Paris - Vendredi 16 Octobre 2020 En 2E Et 3Ecouverture, Lot 421 D E B a E C Q U E - D ’ O U I N C E - S a R R a U
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Antique Sculptures
Antique Arabian Horse S c u lPart p tu II r e s n by © Judith Wich-Wenning Antique Arabian Horse Sculptures have an ever-growing no one excelled Barye regarding the accuracy of anatomical circle of admirers and collectors around the world. Horse details and the realistic modelling of his sculptures. Barye breeders as well as people with a sense for beauty, elegance did not follow in the footsteps of other artists, he created a and art were and are fascinated by the strong aura of these movement in art of his own. antique works. The 19th century saw a group of sculptors, the so-called “Animaliers”, who specialized in the realistic Antoine-Louis Barye was born in Paris in 1796, the modelling of animals. As Orientalism and Arabian subjects son of a jeweller from Lyon. Barye began his career as a were so much “en vogue” during this time, Arabian horses goldsmith, like many sculptors of the Romantic Period. were a favourite motif. The mystical Orient bathed in a At the beginning his father taught Barye the basics, but new, unknown light, attracted a large number of artists when he was around 14 years old, Barye started to work looking for new sources of inspiration. Desert landscapes, under the goldsmith of Napoleon. Later on he studied fantasias and Oriental hunting scenes impressed people. under the famous Orientalist and painter Baron Antoine- Superb Arabian horses, their nobility, beauty and strength Jean Gros. In 1818 Barye was admitted to the important became recurring subjects exhibited at the Salons and art Ecole des Beaux Arts. -
BESTIAIRE — Vendredi 8 Mars 2019
BESTIAIRE — Vendredi 8 mars 2019 — Hôtel Drouot Paris Vendredi 8 mars 2019 Paris — Hôtel Drouot, salle 4 14h — Expositions publiques Mercredi 6 mars de 11h à 18h Jeudi 7 mars de 11h à 21h Vendredi 8 mars de 11h à 12h — Intégralité des lots sur millon.com Département Experts Sommaire Art Nouveau, Art Déco, Design - Sculpture bestiaire Collection de Mr.B ....................................................p.5 à 48 Directeur Claude-Annie Marzet du département T +33 (0)6 12 31 12 84 Antonio Casciello [email protected] 1850-1910 ............................................................... p.49 à 69 T +33 (0)1 47 27 56 57 Présentera les lots 75, 78, 79, [email protected] 85, 86, 88, 89, 90, 91, 92, 113, 117, 118, 123, 124, 126, 127, 128, Collection particulière A.A .......................................p.70 à 81 Administrateur 130, 131 Art Déco Design Cécile RITZENTHALER Alexis Jacquemard Tel +33 (0)6 85 07 00 36 1910-1940 .............................................................. p.82 à 105 T +33 (0)1 47 27 95 34 [email protected] [email protected] Présentera les lots 111 et 143 Administrateur 1950 à nos jours .....................................................p.106 à 111 Art Nouveau Georges Gautier Florian Douceron Tel +33 (0)6 08 69 81 07 T +33 (0)1 47 27 56 58 Millon — Nantes [email protected] [email protected] LES MARTEAUX Enora Alix Nathalie Mangeot Alexandre Millon Mayeul de La Hamayde Pour tous renseignements, ordres d’achat, rapports d’état Expertises gratuites sur rendez-vous Inquiries, absentee bids, condition reports, free appraisals by appointment MILLON Trocadéro 5, avenue d’Eylau 75116 PARIS T +33 (0)1 47 27 95 34 F +33 (0) 1 47 27 70 89 [email protected] Depuis 1925 Collection de Monsieur B « Le collectionneur, c’est un fou qui tombe amoureux d’un objet » "The collector is a madman who falls in love with an object" Millon à l’honneur de présenter quelques-unes des sculptures Millon is proud to present some of the sculptures a 19th lover rassemblées avec passion et indépendance par un véritable gathered with passion and independence. -
Panneau Barye
Statuettes représentant une lionne & un taureau, d’après Alfred BARYE Bronzes, XIXème siècle Collection Ritter Inscrits au titre des Monuments Historiques depuis 1978 Antoine-Louis BARYE (1795-1875) & Alfred BARYE (1839-1882), famille de sculpteurs-bronziers Antoine-Louis BARYE (1795-1875) est un célèbre sculpteur français reconnu pour ses bronzes animaliers. Très jeune, il entame un apprentissage dans la ciselure et le travail des métaux. En 1818, il entre à l’Ecole des Beaux-Arts de Paris et se forme dans les ateliers du sculpteur François Joseph BOSIO* (1768-1845) et du peintre Antoine-Jean GROS (1771-1835). Antoine-Louis BARYE se spécialise dans la sculpture animalière et se rend régulièrement à la ménagerie du Musée d’Histoire naturelle de Paris avec son ami peintre Eugène DELACROIX (1798-1863) afin d’étudier les animaux. Son œuvre entière repose sur l’observation scientifique des spécimens à l’image d’un naturaliste (connaissance approfondie de l’anatomie, des comportements…). C’est en 1831, lors d’une exposition au Salon de peinture et de sculpture de Paris que le sculpteur se fait connaitre du public lorsqu’il présente le Tigre dévorant un gavial. Il reçoit plusieurs commandes de différents souverains pendant le XIXème siècle et plus particulièrement de Napoléon III (1808-1873). Plusieurs de ses œuvres sont conservées dans divers musées (musée du Louvre, musée d’Orsay…). Tigre dévorant un gavial, Antoine-Louis BARYE (1795-1875), vers 1845, Bronze patiné, 20 x 51 cm, Musée de la Chasse et de la Nature, Paris Alfred BARYE (1839-1882) suit la voie de son père en poursuivant sa quête de réalisme dans la sculpture animalière. -
ANTIQUE Sculptures
GALLERY ANTIQUE © www.tuttoarabi.com ARABIAN HORSE Sculptures Part II by ©Judith Wich-Wenning ntique Arabian Horse Sculptures have an ever- late 1830s. Even his strongest critics had to admit that no growing circle of admirers and collectors around one excelled Barye regarding the accuracy of anatomical Athe world. Horse breeders as well as people details and the realistic modelling of his sculptures. Barye with a sense for beauty, elegance and art were and are did not follow in the footsteps of other artists, he created a fascinated by the strong aura of these antique works. movement in art of his own. The 19th century saw a group of sculptors, the so-called “Animaliers”, who specialized in the realistic modelling Antoine-Louis Barye was born in Paris in 1796, the of animals. As Orientalism and Arabian subjects were so son of a jeweller from Lyon. Barye began his career as a much “en vogue” during this time, Arabian horses were goldsmith, like many sculptors of the Romantic Period. At a favourite motif. The mystical Orient bathed in a new, the beginning his father taught Barye the basics, but when unknown light, attracted a large number of artists looking he was around 14 years old, Barye started to work under for new sources of inspiration. Desert landscapes, fantasias the goldsmith of Napoleon. Later on he studied under and Oriental hunting scenes impressed people. Superb the famous Orientalist and painter Baron Antoine-Jean Arabian horses, their nobility, beauty and strength became Gros. In 1818 Barye was admitted to the important Ecole recurring subjects exhibited at the Salons and art fairs at des Beaux Arts. -
Catalogues Imprimés Des Bronzes D'antoin-Louis Barye, 1847-1848
14/09/2020 INHA - Papiers Antoine-Louis Barye Catalogues imprimés des bronzes d'Antoin-Louis Barye, 1847-1848 cote: 166/1/3/3/1 idTkb: 340945 auteur(s): indéfini date(s): indéfini CATALOGUE DES BRONZES DE BARYE, Rue Chaptal, No12 (Chaussée-d'Antin). PARIS, Années 1847-1848. HAUT. LONG. Première Série. PRIX. centimèt. centimèt. F. C. F 1. Une Tortue 2 6 3 2,75 add 2. La même, sur plinthe 3 8 4 4,20 3. Un lapin, les oreilles couchées, avec plinthe. 5 7 3,50 3, 60 add 4. Un lapin, les oreilles levées, id. 5 7 3,50 3,60 add 5. Une Cigogne 7 3 5 4,80 6. Une Cigogne posée sur une Tortue 8 6 10 9,60 7. Une grande Tortue 3 11 10 18,40 8. Une grande Tortue sur plinthe 5 14 15 14,40 9. Un Faon couché 5 15 12 12 10. Une biche couchée 10 15 15 14,40 11 Une Panthère couchée 7 18 18 18 12. Une Gazelle 9 11 18 14,40 13. Un Faisan sur plinthe 13 21 14 14,40 14. Un Faisan, pendant du précédent 13 21 14 14,40 15. Une Perruche 21 11 25 26,40 16. Un Chien braque, sur plinthe 9 18 20 19 17. Un Chien épagneul, sur plinthe 10 18 20 19 18. Un Cerf de Java 14 20 25 24 19. Un Cerf-Axis, pendant du précédent 16 16 25 22 20. Un Cerf, la tête levée 20 16 30 26,40 21. Un Cerf, la jambe levée 20 16 30 26,40 22 U Ch l d i 14 17 30 26 40 https://skylab.inha.fr/EditionsEnrichies/Barye/?action=tout-imprimer 1/532 14/09/2020 INHA - Papiers Antoine-Louis Barye 22. -
{PDF EPUB} the Masterpieces of French Art Illustrated: Being A
Read Ebook {PDF EPUB} The masterpieces of French art illustrated: being a biographical history of art in France, from the earliest period to and including the Salon of 1882 Volume 2 by William A Armstrong 2008-1-31 · The masterpieces of French art illustrated : being a biographical history of art in France, from the earliest period to and including the Salon of 1882 by Viardot, Louis, 1800-1883; Armstrong, William A The Masterpieces of French Art Illustrated: Being a Biographical History of Art in France, from the Earliest Period to and Including the Salon of 1882; Volume 2 [Viardot, Louis 1800-1883, Armstrong, William a] on Amazon.com. *FREE* shipping on qualifying offers. The Masterpieces of French Art Illustrated: Being a Biographical History of Art in France, from the Earliest Period to and Including ...Author: Louis 1800-1883 Viardot, William a ArmstrongFormat: PaperbackThe Masterpieces of French Art Illustrated: Being a ...https://www.goodreads.com/book/show/32114008-the...2013-10-13 · Start by marking “The Masterpieces of French Art Illustrated: Being a Biographical History of Art in France, from the Earliest Period to and Including the Salon of 1882; Volume 2” as Want to Read:Format: Paperbackthe masterpieces of french art illust…- Bing Online Translator法国艺术的杰作在法国是一个个人艺术的历史说明了从早期阶 段到1882年,包括沙龙在内卷2由威廉阿姆斯特朗 cn.bing.com/translatorThe masterpieces of French art, illustrated : being a ...https://catalogue.nla.gov.au/Record/968115Viardot, Louis. & Armstrong, William A. 1883, The masterpieces of French art, illustrated : being a biographical history of art in France from the earliest period to and including the Salon of 1882 / by Louis Viardot and other writers ; edited by Wm. -
George A. Lucas Papers MS.10 Finding Aid Prepared by Emily Rafferty
George A. Lucas Papers MS.10 Finding aid prepared by Emily Rafferty This finding aid was produced using the Archivists' Toolkit May 01, 2015 Describing Archives: A Content Standard Archives and Manuscripts Collections, The Baltimore Museum of Art 2006 10 Art Museum Drive Baltimore, MD, 21032 (443) 573-1778 [email protected] George A. Lucas Papers MS.10 Table of Contents Summary Information ................................................................................................................................. 3 Biographical Information...............................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information .........................................................................................................................5 Related Materials ........................................................................................................................................ 6 Controlled Access Headings..........................................................................................................................6 Bibliography...................................................................................................................................................6 Collection Inventory..................................................................................................................................... -
Antique Arabian Horse Sculptures Written by Judith Wich-Wenning
ARAB HORSE COUTURE MAGAZINE | An International Publication Antique Arabian Horse Sculptures Written by Judith Wich-Wenning Antique Arabian Horse Sculptures have an ever-growing circle of admirers and collectors around the world. Horse breeders as well as people with a sense for beauty, elegance and art were and are fascinated by the strong aura of these antique works. The 19th century saw a group of sculptors, the so-called “Animaliers”, who specialized in the realistic modelling of animals. As Orientalism and Arabian subjects were so much “en vogue” during this time, Arabian horses were a favourite motif. The sculpture “Fauconnier à Cheval“ by Pierre-Jules Mène is one of the most impressive and dynamic Animalier sculptures. Autumn 2016 . AHCM - ARABHORSECOUTURE.COM 15 ARAB HORSE COUTURE MAGAZINE | An International Publication ntoine-Louis Barye A 1796 – 1875 Before the year 1830 little attempt was made to produce bronzes of animals as such. Today many art historians give Antoine-Louis Barye a premier position in the field of animal bronzes. His reputation and influence was indeed enormous. Barye did not follow in the footsteps of other artists; he created a movement in art of his own. One of the most impressive sculptures ever created: The beautiful bronze “Cheval attaqué par un lion” by Antoine-Louis Barye’s work “Cheval Turc” Antoine-Louis Barye, ca. 1890 Antoine-Louis Barye was born in Paris in 1796, the son of a jeweller from Lyon. Barye began his career as a goldsmith, like many sculptors of the Romantic Period. At the beginning his father taught Barye the basics, but when he was around 14 years old, Barye started to work under the goldsmith of Napoleon.