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William Gibson Fonds
William Gibson fonds Compiled by Christopher Hives (1993) University of British Columbia Archives Table of Contents Fonds Description o Title / Dates of Creation / Physical Description o Biographical Sketch o Scope and Content o Notes File List Catalogue entry (UBC Library catalogue) Fonds Description William Gibson fonds. - 1983-1993. 65 cm of textual materials Biographical Sketch William Gibson is generally recognized as the most important science fiction writer to emerge in the 1980s. His first novel, Neuromancer, is the first novel ever to win the Hugo, Nebula and Philip K. Dick awards. Neuromancer, which has been considered to be one of the influential science fiction novels written in the last twenty-five years, inspired a whole new genre in science fiction writing referred to as "cyberpunk". Gibson was born in 1948 in Conway, South Carolina. He moved to Toronto in the late 1960s and then to Vancouver in the early 1970s. Gibson studied English at the University of British Columbia. He began writing science fiction short stories while at UBC. In 1979 Gibson wrote "Johnny Mnemonic" which was published in Omni magazine. An editor at Ace books encouraged him to try writing a novel. This novel would become Neuromancer which was published in 1984. After Neuromancer, Gibson wrote Count Zero (1986), Mona Lisa Overdrive (1988), and Virtual Light (1993). He collaborated with Bruce Sterling in writing The Difference Engine (1990). Gibson has also published numerous short stories, many of which appeared in a collection of his work, Burning Chrome (1986). Scope and Content Fonds consists of typescript manuscripts and copy-edited, galley or page proof versions of all five of Gibson's novels (to 1993) as well as several short stories. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
The Mutual Influence of Science Fiction and Innovation
Nesta Working Paper No. 13/07 Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Better Made Up: The Mutual Influence of Science fiction and Innovation Caroline Bassett Ed Steinmueller George Voss Reader in Digital Media, Professor of Information and Research Fellow, Faculty of Arts, Research Centre for Material Technology, SPRU, University University of Brighton, Visiting Digital Culture, School of of Communication Sussex Fellow at SPRU, University of Media, Film and Music, Sussex University of Sussex Nesta Working Paper 13/07 March 2013 www.nesta.org.uk/wp13-07 Abstract This report examines the relationship between SF and innovation, defined as one of mutual engagement and even co-constitution. It develops a framework for tracing the relationships between real world science and technology and innovation and science fiction/speculative fiction involving processes of transformation, central to which are questions of influence, persuasion, and desire. This is contrasted with the more commonplace assumption of direct linear transmission, SF providing the inventive seed for innovation– instances of which are the exception rather than the rule. The model of influence is developed through an investigation of the nature and evolution of genre, the various effects/appeals of different forms of expression, and the ways in which SF may be appropriated by its various audiences. This is undertaken (i) via an inter- disciplinary survey of work on SF, and a consideration the historical construction of genre and its on-going importance, (ii) through the development of a prototype database exploring transformational paths, and via more elaborated loops extracted from the database, and (iii) via experiments with the development of a web crawl tool, to understand at a different scale, using tools of digital humanities, how fictional ideas travel. -
Canadian Fancyclopedia: C – Version 1 (May 2009)
The Canadian Fancyclopedia: C – Version 1 (May 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. C CADRE / CAFP / CALENDAR / CAIRNLEA FARMS PRESENTS / CALCIUM LIGHT NIGHTS / THE CALGARY SF FORUM / THE CALL GOES OUT / CALLISTO RISING / CANADAPA / CANADIAN CAPERS / CANADIAN FANDOM / THE CANADIAN FANDOM HISTORY FACT SHEET / CANADIAN JOURNAL OF DENTOURNEMENT / THE CANADIAN SCIENCE FICTION ASSOCIATION / THE CANADIAN SCIENCE FICTION ASSOCIATION: A HISTORY / THE CANADIAN SCIENCE FICTION FAN / THE CANADIAN SPACE GAZETTE / CANFAAN AWARDS / CANFAN / CANFANDOM / CANFANTATOR / CANFAPA / CANVENTION / CARBONZINE / CARDZINE / CAREFULLY SEDATED / CARFAX / CARR, JOAN W. / CARTOON WAR / CASCADE / THE CASE OF THE LITTLE GREEN MEN / CASPERAPA / CASPERS / CAUSE CELEBRE / CENSORED / CENSORSHIP / THE CENTRAL GANGLION / CHAINZINE / CHECKMATE / CHRISTIAN SLANS READING SLANZINES / CHRISTMAS CARD / CHURCH OF HERBANGELISM / CINETIK / CIRCLE AMATEUR PUBLISHER'S ALLIANCE / CLAPTRAPA / CLASSIFICATION ( OF FANTASY) / CLEAN UP FANDOM CRUSADE / CLUBHOUSE / CLUBROOM / CLUB VIRUS / CLUBZINE / COA / COFF / COLUMBIA SCIENCE FANTASY SOCIETY / COLOPHON / COME HOLD THE MOON / COME WHAT MAY / COMMENT COVER / COMMUNIQUE -
Winter 2005 Clarion Workshop Newsletter
Number 24: IF YOU CAN’T STAND Winter 2005 THE HEAT... ...get out of the kitchen. And that’s exactly what the thirteen partici- pants of the 2005 Clarion Science Fiction and Fantasy Writers’ Work- shop did. Eschewing the trappings of cuisine and throwing nutritional caution to the wind, they thrived on sandwiches and cereal, producing 79 stories with an impressive, carbohydrate-fueled total of 370,400 words. Director: Elizabeth Zernechel Coordinator: Mary Sheridan Assistants: Sarah Gibbons, The participants came to this year’s workshop from eleven different Kate Fedewa states as well as Canada and Norway. Their educational backgrounds Web page: Dawn Martin ranged from Art to Physics to Psychology, and their professions were just as varied. Newsletter # 24 # Newsletter Clarion 2005 was taught by a talented staff of writers and editors: Joan Vinge, Charles Coleman Finlay, Cory Doctorow, Leslie What, Sheila Williams, Gwyneth Jones and Walter Jon Williams. In addition to teaching and critiquing, the writers-in-residence gave free public readings and signings at local book shops and libraries. ADDRESS SERVICE REQUESTED SERVICE ADDRESS East Lansing, MI 48824-1047 MI Lansing, East 112 Olds Hall Olds 112 Michigan State University State Michigan From left to right— Clarion Workshop Clarion Front Row: Way Jeng; Ian Tregillis; E. M. Zernechel; Kim Jollow Zimring; Traci N. Castleberry; Newsletter Christopher M. Knox. Middle Row: Tom Barlow; Alex Cybulski; Joan D. Vinge, Writer-in-Residence; Charles Coleman Finlay, Writer-in-Residence; T. L. Taylor. Back Row: Bjorn Harald Nordtveit; Kyle D. Kinder; Lister M. Matheson, Director; Bill Purcell; Sean T. Finn. Director’s Corner Please help Clarion continue.. -
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext
ENG 335 Science Fiction Dr. Deborah C. Mitchell Spring 2017 TC 312, Ext. 7030 MWF 9:20-10:20 a.m. Office Hours: M 11:30 – 12:30, F 10:30 – Noon, Mueller Theater and by appointment Science Fiction is the future ahead of schedule. --Syd Mead, visual futurist Warp speed. Wormholes. Time travel. Transporters. Androids. Aliens. Space cowboys and Saurian brandy. This is the stuff of science fiction, of future worlds and alternate universes. Syd Mead’s definition focuses our study since science fiction stories should lie within the realm of scientific possibility. (Think about Captain Kirk’s communicator and then look down at your cell phone.) In this course, we’ll boldly explore what critics call the “literature of ideas,” the genre that bridges the arts and sciences, and we’ll discuss how writers have used science fiction as a vehicle for social criticism and a commentary on the human condition. We’ll be reading some of the finest science fiction ever written and watching some great film adaptations. You will also be reading a variety of critical articles written by the leading scholars of their time. By the end of the course, you should be able to do the following: • Trace the evolution of the science fiction tradition • Identify the leading writers and scholars in the canon • Grasp the conventions and characteristics of the science fiction genre • Conduct research in science fiction appropriate for a 300-level English course • Read a text through several critical methodologies • Construct and support a sound, reasonable argument • Demonstrate control of your reading and thinking about texts • Engage in your own creative work in the genre • Formulate some of your own conclusions about the importance of the science fiction genre and its significance to contemporary culture Learning Outcomes for English majors In addition to the outcomes for the course, English majors will demonstrate the following: 1. -
PROGRAM BOOK Adventure Maku
“The Monster Mash” on Tyish Harp See ae: . Bat waats This ' "Ei K5in9\ for Feopie. T find this... educational , is David whe Come ™ on The Captam... avd thevaputic . SeconA syllabvle x mB each line.? now putting out an /Tthe Golden Age 5 Gimme that J So Ao you use e AMAZING STORIES / of oe Fiction Oldev-Time travetiing 5's rep Ta ewel ov a jelly Esoteric Ayt- firm magazine , 100. A. 4 Sy Religion , a who found nimret ae deus ele is net Excuan tt : > Gimme That..ty : , outriae the Fate deseviice Menard uartess when Jim innocent FW “Insevt your out: of - ) hee mind The, eae Tr chyawovie! We The tevwinal Context quete heve.” Aa Froavrammer 4 =a opt | veeP (ep fe Curtain.. No, its 2s ps . = Z0,000 fanzines... ons —— ev stuffed Buimals So what am T bid Shy? Sure oF C Se = eed = m that are mode into (ee Bueed Euan toy This five exawole Faas ave shy? Zelatny. : A conceptual artist] For example, liu 20 | Reger Zelazny "Kon Fletcher © 1980" Af 9 | spell CR]4 Feam jHt 0 webe a shy that I'd vever Leck under ‘Zz As You Can sez from relief: FANTASY | ee Scottie , youdog! q , this hoe Moto “1 Old Acab My charntervs sfx RP os So then he shows CR) Z ae Away with eveulL- 735? toot ae TUPI 4 igee The Hokas x ides The do that dane | b way editor to a Hane:Huck, ie fae oe has been of GREMLNS and... 5 ee gee pen eae ae Cenc u wove, But. -
File 770 159 Pages 24-34
24 File 770: 159 Scene 7 THE ONLY GAMESHOW IN TOWN 150 Questions for the trufan Encore of the Fannish Trivia Quiz Compiled for Ditto 1 by Taral Wayne File 770 Edition 1 Q: Which Worldcons were held from 1942 to 1945? 8 Q: Which fannish divinity holds the colour A: None. purple holy? Why? A: GhuGhu, the god of hectographed fanzines. 2 Q: What fanzine was published “whenever a He marks his devotees with purple stains on their zombie awakens?” fingertips, transferred from the dyes on the A: Bob Tucker’s Le Zombie. masters. 3 Q: “Ackermanese” was what? 9 Q: Who originally edited Locus? A: An unsystematic style of skiffy-looking A: Ed Meskys, Dave Vanderwerf, and abbreviations, like “sci-fi”, and phonetic spelling Charlie Brown. invented by “4E” Ackerman for his fanzines, and used practically only by Forry. Unfortunately, he 10 Q: Who published these zines – successfully introduced the odious “sci-fi” to Holly Beabohema, Oopsla , and Grue ? wood, whose luminati took to it like morons to A: Frank Lunney, Gregg Calkins, and Dean drool. Grennell. 4 Q: What fanzine did Ed Wood throw away, 11 Q: What are “Soggies”? unopened. Why was this ironic? A: Humorous cartoon characters drawn by Terry A: He didn’t like fannish zines, and when he Jeeves for Eric Bentcliffe. threw away Hyphen he never knew he threw out some first rate sercon. 12 Q: What happened in Room 770? A: A terrific party, at the 1951 Nolacon. The bed 5 Q: What are the favorite fannish beverages fell in. of Ted White, Moshe Feder and Joyce Katz? A: Pepsi. -
Hamparian Thesis.Pdf (320.3Kb)
Matt Hamparian 1 Women of Science Fiction in the 1970s Introduction Science fiction is the genre of possibility, and is nearly boundless. The only limitation is that of what the reader and writer can imagine. What drew me to both science fiction, and this research is what draws many to science fiction: exploring new worlds, new ideas, new species, but importantly the depths of the human mind. Science fiction of the 1970s was transformative for the genre, as there was a distinct shift on who was writing best selling and award winning novels. Men had long dominated science fiction, especially during the “golden age,” but during the 1970s published science fiction novels by women gained the attention of those who loved the genre. Women such as Ursula K. Le Guin, Joanna Russ, Kate Wilhelm, and James Tiptree Jr. (Allison B. Sheldon), all wrote award winning science fiction, but their stories also challenged readers with themes of equality. The question then arises, why did so many female authors take to science fiction to express their messages of equality during the 1970s? Author Suzy McKee Charnas, author of The Holdfast Chronicles wrote of this in the Khatru Symposium: Women in Science Fiction: “instead of having to ‘twist’ reality in order to create ‘realistic’ female characters in today’s totally unfree society, the sf writer can create the societies that would produce those characters” (Charnas 4). The women of science fiction in the 1970s were responding to an issue in science fiction: women were not represented accurately in text, nor where they given the same chance as their male counterparts. -
Australian SF News 39
DON TUCK WINS HUGO Tasmanian fan and bibliophile, DONALD H.TUCK, has won a further award for his work in the science fiction and fantasy reference field, with his ENCYCLOPEDIA OF SCIENCE FICTION AND 'FANTASY Volume III, which won the Non-Fiction Hugo Award at the World SF Convention, LA-CON, held August 30th to September 3rd. Don was previously presented with a Committee Award by the '62 World SF Co, Chicon III; for his work on THE HANDBOOK OF SCIENCE FICTION AND FANTASY, which grew into the three volume encyclopedia published by Advent : Publishers Inc. in Chicago, Illinois,U.S.A. Winning the Hugo Award, the first one presented to an Australian fan or professional, is a fitting reward for the tremendous amount of time and effort Don has put into his very valuable reference work. ( A profile of Don appears on page 12.) 8365 People Attend David Brin's STARTIDE RISING wins DONALD H.TUCK C. D.H.Tuck '84 Hugo Best Novel Award L.A.CON, the 42nd World SF Convention, was the largest World SF Con held so far. The Anaheim Convention Centre in Anaheim California, near Hollywood, was the centre of the activities which apparently took over where the Olympic Games left off. 9282 people joined the convention with 8365 actually attending. 2542 people joined at the door, despite the memberships costs of $35 a day and $75 for the full con. Atlanta won the bld to hold the 1986 World SF Convention, on the first ballot, with 789 out of the total of valid votes cast of 1368. -
Scratch Pad 7
Scratch Pad 7 Based on ✳brg✳ No. 9, a magazine written and published by Bruce Gillespie, 59 Keele Street, Victoria 3066, Australia (phone (03) 9419-4797; email: [email protected]) for the October 1993 ANZAPA (Australian and New Zealand Amateur Publishing Association) mailing. Contents 1 WHERE DID OUR KATE GO? by Bruce Gillespie Where did our Kate go? This is the slightly shortened text of my talk to the September tell she has not had a British edition, hardback or paperback, 1992 meeting of the Nova Mob, Melbourne’s sf discussion of any of her recent books. In Australia she has always been group. an unknown author, with only a few of her books appearing in local bookstores. I I became an admirer of Kate Wilhelm’s in the late 1960s after I read some of the short stories she had published in I can think of two reasons why I volunteer to give a talk once the Orbit series, edited by her husband Damon Knight. a year at Nova Mob. One is to prevent the onset of terminal (There are advantages to nepotism: she had a story in every brain death. Twenty years ago I could write a long essay or issue of Orbit except Numbers 13 and 21.) ‘Somerset review every month or so. Now I’m doing well to write one Dreams’ is the story that stays most clearly in my mind, but paper a year. But at least I try to exercise the old brain a bit I also enjoyed ‘The Encounter’, ‘Windsong’ and ‘The Infin- and discover new facets of some favourite author. -
V – Version 1 (June 2009)
The Canadian Fancyclopedia: V – Version 1 (June 2009) An Incompleat Guide To Twentieth Century Canadian Science Fiction Fandom by Richard Graeme Cameron, BCSFA/WCSFA Archivist. A publication of the British Columbia Science Fiction Association (BCSFA) And the West Coast Science Fiction Association (WCSFA). You can contact me at: [email protected] Canadian fanzines are shown in red, Canadian Apazines in Green, Canadian items in purple, Foreign items in blue. V VANAPA / VANATIONS / VANCOUVER AREA FLYING SAUCER CLUB / VANCOUVER SF SOCIETY / VATI-CON III PROGRAM BOOK / VCBC BULLETIN / VCON / VELVET GLOVES AND SPIT / VENUS IN CONJUNCTION / VICTORY UPDATE / LA VIEILLE LOBELIA / THE VIEW FROM THE EPICENTRE / VILE PRO / VISIONS / VODKA ON THE ROCKS / VOGON POETRY CONTEST / THE VOICE / VOLDESFAN / VOLTA / VOM - VOICE OF THE IMAGI-NATION / VOMAIDENS / VOMB / VOMBI / VULCAN / VULCAN MAIL VANAPA -- Faneds (O.E.): Fran Skene & Shelly Lewis Gordy. The Vancouver APA, pubbed out of Vancouver, B.C. (Detail to be added) "VANAPA tends to be slightly more frivolous than BCAPA and to discourage political discussions, etc." - (RR) In her editorial in the last VANAPA (#34), Fran Skene wrote: "We have our answer. VANAPA has perished. However, it served a need for a while as a place for locals to turn to when they couldn't stand the arguments in BCAPA." 1978 - (#1 - Dec) 1979 - (#2 - Jan) (#3 - Feb) (#4 - Mar) (#5 - Apr) (#6 - May) (#7 - Jun) (#8 - Jul) (#9 - Aug) (#10 - Sep) (#11 - Oct) (#12 - Nov) (#13 - Dec) 1980 - (#14 - Jan) (#15 - Feb) (#16 - Mar) (#17 - Apr) (#18 - May) (#19 - Jun) (#20 - Jul) (#21 - Aug) (#22 - Sep) (#23 - Oct) (#24 - Nov) (#25 - dec) 1981 - (#26 - Jan) (#27 - Feb) (#28 - Mar) (#29 - Apr) (#30/31 - May/Jun) (#32 - Nov) 1982 - (#33 - Jan) (#34 - Jun) [ See BCAPA ] VANATIONS -- Faned: Norman G.