Mackintosh School of Architecture, Glasgow, UK

· ORGANISATION OF SCIENTIFIC MEETINGS 2013 Conference panel chair, Dominant and Subject Cities in Italian Regions, Renaissance Society of America, annual meeting, San Diego, USA, 4 April 2013 2008 I luoghi e la musica, joint conference chair, University of L’Aquila, Italy, 28-29 October 2008 2007 Conference panel chair, Il sacro bosco di Bomarzo, Palazzo Orsini, Bomarzo, Italy, 13-15 September 2007 2004 Music, ritual and liturgy at San Marco, Venice, joint conference chair, Villa I Tatti,

Florence, Italy, 29 April 2004 2002 Architettura come tecnologia: acque, tecniche e cantieri nell’architettura rinascimentale e barocca, joint conference chair, University Tor Vergata Rome – The British School at Rome, 21–23 March 2002 2001 Roman Bodies, conference chair, The American Academy in Rome – The British School at Rome, 29–31 March 2001 2000 Fra Giovanni Giocondo, convenor of study day, The British School at Rome, 30 March 2000 1999 Lutyens Abroad, joint conference chair, The British School at Rome, 1–2 October 1999 1999 Responding to the Antique, joint chair, The American Academy in Rome – The British School at Rome, joint lecture series, January–June 1999

· INSTITUTIONAL RESPONSIBILITIES 2012–present Director, Masters Course in Cultural Patrimony (Beni Culturali), University of L’Aquila, Italy 2008 – 2012 Director, Degree Course in Conservation, University of L’Aquila, Italy 1998 – 2002 Assistant Director, British School at Rome, Italy 1996 – 1998 Research Committee, Glasgow School of Art, Glasgow, UK

· COMMISSIONS OF TRUST 2013 – VQR (Italian equivalent of UK REF), Italian Ministry of Education, Referee 2009–present Editorial Board, Journal of Art Historiography, UK, ISSN 2042-4752 2002 – 2003 Editor, The Burlington Magazine, London, UK 1998–present External reader for Cambridge and Yale University Presses, Ashgate, Papers of the British School of Rome 1994 – 1995 Committee member, 20th century buildings advisory board, National Trust of Australia, Melbourne division

· MEMBERSHIPS OF SCIENTIFIC SOCIETIES 2003–present Research Fellow, British School of Rome 1995–present Society of Architectural Historians (UK) member 1995–present Society of Architectural Historians (USA) life member

· MAJOR COLLABORATIONS 2006–14: with Daniela del Pesco, University of L’Aquila, The cities of the seventeenth–century in Europe, published as La città del Seicento, Laterza Editore, Rome, 2014 (978-88-581-1020-1) 2004–10: with Arnold Witte, University of Amsterdam, translation of Alois Riegl, The Origins of Baroque Art in Rome (a translation and commentary of Die Entstehung der Barockkunst in Rom, Schroll, Vienna, 1908), published by the Getty Research Center, Los Angeles, 2010 (978-16-060- 6054-4) 2000–2002: with Gavin Stamp, The work of Sir Edwin Lutyens outside the British isles: published as Lutyens Abroad: the work of Sir Edwin Lutyens outside the British isles, The British School at Rome, London, 2002 (978-09-041-5237-1) 2001–02: with Claudia Conforti, Architecture and Technology in Early Modern Europe with particular reference to water and building sites, University Tor Vergata Rome – The British School at Rome 1999–2001: with the Centro Internazionale di Studi di Architettura “Andrea Palladio”, Vicenza: The treatise of Viola Zanini 1629, published as Della architettura di Gioseffe Viola Zanini: con la mappa di Padova del 1599 (facsimile of the Paduan 1629 first edition), Centro Internazionale di Studi di Architettura “Andrea Palladio”, Vicenza, 2001 (978-88-841-8003-2) 1998–99: Responding to the Antique, The American Academy in Rome – The British School at Rome

· PUBLICATIONS

Books: 1 Vincenzo Scamozzi (1548–1616): intellectual architect, Yale University Press, forthcoming 2017. 2 With Daniela del Pesco, La città del Seicento, Laterza Editore, Rome, 2014 (978-88-581-1020-1). 3 The Sacred Spaces of San Marco, Venice, Umberto Allemandi, Turin, forthcoming 2015. 4 Baldassare Longhena and the Venetian Baroque (revised edition in English), Yale University Press, London, 2012 (978-03-001-8109-8). Reviewed: Marcus Binney, ‘The monumental oeuvre of the greatest Venetian-born architect’, The Times 29 September 2012. Theodore Rabb, The Art Newspaper 242 (January 2013): 45–50. T.K. Kitao, Choice 50/05 (January 2013): 865. Deborah Howard, Society of Architectural Historians of Great Britain Newsletter 109 (2013): 15–16. Daniel McReynolds, Journal of the Society of Architectural Historians 72/3 (2013): 416–17. Ulrich Fürst, ‘Ende der sfortuna critica: Baldassare Longhena als Protagonist barocker Architektur’, Kunstchronik 66/11 (2013): 517–23. 5 Baldassare Longhena, Electa Editrice, Milan, 2006 (978-88-435-9703-1). Reviewed: Casabella 749 (2006): 9; Il Sole 24 Ore 333 (10 December 2006): 40. 6 Italian architecture from Michelangelo to Borromini, Thames and Hudson, London, 2002 (978- 05-002-0361-3). Reviewed: The Independent (2002); Casabella 704 (2002): 89. Times Literary Supplement 5207 (28 February 2003): 22; Golo Maurer, Kunstform 4 (2003): 12; Bronwen Brown, Reference Reviews 17/5 (2003): 52–53. 7 Santa Maria della Salute: Architecture and Ceremony in Baroque Venice, Cambridge University Press, Cambridge, 2000 (978-05-216-5246-9). Reviewed: Daniela del Pesco, L’Indice dei libri del mese 17/9 (September 2000): 24; Casabella 683 (2000): 84. Diane Gisolfi, Renaissance Quarterly 54 (2001): 949–52; Elisabetta Molteni, Journal of the Society of Architectural Historians 60 (2001): 359–61; Christoph Jobst, Journal für Kunstgeschichte 5 (2001): 216–23; Yves Pauwels, Revue de l’Art 131 (2001): 73–74; Sabrina DeTurk, The sixteenth century journal 32 (2001): 818–19; Martina Frank, Kunstchronik 55 (2002): 184–89; David Hemsoll, The Burlington Magazine 144 (2002): 30–31; Andrea Guerra, Annali di Architettura 14 (2002): 287– 89.

Edited volumes: 1 Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, with essays by Andrew Hopkins, Alina Payne and Arnold Witte (a translation and commentary of Die Entstehung der Barockkunst in Rom, Schroll, Vienna, 1908), Getty Research Center, Los Angeles, 2010 (978-16-060-6054-4). Reviewed: Itay Sapir, Renaissance Quarterly 64/3 (2011): 915–16; Gregory Davies, Renaissance and Reformation 34/1–2 (2011): 296–98. Leonard Ashley, Bibliotheque d’Humanisme et Renaissance 74 (2012): 158. Ute Engel, ‘Riegl on the Baroque’, Journal of art historiography 7 (2012). Jointly with Maria Wyke, Roman Bodies: antiquity to the eighteenth century, The British School at Rome, London, 2005 (ISBN 978-09- 041-5244-9). Reviewed: Sergio Bertelli, Archivio Storico Italiano 165/611 (2007): 155–57. Claire Pilsworth, Early Medieval Europe 15 (2007): 117–18. 2 Jointly with Claudia Conforti, Architettura come tecnologia: acque, tecniche e cantieri nell’architettura rinascimentale e barocca, Nuova Argos, Rome, 2002 (978-88-886-9301-9). Reviewed: Casabella 709 (2003): 95. 3 Jointly with Gavin Stamp, Lutyens Abroad: the work of Sir Edwin Lutyens outside the British isles, The British School at Rome, London, 2002 (978-09-041-5237-1). Reviewed: Casabella 700 (2002): 88; Times Literary Supplement (21 June 2002): 21; Op.cit., Anthony Symondson, Catholic Herald (5 July 2002): 11. 4 Editor, Della architettura di Gioseffe Viola Zanini: con la mappa di Padova del 1599 (facsimile of the Paduan 1629 first edition), Centro Internazionale di Studi di Architettura “Andrea Palladio”, Vicenza, 2001 (978-88-841-8003-2).

Chapters, papers, articles, entries: 1 ‘Votive churches and reliquary chapels’, in Richard Etlin ed., The Cambridge World History of Religious Architecture, Cambridge University Press, Cambridge, forthcoming 2016 (978-05-218- 3417-9). 3

2 ‘Taking the sting out of the Baroque: Wittkower 1958’, in Andrew Leach et al eds, The Baroque in Architectural Culture 1880–1980, Ashgate, Farnham–Burlington, 2015. 3 ‘Heinrich Wölfflin’s Annotated Books’, Getty Research Journal 17 (2015): 177–184 (ISSN 1944-8740). 4 ‘Palladio and Scamozzi drawings in England’, The Burlington Magazine, forthcoming 2014–15 (ISSN 0007-6287, ISI 00800J0). 5 ‘The Potential of Prints in Patronage: Giovanni Pesaro and other Venetian patricians at S. Maria della Salute’, in Eckhard Leuschner and Sabine Frommel eds, Architektur–und Ornamentgraphik der Frühen Neuzeit: Migrationsprozesse in Europa (exh. cat. Forschungsbibliothek Gotha) Campisano, Rome, 2014, 67–75 (978-88-98229-22-2). 6 ‘Longhena, Lapislazzuli, and the Pozzo brothers’, in Mario Bevilacqua et al eds, Studi in onore di Marcello Fagiolo, 2 vols, Gangemi, Rome, 2014, I, 240–43 (978-88-492-2914-1). 7 ‘Sights and Sighs in the Serenissima c. 1610: Built Architecture and Its Depiction’, in Deborah Howard and Henrietta McBurney Ryan eds, The image of Venice: Fialetti’s view and Sir Henry Wotton, Holberton, London, 2014, 82–99 (978-1-907372-48-3). Reviewed in The Tatler (September 2014): 128. 8 ‘Translatio Longhena Salute: drawings and patrons in pilgrimage between Venice, Rome and Gostyn’, in Nebehat Avcioglu, Victoria Avery, Emma Jones eds, Art and Identity in Venice and its Territories 1450-1750, 2 vols, Ashgate, Aldershot, 2013, I, 87–101 (978-1-4724-1082-5). 9 ‘Momenti critici agli Scalzi: i primi tre disegni architettonici’, in Martina Frank ed., La chiesa di Santa Maria di Nazareth e la spiritualità dei Carmelitani Scalzi a Venezia (conference proceedings), Marcianum, Venice, 2013, 65–74 (978-88-6512-225-9). 10 ‘Bedeutender Wiederentdeckung in Los Angeles: Wölfflins annotierte Werke’, in Kunstchronik, 66/12 (2013): 570–78 (ISSN 0023-5474). 11 ‘Giving away ones children: Baldassare Longhena and a drawing for Borromini’, in Louis Waldman and Machtelt Israëls eds, Renaissance Studies in Honor of Joseph Connors, 2 vols, Officina Libraria, Milan, 2013, I, 623–28 (978-88-9773-705-6). 12 ‘Symbol of Venice: the doge in ritual’, in Samuel Cohn, Marcello Fantoni, Franco Franceschi and Fabrizio Ricciardelli eds, Survivals and Renewals. Ritual in Late Medieval and Early Modern Italian Cities, Brepols, Turnhout, 2013, 227–39 (978-2-503-54190-7). 13 ‘Sulle spalle di Elena Bassi: Longhena studies 1950-2010’, in Martina Frank ed., Da Longhena a Selva: un’idea di Venezia a dieci anni dalla scomparsa di Elena Bassi, Archetipolibri, Bologna, 2011, 13–28 (978-88-663-3028-8). 14 ‘Riegl Renaissances’, in Alois Riegl, The Origins of Baroque Art in Rome, edited and translated by Andrew Hopkins and Arnold Witte, Getty Research Center, Los Angeles, 2010, 60–86 (978- 16-060-6054-4). 15 ‘Architecture and Music in Early Modern Italy: ten years of research’, in Fabrizio Pezzopane ed., I luoghi e la musica (conference acts, L’Aquila, l’Università degli Studi, 28–29 October), ISMEZ, Rome, 2009, 29–33 (978-88-967-5055-5). 16 ‘Spazi sacri a San Marco, Venezia: architettura, arredo, cerimonia e apparati effimeri’, In Marcello Fantoni and Fabrizio Ricciardelli eds, I luoghi del Sacro (conference proceedings, Villa Le Balze, Georgetown University, Florence, June 2006), Pagliai Editore, Florence, 2008, 83–90 (978-88-564-0039-7; ISSN 1123-2463). 17 ‘L’architettura sacra al tempo di Santa Maria della Salute’, In Franco Barbieri and Augusto Roca De Amicis eds., Il Seicento (Architettura del Veneto, 5), Marsilio editore, Venice, 2008, 56–81 (978-88-317-9441-1). 18 ‘L’esperienza di Giuseppe Pozzo agli Scalzi di Venezia’, In Francesco Suomela ed., L’album dei disegni di Giuseppe Pozzo (Beni artistici e storici del trentino 14), Trent, 2008, 36–49 (978-88- 7702-218-9). 19 ‘Sant’Andrea al Quirinale’, in Cristina Strunck ed., Rom: Meisterwerke der Baukunst von der Antike bis heute: Festgabe für Elisabeth Kieven, Imhof, Petersburg, 2007, 403–08 (978-38-656- 8186-7). 20 ‘Ceremony, Singing and Seating in San Giorgio Maggiore’, In Deborah Howard and Laura Moretti eds, Architettura e musica nella Venezia del Rinascimento (conference proceedings, Fondazione Cini, Venezia, September 2005) Bruno Mondadori, Milan, 2006, 147–59 (88-424- 9892-0). 4

21 ‘Venezia festiva: ephemeral ornament in the service of spectacle’, in Martin Gaier, Bernd Nicolai, Tristan Weddigen eds, Der Unbestechliche Blick: Festschrift zu Ehren von Wolfgang Wolters, Porta Alba, Trier, 2005, 315–18 (3-933701-19-8). 22 ‘La villa nel Seicento: scenografia e diletto’, in Guido Beltramini and Howard Burns eds, Andrea Palladio e la villa veneta da Petrarca a Carlo Scarpa (exh. Cat., Museo Palladio, Vicenza) Marsilio, Venice, 2005, 117–23 (88-317-8640-7). 23 ‘Combating the plague: devotional paintings, architectural programs and votive processions in early modern Venice’, In Gauvin Bailey et al eds, Hope and healing: painting in Italy in a time of plague (exh. cat., Worcester Art Museum, Worcester, Ma.), Chicago University Press, Chicago, 2005, 137–52 (0-936042-05-2). 24 With Maria Wyke, ‘The Body of Rome: Introduction’, in Andrew Hopkins and Maria Wyke eds., Roman Bodies: antiquity to the eighteenth century, The British School at Rome, London, 2005, 1–9 (0-904152-44-8). 25 ‘Nel nome del padre: due lettere giovanili di Longhena’, Arte Veneta, 62, 2005, 165–67 (ISSN 0392-5234). 26 ‘Baldassare Longhena’, Dizionario Biografico degli Italiani, 65, Rome, 2005, 624–31 (978-88- 120-0032-6). 27 ‘Melchisedech Longhena’, Dizionario Biografico degli Italiani, 65, Rome, 2005, 633–35 (978- 88-120-0032-6). 28 ‘Layers of sacred space in Saint Mark’s, Venice: architecture, arredo, ceremony and ephemera’, in Aleksej Lidov ed., Ierotopija: issledovanie sakral’nych prostranstv, Radunica, Moskva, 2004, 101–03 (5-88123-061-2). 29 ‘Venezia e il suo dominio’, in Il Seicento (Storia della Architettura Italiana), Aurora Scotti ed., 2 vols., Electa, Milan, 2003, II, 400–27 (88-435-7415-9). 30 ‘Vincenzo Scamozzi e Baldassarre Longhena’, in Franco Barbieri and Guido Beltramini eds, Vincenzo Scamozzi 1548-1616 (exh. cat., Museo Palladio, Vicenza) Marsilio, Venice, 2003, 120– 27, 202–20, 260–61, 285–88, 469–70 (88-317-8345-9). 31 ‘Vitruvius and Scamozzi’, in Gianluigi Ciotta ed., Vitruvio nella cultura architettonica antica, medievale e moderna (conference proceedings, Genoa, October 2001), De Ferrari, Genova, 2003, 514–19 (88-7172-555-7). 32 ‘Longhena proto e architetto: disegni e documenti per le aree attorno alla Piazza’, Arte veneta, 60, 2003, 199–206 (ISSN 0392-5234). 33 ‘Lutyens’s plans for the British School at Rome’, in Andrew Hopkins and Gavin Stamp eds., Lutyens Abroad: the work of Sir Edwin Lutyens outside the British isles, The British School at Rome, London, 2002, 69–86 (978-09-041-5237-1). 34 ‘La Dogana da Mare e l’Isola della Salute: da zona industriale a zona di rappresentanza’, in Maurizio Caperna and Gianfranco Spagnesi eds, Architettura: processualità e trasformazione (Quaderni dell’Istituto di storia dell’architettura), Bonsignori, Rome 2002, 405–16 (88-7597- 313-X). 35 ‘Giuseppe Viola Zanini: cartografo, pittore e architetto’, in Andrew Hopkins ed., Della architettura di Gioseffe Viola Zanini: con la mappa di Padova del 1599 (facsimile of the Paduan 1629 first edition), Centro Internazionale di Studi di Architettura “Andrea Palladio”, Vicenza, 2001, xv–xxx (978-88-841-8003-2). 36 ‘Vincenzo Scamozzi 1548–1616’, in Paul Grendler ed., Encyclopedia of the Renaissance, 6 vols., Charles Scribner’s Sons, New York, 1999, V, 413–15 (0-684-80514-6). 37 ‘The influence of Ducal ceremony on church design in Venice’, Architectural History (ISSN 0066-622X, ISI 00321J0): 41, 1998, 30–48. 38 ‘Architecture and Infirmitas: Doge Andrea Gritti and the chancel of San Marco, Venice’, Journal of the Society of Architectural Historians (ISSN 0037-980, ISI 61633J0): 57 (1998): 182–97. 39 ‘Plans and planning for S. Maria della Salute’, Art Bulletin (ISSN 0815-2837, ISI 00850J0): 79 (1997): 440–65. 40 With Arnold Witte, ‘From deluxe architectural book to builder’s manual: the Dutch editions of Scamozzi’s L’Idea della Architettura Universale’, Quærendo, 26/2 (1996): 274–302 (ISSN 0014- 9527). (Also published in an expanded Dutch version, ‘Van luxe architectuurtraktaat tot praktische handleiding: de Nederlandse uitgaven van Scamozzi’s L’Idea della Architettura Universale’, Bulletin KNOB, 96/5 (1997): 137–53 (ISSN 0166-0470)). 5

41 ‘Longhena’s second sanctuary design for S. Maria della Salute’, The Burlington Magazine (ISSN 0007-6287, ISI 00800J0): 136 (1994): 498–501. 42 ‘Longhena before Salute: the cathedral at Chioggia’, Journal of the Society of Architectural Historians (ISSN 0037-9808, ISI 61633J0): 53 (1994): 199–214. 43 ‘The Department of Architecture RMIT’, Quinta Mostra Internazionale di Architettura, La Biennale di Venezia-Electa, Milan, 1991, 20–23 (88-208-0369-0).