Exploring Disease Representation in Movies
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Bruce Beresford's Breaker Morant Re-Viewed
FILMHISTORIA Online Vol. 30, núm. 1 (2020) · ISSN: 2014-668X The Boers and the Breaker: Bruce Beresford’s Breaker Morant Re-Viewed ROBERT J. CARDULLO University of Michigan Abstract This essay is a re-viewing of Breaker Morant in the contexts of New Australian Cinema, the Boer War, Australian Federation, the genre of the military courtroom drama, and the directing career of Bruce Beresford. The author argues that the film is no simple platitudinous melodrama about military injustice—as it is still widely regarded by many—but instead a sterling dramatization of one of the most controversial episodes in Australian colonial history. The author argues, further, that Breaker Morant is also a sterling instance of “telescoping,” in which the film’s action, set in the past, is intended as a comment upon the world of the present—the present in this case being that of a twentieth-century guerrilla war known as the Vietnam “conflict.” Keywords: Breaker Morant; Bruce Beresford; New Australian Cinema; Boer War; Australian Federation; military courtroom drama. Resumen Este ensayo es una revisión del film Consejo de guerra (Breaker Morant, 1980) desde perspectivas como la del Nuevo Cine Australiano, la guerra de los boers, la Federación Australiana, el género del drama en una corte marcial y la trayectoria del realizador Bruce Beresford. El autor argumenta que la película no es un simple melodrama sobre la injusticia militar, como todavía es ampliamente considerado por muchos, sino una dramatización excelente de uno de los episodios más controvertidos en la historia colonial australiana. El director afirma, además, que Breaker Morant es también una excelente instancia de "telescopio", en el que la acción de la película, ambientada en el pasado, pretende ser una referencia al mundo del presente, en este caso es el de una guerra de guerrillas del siglo XX conocida como el "conflicto" de Vietnam. -
Arthur Hiller
---~. R+E+ P+O+R+T YOlUm( G ISSU( ~ fHll 1994 • • • OHmn YHnHffS • • • FILM CAST REUNITES AT ACADEMY Story Page 6 en m 1 Thru October 16 - Fourth Floor Gallery: FROM THE PRESIDENT FILMSCAPES: SPIELBERG, ZEMECKIS AND THE ART OF MAKING AWORLD - a mojor exhib~ i on featuring art created or collected by Production Designer Rick Corter from the fllm worlds of Steven Spielberg and Robert Zemeckis. ey, there's more to the Academy Apre produllion drawing than the Academy Awards. from BACK TOTlt E Our Awards are so prestigious and world-acclaimed that FUTUIE Pm II they sometimes tend to blind the public to the wonderful pro grams we do all year, as we ll as to the glories of our Center Sunday, September 4 - Auditorium Michel d'On.-o, for Motion Picture Study. Deauville, FrlllKe: Atribute to Hollywood and World War \I So I'm deputizing all of you : let's get the word out wher followed by a week of screenings of World War \I Hollywood ever we can - in interviews, in seminars, in teaching, in just features, shorts and dIKumentories ut the Deauville Film talking to friends and in responding to all those people who Festival. Participants will include Maureen O'Hara, Von stop you with "Oh, just one question ." Johnson, Moxene Andrews, Roddy McDowall and Arthur Hiller. Speaking, or should I say writing , about the Center, may I Friday, September 16 - 8 p.m., quote our brochure: "Housed in the old Beverly Hills Waterworks Buil ding, SOIIIUel GaldW'fll Theater - Academy Standard Screening: this world-class research and preservation facil ity contains the Margaret THE PRIMEOF MISS JEAN BRODIE and GOOOBYI MR_CHIPS . -
FILM REVIEW Moonlight, Directed by Barry Jenkins, USA, Altitude Films
INTERNATIONAL JOURNAL OF JUNGIAN STUDIES, 2018 VOL. 10, NO. 1, 83–89 FILM REVIEW Moonlight, directed by Barry Jenkins, USA, Altitude Films, 2016, 1 hour 55 minutes Spring is often synonymous with Oscar season, but it is some considered reflection on the 2017 Best Picture that is necessary one year on. If it is news to you that Moonlight won the Oscar last year, then you are not alone. It is certainly among the least-marketed Oscar winners in recent decades. If you do know about the film, it is likely that it is in the context of its two-way fight for the prize with another more popular film, or perhaps from news coverage of a dramatic mishap on Oscars’ night. The film was the modern musical La La Land and the mix-up was the result of the wrong envelope being given and that the film’s name being read out instead of the winner Moonlight. A male employee from PricewaterhouseCooper’s – who administer the envelopes – is thought to have mistakenly given a duplicate Best Actress envelope (already won by Emma Stone for La La Land) to Warren Beatty. In a familiar commentary on the expectations social media places on creative industries personnel, it is possible the employee, Brian Cullinan, could have been distracted by his Tweeted picture of Stone moments before handing over the envelope. The event overshadowed much mainstream serious discussion of the film and did little to tempt staunch supporters of La La Land to see it. There are films that are designed to win Oscars and appeal to the middle-range, but it is difficult to suggest Moonlight is one of them, even with some of its missed opportunities to push the envelope of homosexual encoun- ters than those previously seen on mainstream US silver screens. -
Film Guide April 2018
FILM GUIDE APRIL 2018 www.loftcinema.org BEST F(R)IENDS & THE DISASTER ARTIST W/ GREG SESTERO IN PERSON! LAWRENCE OF ARABIA PRESENTED IN 70MM • SUNDAY, APRIL 15 AT NOON! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Factory Tamales, Burritos from Tumerico, Ethiopian Wraps from Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan cookies and more! *Pizza served after 5pm daily. APRIL 2018 SPECIAL ENGAGEMENTS 4-23 JOURNALISM ON SCREEN 6 BEER OF THE MONTH: LOFT MEMBERSHIPS 8 FIRESTONE LAGER LOFT JR. 12 BY FIRESTONE WALKER BREWING CO. ESSENTIAL CINEMA 14 ONLY $3.50 ALL THROUGH APRIL! SCIENCE ON SCREEN 16 NATIONAL THEATRE LIVE 17 NEW AT THE LOFT CINEMA! MONTH-LONG SERIES 19-20 The Loft Cinema now offers Closed Captions and Audio LOFT STAFF SELECTS 21 Descriptions for films whenever they are available. Check our COMMUNITY RENTALS 23-24 website to see which films offer this technology. NEW FILMS 25-34 REEL READS SELECTION 32 FILM GUIDES ARE AVAILABLE AT: MONDO MONDAYS 35 • aLoft Hotel • Espresso Art • Revolutionary Grounds • Antigone Books • Fantasy Comics • Rincon Market CULT CLASSICS 36 • Aqua Vita • First American Title • Rocco’s Little Chicago • Art Institute of Tucson • Fresco Pizza • Rogue Theatre THE LOFT CINEMA • AZ Title Security • Fronimos • Santa Barbara Ice Cream 3233 E. Speedway Blvd. • Bentley’s • Heroes & Villains • Shot in the Dark Café Tucson, AZ 85716 • Black Crown Coffee • Hotel Congress • Southern AZ AIDS • Bookman’s • How Sweet It Was -
Press Release 23/5/2018
THE KARLOVY VARY FESTIVAL TO HONOR ACADEMY AWARD-WINNING DIRECTOR BARRY LEVINSON At this year’s Karlovy Vary festival, screenwriter-producer-director Barry Levinson, who won an Academy Award for Rain Man, will accept the Crystal Globe for Outstanding Artistic Contribution to World Cinema. The Karlovy Vary festival continues its tradition of recognizing the most important personalities of world cinema, the likes of which include directors William Friedkin, Jerry Schatzberg, and Ken Loach, and screenwriter Paul Laverty. In his writing and directing capacity, Academy Award winner and five-time nominee Barry Levinson deftly combines personal stories with an often satirical look at society, and his movies have fundamentally influenced numerous young filmmakers. Barry Levinson established himself as a writer of successful television shows. With his onetime wife, Valerie Curtin, he then wrote the movie script for Norman Jewison’s courtroom drama …and justice for all (1979), which brought them an Oscar nomination. He debuted as a director with the comedy-drama Diner (1982), receiving his second Oscar nomination for the script. Ivan Král, a Czech musician based in the US, co- wrote the film music. Subsequent titles confirmed his reputation with critics and audiences: The Natural (1984) with Robert Redford, Tin Men (1987) with Richard Dreyfuss and Danny DeVito, and Good Morning, Vietnam (1987) with Robin Williams. This year marks the 30th anniversary of the legendary picture Rain Man (1988), awarded four Oscars (e.g. Best Director for Barry Levinson) and numerous other honors, including the Golden Bear at the Berlinale and the David di Donatello for Best Foreign Film. -
The Forgiving Blue
THE FORGIVING BLUE Lynn Fong nterspersed in the gentle lapping of ocean waves, a few tense notes of a violin crescendo as Chiron, the protagonist of Barry Jenkins’s film Moonlight , learns to swim. The water is a soft turquoise. The camera bobs along with it, pulled up and down Iand sometimes partially obscured by the waves. We, the audience, are right there with little Chiron as he experiences the waters of Miami for the first time. Juan, Chiron’s newfound, unlikely mentor, is hold - ing up Chiron’s small head while he teaches him to float. “You’re in the middle of the world,” Juan tells Chiron. The two are framed only by the turquoise water and a light blue sky. Juan demonstrates arm movements: “Go like this,” he instructs, “more athletic.” Chiron mimics him as he learns to paddle. Finally, Juan releases Chiron so he can swim on his own. “Go,” Juan says, and Chiron begins paddling by himself. Then, Chiron is alone. The music slows and fades away. He is indeed in the middle of the world as he swims, unaccompanied, unafraid, and free. Moonlight , which won the Academy Award for Best Picture in 2017, is a coming-of-age story. More specifically, it documents three stages in the life of Chiron, a young, gay black man growing up in an impoverished area of Miami. Even more specifically, the film offers an empathetic lens into the most intimate, defining moments of Chiron’s life: learning how to swim, putting a blanket on his drugged- out mother, reuniting with someone he’s loved after years of estrange - ment. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Press Kit Composite.Indd
August, 2005 Re: The Evolution of The Pilates Method: The Fletcher Work™ To Whom It May Concern, The Fletcher Work is the authentic evolution of the Pilates’ method. To be accurate and legitimate, any journalistic inquiry into contemporary Pilates must necessarily include this dynamic contribution. On behalf of The Ron Fletcher Company, I encourage you to take time to review the enclosed materials. Pilates is more than a contemporary fitness phenomenon. It is an extraordinarily effective conditioning method — nearly a century in development — whose time has finally come. Joseph Pilates’ original principles were absolutely sound, yet his wife, Clara, referred to her husband’s original work as “just the tip of the iceberg.” The development and evolution of the Pilates method over the last 35 years has been, in large part, the result of the work and vision of Ron Fletcher, their protégé and student for nearly three decades. Since Joseph PIlates’ death in 1968, no other individual has played a more pivotal role in the evolution and popularity of the Pilates method. Now in his eighties, Mr. Fletcher is one of only three such masters still teaching the Work. Should you have any questions regarding the enclosed information, or should you wish to pursue a related project, please do not hesitate to contact me. In addition to being one of the great luminaries of the Pilates world, Ron Fletcher is also very much alive, well and active… and he’s a great interview. Sincerely, Kyria Sabin encl The Ron Fletcher Company™ . POB 64971 . Tucson, AZ 85728-4971 . 520.323.7070 . -
DESTINATION: SPA VAC ATION Celebrate Spring—And Remove the Ravages of a Beastly Winter—With a Luxurious Hotel Spa Getaway
First Class DESTINATION: SPA VAC ATION Celebrate spring—and remove the ravages of a beastly winter—with a luxurious hotel spa getaway. Best Hotel Spa for a Spiritual Retreat: Four Seasons Resort Rancho Encantado It makes sense that you’d find a world-class spa in Santa Fe. perhaps more to the point, Santa Fe is a New Age-y kind For one thing, the glamour quotient is high—Ali MacGraw, of town, a place where people come to reinvent themselves Gene Hackman, Tommy Lee Jones, Shirley MacLaine, Alan and leave the stress of their previous lives far behind. With Arkin, Carol Burnett, Val Kilmer, and Ted Turner, the single its grand skies and infinite desert landscape, not to mention largest landowner in New Mexico, all have homes here, a rich history dating back to the arrival of the nomadic and stars like Robert Redford and Jane Fonda are frequent Paleo-Indians around 10,000 B.C., America’s second oldest visitors. (In fact, while we were there, we bumped into the city, founded in 1610, provides the perfect spiritual backdrop cowboy boot-wearing Fonda at Todos Santos, a magical little for a spa vacation. Nestled on 57 acres in Sangre de Cristo chocolate shop in the courtyard at historic Sena Plaza.) But Foothills, just 10 minutes from downtown Santa Fe, the Four APRIL 2014 | SHERIDAN ROAD 95 Rancho Encantado’s outdoor fireplace is the perfect spot to take in the beauty of a Southwestern sunset. Seasons Resort Rancho Encantado offers 65 self-contained ballooning, archeological tours to a variety of cultural events. -
Final Research Report
Comparing Long-Term Outcomes of Two Collaborative Care Approaches for People with Depression Kenneth Wells, MD1,2,3,4,5 ; Loretta Jones, MA6,7, ; Michael Ong, MD2 ; Wayne Aoki, PhD8 ;Thomas Belin, PhD3 ; Elizabeth Bromley, MD1,2,5 ; Bowen Chung, MD 1,2,4,9 ; Elizabeth Dixon, PhD MSN/MPH, RN 10 ; Megan Dwight Johnson, MD 11 ; Felica Jones 6 ; Paul Koegel, PhD 4 ;Dmitry Khodyakov, PhD4 ; Craig Landry, PhD1,2 ; Elizabeth Lizaola, MPH 1,2 ; Norma Mtume, MHS, MA, MFT 12 ; Victoria Ngo, PhD4 ; Judith Perlman, MS4 ; Esmeralda Pulido, MPH13 ; Vivian Sauer, MSW14; Cathy Sherbourne, PhD 4 ; Aziza Lucas Wright 4,6,15;Lingqi Tang, PhD1,2; Yolanda Whittington, MSW 9 ; Pluscedia Williams 6,7 ;Lily Zhang, MS1,2 ; Marvin Southard, DSW18 ;Jeanne Miranda, PhD 1,2 ; Sheryl Kataoka, MD, MSHS 1,2 ; Roya Ijadi-Maghsoodi, MD, MSHPM 2,5 ; Chantal Figueroa, PhD 15; Enrico Castillo, MD, MSHPM 9,16; Heather Patel, MPH 16 ;Mienah Zulfacar Sharif 16; S. Megan Helle 16 ;Krystal Griffith, MPH 1,2; Farbod Kadkhoda, MA 1,2; Priscilla Shorter 17; Rosalinda Cardenas 1,2;Joseph Mango, MFA 1,2 ; Erika Orellana 1,2 1David Geffen School of Medicine, University of California, Los Angeles 2Semel Institute, University of California, Los Angeles 3Fielding School of Public Health, University of California, Los Angeles, CA 4RAND Health Program/ The RAND Corporation, Santa Monica, CA 5Greater Los Angeles Veterans Administration Healthcare System, Los Angeles, CA 6Healthy African American Families Phase II, Los Angeles, CA 7Charles R Drew University of Medicine and Science, Los Angeles, -
The New Hollywood Films
The New Hollywood Films The following is a chronological list of those films that are generally considered to be "New Hollywood" productions. Shadows (1959) d John Cassavetes First independent American Film. Who's Afraid of Virginia Woolf? (1966) d. Mike Nichols Bonnie and Clyde (1967) d. Arthur Penn The Graduate (1967) d. Mike Nichols In Cold Blood (1967) d. Richard Brooks The Dirty Dozen (1967) d. Robert Aldrich Dont Look Back (1967) d. D.A. Pennebaker Point Blank (1967) d. John Boorman Coogan's Bluff (1968) – d. Don Siegel Greetings (1968) d. Brian De Palma 2001: A Space Odyssey (1968) d. Stanley Kubrick Planet of the Apes (1968) d. Franklin J. Schaffner Petulia (1968) d. Richard Lester Rosemary's Baby (1968) – d. Roman Polanski The Producers (1968) d. Mel Brooks Bullitt (1968) d. Peter Yates Night of the Living Dead (1968) – d. George Romero Head (1968) d. Bob Rafelson Alice's Restaurant (1969) d. Arthur Penn Easy Rider (1969) d. Dennis Hopper Medium Cool (1969) d. Haskell Wexler Midnight Cowboy (1969) d. John Schlesinger The Rain People (1969) – d. Francis Ford Coppola Take the Money and Run (1969) d. Woody Allen The Wild Bunch (1969) d. Sam Peckinpah Bob & Carol & Ted & Alice (1969) d. Paul Mazursky Butch Cassidy & the Sundance Kid (1969) d. George Roy Hill They Shoot Horses, Don't They? (1969) – d. Sydney Pollack Alex in Wonderland (1970) d. Paul Mazursky Catch-22 (1970) d. Mike Nichols MASH (1970) d. Robert Altman Love Story (1970) d. Arthur Hiller Airport (1970) d. George Seaton The Strawberry Statement (1970) d. -
22Nd NFF Announces Screenwriters Tribute
FOR IMMEDIATE RELEASE NANTUCKET FILM FESTIVAL ANNOUNCES TOM MCCARTHY TO RECEIVE 2017 SCREENWRITERS TRIBUTE AWARD NICK BROOMFIELD TO BE RECOGNIZED WITH SPECIAL ACHIEVEMENT IN DOCUMENTARY STORYTELLING NFF WILL ALSO HONOR LEGENDARY TV CREATORS/WRITERS DAVID CRANE AND JEFFREY KLARIK WITH THE CREATIVE IMPACT IN TELEVISION WRITING AWARD New York, NY (April 6, 2017) – The Nantucket Film Festival announced today the honorees who will be celebrated at this year’s Screenwriters Tribute—including Oscar®-winning writer/director Tom McCarthy, legendary documentary filmmaker Nick Broomfield, and ground-breaking television creators and Emmy-nominated writing team David Crane and Jeffrey Klarik. The 22nd Nantucket Film Festival (NFF) will take place June 21-26, 2017, and celebrates the art of screenwriting and storytelling in cinema and television. The 2017 Screenwriters Tribute Award will be presented to screenwriter/director Tom McCarthy. McCarthy's most recent film Spotlight was awarded the Oscar for Best Picture and won him (and his co-writer Josh Singer) an Oscar for Best Original Screenplay. McCarthy began his career as a working actor until he burst onto the filmmaking scene with his critically acclaimed first feature The Station Agent, starring Peter Dinklage, Patricia Clarkson, Bobby Cannavale, and Michelle Williams. McCarthy followed this with the equally acclaimed film The Visitor, for which he won the Spirit Award for Best Director. He also shared story credit with Pete Docter and Bob Peterson on the award-winning animated feature Up. Previous recipients of the Screenwriters Tribute Award include Oliver Stone, David O. Russell, Judd Apatow, Paul Haggis, Aaron Sorkin, Nancy Meyers and Steve Martin, among others.