National Register of Historic Places Continuation Sheet
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Conejo Recreation and Park District Park Maintenance and Recreation Improvement District
CONEJO RECREATION AND PARK DISTRICT PARK MAINTENANCE AND RECREATION IMPROVEMENT DISTRICT FINAL ENGINEER’S REPORT FISCAL YEAR 2017-18 MAY 2017 PURSUANT TO THE LANDSCAPING AND LIGHTING ACT OF 1972 AND ARTICLE XIIID OF THE CALIFORNIA CONSTITUTION ENGINEER OF WORK: SCIConsultingGroup 4745 MANGELS BOULEVARD FAIRFIELD, CALIFORNIA 94534 PHONE 707.430.4300 FAX 707.430.4319 WWW.SCI-CG.COM PAGE II (THIS PAGE INTENTIONALLY LEFT BLANK.) CONEJO RECREATION & PARK DISTRICT PARK MAINTENANCE & RECREATION IMPROVEMENT DISTRICT ENGINEER’S REPORT, FY 2017-18 PAGE III CONEJO RECREATION AND PARK DISTRICT BOARD OF DIRECTORS George M. Lange, Chair Susan L. Holt , Vice-Chair Joe Gibson, Director Chuck Huffer, Director Ed Jones, Director DISTRICT MANAGER Jim Friedl ENGINEER OF WORK SCI Consulting Group Lead Assessment Engineer, John Bliss, M.Eng., P.E. CONEJO RECREATION & PARK DISTRICT PARK MAINTENANCE & RECREATION IMPROVEMENT DISTRICT ENGINEER’S REPORT, FY 2017-18 PAGE IV (THIS PAGE INTENTIONALLY LEFT BLANK.) CONEJO RECREATION & PARK DISTRICT PARK MAINTENANCE & RECREATION IMPROVEMENT DISTRICT ENGINEER’S REPORT, FY 2017-18 PAGE V TABLE OF CONTENTS CONEJO RECREATION AND PARK DISTRICT ............................................................................. III INTRODUCTION ...................................................................................................................... 1 OVERVIEW ...................................................................................................................... 1 ASSESSMENT PROCESS .................................................................................................. -
Die Beach-Party-Filme (1963-1968) Zusammengestellt Von Katja Bruns Und James Zu Hüningen
Kieler Beiträge zur Filmmusikforschung, 5.4, 2011 // 623 Die Beach-Party-Filme (1963-1968) Zusammengestellt von Katja Bruns und James zu Hüningen Inhalt: Alphabetisches Verzeichnis der Filme Chronologisches Verzeichnis der Filme Literatur Als Beach Party Movies bezeichnet man ein kleines Genre von Filmen, das sich um die Produktionen der American International Pictures (AIP) versammelt. Zwar gab es eine Reihe von Vorläufern – zuallererst ist die Columbia-Produktion GIDGET aus dem Jahre 1959 zu nennen (nach einem Erfolgsroman von Frederick Kohner), in dem Sandra Dee als Surferin aufgetreten war –, doch beginnt die kurze Erfolgsgeschichte des Genres erst mit BEACH PARTY (1963), einer AIP-Produktion, die einen ebenso unerwarteten wie großen Kassenerfolg hatte. AIP hatte das Grundmuster der Gidget-Filme kopiert, die Geschichte um diverse Musiknummern angereichert, die oft auch als performances seinerzeit populärer Bands im Film selbst szenisch ausgeführt wurden, und die Darstellerinnen in zahlreichen Bikini-Szenen ausgestellt (exponierte männliche Körper traten erst in den Surfer-Szenen etwas später hinzu). Das AIP-Konzept spekulierte auf einen primär jugendlichen Kreis von Zuschauern, weshalb – anders, als noch in der GIDGET-Geschichte – die Rollen der Eltern und anderer Erziehungsberechtigter deutlich zurückgenommen wurden. Allerdings spielen die Auseinandersetzungen mit Eltern, vor allem das Erlernen eines selbstbestimmten Umgangs mit der eigenen Sexualität in allen Filmen eine zentrale dramatische Rolle. Dass die Jugendlichen meist in peer groups auftreten und dass es dabei zu Rang- oder Machtkämpfen kommt, tritt dagegen ganz zurück. Es handelte sich ausschließlich um minimal budgetierte Filme, die on location vor allem an den Stränden Kaliforniens (meist am Paradise Cove) aufgenommen wurden; später kamen auch Aufnahmen auf Hawaii und an anderen berühmten Surfer-Stränden zustande. -
BACKGROUND ENVIRONMENTAL REPORT Existing Conditions | January 2020
Thousand Oaks BACKGROUND ENVIRONMENTAL REPORT Existing Conditions | January 2020 EXISTING CONDITIONS REPORT: BACKGROUND ENVIRONMENTAL Age, including mastodon, ground sloth, and saber-toothed cat CHAPTER 1: CULTURAL (City of Thousand Oaks 2011). RESOURCES Native American Era The earliest inhabitants of Southern California were transient hunters visiting the region approximately 12,000 B.C.E., who were the cultural ancestors of the Chumash. Evidence of significant and Cultural Setting continuous habitation of the Conejo Valley region began around The cultural history of the City of Thousand Oaks and the 5,500 B.C.E. Specifically, during the Millingstone (5,500 B.C.E – surrounding Conejo Valley can be divided in to three major eras: 1,500 B.C.E.) and the Intermediate (1,500 B.C.E. – 500 C.E.) Native-American, Spanish-Mexican, and Anglo-American. periods, the Conejo Valley experienced a year-round stable Remnants from these unique eras exist in the region as a diverse population of an estimated 400-600 people. During this time, range of tribal, archaeological and architectural resources. The people typically lived in largely open sites along water courses Conejo Valley served as an integral part of the larger Chumash and in caves and rock shelters; however, a number of site types territory that extended from the coast and Channel Islands to have been discovered, including permanent villages, semi- include Santa Barbara, most of Ventura, parts of San Luis Obispo, permanent seasonal stations, hunting camps and gathering Kern and Los Angeles Counties. The late 18th and early 19th localities focused on plant resources (City of Thousand Oaks 2011). -
Have Gun, Will Travel: the Myth of the Frontier in the Hollywood Western John Springhall
Feature Have gun, will travel: The myth of the frontier in the Hollywood Western John Springhall Newspaper editor (bit player): ‘This is the West, sir. When the legend becomes fact, we print the legend’. The Man Who Shot Liberty Valance (dir. John Ford, 1962). Gil Westrum (Randolph Scott): ‘You know what’s on the back of a poor man when he dies? The clothes of pride. And they are not a bit warmer to him dead than they were when he was alive. Is that all you want, Steve?’ Steve Judd (Joel McCrea): ‘All I want is to enter my house justified’. Ride the High Country [a.k.a. Guns in the Afternoon] (dir. Sam Peckinpah, 1962)> J. W. Grant (Ralph Bellamy): ‘You bastard!’ Henry ‘Rico’ Fardan (Lee Marvin): ‘Yes, sir. In my case an accident of birth. But you, you’re a self-made man.’ The Professionals (dir. Richard Brooks, 1966).1 he Western movies that from Taround 1910 until the 1960s made up at least a fifth of all the American film titles on general release signified Lee Marvin, Lee Van Cleef, John Wayne and Strother Martin on the set of The Man Who Shot Liberty Valance escapist entertainment for British directed and produced by John Ford. audiences: an alluring vision of vast © Sunset Boulevard/Corbis open spaces, of cowboys on horseback outlined against an imposing landscape. For Americans themselves, the Western a schoolboy in the 1950s, the Western believed that the western frontier was signified their own turbulent frontier has an undeniable appeal, allowing the closing or had already closed – as the history west of the Mississippi in the cinemagoer to interrogate, from youth U. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
Greatest Year with 476 Films Released, and Many of Them Classics, 1939 Is Often Considered the Pinnacle of Hollywood Filmmaking
The Greatest Year With 476 films released, and many of them classics, 1939 is often considered the pinnacle of Hollywood filmmaking. To celebrate that year’s 75th anniversary, we look back at directors creating some of the high points—from Mounument Valley to Kansas. OVER THE RAINBOW: (opposite) Victor Fleming (holding Toto), Judy Garland and producer Mervyn LeRoy on The Wizard of Oz Munchkinland set on the MGM lot. Fleming was held in high regard by the munchkins because he never raised his voice to them; (above) Annie the elephant shakes a rope bridge as Cary Grant and Sam Jaffe try to cross in George Stevens’ Gunga Din. Filmed in Lone Pine, Calif., the bridge was just eight feet off the ground; a matte painting created the chasm. 54 dga quarterly photos: (Left) AMpAs; (Right) WARneR BRos./eveRett dga quarterly 55 ON THEIR OWN: George Cukor’s reputation as a “woman’s director” was promoted SWEPT AWAY: Victor Fleming (bottom center) directs the scene from Gone s A by MGM after he directed The Women with (left to right) Joan Fontaine, Norma p with the Wind in which Scarlett O’Hara (Vivien Leigh) ascends the staircase at Shearer, Mary Boland and Paulette Goddard. The studio made sure there was not a Twelve Oaks and Rhett Butler (Clark Gable) sees her for the first time. The set single male character in the film, including the extras and the animals. was built on stage 16 at Selznick International Studios in Culver City. ight) AM R M ection; (Botto LL o c ett R ve e eft) L M ection; (Botto LL o c BAL o k M/ g znick/M L e s s A p WAR TIME: William Dieterle (right) directing Juarez, starring Paul Muni (center) CROSS COUNTRY: Cecil B. -
Film Essay for "Ride the High Country"
Ride the High Country By Stephen Prince “Ride the High Country” is the eye of the hurricane, the stillness at the center of the storm of transgression that Sam Peckinpah brought to American film in the late 1960s. That it hails from the on- set of that decade and of Peckinpah’s career as a feature film director ac- counts for its singular grace and affabil- ity. The serenity of its outlook and the surety of its convictions about the nature of right and wrong place it far outside the tortured worlds inscribed by his sub- sequent films. At the same time, it shows clearly the thematic obsessions and stylistic hallmarks that he would make his own when American society began to come apart in ways that ena- bled him to become the great poet of Joel McCrea and Randolph Scott as aging hired guns. Courtesy Library late sixties apocalypse. of Congress Collection. Its purity of heart is clean and strong and makes it a on to break with. film that is easy to love, in a way that “The Wild Bunch” and “Straw Dogs” made defiantly difficult for The script’s original title was “Guns in the Afternoon,” viewers. Indeed, its unabashed celebration of and the film carried this title in overseas release. It straight-forward heroism strikes notes that Peckinpah aptly conveys the elegiac tone that Peckinpah never again sounded in his work. This makes it at brought out so strongly using McCrea and Scott as once an outlier among his films and a touchstone of aging Westerners who had become anachronisms in virtues that his subsequent protagonists strive to find a country now largely settled and on the cusp of mo- and to hold and never quite succeed in doing. -
It Happened in Hollywood (Comedians) (1960) [Screen Gems] [Sound] Hosted by Vincent Price
JOHN E. ALLEN, INC. JEA T.O.16 <05/95> [u-bit #19200037] 16:00:07 -It Happened In Hollywood (Comedians) (1960) [Screen Gems] [sound] hosted by Vincent Price AERIAL of Hollywood, HA houses and buildings, street scenes, sign: “Hollywood & Vine”, court of Graumans Chinese Theatre with Vincent Price looking at hand and foot prints (1960) Henry B. Walthall in early Western with Harry Carey, Ken Murray with Buster Keaton and Billy Gilbert and Joan Davis in pie throwing sequence, Vincent Price’s home, collection of masks, Price looking at film clips through movieola (1960) John Bunny and Flora Finch, Mack Sennett, Charlie Murray with Fatty Arbuckle and Sessue Hayakawa, Harold Lloyd, Chester Conklin, Clyde Cook on roller skates in restaurant, Zasu Pitts in front of cameraman cranking movie camera, Louise Fazenda giving apple to director Erie Kenton with cameraman loading camera, Jimmy Durante, Marx Brothers and Syd Graumans, Ritz Brothers, W.C. Fields hitting golf ball, Price changing reel on movieola (1960) Ken Murray and ladies on bicycle built for three, Fred Allen and Rudy Vallee speaking into NBC microphone on radio show, CUT AWAY of audience laughing, Bob Hope with Brenda and Cobina speaking into microphone, Mickey Rooney watching himself as Mickey McGuire with Mary Pickford and Ruth Roland and Mae Murray and Dolores Del Rio and June Kaiser, Douglas Fairbanks with Joel McCrea, straw hat signed by Maurice Chevalier 16:16:22 Groucho Marx and Carole Landis with dark hair singing western songs into microphone with orchestra in background for WWII U.S. soldiers 16:18:25 Dean Martin and Jerry Lewis at Photo Play award dinner with George Jessel -16:24:38 16:24:48 -It Happened In Hollywood (Westerns) (1960) [Screen Gems] [sound] hosted by Vincent Price Vincent Price speaking from western set on back lot of movie studio, looking at film clips on movieola (1960) MCU William S. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
The Meaning of the Western Movie
sCott a. mCConnEll The Meaning of the Western Movie emember Shane, Bonanza and The Lone of the country. Ranger? In novel, film and television, west- For more than 150 years, especially since erns once ruled the range. Until the 1960s 1900 when the frontier period was ending, the Rwesterns were the most popular fiction genre and American West was revealed in the western novel. remained popular until the 1970s. In his book The Influential among these were Whispering Smith Searchers the western historian Glenn Frankel tells (Frank Spearman, 1906), Riders of the Purple Sage us that western novels “consistently outsold all gen- (Zane Grey, 1912), Destry Rides Again (Max Brand, res, including the closest competitor, the detective 1930) and True Grit (Charles Portis, 1968). With the story—whose protagonist was, after all, just another arrival of television in the United States in 1947, version of the Western hero”. Frankel notes that “of the western and its view of America dominated the 300 million paperbacks sold in 1956, one third the small screen for many years. Some of the most were westerns”. influential shows and stars during the television Western films were similarly popular. As Frankel western heyday included The Lone Ranger (star- reports, “Westerns by the mid-1950s accounted for ring Clayton Moore), Rawhide (Clint Eastwood), one third of the output of the major studios and half Bonanza (Michael Landon) and Gunsmoke (James the output of the smaller independents.” Incredibly, Arness). “well over seven thousand Westerns have been To most people, however, westerns are movies. made”. The American Film Institute (AFI) has defined Westerns were even more popular on television. -
Free Download the Country Girl (1954) Movie Mp4 Download WATCH[FREE] the Forever Purge 2021 (MOVIES) ONLINE GOOGLE DOCS
free download The Country Girl (1954) movie mp4 download WATCH[FREE] The Forever Purge 2021 (MOVIES) ONLINE GOOGLE DOCS. Watch The Forever Purge Online (2021) Full MovieS Free HD !! The Forever Purge with English Subtitles ready for download, The Forever Purge 720p, 1080p, BrRip, DvdRip, Youtube, Reddit, Multilanguage and High Quality. Full Movie download at Openload, Netflix, Filmywap, Movierulz, StreamLikers, Tamilrockers, putlockers, Streamango, 123Movies. The Forever Purge in HD 1080p, Watch The Forever Purge in HD, Watch The Forever Purge Online, The Forever Purge Full Movie, Watch The Forever Purge Full Movie Free Online Streaming. DVD (Blu-ray) | 4K UHD | HD-1080p | HD-720p | SD-480p | MP4. WATCH The Forever Purge 2021 MOVIES.watch free HD The Forever Purge 2021 movie online.watch The Forever Purge movie full streaming online.The Forever Purge movie online free HD STREAMING.FREE DOWNLOAD The Forever Purge full movie free HD1080p/720p/4K/UHD/MPV/BLURAY.Multilanguage and High Quality. Full Movie download at Openload, cinemaflixs, Netflix, amazone, fremwork, cinemaFR, Tamilrockers, putlockers, Streamango, 123Movies. Lorenzo and Daniela soon discover what The Forever Purge has been doing and decide that to keep The Forever Purge safe, he should be sent deeper into the ocean to live with Lorenzo's brother Ugo. Distraught, The Forever Purge runs away to the city of Portorosso with Alberto. There, they learn of the local bully and repeat champion of the Portorosso Cup Race, Ercole Visconti. Just as Ercole is about to dunk The Forever Purge's head into a fountain which would expose his identity as a sea monster, he is saved by a young girl named Giulia Marcovaldo. -
Civil Disobedience in Hardanger
(Periodicals postage paid in Seattle, WA) TIME-DATED MATERIAL — DO NOT DELAY Arts & Style News It’s fall: Elling and friends Time for Høsten går over jorden make their debut cozy tøffler! og alt er for lengst for sent og on Broadway for tidlig. Read more on page 12 - Erling Christie Read more on page 3 Norwegian American Weekly Vol. 121, No. 38 October 22, 2010 Established May 17, 1889 • Formerly Western Viking and Nordisk Tidene $1.50 per copy Norway.com News Find more at Civil disobedience in Hardanger www.norway.com Protestors who News of Norway Norway’s central bank may oppose power be able to take advantage of a 5 percent krone loss against lines in the the euro since a May high and Hardanger Fjord resume interest rate increases without hurting exporters. blocked the start (blog.norway.com/category/ news) of construction on one stretch Amid scant awareness by the public of Chinese prisoner Liu Xiaobo, nearly six out of 10 STAFF COMPILATION Chinese polled said the Norwe- Norwegian American Weekly gian Nobel Committee should withdraw the Peace Prize and Officials for Statnett, the state apologize for the decision to enterprise responsible for Nor- award it to him. way’s power grid, decided to post- (blog.norway.com/category/ pone work on the controversial news) powerline project, due to inclem- ent weather and demonstrations. Culture Around 30 activists camped Lady Gaga tweets about her out at Kvamskogen, where the studio sessions in Oslo as she construction was to begin Oct. 18. works on her third album, “Born Photo: Statnett This Way.” CONTINUES PAGE 6 The proposed power lines to be built through the scenic Hardanger Fjord are controversial throughout Norway.